Share Your Story Summit and Musical Connections

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Book signing images for From Light to Dark and Back Again were taken by my lovely editor at Chandler’s Ford Today, Janet Williams.

Lady looking on unimpressed as I signed Tripping the Flash Fantastic was an image taken by Adrian Symes.

Images from the Share Your Story Writing Summit provided by them to all presenters (and am thrilled to share what follows!).

Details of the summit below. Will also be issuing a bonus newsletter shortly with full details of the summit too. 

To sign up for my newsletter (with giveaway) please sign up here.

3. writers IG 2021

Facebook – General – and Chandler’s Ford Today


Pleased to share my Chandler’s Ford Today post for this week. Musical Connections was a joy to write and listen to (see the post for some wonderful Youtube clips) and I hope you enjoy it. Many thanks for the great comments on this so far.

Over the next couple of weeks, I plan to share a couple of posts on topics I hope will be useful. I plan to discuss book trailers and videos and give some useful pointers for where to go for down-to-earth advice when new to the writing game (though that will still be handy for older hands given timely reminders are always helpful! I know I find them handy!).

Thrilled to bits to be taking part in the Share Your Story summit later on in the month and am looking forward to giving a Zoom talk to a WI affiliated group just ahead of when the summit starts.

Slap bang in the middle of the summit will be when my recent interview with #HannahKate will be broadcast, link to follow in due course.

So lots going on but all of it fun and that’s the way I like it!

Quick reminder that my Musical Connections post is up on Chandler’s Ford Today tomorrow and I hope it leads to plenty of lovely meanderings down Memory Lane. It certainly had that effect on me!

But the big news is I can now share more details of the international writing summit I’m taking part in. This is the first event of this kind I’ve taken part in as a presenter (though I have been to others as an audience member and loved them).

I will be producing a bonus newsletter with full details over the next couple of days so please sign up to my newsletter via my website (allisonsymescollectedworks.com) if you would like that.

I’m planning to produce a quick Local Author News Update post for CFT probably sometime next week outside of my usual Friday slot as well. Will flag these up as and when they’re about.

Meanwhile, the main points:-

Summit is from 18th to 23rd March 2021.

Summit is called the Share Your Story Writing Summit and features a wide range of authors and topics.

There is limited free access with 3 to 4 presenters on any one day of the summit.

Each of the days (and therefore topics on that day) is available for 24 hours only.

BUT:-

Pre-sale Early Bird Pricing – If you would like access to everything (and why not!), then between the dates of 4th to 17th March, you would pay $47 USD. There are 23 presenters and 23 workshops. That is a lot of info for not much money! Bargain…

During the summit itself – March 18th to 23rd 2021 – you can get access to everything for $67 USD.

AFTER the summit itself – March 24th 2021 onwards – You would pay $97 USD

And there is an affiliate link so I will earn a small amount of money if you go for any of the paid versions. You also get to keep the talks and there is a wealth of experience and advice here, all of which will be useful.

So it pays, literally, to get in early, folks! No surprises when I mention my topic is on flash fiction! The link takes you to the summit landing page where you can choose the free or paid for versions. See https://www.creativeu.ca/a/46030/yLSebqrq for more details.

#freesummit #summit #free #shareyourstory #creativity #write #shareyourstory2021

Am so looking forward to being part of this!



Looking forward to sharing news about the international writing summit I’m taking part in soon (from tomorrow onwards so watch this space). See above – I am rather pleased about this! I’m also looking forward to checking out the other topics on offer for this. The range is fantastic but don’t just take my word for it!

In other news, Lady had a fabulous time with her best buddy, a Rhodesian Ridgeback, this morning. You can always tell when a dog is happy when she walks home slowly, tail wagging all the way, gets home, has a drink, and then crashes out, perking up again when she senses my hubby or I are about to have lunch. It is Lady’s role to supervise us having our lunch, of course. We couldn’t possibly eat it all by ourselves.

Plenty of non-fiction work going on at the moment with talks etc., but am getting some flash fiction writing in (and producing the short story videos for Youtube upload on a regular basis helps ensure that too!). I’m starting to get material together for a third collection and that takes time but I am pleased to have made a start on that.

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Facebook – From Light to Dark and Back Again

As well as the writing summit, which I flagged up yesterday, I’m waving the flag for flash fiction again in mid-March via Zoom to a WI-affiliated group. On 20th March, my interview with #HannahKate for her Hannah’s Bookshelf show on North Manchester FM will be broadcast where again I wave the flag for flash and blogging, (I almost typed flag the wave just then – lovely Spoonerism I think!).

Am also drafting flash fiction pieces though I will up the pace on that work once the summit is over.

I do love the variety of writing and try to ensure I enjoy it all. That’s important. Writing and marketing are hard work but a joy and having that joy helps you keep going when times are tough.

I still have “no hears” on submitting work and I always will but I know now I can always submit that work elsewhere when I can get back to the piece in question. Nothing is wasted in writing. What you can’t re-submit somewhere, you can analyse and see if you can work out why it didn’t get placed or what have you. It does pay to do that. I’ve picked things up on a piece later I didn’t see at the time of submission and you can take what you learn there and use it to help you be more successful with other work.

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The big news, as I mentioned on my author Facebook page, is I’m taking part in an international writing summit from 18th to 23rd March 2021. My topic is Flash Fiction – Why I Love It and Why I Think Every Writer Should Try It!

More details on the summit can be found at https://www.creativeu.ca/a/46030/yLSebqrq

The summit is free but there are paid for options if you would like to be able to access all of the topics or are not sure you can actually be about on the day in question for the relevant presenters to you. Bear in mind there are 23 presenters on 23 wonderfully varied topics so I strongly suspect you would find several of the topics would be of interest!

I will be issuing a bonus newsletter about the summit sometime over the next couple of days and you can sign up to receive this, and future author newsletters from me, at https://allisonsymescollectedworks.com/

Allison Symes (1)

PS.  I never dreamt, when I first started writing seriously many many years ago, I would see things like the poster above. I can’t tell you how many rejections I’ve had in my time. I almost certainly could cover my walls with them had I kept them. So being open to trying new forms of writing – flash fiction in my case – has proved productive. Not giving up and developing stamina to take the setbacks on the chin also does. No short cuts but dreams can sometimes come true. (And no fairy godmother in sight either, which is a tad annoying given I write so many stories about them, but there you go!).


Always delighted to wave the flag for flash fiction and am looking forward to sharing more news on the international writing summit I’m taking part in soon where I do precisely that. (Hope to start sharing from tomorrow onwards so watch this space. There is a wonderful range of authors taking part on a lovely variety of topics so there will be something for everyone – see above and this will almost certainly be my big news for 2021, I think).

One thing I’ve found useful at “live events” such as the railway station signing I had for From Light to Dark and Back Again was it is easy to demonstrate what flash fiction is by reading some out! Entertains the public, it always give me useful practice at effectively “open prose readings”, and I’ve made sales that way too.

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Fairytales with Bite – What Counts as a Bad Week in a Magical World?

Well, what does count as a bad week in a magical world? Is it when every spell you use goes wrong no matter what you do? (See The Sorcerer’s Apprentice for more on this and with fab music too!).

Is it when there is too much magic flying about and the results are questionable to say the least? That wizard who wanted to change an annoying junior into a statue for half an hour to teach them a lesson finds it has backfired when that statue walks off complaining loudly and embarrassing him?

Now for your villains of course a bad week for everyone else would count as a good week for them. Hey, we’re villains, doing what we’re supposed to be doing. So what would they do to cause trouble for everyone else? Does it backfire on them? Does the rest of your society eventually get their revenge here?

And who decides whether it is a bad week anyway? How would your created society decide what was good and what wasn’t?

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This World and Others – What Makes Your Created World Stand Out

What makes your created world stand out so you have to write it into life? What attracts you to it? The good news is here is what attracts you here should attract other readers.

My view is your world has to have enough depth to make you want to write about it. Your characters have to be compelling but so does the setting in which you set them. So think about what would make you want to live in the place you’ve invented? Is it the magical elements? Is it the fantastic scenery free from all pollution etc?

What would a reader find that was special about your setting? What would make them want to read more about how life is lived there?


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Characters, Podcast, Interview, Summit and Talk News – Yes, it has been a busy week!

Image Credit:- All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Images of Wendy H Jones were kindly supplied by her.

Many thanks to Geoff Parkes and Penny Blackburn for the images of me reading at Open Prose Mic Nights at the Swanwick Writers’ Summer School (pre-2020 obviously!).

Image of me signing Tripping the Flash Fantastic in front of a distinctly unimpressed Lady was taken by Adrian Symes.

And I think the above will be my longest blog post title ever! 

ANNOUNCEMENT:  I launch my author newsletter on Monday, 1st March 2021 and there is a giveaway with it (which you link to in the Welcome to my Newsletter email you receive on signing up). Sign up page here

Newsletter advert

Facebook – General – and Chandler’s Ford Today

After what has been a busy, fun, and especially creative week, I’m delighted to share my Chandler’s Ford Today post which shares some of what I’ve been up to (!) and looks ahead to what is to come.

I’m thrilled to share here the link to #WendyJJones’ podcast, the fabulous The Writing and Marketing Show, where I was her guest back in late January talking about writing a regular column.

I discussed with Wendy, amongst other things, how to find ideas and to keep on finding them. Naturally Chandler’s Ford Today was well plugged here and I should stress that though it is an online community magazine, many of the articles go beyond local.

My posts here are aimed, mainly, at writers and I specifically aim to write posts that will prove timeless and therefore useful to people for longer. So do go and have a look!

I also discuss a little about what is coming up including when my interview with #HannahKate will be broadcast, about the international writing summit I’m taking part in, and about a WI talk I’m currently working on for delivery in mid-March.

See https://chandlersfordtoday.co.uk/local-author-news-allison-symes-summits-talks-and-interviews/ for more.

And a big thanks to Wendy once again for hosting me on her podcast. Also thanks for her contribution, and to all of my other guests for theirs, to the recent CFT series Launches in Lockdown.

