History – Fact and Fiction/The Joy of Author Interviews

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. Glad to be talking about history, something I adore, for Chandler’s Ford Today this week. Lady has been out and about with her closest girlfriends and we’ve had more sunshine. (You make the most of that while you have it. Lady shares that view!).

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Facebook – General and Chandler’s Ford Today

Delighted to share History – Fact and Fiction for Chandler’s Ford Today this week. I’ve loved history from an early age in fiction and non-fiction forms.

I recently gave a PowerPoint talk on two women united by one king (Richard III – the women in question are Josephine Tey and Philippa Langley) and fiction as well as non-fiction can do so much to bring the past to life. My post looks at the advantages of both forms of writing when it comes to history and I also share how music can help enhance historical portrayals too.

I’m currently reading Double Cross by Ben Macintyre and loving that. If you have any suggestions for good historical reads, fictional or otherwise, do pop across to the CFT page (link below) and share in the comments box. Would be good to get a reading list going!

Hope you enjoy the post.

History – Fact and Fiction

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Pleased to be back on Authors Electric. This time I’m talking about The Joys of Author Interviews. I look at conducting them (I do this often for Chandler’s Ford Today) but also what I find fascinating about interviews I listen to/read which are conducted by others. Hope you enjoy the post.

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Sunshine again today! Lady and I made the most of that.

Looking forward to sharing History – Fact and Fiction on Chandler’s Ford Today on Friday. See above. I love history. Historical fiction can bring out truths which cannot be proved in the traditional sense but which could be said to be reasonable supposition based on what is known.

I use reasonable supposition for my historical flash pieces such as in My Girl (Tripping the Flash Fantastic) where the viewpoint is from Queen Anne Boleyn on the eve of her execution.

For fictional characters, having worked out their main trait, their attitudes and behaviours will be based on that. I like to think of that as “following through”. If a character’s main trait is slyness, then they will act in that way and their attitude reflect it.

Characters have to seem true to a reader to convince them to follow the character’s story.

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Facebook – From Light to Dark and Back Again

End of the working week means it’s time for another story. Hope you enjoy my latest on Friday Flash Fiction. This one is called Sharing Is A Mug’s Game. Find out why my character George comes to this thought – is he right?

Screenshot 2024-04-19 at 10-13-07 Sharing is a Mug's Game by Allison Symes

Flash fiction is ideal for Open Prose Mic Nights. Doesn’t take too long to read. You can mix up the mood of the stories you pick for this too. But I do practice what I read beforehand. Find it helps with the nerves (and there should be some good nerves here – some adrenaline is useful for a performance. I find it gives me a kick start!).

I like to mix up the mood for the stories I put in collections but you can pick a big enough topic to write about only. Dawn Kentish Knox did this with her excellent The Great War, which contains 100 tales of 100 words each. It also has to be a topic that is of huge interest to you. You need the commitment to that topic to be able to produce that number of stories.

For assortments of stories, which so far has been my route, it is a question of getting the balance of stories right – literally from light to dark and back again.

From Light to Dark and Back Again - by night

I’m a huge fan of outlining but I focus on ensuring I know my character(s) well enough. I work from their major traits and what attitudes/actions these would be likely to lead them to and that in turn helps ensure their motivation is understandable.

If a reader understands why a character is acting the way they are, the character will come across as more believable, regardless of how fantastic the setting might be. I see doing all of this as my bedrock for a story.

Once I know my character I can then see what kind of situations they are likely to end up in. A forthright character, for example, is likely to cause upset simply by being tactless. What is then fun is working out what that leads to – one of my stories with a character like that ending up cutting up someone in a car park who later on was revealed to be the judge for a story competition they’d entered. Oops!

Following through to ensure everything about your character makes sense pays dividends. You’re less likely to have plot holes for one thing because you have already figured out what Character A would be likely to do/feel in the situation you’ve set up.

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Fairytales with Bite – Breaking the Magical Rules

For your magical setting, it pays to let readers have some sense of the rules early on. For example, can all of your characters use magic? If there are limits, why have these been imposed and are they imposed fairly?

What are your characters allowed to do with their powers? What are they expressly forbidden to do and how are these rules enforced? What would happen to anyone who broke the rules accidentally? What would happen to someone who did this deliberately? I would hope there would be a difference here!

Give some thought as to who in your creation set the rules for magic. If these were imposed on your setting by a superior power, why was this done and by whom? Why are they not involved with your setting now? Are they likely to come back?

Most of us understand and accept most laws but there will always be some which niggle, which seem petty or bureaucratic. What would the equivalent of these be in your setting? Does someone breaking rules like that get away with it? Could it lead to petty laws being repealed? What would your character be seeking to change here and are they doing it for the greater good of their society?

Sometimes there could be a point to breaking the magical rules, especially if these were being misused. So who would challenge the status quo here and what has led them to do so?

Story ideas there!

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This World and Others – What is Normal Anyway? (Settings)

I think this is a good question to answer regardless of what your setting is! For your world, what would be considered normal behaviour? Would it equate with what we consider normal behaviour? What would your world make of humanity and the ways we organise our countries etc?

In an alien setting, where there are special powers/magic/greater scientific discoveries etc, what would be considered normal there? Would someone we consider to be a genius be seen in a different light in your setting because intellectual capacity is so much greater?

What would be the normal use of magic, special powers etc? What would be considered excessive?

Within your communities in your world, what is the range of expectations? If you have a magical community, what would be considered normal for elves to be able to do, dwarves to be able to do and so on? Do the different groups co-operate to make things better for all? (And yes we could do with more that here!).

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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