Feedback on that has been good (many thanks, folks!) and I hope it proves useful for anyone planning their launch this year. What was particularly positive about that series was the range of ideas people had for overcoming the obvious difficulties in trying to have launches during a pandemic. I was also encouraged to see though that, despite all the miseries of the last year, book sales went up considerably. Now that is always good news!

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When I first started out as a writer (the last T-Rex had just left the planet to give you a rough idea of time scales!), the thought of talking about my work or networking would have brought me out in a cold sweat (and did. Thank goodness for deodorant!). Now, it’s fine. Why the change?

I cheered up about the thought of networking when I realised it often meant chatting with another writer about my work over a cup or glass of something lovely. They’d ask me about my work. I’d ask them about theirs. Before I knew it, a good conversation was being had and I made new writing pals. So win-win.

(I’ve only ever come across the odd one or two who only wanted to talk about their work and I learned from that this is not the way to make writing pals. It is no coincidence the best writing pals are the ones who take an interest in what you do and of course you take an interest in what they do. I’ve learned something useful from every writer I’ve ever chatted to, regardless of their genre, and it is true that to have writing pals you need to be one yourself first and foremost.).

But I realised before going to my first writing conference all those eons ago that I would have to think of something to say to introduce myself and what I did then writing wise. So I drafted something. The old pen and paper came in handy here, I drafted something useful and it made sure I didn’t forget anything either and it gave me that little bit more confidence when I went to that first conference as I rehearsed it to myself too and I knew I at least had something to say!

I was very nervous but I quickly found writers are a friendly and welcoming bunch and before I knew it I was chatting away as if I’d known these good people for ages. And that’s the way it should be and one of the major things I love about the writing community.

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It was a joy to be interviewed by #HannahKate for her Hannah’s Bookshelf show on North Manchester FM today. I look forward to sharing the links later but it was a real pleasure to talk about flash fiction and blogging. It is a funny thing I fell into both of those things by accident but the writing journey is unique to each writer. We all face our twists and turns but sometimes those twists turn out to be smashing ones!

In other news, my Chandler’s Ford Today post is going to be a summary of my recent news, including mention of the interview with Hannah, but also includes the link to #WendyHJones’ The Writing and Marketing Show podcast where I was a guest a little while back talking about writing a regular column. (I didn’t want to interrupt the Launches in Lockdown series, otherwise I would have shared this sooner). I’ll also be sharing a little about what is happening in March as it is going to be a busy month with most of the prep work done for it this month!

It is often the way with the writing life things come in batches and then nothing for ages. You do get used to it!

 

Facebook – From Light to Dark and Back Again

I’ve found mixing up the way I approach writing flash fiction interesting and useful. It keeps me on my toes for a start! I always start by knowing who my character is but I don’t necessarily write from A to B until I reach The End. Sometimes I write from B to A (and this is a specially good technique for twist in the tales. You know what the twist is and then work back logically to where the start should be).

Sometimes I know the mood of the story I want to write. For example, let’s say I feel like writing a funny story that will make people smile and, better still, laugh. I then think about the kind of character who would serve that kind of tale well.

And I do the same if I want to write a tale that makes you shudder. What kind of character could produce that kind of reaction?

I’m sure you can see from all of that why I think characters are what makes a great story (or not. A promising story can fail miserably if the star performers, your characters, are “not up to the job”. I’ve only ever abandoned a couple of stories in my time and both times it was for the same reason. Weak characters, a story that didn’t grip me precisely because those characters were weak. And my conclusion? It was all my own fault for not getting to know these characters well enough before writing them up. I try hard not to make that mistake now!).


One of the things I’ve found when talking to people about what flash fiction is all about is that demonstrating it by reading one or two of my 100-word stories goes down a treat and does the job nicely! In the days when we could still have live events (hopefully soon to come back again!), I made sales doing that!

And it shows the impact of the very short form in the best way imaginable too.

When taking part in Open Prose Mic Nights, such as the ones at Swanwick Writers’ Summer School, it is a great way of finding out whether the impact you think the story has really does have that.

Gauging audience reaction is not just useful for the story you’ve read out but it can guide you as to how approach writing others, especially if the reaction is not quite what you thought it would be (and that happens). Mind you, it is wonderful and appreciated by me when a story does produce the reactions I’d hoped for and people do laugh when I wanted the story to produce that.


I write a mixture of flash tales – ghost stories, historical, crime, fantasy, humorous, slice of life etc – which is why I sometimes describe my collections as “mixed assortments”. They don’t just work for chocolates! But each type of flash I write has its own challenge in that I have to convey the type and setting without using too many words to do so.

With a historical piece, I use the character to take you back in time. That saves a wealth of description for one thing but I can also show you the world that character lives in through their eyes. And what they see tells you the story is set in the past.

With crime, I often show it is one with the last line as twist in the tale endings work so well for this. I also use an interesting first line sometimes to indicate a crime has either just happened or is about to happen.

For fantasy, I often show this via the character. For example in Tripping the Flash Fantastic, my story Where The Wild Wind Blows starts with the two words “The Witch” so that shows you immediately this has to be a fantasy setting (as opposed to your local High Street, unless it is a very odd High Street!).

But I love mixing up the kind of flash tales I create and again it keeps me on my toes as I have to work out what is the right approach to them and no two stories are exactly the same here.

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Fairytales With Bite – Who are Your Minor Characters?

For longer works, I like spotting the minor characters who end up playing a major role in the overall story. I try to guess at the start of the tale which of these will end up with a kind of starring role.(For The Lord of the Rings for example, I would put Merry and Pippin in this category. They’re not so important as Sam but they will still play an important role that contributes to the overall plot).

The main thing to make sure of, naturally, is such minor characters really do serve a purpose and are not just there for decoration or to make up the numbers. (Writing flash fiction means I can’t do that. I have to focus only on what serves the story but it is a great technique to develop for all forms of writing, including non-fiction).

So who are your minor characters? What roles do they play? Do the major characters realise the contribution from the minor ones?

I also wouldn’t kill of a minor character for the sake of it. There has to be a good reason for them to go, otherwise the reader will see straight through it. Everything and everyone in the story has to serve a useful purpose, otherwise out they go!

I outline my characters so I know who they are before I write their story up (and I like to think of it as being their story and not mine. That also helps me make sure my author’s voice does not come into it). I do this by asking a series of questions.

For minor characters, you won’t need to know so much but you do have to be crystal clear that they are necessary to your tale and why.

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This World and Others –

What I Like to see in a Fictional World

I could write chapter and verse (appropriately!) on this one so it is a question of working out what is the most important and I think of that in terms of what I think the reader will consider most important. So my suggestions?

Interesting Characters – no story without these. I want to see fully formed characters who intrigue me enough to make me want to find out what their story is going to be. (I also have a soft spot for quirky characters but there has to be a good reason for them to be quirky and in your story).

A Sense of Their World – I don’t need every detail. Nor do your readers, otherwise you run the risk of sending them to sleep with too much description etc. I do need to know where the characters live, how they provide for themselves, and what kind of government they live under (as that gives me a feel for what liberties they have, or don’t have, as the case may be). Even here a broad overview is fine. And you can build up what you “feed” readers, a bit at a time. Think about the “need to know” basis, it’s a good guideline. You as the writer will always need to know more than the reader but not all of that necessarily has to go into the story.

Level of Education – This can be shown by how the characters speak. Readers will deduce what is normal, what is not from context. Also references to books (or not) can indicate whether the society is a literate one or not. It can also be shown by how the characters communicate. If it is an oral tradition, there will be no written records, as we would know them for example.

Conflict – No conflict = no story. Even when the character struggles with themselves, there is conflict. And the conflict should be based on what readers find out about your fictional world from what you choose to show them. We should be able to see Country A hates Country B because…

Resolution – As ever with any kind of story, this doesn’t have to be a happy one but it should be appropriate for what has gone before.

New Blogging Spot, Launches in Lockdown – The Finale, and Flash Talking

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Have had a great time on the blogs this week too. I share below my first post for Authors Electric and am looking forward to writing more for them.

Many thanks to all of my fabulous guests for my CFT series, Launches in Lockdown. Book cover and author pics provided tonight by #AmandaJones (aka Amanda Baber), #GailAldwin, and #Gill James.

And a very familiar sight here… I had better get on and add THIS post!

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Facebook – General – and Chandler’s Ford Today

Delighted to share the finale of my zeitgeist series, Launches in Lockdown. Many thanks to everyone for taking part. The feedback on this series has been stunning. Thanks, all.

Tonight I chat with #AmandaJones (aka Amanda Baber), #GailAldwin, and #GillJames.

Usually my CFT series are only three parters but there was such a wealth of information to share, I knew I had to expand this. And I could think of many excellent authors I would have loved to have added to this so the series could have been much longer!

In the meantime, I hope you continue to find the series useful and informative. And good luck to all who are launching books this year.

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Facebook – General – and Authors Electric

Am delighted to now be blogging for Authors Electric on the 18th of each month. For my first post, I thought I’d share some of my life changing books. Have you any nominations?

Further to my earlier post about Authors Electric, I couldn’t resist the temptation to nominate some of my favourite and life changing books. So I didn’t! The trick here is limiting it to a few! And that is tough.

A while back for Chandler’s Ford Today, I wrote a post called Desert Island Books where I could take eight and that was also tough. Good fun to write though. Blogging stretches the little old grey cells and makes you think not just about content but how to present that in an entertaining way to readers.

So let’s hear it for the blog! A fabulous invention (and really the modern equivalent of writing a diary or journal I think but with capacity for more. Not many diaries or journals end up published. I’m not including the fictional ones here (I loved the Adrian Mole ones). Blog posts can inspire article ideas which might be published elsewhere. Besides which the blogs themselves are published and can be shared easily with a far wider audience than a private journal).

Talking of CFT, the finale of my series Launches in Lockdown is up on site tomorrow. A massive thank you to all of my guests for this series ranging from Authors Reach, the Association of Christian Writers, Swanwick Writers’ Summer School, Bridge House Publishing, CafeLit and, naturally, Chapeltown Books. Naturally as my flash fiction collections are published by them and appropriately for my post tomorrow, I shall be talking to the creative force behind the last three contributing places – Gill James.

Screenshot_2021-02-19 Authors Electric

If you’re wondering who the handsome stone gentleman is, it is Richard III, picture from Pixabay. Go to my Authors Electric blog and see why he is relevant (after reading the rest of this of course!).

Every so often I will take time out to brain storm. Sometimes I set myself a task such as to brain storm ideas for future story titles. Sometimes I jot down character templates so I have “ready made” people good to go for future stories. Often when I do the latter, one of the characters takes my fancy and I start working out situations where they would shine (for good or for ill) and before I know it I have another flash story drafted.

So brain storming is a great idea! It’s also a fabulous way to use those pockets of time when you don’t have time to write much but you are itching to write something. And if you use a warm up writing exercise before you do your main writing work, well not why not look to brain storm as a form of exercise? It will encourage creative and lateral thinking and that is always a good thing, no matter what your main writing work might be.

(Oh and a good place to start with brain storming is to play a game of Word Association but just write down what you come up with. Links will start forming).

To quote that wonderful detective, Columbo, just one more thing – I’m looking forward to sharing my first blog for Authors Electric tomorrow. (See above!).

 

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The magnificent Columbo as played by the late Peter Falk. Pixabay image.

Facebook – From Light to Dark and Back Again

A little later this evening, I shall be recording my flash fiction presentation which will be part of an international writing summit that will be “out” in March. I’m looking forward to sharing links etc when I have them but meantime it is a privilege to speak about a form of writing I am passionate about.

Flash fiction is my big writing love. The impact of the very short form of story writing has impacted me a lot! I hope it continues to do so!

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My two flash collections – and to think I discovered flash fiction by accident!

Many thanks for the great response to my flash fiction and word count tip post yesterday. I guess I can speak from direct experience in saying that the more you write, the more you learn.

Using flash fiction as a warm up writing exercise is something writers in other fields might consider doing to “flex” the old creative muscles. The nice thing of course now is that those writing exercises when suitably polished up and edited could well find a market or competition now that flash has taken off as a genre.

One word of warning though. I have found flash fiction (and indeed blogging) incredibly addictive so once you’re in, you’re in, but that’s not a problem for me!

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When I first started writing flash fiction, I worked to specific word counts, especially the drabble at 100 words. I do still do that but more often these days, I will get the story down, rest it, edit it, and then decide on the word count. Why? Because I have found some tales simply work better with more depth at 200 words, than 100, say, and it is then a case of finding the right market/competition for the 200-worder. And that’s fine.

I have learned not to squeeze something to fit a word count. The story has to be the right length for what it is and not be made to fit something it really doesn’t quite suit. But it has taken me a while to learn how to judge when to leave well alone, I must admit!

Fairytales With Bite – Non-Magical Characters in a Magical World

Do you have any non-magical characters in your magical story worlds? If so, how do they manage? What have they got that perhaps the magical ones need and which helps guarantee survival?

This could be something as simple as the magical ones will lose some or all of their powers if they harm the others (and who is going to want to risk that?). Maybe food has to be grown and produced using normal agricultural techniques and those with magical powers aren’t going to dirty their hands doing that kind of work?!

You could also explore the frictions between the two different groups. Do the non-magicals resent those with powers (or vice versa – maybe the magicals see the others as a waste of space but cannot act against them?).

For me, I would have a lot of sympathy with a non-magical character using the skills and talents they have (and maybe some luck) to end up being the hero/heroine over and above those who are more obviously talented than they are. I think this is one reason I am so fond of Frodo Baggins in The Lord of The Rings. I like the characters who are under-estimated precisely because they don’t have powers.

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This World and Others – Codes

What role do codes play in your stories? I’m thinking of several different kinds of code here:-

Codes of conduct – (what happens when these are breached? You just know someone will breach them!).

Codes used in language – (maybe certain groups use terms which are meaningless to anyone but others from their groups and it would seem like code to those not in the know)

Mathematical codes – (are there machines which need coding? If so what are these, what codes are used, what are these machines used for? And the purpose could be anything from the simple to the sinister).

Codes used for spying – (who is being spied on and why? What encryptions are used in your fictional creation? Who is the spymaster and who do they work for?).

What happens when the codes are breached or broken? Would this threaten the security of your characters and/or their world? How can they overcome that and undo the damage done?

Plenty to think about there!

Twitter Corner

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When Wishes Are Not Granted and Launches in Lockdown 4.

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

And one good question for all writers to answer is given below.

CHARACTERISATION - If you, as writer, are not convinced by the characters, nobody else will be

Facebook – General – and Chandler’s Ford Today

Am delighted to share the link to Part 4 of Launches in Lockdown for Chandler’s Ford Today. My guests this week are #PaulaReadman, #Dawn Knox, and #AmandaHuggins. They didn’t just launch one book during launchdown – oh no! They launched several! For more on why they chose the launches they did for their books, do see the post.

A huge thanks to everyone who has commented so positively on this series, whether directly on CFT or on my FB timeline. If ever there was a zeitgeist series for me to write, this is it I think.

Final part of this series next week. What has been lovely throughout has been the wealth of ideas and tips shared here. Many thanks to all of my guest authors for that but we all hope this will be a source of encouragement for those wondering how on earth they will hold their launches, given we can’t know when restrictions will be lifted etc. Do see this series as a good place to start for some very useful ideas to start you off!

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Delighted to share a link to another great review for Tripping The Flash Fantastic. This one comes courtesy of Big Al’s Books and Pals, an American book blogger site. Many thanks to Al and I am all for spreading the word about the joys of flash fiction on both sides of the pond!

As ever, I will put out the word for reviews for authors. Remember they don’t have to be long but they all help. And it is the best way I know of supporting other writers. So win-win there, yes?

Looking forward to sharing Part 4 of Launches in Lockdown for CFT tomorrow. All fantastic thoughts and tips throughout this series and Part 4 continues that fine “tradition”. And a huge thanks to everyone for the positive comments on the series so far – I guess those count as reviews!

Do see the link for the full review and once more thanks to Al!

Not convinced by my phone telling me it is 3 degrees out there. Certainly doesn’t feel like it. Still it does encourage a brisk pace when out with the dog. Lady not at all bothered by the cold (and is almost certainly the only member of the immediate family not moaning about it too!).

I’m preparing a couple of presentations at the moment – yes very exciting. Hope to be able to share more news soon. The writing life can be full of stages and there are times when you realise, yes you have just hit another one. I’m at that point now. All good fun!

I mentioned in my Writing Magazine spot (Subscribers’ News this month) that I discovered flash fiction by accident. It is also true that one thing in writing leads to another and it can be great fun finding out where these different steps take you. My short story writing led me to discover the joys of flash and what I’m working on now is as a result of my writing flash and being published in the form. The writing journey is not always a straight line route but it is important you enjoy the trip!

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Facebook – From Light to Dark and Back Again

Do I have favourite flash fiction tales of mine? Hmm… I do know I have more than one! It is like asking me to choose what kind of chocolate I like. There is no way I am going to stick at just picking one!

I am especially fond though of stories with a twist ending and funny tales that make me laugh. The latter often end on a punchline, which in a way is a kind of a twist ending I guess.

I am, I think, most proud of Calling The Doctor, where the mood of the story turns on the last word. See my book trailer for From Light to Dark and Back Again for that.

Having said that, the thing which drives me most as a writer is the wish to keep on improving on what I do. That’s a good thing. It means you’re not resting on your laurels (other green plants to rest on are available though I wouldn’t recommend opting for the holly!).

Also you are striving continually and that means when opportunities come your way, you are more likely to be open to giving them your best shot and who knows where that will take you?

It can be fun finding out though and bear in mind this is from someone who hadn’t even heard of flash fiction when I started out. I certainly didn’t expect to be published in it.

I am going to have news to announce soon which involves flash fiction and I am looking forward to sharing that as soon as I can.

If flash fiction writers had a motto, I guess it would be less is more! We do have to convey a lot in as a few words as possible but that also means we have to make choices from the outset. We have to decide what is relevant for a reader to know. The downside of that is not having the joy of subplots. You do need the longer story forms for that.

But what flash does give you is focus. It is exactly like shining a flashlight on one particular spot and seeing what you can see in that light. Because you can only see so much, the effect is more intense and the impact on a reader more powerful as a result.

Knowing that in advance means you can come up with suitable stories to make the most of powerful impacts. My own favourites are the funny flash tales. A short belly laugh at a tiny tale always goes down well with me. Something of that humour would be lost if it was set within a longer story.

Now I’ve mentioned using various random generators to trigger story ideas. There are some fabulous ones out there – verbs, nouns, adjectives, questions etc. The great thing with all of them is you can set your own parameters such as the number of words you generate. You can choose the first and last letters of the words you want generated in a lot of cases as well so if you like specifics, that is for you!

The ironic thing with having parameters (and this is true for flash fiction as a whole due to its word count maximum) is they can free the writer up to come up with better ideas.

You know you are working with limits so you have to think laterally to make the most of the limits you have. And it does encourage you to cut your wasted words. You want every word to count so you’re not going to leave any in unless it does add something valuable to your story. That alone makes your story stronger and it is a great writing practice to get into and will benefit every form of writing you are involved in.

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Fairytales with Bite – When Wishes Are Not Granted

An interesting line of enquiry to follow for stories set in a magical world is to ask what happens when wishes are not granted.

How does the one making the wish react to that?

Does the fairy godmother, say, have phenomenally good reasons for not granting the wish that perhaps she can’t reveal (at least immediately)?

One good reason here by the way would be to force the person making the wish to find their own way to solve a problem (and it may well be that anger at magical help being turned down might motivate that character to find their own way and learn to manage on their own).

Politics can come into play to a certain extent too. If a fairy godmother was to grant a certain wish, would it land her in trouble with her boss and/or other magical species? If the different species are keeping the peace by agreeing not to use excessive magic, would the fairy godmother’s actions to help your hero/heroine/anti-hero/anti-heroine breach that agreement? What would the consequences of that be?

Interesting story thoughts there!

And don’t forget the possibilities of when wishes are granted that little bit too late.

Now this could lend itself to humour. Do we have an inept fairy on the loose, say? Who reins her in or helps her sort out her timings? Good fun could be had there.

But this would also lend itself to tragedy – for the main character and/or the magical being. Again good stories to be found.

It is worth asking the question “what if” for story planning. Spider diagrams or flowcharts can also be useful in working out what the best ideas. And always write up the one that grabs you the most. It is likely to grab your readers too and you will write the tale up with enthusiasm and that comes through in your writing.

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This World and Others – Working Things Out

How do your characters work things out? Do they rely on their own wit and intelligence? Or are they smart enough to know their own weaknesses and find expert help as and when they need it?

Do they read? Are there libraries (and if so are they like ours?). Do other characters help your “stars” or do they get in the way? And are your characters savvy enough to know that a certain course of action might lead them into conflict with those far more powerful than they are? Can they avoid this? Can they work out better ways of doing things or how to overcome the risk of conflict?

As in real life, some characters will be planners, others will be pantsers. But what if you put your people in situations where they have to act differently from the way they normally would? For example, what if your typical pantser finally finds they do have to plan something out carefully to give them any chance at all of (a) success and (b) survival? How would they handle that? (Initially not well I would expect! But how do they get over that so they do what they have to do?).

As a writer, working things out I find incredibly useful. I like to work things out with regards to my characters first. Who are they? What are their major traits? What are their flaws? Nearly always ideas for stories spring up as a result of answering those questions. It can sometimes show me the mood the story is likely to be too. A pompous character is someone I am likely to put into a funny tale precisely to show them up (and have great fun doing so!).

But there are different ways to work things out for you as the writer and for your characters, It is a question of working out which method would work best for you, this particular character, this particular story.

Happy writing!

Titles,Writing Magazine, Publication News, and Part 3 of Launches in Lockdown (and Lady news update!)

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

A huge thank you to Val Penny and Jen Wilson for their author pics and book cover images for this week’s Chandler’s Ford Today post.

This post title should indicate what kind of week I’ve had – good but busy! Am just hoping the drink in the Pixabay picture below is a nice hot chocolate… I’m not a coffee fan. (I know, I know, writers are supposed to be but there you go).

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Facebook – General and Chandler’s Ford Today

Delighted to share Part 3 of my Launches in Lockdown series on Chandler’s Ford Today. The advice and tips given in this series so far has been top-notch, not to be missed etc., (and the good news is there is more to come!). A huge thank you to #JenWilson and #ValPenny for their contributions this week.

Jen, Val, and I are huge fans of the Swanwick Writers’ Summer School which is where we met and we are all hoping to meet up again there this year after last year’s event sadly had to be cancelled due to You Know What. We are also part of a team there called the Prosecco Queens (anyone fancy a guess at why we went for that name? Anybody? Anybody at all?!).

Last week’s post was from writers from the Association of Christian Writers. Now I mentioned earlier this week one of the joys of reading Writing Magazine is spotting how many of your writing pals you spot in between the covers, so to speak. I have to say it is usually a fairly even split between people I know from Swanwick and people I know from ACW. Keep going, folks!

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Hope Thursday has worked out okay for you. Glad to report Lady is now running again (and is very happy to be doing so, I can tell you). Mind you, it does look like she’s had a mud bath by the time I get her home. Thank goodness for my late mum’s old towels… perfect for dog cleaning duty! Also thanks goodness for an excellent washing machine!

Writing wise, I am looking forward to sharing part 3 of my Launches in Lockdown series for Chandler’s Ford Today. Link up for that tomorrow.

This week I feature two fabulous guests and writing friends I’ve come to know thanks to the marvellous Swanwick Writers’ Summer School. (So not only have I learned from the wonderful courses there, I’ve made fantastic friends and they are the best support any writer can have. Who else but another writer knows the elation when things are going well and you have work out there? Equally who better to sympathise with when rejections are all that seem to appear in your inbox?).

Further news. I had a fab time appearing on Wendy H Jones’ The Writing and Marketing Show last week. I’ll be writing a CFT piece about that and resharing the link once the Launches series has finished so that is my CFT diary full for February!

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One of joys of subscribing to Writing Magazine is opening it up and spotting your writer friends in there. This month it’s my turn! My February edition has just come in and I’m on the Subscribers’ News page, talking about my happy writing accident in discovering the joys of flash fiction writing. Naturally my website and Tripping the Flash Fantastic get a mention! (And It was fab my publishers Chapeltown Books had a good write-up last time).

Also delighted to see another 5 star rating come in for From Light to Dark and Back Again. A good day then!

Lady had her first proper but limited run today and loved it. Her paw is fine. The only thing we could have wished for was better weather but it is supposed to improve as the week goes on.

Looking forward to my first blog appearing on Authors Electric on the 18th. Meanwhile do check the excellent posts out there at https://authorselectric.blogspot.com/

Towards the end of this month is going to be a bit busy as I’ve lined an interview up amongst other things and I’m looking forward to all of that (and to being able to say more about the other things too).

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Facebook – From Light to Dark and Back Again

I’ve discussed titles before here but it is an important topic and they carry more weight in flash fiction stories than in other types of fiction. Why?

Firstly, the right title will set the mood and tone of the story in and of itself and that will save you on the word count for the tale itself.

Secondly, some websites and competitions do include the title as part of the word count (so always watch for that) so you want the title to do some of the “heavy lifting” for you.

Some other thoughts:-

  • Keep your title short. It makes it more memorable and saves on word count.
  • Impact of title is more important than word count (but that’s true for the story too!).
  • Does your title idea reflect the mood of the story or can it be open to interpretation? I am fond of the latter as it gives so much flexibility but there are times I want to set the mood so I choose an appropriate title accordingly.
  • Alliteration Always An Idea but Don’t Overuse It!
  • Never be afraid to change a title if the one you first came up with isn’t working for you. I find I need a title to work “to” when drafting but have changed it when a better idea comes up.

I’ve had the privilege of judging a flash fiction competition, which was interesting to do, but I was surprised to find some stories didn’t have titles with them. The really important thing to remember about a title is it is your story’s first “advert” to hook the reader in with and you want to make the most of that.

Remember only the Ten Commandments were set in stone so my advice would be to go with a working title and then change it later if you think of better (and that often does happen as you write the story. A better idea will “just come to you”. Note it and then examine it later in the cold light of day to see if it is as good as you thought and/or better than your initial idea. If it is, go for it!).

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I’ve often discussed, especially on my author FB page, the joy of outlining. I find it helpful to outline my characters. Now can you do all of that for a 50 or 100 word piece of flash fiction? Of course you can!

Like the story itself, the outline won’t be a long one, that is all. Less than a short paragraph like this usually does the job nicely – and I then get straight into writing the tale. Prep helps a lot! I’ve found it saves me a lot of time later as the outline has stopped me from going off at a tangent etc. Tangents are fun but are often not relevant to the character or plot so they shouldn’t go in. Everything has to be relevant!

So for a flash fiction outline (and especially for those tales which will be under 500 words), I ask myself a couple of questions.

  • Why do I want to write about this character? (In many ways it is for this character, it is their story I’m telling).
  • What mood is the story going to be? (This does affect the type of character I’m going to produce for the tale. If I want a funny tale, you don’t necessarily need a funny character to service it. What you do want are characters full of their own importance who need taking down a peg or several. That’s where the humour is, not necessarily directly in the character. Often a character who thinks they are funny are not and can often be tragic.).

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Publication News

Many thanks for the great response yesterday to my plug for CafeLit now the list of those appearing in The Best of CafeLit 10 is now known. (And yes this is another crafty way of getting another mention in for CafeLit and the book!). Yes, it does include me – see next post down. Sometimes a date order blog round up goes against you!!

For me the success of any story, regardless of its length, depends on the character(s). If they grip me, I’m reading the rest of the story, book or what you. If they don’t…. Well, life is just too short to perservere with something that just isn’t engaging me.

And that is the continuing challenge for me as a writer. Just how can I make my characters appeal to a reader (and especially one who may well not have come across my work before. There is a certain truth in the saying you only have the one chance to make a first impression and with my stories, I want my characters to hook readers in right from the start. You have got to have that “must find out what happens next” moment and to keep that going until you do reach the end).

One way I try to achieve this is to come up with characters readers can understand. They don’t have to like them but they do have to get where the character is from (and ideally ask themselves if I was this character, would I be doing this? If not, what would I be doing instead? If a reader is asking questions like that from a character, you know what character has intrigued them to keep on reading).

This is where outlining the character helps. And the great thing is you can pick the kind of outline that suits you. I don’t particularly need to know what my character looks like (that can come later) but I do need to know what their major traits are and what their flaws are. Think about what you would want to know from your character if you could interview them “for real” and use that as a basis for a useful outline template you can use over and over again.


Fairytales With Bite – When the Wand Isn’t Enough….

Okay, we’re in a magical world in our stories. How can a wand ever not be enough?

Well, firstly, if a wave of the old wand solves every problem, you haven’t got any stories to write. Where is the conflict in that? Problem A arises. Problem A gets resolved with said wave of magic wand. There’s no character development. And just reading problems being resolved like that will become boring so quickly! Readers want to find out what the characters do and how they react and it takes more than a wave of the magic wand to really show readers what the characters are truly made of. Are they sterling stuff or treacherous rats etc?

Also when everyone has a reasonable amount of magical power, there has to be a way of distinguishing between them (and it helps your readers to tell them apart too).

It is also a reasonable assumption to work on that some species will have more powers than others either by learning or by inheritance or both so what do the weaker species do to ensure they can survive? They’ve got to find ways of beating “their betters” without the use of magic (and that’s when stories can become really interesting. Characters are having to think on their feet here though of course you as the writer have planned this all out!).

So just as writers we shouldn’t rely on magic or coincidences getting our characters out of trouble, the characters themselves need more than the old magic wand waving too.

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This World and Others – What do Characters think of their Environment?

The answer to this question will also tell readers a fair bit about what your characters are like.

Do they care about the environment or are they oblivious to it?

If your created world has different climates and regions, are the characters you’re writing about aware of all of this or is there a certain amount of Here Be Dragons about their attitudes?

Here Be Dragons was something written on old maps where a map maker had literally got to the limits of where they were prepared to go to make their maps so anything unknown had this slogan added to it! They could get away with it because it was highly unlikely anyone was going to challenge them (and I’m sure they worked on the theory, well there could be dragons!). (Never get away with it now due to Google etc!).

How characters treat the world around them is likely to flag up to readers how they are likely to treat other characters. One of my own favourite characters in Losing Myself from Tripping The Flash Fantastic appears to be one who cares much more about the environment and natural world than any other of her own kind. That was an interesting story to write because it made me think deeply about what would make a character be or become that way.

And then there will the opposite – those who do not see or care about the environment around them. How did they get to be that way? And is there a point where they have to change their attitude?

So my lead question here can be a great way into some interesting story ideas.

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Twitter Corner



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Writing Joys, Podcast News, and Launches in Lockdown 2

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Thanks to #RichardHardie, #FrancescaTyer, and #TeresaBassett for supplying images used below too.

A huge thank you to #MaressaMortimer, #FranHill, and #WendyHJones for their images and book cover photos for my Chandler’s Ford Today Launches In Lockdown series this week.

And I am delighted to say I was on Wendy’s The Writing and Marketing Show earlier this week. Will share link further down. I talk about writing regular columns for online magazines.

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Facebook – General – and Chandler’s Ford Today – Launches in Lockdown Part 2

What a busy day it has been as there are two posts on here from me tonight!

For this post, I want to say what a pleasure it has been to write the Launches in Lockdown series for Chandler’s Ford Today. I think if I can make a claim to write a zeitgeist series, this one is it!

Part 2 tonight shares wonderful insights from three authors from the Association of Christian Writers (I’m the Membership Secretary). #MaressaMortimer, #FranHill, and #WendyHJones have all had books out in the very recent past and have plenty of useful tips and thoughts to share in this week’s post.

Hope you enjoy it and find it useful.

Next week I’ll be chatting to writers from the Swanwick Writers’ Summer School.

 

Facebook – General – and Association of Christian Writers

It is very much an Association of Christian Writers weekend for me as I am at an online Committee meeting tonight and tomorrow. Much will be said. Much will be done. All thanks to Zoom!

And it is my turn on the ACW More Than Writers blog too. This month, I use my spot to talk about Writing Joys. I can’t stress enough how important it is to love what you write. (Okay you won’t all the time, nobody does, but you should be looking forward to your writing sessions and what you’re working on most of the time. It is that love for the work which drives you and can help keep you going during the tougher writing times which happen to us all).

Delighted to say my interview with Richard Hardie recently on Chandler’s Ford Today is now up on the Authors Reach website (very much with my blessing!). Authors Reach is Richard’s publishing company and I was chatting to him about the challenges he has faced as an author and publisher during the pandemic. The AR link is https://www.authorsreach.co.uk/post/richard-hardie-authors-reach-and-lockdown – well worth another read!

And tomorrow sees Part 2 of my CFT series, Launches in Lockdown, go live. This week I’ll be chatting to three lovely writers from the Association of Christian Writers – #MaressaMortimer, #FranHill, and #WendyHJones. One of them has also come up with the funniest book title of 2020 in my view. You’ll have to wait for the post tomorrow to find out who the author is and whether you agree with me or not! (Trouble with doing a blog round up in reverse date order is you will already have spotted the answer to this one!!).

PODCAST NEWS –

WENDY H JONES CHATS TO ALLISON SYMES

Am thrilled to share the link to my interview by Wendy H Jones for her podcast, The Writing and Marketing Show. I talk about writing a regular column (for Chandler’s Ford Today), how I find ideas (and keep coming up with them) and the joys of an online magazine.

With more of us using technology to read (smartphones, I-pads etc), it makes a huge amount of sense to have intelligent, interesting, and entertaining content available for that technology. And online magazines do need writers to provide it. Hope you enjoy. And many thanks, Wendy, for hosting me again. It was such fun to do!

Podcast News:  https://www.stitcher.com/show/the-writing-and-marketing-show/episode/writing-a-newspaper-column-81142120

Screenshot_2021-01-27 The Writing and Marketing Show - Writing a Newspaper Column on Stitcher

Facebook – From Light to Dark and Back Again

A huge thanks to everyone for the great responses so far to my CFT series, Launches in Lockdown. Whether you’ve been launching flash fiction collections (as I have) or longer works, I think it is fair to say the last 12 months have been difficult. But social media and Zoom have helped.

And I think this all shows the importance of networking too. Thanks to networking over the last few years, I have a lovely wide range of people to approach for CFT interviews, but it does also mean that same pool can be invited to my launches.

Naturally this is two-way traffic. I get invited to theirs and I go to as many as I can. You learn from what other writers do and they learn from you too. I love the give and take of the writing world here.

I guess also writing flash is excellent practice for writing short, pithy pieces for your online book launches too!

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Am thrilled to see a great number of views for my recent story video, Dress Sense. The thought of Red Riding Hood giving the Big Bad Wolf fashion tips has obviously gone down well! Many thanks, everyone. (Oh and I think she’s right by the way – see the link and see what you think!).

Dress Sense Video Link:  https://www.youtube.com/watch?v=pVs_GEWh5To

Tripping The Flash Fantastic is on offer in paperback on Amazon at the moment. Go on, pick up a bargain! See http://author.to/AllisonSymesAuthorCent for more.

F = Fun to write
L = Lively character(s)
A = Action immediately
S = Stories great for ending with a twist
H = Heroes/heroines are dropped right in it from the start

F = Finite story length but you do have some choice
I = Imagination intense to make an intense story work
C = Character(s) has/have to grip you immediately.
T = Tension, yes there’s plenty of that and not a lot of space to resolve it.
I = Intensity can vary. Reflective pieces can work well but the character has to be compelling to make that successful.
O = Oh my… what is your flash tale’s ‘oh my’ moment?
N = Narrative take? I often favour first person.

Thought I’d share another story video here – hope you enjoy.

Fairytales with Bite – Magical Reading

What kind of books would your magical characters read? Would they read about uses of magic or do they want to get away from all of that? Well, it would make sense if they did. I know when I read I want to escape the every day world and its cares. In a magical world, the magic is the everyday world and its cares! Same old, same old, and all that!

Having said that, maybe they would want to carry out research and use it to improve their skills.
Some suggestions for possible research reading material then though I accept the titles could do with some work (and abbreviating!):-

Fairies – 10001 Things To Do With Your Wand Not Involving Turning People Into Frogs

Witches – How to Sabotage Fairy Spells So They Produce Useless Things Like Glass Slippers – A Beginner’s Guide.

Wizards – How to Produce the Perfect Smoke Ring Without Appearing to Use Magic To Do It

Elves – How To Be A Right Cobbler (see the story of The Elves and the Shoemaker here).

Dwarves – Gold and How To Find It (always of interest)

Dragons – Wing Technique for the Bigger Flying Animal and How To Get It Right and Surprise Your Prey (and I am assuming dragons are very intelligent creatures who can read, so there!).

And talking of dragons, let’s hear another story from their viewpoint.

 

This World and Others – Education, Education…..Er…. What Does Your Fictional World Consider to be Education?

So what would your created world consider to be a good standard of education? Is it just the ability to read and write? Would there be topics like history, geography, any of the sciences etc? And is the education open to all but only a few?

In an uneducated world (judging by our standards only), how would news be communicated to those who cannot read? Does the lack of an education hold people back or have they not known anything else? Is there any sense of people wanting to improve their situation here?

And if so, what or whom is stopping them and for what purposes? (Usually it is a question of being able to control people who don’t enough to question things but what if the ruler has genuine reasons for fearing what education could do? Are they right? What are those fears? How can those fears be misproved and the ruler shown a good standard of education would be beneficial?).

If there are schools, colleges etc., do they resemble what we have here? What are the differences?

And if education has always been around, how has it progressed or is it progressing during the course of your story?

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Twitter Corner

 

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Launches In Lockdown – New CFT Series

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing. 

Author pics and book cover images kindly supplied by the authors themselves in my new Chandler’s Ford Today series, Launches in Lockdown.

Tonight’s images here are supplied by me, Allison Symes, (!), #TeresaBassett, and #FrancescaTyer.

And whatever you write, being creative with stories, non-fiction etc, is always a good thing!

Whatever kind of writing you do, exercises help you improve what you do

Facebook – General – and Chandler’s Ford Today

I have been so looking forward to writing and sharing this post. My new Chandler’s Ford Today series, Launches in Lockdown, starts now and will run for the next few weeks.

I talk to a wide variety of authors about their experiences launching a book in such trying conditions, what they did, what they felt worked well, what they learned from the kind of launch they were able to hold and so on.

Fascinating insights to come from writers from The Association of Christian Writers, Swanwick Writers’ Summer School, and Bridge House Publishing/CafeLit/Chapeltown Books.

But first up tonight are:-

1. Me! I share my experiences from launching Tripping The Flash Fantastic in 2020.
2. Writers from Authors Reach, Richard Hardie’s publishing company. You may recall I interviewed him last week about the challenges he has faced as a writer and as a publisher. Tonight, firmly from the writing desk, I chat to #TeresaBassett and #Francesca Tyer about how they fared as they launched The Time Crystals and The Firestone respectively.

A huge thank you to all of my guests over the next few weeks for taking part in this. If ever I could be said to have written a zeitgeist series, I think this is it! And everyone shares wonderful tips and advice so plenty to take in here.

But for now I hope you enjoy Part 1.

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Nice to have sunshine today after yesterday’s storms. Lady appreciated it too (and playing with one of her other pals, Coco). The mud levels over the park are something else, mind you! Am so glad of my boots and suspect I shall be living in these until March at the earliest.

When is your best time to write? I mainly write in the late afternoons and evenings though if I can sneak in extra time to write, I’ll do so. I just need to start writing and away I go.

Best time for reading is bedtime though I love catching up with various writing magazines over lunch (and it was a real pleasure to discover a mention for Chapeltown Books in Writing Magazine yesterday).

Had a lovely time joining in with #writingchat yesterday. The topics are always interesting and make me thing. Learn a lot from it too. It is the main writing group I’m involved with on Twitter.

And last not but not least just a quick reminder my Chandler’s Ford Today post tomorrow is Part 1 of my Launches in Lockdown. (See above!). As well as sharing my experiences from last year, I talk to Authors Reach writers, Teresa Bassett and Francesca Tyer.

Over the next few weeks I’ll be talking to authors from the Association of Christian Writers, Swanwick Writers’ Summer School, and Bridge House Publishing/CafeLit/Chapeltown Books. Plenty of insights and thoughtful tips tomorrow and in the other posts to come. Looking forward to sharing them all.

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Delighted to read a wonderful piece about my publishers, Chapeltown Books, in this month’s Writing Magazine. Check out the Writers’ News section at the back and the UK Book Market piece. I do like having a quick look through the magazine when it comes in so I can play the “spot the person I know” game on the letters page, the competition winners and runners-up etc. It is a bad month if I spot less than four! I then read the articles at lunch so I’ve only just come to this bit! (CafeLit and Bridge House get a mention too).

I was right on one thing today – Lady and I did get a soaking this morning though it has eased off a bit since. Winds are still high though.

Am still reading London – The Biography by Peter Ackroyd. It is a fascinating read (though it is a long one. Let’s just say you don’t want to drop the paperback on your foot, yet alone the hardback!). All sorts of stories tucked into a wonderful work of non-fiction. It’s easy to take in information when it’s presented in an entertaining way as it is here – and that’s something for all writers to aspire to, whether we write fiction, non-fiction or both.

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Facebook – From Light to Dark and Back Again

One thing I love about working with Chapeltown Books is being able to contribute to what appears on the book cover. That doesn’t always happen with publishers. I must admit I had a lot of fun picking suitable images from Pixabay for From Light to Dark and Back Again and Tripping The Flash Fantastic.

For FLTDBA I chose the rippling circles to indicate stories have impact. Even the smallest flash fiction tale has the impact to move a reader. Also many of my stories have characters who are not always are as they appear to be and the rippling circles to me indicated characters capable of being disturbing and causing ripples in life wherever they go.

For TTFF the castle with the lights on reflects the fact I have historical flash fiction pieces in this book. I also think there is a sense of mystery, the unknown, about that castle and who might live in it. Given I write a lot of fantasy/fairytale with bite type stories, that was an appropriate image for me to convey.

It did take me a while to work out a shortlist of suitable images but it is so worth taking time over. When your book finally reaches you and you take the first one out of your parcel, you want to be so proud of it. You want people to be drawn to and intrigued by your cover (and then hopefully by the contents too!).


Every so often I will write a flash tale in poetic form and some of these appeared in Tripping The Flash Fantastic. This is an interesting challenge as you need to get the story down and ensure it is a proper tale and then get the rhythm of the poem right. I am partial to rhyming poems (and even more so to a good limerick!) so I like that kind of pace in my verses, but I have learned that the language you use has to be natural to you and make sense to the story. Forced rhymes stand out.

But this kind of scrutinizing what you are writing and why and have I really chosen the best word to (a) suit the story and (b) suit the rhyming pattern I’ve set up does keep you on your toes and worth having a go at if you want to stretch yourself a bit.

The majority of my stories will always be in “straight” prose but a spot of variety every now and again does no harm! That is also why I sometimes write tales as acrostics. The nice thing with those is there is a visual element to them and so they work quite well for posts on Facebook, story videos and so on. Even better for the story videos are the one to two line flash stories as you don’t want anything to be too long here. Never give the reader/viewer a chance to lose interest!

Do I identify with my characters? Hmm… now there’s a leading question!

The answer is mostly! I know, I know, very helpful – not! So what do I mean by this?

Most of my characters I like. I can identify with them easily enough. But I don’t like all of them. I can think of a fair few I would not want to meet in life! So how I can write about characters like that convincingly?

I try to identify why my characters are the way they are and there is usually something I can latch on to there.

Understanding where your characters come from does not mean agreeing with their choices! Understanding where they come from means you will write their story with more conviction. I mean I can see how and why Gollum in The Lord of the Rings turned out the way he did. Do I agree with him? No!

Getting into your characters’ heads is not always a comfortable experience, indeed it often shouldn’t be (as my crime and horror writing colleagues would no doubt confirm!). Even with the characters you like, they can’t be goody-goody. You need to be able to see and understand what their flaws are and how those play out in your story.

You can have the most wonderful character but what will really make them come to life for your reader is when they fail or screw up in some way. Okay your character overcomes that and goes on to better things but it is that failure which drives that change to overcome and that is what fascinates a reader. I know it always fascinates me.

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Fairytales with Bite – The Problems with a Magical World

The major problem with a magical world is it is a magical world! Er… yes… but how come that is the issue? You want to write about a magical world after all!

True but the problems come in simply because if every character can just resolve problems by a wave of the old magic wand, either that world is going to come to a stalemate (as characters cancel other characters’ spells out) or it is going to blow itself apart with all that magic flying around. So there have to be some rules and that is where life gets more interesting. You as the author decide on what the rules will be and yes, that’s the fun bit! But you do need to be consistent with how you apply these.

If you decide certain species in your creation cannot do magic at all, that’s going to give them a major disadvantage against those you’ve decided can do magic. What’s to stop the latter from wiping the former out altogether? So every species then, whether magical or not, has to have something to ensure their survival.

Equally if everyone is going to be magical, what are the limits to ensure nobody can blow the world up by mistake?! Who sets the limits? Who polices them? Those with fewer powers will need to have some safeguards against those with much more (again to prevent them from being wiped out), so what will these be? Can magic, say, only be used in daylight hours? Can using magic drain people of energy so they have to be careful how much of it they use?

The other problem with a magical world is how is it going to treat neighbouring worlds/countries who are not magical? Will they treat them with contempt? Or will they ignore the non-magical kinds even when the latter could do with some assistance because they’re faced with, say, an illness devastating their people that they know the magical lot could help them overcome?

Plenty of food for thought there but I hope this highlights magic can cause as many problems as it seems to solve and that in turn can make for some interesting stories.

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This World and Others – Dilemmas to Solve when World Building

This post follows on from the Fairytales with Bite piece above. There are plenty of dilemmas to resolve when world building, including the use of magic as mentioned above. You also need to decide how much of the geography and history of the world your readers need to know to make sense of your story. Also how do you get that information across?

I like to get characters to show me things wherever possible so I make them look at things and show me what they think of what they are seeing. If I mention Character A takes a brief look at the ugly Civic Hall, you know they’re in a town, they don’t think much of the architecture, and are clearly looking for something of more interest to them and whatever their quest may be. All of that in one sentence too!

There will be certain things you need to spell out to a reader. For example, if your characters need oxygen masks to be able to go outside, you need to mention that early on (and the reason why – it might not be an obvious one!). As the story develops, readers will get used to “seeing” your characters with these masks on and you won’t need much if any description later.

But I think it is a question here of knowing broadly what your story is going to be and from that working out how much your readers need to know. From there you can work out how to dripfeed that information into the story so readers pick it up almost unconsciously. No need for reams of description which can put people off.

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Twitter Corner

 

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Richard Hardie, Authors Reach, and Lockdown

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Many thanks to Richard Hardie for supplying book cover images and his author photo for my CFT post this week.

And below, from the wonderful Pixabay, a great example of what fabulous books should do – draw you in!

Books invite you into their world - image via Pixabay

Facebook – General and Chandler’s Ford Today

Delighted to share this week’s CFT post – Richard Hardie, Authors Reach, and Lockdown. Richard is a local (to me!) YA writer and Authors Reach is his publishing company. Richard and I chat about the challenges of lockdown he has faced both as an author and as a publisher.

Richard Hardie head profile-1

Richard Hardie. Image kindly supplied by him.

This post makes a wonderful lead-in to my Launches in Lockdown series which starts next Friday. I will be chatting to other Authors Reach authors, writers from the Association of Christian Writers, Swanwick Writers’ Summer School, and from Bridge House Publishing/CafeLit/Chapeltown Books.

Naturally I’ll be talking about my experiences of launching a book during these strange times as well.

Today’s post with Richard, as well as the series to come, offer I hope thoughts and ideas as to what can be done despite all the current difficulties. It is also good to know you’re not alone out there!

I must admit though the post I would love to write would be the one where I talk about going to live events again and setting up some of my own!

As they say, watch this space!

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I’m currently drafting a flash story for a blog and this is an interesting combination of fiction with non-fiction. I’m sticking to a strict word count to meet the needs of the blog (though this is excellent for flash fiction writing anyway!) and I’m writing the story in the first person from the viewpoint of my lead character. I have a soft spot for them already! To be fair I do like most of my “people”.

Occasionally I write a story with a character I loathe but I still try to get inside their head and work out why they are the way they are.

Do I enjoy making them get their comeuppance? Oh yes! That is one of the perks of the writer’s job after all!

But the fascinating thing with characters is there are infinite varieties to them and, as a result, infinite storytelling possibilities. It is a case of us “digging for gold” here and finding those stories but the process should be a lot of fun.

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Murky and damp day today, not that Lady worried. If she can get to the park and play, she’s happy.

Glad to say I’ll be taking part in two interviews in due course. Have got the questions in for one, am waiting on the ones for the second. It is great fun being on the “other side of the fence” for interviews! I also love looking at the questions I’ve been set and think yes, that’s a great one, it will draw me out.

The best interview questions always do that. You want a writer to share something of themselves and their work and what inspires them. Questions that draw people out are far more likely to achieve that than those where someone could get away with a simple Yes/No answer. (I’ve never seen the point of those kind of questions – where’s the fun in that for either interviewer or interviewee?!).

Oh and before you ask. Yes I do interrogate my characters from time to time. I don’t let them get away with simple Yes/No answers either!

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Facebook – From Light to Dark and Back Again

The challenges of flash I think are:-

  • Coming up with new ideas constantly for characters. (I’ve always found story ideas comes from the characters so as long as I know them well enough I will be able to write their tale).
  • Working out whether a 100-word story (or drabble), say, is the best way to tell my latest tale or whether I would be better having a shorter or longer piece to do the character(s) justice. I resolve this one by writing the story, putting it aside for a while, then cutting out my wasted words. I then look at what is left and ask myself line by line is this one really necessary? Does it serve the story? It can be amazing how much can be cut out doing that as only a firm “yes” to both of these questions is enough for me to keep the line(s) in the story. And that is how it should be.
  • Deciding whether to save the latest creation for a collection, or submit it for a competition, or save it for use as a blog post for me on my Facebook page, especially this one (!), or turn it into a story video and put in on Youtube. I sometimes deliberately leave a story as a text tale only for Facebook as I like to mix things up but must admit I have been having a lot of fun creating mini videos using Book Brush!

Still, those challenges mean I have no chance whatsoever of being bored and I like that!

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Looking forward to sharing my CFT post tomorrow. I will be talking to YA author, Richard Hardie, about the challenges of lockdown he has faced as both author and publisher. Richard’s publishing arm is Authors Reach and some of the writers from his stable will be taking part in my Launches in Lockdown series for CFT which will start on 22nd January.

This is going to be a five part series, one of the longest I’ve written, but all of my wonderful guests share great insights as to how they’ve launched books during what has been such a strange period of history. We all hope the series will be a source of encouragement, given, even as things get better overall, “normal” life clearly isn’t going to return all at once. So thoughts and tips about managing online events will always be useful especially given the lack of physical book events will go on for a while (though hopefully only for a short while!).

Writing wise, I am more on the non-fiction side right now with two interviews to prepare for though I have drafted a flash piece for submission to a blog spot later on. The latter was interesting to write. As ever, I found getting inside the head of the character was crucial. Once I hear their voice and see where they’re coming from, the story then flows. It is my character’s story after all!

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It came as a nice surprise to see a friend had shared my You Said story video the other day and there were fab responses in to it from that source. So many thanks, #JuneWebber, and to all who have kindly commented on this.

This poetic flash tale had to be written in the first person but I knew the voice of the narrator at once. Very much the voice of someone who has finally had enough of a situation. And I think I’ve conveyed that in this piece. Video up again below in case you missed it. It is good fun writing this kind of story video but I’ve found they work best when kept short.

https://www.youtube.com/watch?v=k_3E9H0Sk-M

Fairytales With Bite – What You Wish For

The well known saying “beware of what you wish for” is so true for us but it should be true for our characters too. It can be great fun making a character fall flat on their face when they so richly deserve it! But you do need to show the readers why the character deserves it so they can cheer along when the comeuppance happens!

Think about what your characters would wish for and why. Are their wishes reasonable? What stops them obtaining these? And where wishes come true, has that helped your character become a better person or has it ruined them? Getting all you want isn’t necessarily a great idea (and that’s equally true for us as well as our characters!).

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This World and Others – What Does Your World Lack?

Is your fictional world self-contained or does it need to trade with other worlds? If the latter, how is this done? What does your world lack that it needs to buy in and could this be used to hold your world to ransom by a hostile power?

Does your fictional world learn to grow/produce the things it needs or, if this is impossible, what can they do to ensure they can’t be held to ransom by said hostile power?

How does your fictional world get on with others around it even when it doesn’t need anything from anyone else? Does it look to create stable relationships, benefiting everyone, or does it take an insular view on things?

How do the attitudes shown here affect the people who live in your created world? If your creation is insular, does it stop its people from reaching out to other worlds in things like cultural exchanges etc?

If your story is set just in the one world, the question about what it lacks is still relevant. A world will have a climate and that will have its advantages and disadvantages. How do your characters cope with this?

What can your world produce? What can’t it produce? Has the climate changed in any way over time? Was your world once able to grow wheat say but can’t now and how has that impacted society? (It would do too – no bread etc so what would replace that as a staple food?).

Jotting down your thoughts to questions like this can help you visualise your world more clearly and that in turn will help you “get it across” to a reader more clearly. You may discover hidden elements that will help you add depth to your story. If your world was once able to grow wheat but can’t now, how do the people in your world react to that?

Favourite Writing Exercises and Why They’re Beneficial

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Facebook – General – and Chandler’s Ford Today

Delighted to share my latest CFT post – Favourite Writing Exercises and Why They’re Beneficial.

I remember being set writing exercises when I was first starting out as a writer and being terrified by the thought of them. There was also no way on this earth I would read any of my offerings out loud! How things have changed!

As I mentioned yesterday (see below!), the fact nobody expects perfect prose helps a lot. I also found listening in to contributions from others helped too. It kind of reassured me I was on the right lines with what I had drafted and that in time built up my confidence enough to start sharing my work out loud. Feedback from that helped still further.

I discuss in my post why it is a good idea to get used to writing exercises and practicing some of the most common ones set (opening and closing lines) also helps enormously.

I found it meant I was less unnerved when a speaker at a conference set such an exercise. I knew I’d already practiced them and while I wouldn’t know (rightly!) what the line would be I had to write to, I knew I could do the exercise. That in turn built up my confidence to draft something for that exercise and with time and practice, you get better at most things, including exercises like these.

Great comments coming in already for my latest CFT post. Do share what your favourite writing exercises are.

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Many thanks for the wonderful response to yesterday’s post about my tote bag with the cover for Tripping the Flash Fantastic on it and a big, big thanks to my publishers, Chapeltown Books.

Looking forward to sharing tomorrow’s CFT post as it is about writing exercises and I love these. I never used to do so. I used to feel terrified when I was set any at writing conferences etc but when I realised nobody was expecting perfect prose first go, I relaxed! That funnily enough was when I started to enjoy said writing exercises.

It helps to see them as a fun way to trigger ideas you can polish up later. And that is the whole point. You do polish them up later and from that who knows? I’ve submitted pieces of flash fiction and short stories which started life this way and then went on to be published on CafeLit etc. Talking of which I will have another piece on there later this week which will be a lovely way to start the writing year!

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Had a lovely surprise from my publisher today – a tote bag with my book cover for Tripping the Flash Fantastic on it! Guess what I’ll be using to take my books about with me when we can finally have live book events again! One chuffed author here…!

Lady was chuffed to see her best buddie, the lovely Rhodesian Ridgeback, in the park today. A good time was had by all. Lady doesn’t get to see her bestie every day so naturally wants to make the most of things when she does. (And her buddy takes the same view!).

My CFT post this week will be about a couple of my favourite writing exercises and why I think they’re beneficial. Link up on Friday. Hopefully you’ll also find it useful.

For the rest of January and into February, I will be sharing via CFT various authors’ thoughts on the impact of lockdown on their book launches. One of those authors will be me of course! But I will be kicking the series off with an interview with someone who is both a publisher and an author and has had to face lockdown and all that has meant from both sides of the writing business. All fabulous stuff and I can’t wait to share these posts. So plenty to look forward to here.

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Facebook – From Light to Dark and Back Again

What do you look for most in a story? I look to be entertained and it is a case of deciding whether to be entertained by a crime story, a historical fiction piece, fantasy, or what have you. For me, stories are all about taking a reader to a different place for a short while (and in the case of flash fiction, it is a very short while – and hooray I found a very I could justify using there! Very is one of my wasted words and nearly always gets the red pen treatment! It is unusual for me to leave any in!).

I guess lockdown has proved again how important stories are. The great thing with stories is you can go anywhere you like with them without moving one step from home.

So your travel guide for this weekend – what is it to be? Fantasy worlds, a dash of flash, a non-fiction book (and yes non-fiction is a form of storytelling too). And if you’re not sure where to start why not try a short story or flash fiction collection? See them as mixed assortments and doesn’t everyone like those from time to time? No calories either!

Whatever you read this weekend, enjoy – and escape for a while! It is a lovely feeling…!

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I’ll be talking about writing exercises in my post for Chandler’s Ford Today this week (link up tomorrow) but I like to mix up the kind of exercise I do, whether I’m specifically using them for flash work or not.

I love opening and closing lines (the theme of tomorrow’s post) as these are my two favourite forms of writing exercise but there are all kinds of things you can use as a prompt to start writing. I’ll talk a bit more about that in my post tomorrow but you can pick a random object from your desk, say, and work it into a story. You can use my other favourite things, the random generators, to trigger things to again work into a story and/or use as the theme and/or use as the title.

I like taking pictures when I’m out anywhere (not that this is happening for the foreseeable future!) but do look up your old pictures. Can any of those inspire a flash fiction story?

And however you start writing your tales, be sure to enjoy the process. That matters. I believe at least some of the writer’s enjoyment of the process does come through in the finished work and readers pick up on that subconsciously.

Anyway, why wouldn’t you enjoy what you write?!


I’m currently drafting a short story which I suspect will end up being at about the 1500-2000 words mark, so well above the flash limit, but I mention it here as I’ve fallen for the lead character and know I have got right under their skin.

Now I do this for all of my characters but this one does have that extra sparkle about them and I adore that. Hopefully future readers will pick up on this and love this character too in due course.

You need to fall for your characters and get under their skin for flash stories too, albeit this has to be done on a smaller scale. It helps to focus on the one thing that makes your character worth writing for and the one incident that is their story. What is it you have to write up?

Outlining helps here as you list what you love about your character and what could happen to them based on their situation. You then pick the strongest scenario based on that list. It will be the one that grabs you the most. Take time out to think about why that is. I suspect it will be because the scenario will bring out something special from your character, whether it highlights their sense of humour, sense of fair play, or simply just shows them in their best light.

And then enjoy every moment of writing the story up!

 

Fairytales With Bite – Favourite Kinds of Fairytale Character

Do you have favourite kinds of fairytale character? I always root for the underdog but I also love characters like Shrek that overturn perceptions as to how their characters are normally seen. Well, why can’t there be a good ogre? The word ogre itself conjures up the image of something nasty but who gave it that link? It also leads to the interesting question of what is the difference between a bad fairy godmother and a good witch? Who would you rather have in your corner?!

I also think fairytale characters are metaphors for us. There are the goody-goodies who never put a foot wrong, the ones who start out wrong but turn out okay in the end, the ones who are just plain evil (and usually they’re the ones after power which naturally they will only use for their own purposes). Maybe this is why fairytales resonate with us all still. We recognise the character types.

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This World and Others – What Makes Your World Work for a Reader?

What is it about your fictional world that you need to get across to your reader? What do they need to know about how things work?

The ideal of course is for your characters to show your reader the world they live in.

Readers pick up on context so think about that when writing dialogue. Dialogue in fiction needs to sound as natural as possible but you also don’t want characters to tell each other what they might be expected to know.

Example 1:-
Character A: I hear our newly elected Lord Mayor Renstung is a complete….

Hmm… a lot of telling here… also you want your readers to judge the Mayor for themselves and not be told what to think.

And it is highly likely Character B will know about the recent election and the new Mayor so what would be a better way of showing readers the situation here?

Example 2:-
Character A: Did you like the results on Thursday?
Character B: No. I was hoping old Whatitsface would be our new Mayor, not that complete…. Well you know what Renstung is like.
Character A: Hardly likely to forget am I?
Character B: I know you’ve mentioned the burning of your village on his orders but I don’t think you told me how old you were when that happened.

Much better. Yes, a higher word count but you find out something about Character A here, Character B comes across as sympathetic, and you can sense why these two are likely to be friends. For one thing, their views on politics look similar just from this short exchange.

When it comes to narrative, and you need to describe, say, the Mayoral building, do so succinctly. Think impact. What do you want your readers to see?

Example 1:-
The Mayoral Hall was built in the 50th century and looked like a wedding cake carved out of marble. It had won awards for its architecture but the prize giving committee were all members of Renstung’s cabinet.

This is okay. You get an image.

Example 2:-
There was something about the marble Mayoral Hall that made people shiver as they went past it. It might look like a wedding cake but countless people had died inside It. Nobody was sure of the numbers.

I would go with this wording. You still know it’s marble (the age isn’t the most relevant thing so I’ve cut that out), I’ve still given you the shape of it, but I’ve also associated it with horror. And that would be the most important thing for your readers to know.

Always ask yourself if you were reading your work as if it it had been written by someone else, how does the writing make you feel and react? There should be a reaction!

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Twitter Corner

 

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New Year 2021 – Apprehension or Hope?

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Image of The Writer’s Diary taken by me, Allison Symes. Much appreciated Christmas present!

Facebook – General – and Chandler’s Ford Today

It’s good to be back in business for Chandler’s Ford Today this week. It always feels a little odd when I don’t post there! My post this week is called New Year 2021 – Apprehension or Hope?

Well, folks, the post does what it says on the tin (readers of a certain vintage will remember the old Ronseal wood stainer adverts that had this as a slogan. Mind you, every time I hear Pachelbel’s Canon in D, I think of the old Wool advert from the 1970s but that does say more about my age than anything else!).

In my post, I discuss the coming 12 month and urge positivity (and I would so love to see a better balance between reporting news we need to know along with news that is more uplifting. I have found too much negativity saps the soul if you let it).

I also encourage building on the positive things. So a gentle start to my CFT writing for this year but that’s no bad thing. Am looking forward to bringing you some fascinating insights from other writers over the next few weeks. More nearer the time. Meanwhile I hope you enjoy this week’s post.

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Happy New Year everyone! Here’s hoping 2021 proves to be a better and happier year for as many of us as possible. And for those facing sad and difficult times that you have all the support you need. I don’t usually celebrate New Year. I almost certainly won’t stay up to see it in. I treasure my sleep more these days but will admit to not being sorry to see the back of 2020.

Writing wise, I hope to build on the good things that have happened this year. Am keeping what I can crossed that writing events such as conferences etc will be back on.

I chat about facing the New Year with apprehension or hope in my Chandler’s Ford Today post this week. Link up tomorrow and once again Happy New Year!

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Great to see a fab review come in for Mulling It Over. This is the Bridge House Publishing anthology for this year. My story, It Is Time, is in there (and if you like a chiller of a story, it is for you). I love reading anthologies as well as being in them as I’ve always enjoyed books which give a wide range of stories. They’re also great ways of trying out authors who are new to you. For writers, of course, they make a great way of building up a publication track record so win-win!

Many thanks for the great responses to my More Than Writers blog spot called Planning Ahead from yesterday (see previous round up post).  Even if you’re not normally a planner, doing some will help you achieve more. (If nothing else jotting down possible ideas can help you rule out what you don’t want to do and that can save you time later).

Massive puppy party over the local park today. Lady had a wonderful time with her best buddy, who is the most sweet tempered Ridgeback. Both went home absolutely shattered (but oh so happy). One good thing about the hard frost this morning? The mud had frozen over so at least I wasn’t squelching through everything!

Anyone for a quick chorus of “always look on the bright side of life”?!!

Screenshot_2020-12-30 Mulling It Over eBook Multiple, Hobbs-Wyatt, Debz, James, Gill Amazon co uk Kindle Store

Facebook – From Light to Dark and Back Again

I always find the 1st January to be a strange day, regardless of what day of the week it falls on. It never feels like a holiday. (And this year that feeling it isn’t really a “proper” holiday has increased thanks to the pandemic and the freezing fog. Mind, it has also not helped that the usual post-Christmas walks and family visits didn’t happen).

Have you made any writing plans yet? I’m continuing various things already “on the go”. I haven’t quite finished writing the first draft of my non-fiction project but am within sight of the finishing line so that’s good.

Below is a picture of my writing diary. Am putting this up now as this will be the neatest this book will ever look. My old one was beginning to look rather battered and tired (just like the year itself really!). I didn’t get to use any of the prompts from the last diary but hope to make amends for that this year. I’m sure there are plenty of prompts here I can use to generate flash fiction stories.

Onwards and upwards and forwards then. A New Year is always a time for hope. We really could do with a lot of that right now!

The Writer's Diary

Happy New Year, one and all. I was having a quick look through my flash collection indexes and have realised, while I do tell Christmas related stories, I haven’t written any about a new year. Hmm… if ever there was a time to put that right, I guess it is now, isn’t it?!

Watching the Clock by Allison Symes
I was having such a wonderful time I didn’t want it to end. Yes, I remembered what she’d said about being back home by midnight. But come on, midnight is no time to leave a party, is it?

So I stayed until the bells started to chime and then I did run. What would he think if he saw my shabby dress? I only wish I could have stopped the clock. If midnight never came, I could have continued dancing.

Still I made it home before they came back, full of gossip about who the beautiful stranger was. I couldn’t bear to hear it. I thought going to bed would stop that but no, they were full of it again the following day.

The only comfort I had was when the clock struck midnight this time, it only signalled the start of another day, another year. I wish I could believe it would be the beginning of something better but I have had years of disappointed hopes so I know not to dream any more. I won’t expect more from any new year, yet alone this one.

The dance though is something I will treasure all of my life. That I think is the fairy godmother’s real gift to me.

Hmm… what are they on about now? Something about the Prince marrying the girl whose foot will fit the glass slipper and every lady under 50 has to try the shoe on. I will have to work hard not to laugh when my step sisters try it on. Let’s just say their feet are anything but elegant and dainty.

Maybe this New Year will mean a New Start for me after all. I just have to wait then and keep the other slipper hidden. Wish me luck! It is time mine changed for the better.

Ends
Allison Symes – 31st December 2020

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Hope you enjoy what follows. I thought this would be a different way of getting across a universal truth for writers!

https://www.youtube.com/watch?v=1f3YsXSdrBg

Fairytales with Bite – Wishes a Fairy Godmother Would Love to Grant but Can’t

You would have thought the upside of being a fairy godmother is being able to dole out the odd wish to yourself every now and again but there are rules against such things. For a start, the potential for abuse is obvious. So given the rules, what would fairy godmothers love to grant in the way of wishes that they are forbidden to do? My suggestions are:-

Always making the punishment at least twice as bad as the crime. Why forbidden? Because there would be the risk that fairy godmothers would outdo each other as to how hardline they could be (as nobody would want to be seen to be “soft”).

Also when they are bringing miscreants to book, fairy godmothers want said miscreants to survive to learn their lesson and be able to warn others.

Also the usual idea is to humiliate miscreants and you can do that without using more magical energy than is strictly necessary.

Magic drains the person using it so no fairy godmother is going to waste her powers when she doesn’t have to.

Making cats trainable. This was declared an impossibility millennia ago. No amount of magic is going to change this (which is one reason fairy godmothers have always suspected cats of being magical creatures in their own right, regardless of the connection with witches).

Banning all possibilities of mistranslating a spell. Sounds a good idea but, if granted, it would have meant Cinderella would not have had her glass slipper. That has now become iconic (despite being murder on the feet – though fairy godmothers would see suffering as part of life. The main point they want to make sure of is that they’re not the ones doing the suffering!).

Taking all calories out of chocolate, prosecco and the like. I know. Lovely thought isn’t it? The argument against is you wouldn’t appreciate these wonderful things without the calories. Besides the Tooth Fairy wouldn’t like it. Take out the calories and you’re almost certainly taking out the sugar. That puts her out of a job and she’s not having that.

This World and Others – Marking of the Seasons

How does your fictional world mark the passing of time? Is there such a thing as a year, yet alone a New Year celebration? (Not that there will be much of any of that for any of us this time thanks to the wretched Covid).
Do the seasons match up to what we know on Earth? Or does your fictional world have something unique we would never see here due to the geographical conditions you’ve set up?

Marking of the seasons is something that has been done for millennia and is closely tied to agriculture. You have to know when to sow seed and when to harvest the crops after all. You also need to know when everything is dormant (though there is plenty going on under the soil even in winter, we just don’t see it).

So is there agriculture in your fictional world and, if so, what form does it take? Is there a food based celebration when the crops are brought in? If not, how do your creations survive? What do they eat and how do they get that food?

Even in a hunting community, there should be some sense of seasons given your characters would need to know when they could hunt their food and when their “prey” needs to reproduce so there will be things to hunt the following year etc.

So time matters then. How do you reflect this in your writing?

 

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