Kindness and Killing in Fiction – and Snow!


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. My CFT post this week has the most unusual title I’ve ever written to but I show there are plenty of examples of kindness and killing in fiction and not just in the usual genres. It’s good to be back on Friday Flash Fiction as well though I could have done without the snow coming back! But then that’s April in the UK for you!

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Facebook – General

Two posts from me for 1st April 2022 – not an April Fools Day joke, honestly!

The first of the month is a busy time! Am delighted to share the link for the April edition of Mom’s Favorite Reads. As ever, the magazine is packed full of articles, photos, and, of course, stories!

My column this time talked about Dialogue and there was a fabulous response to my challenge to create an all-dialogue piece of flash fiction with a maximum word count of 300 words. Do check the column and stories out – as well as the rest of the magazine. You’ll be in for a great read but don’t just take my word for it – there is only one way to find out, isn’t there?!

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Second post!
Okay – not so much sleet and snow today. Lady ran around like a mad thing this morning so almost certainly was unaware of just how cold it is right now. I got my gloves and scarf out! Hmm… I thought I had finished with them for a few months but never mind.

Author newsletter out this morning. Many thanks to those who have opened it so far. Hope you find it useful and informative.

My latest Chandler’s Ford Today post is called Kindness and Killing in Fiction, which is probably the oddest contrast I’ve ever written about. The funny thing is though there are plenty of examples of both across the fictional world and not just in the “obvious genres”.

Screenshot 2022-04-01 at 09-18-41 Kindness and Killing in Fiction - Chandler's Ford Today

I take a look at why characters must have a good reason (or reasons) for their actions and attitudes, though it doesn’t mean the author and/or their readers have to agree with them. We do need to see where the characters are coming from though – that is where realism comes in I think.

I also share my thoughts on why we read crime/horror when the world is the way it is and discuss signs of strength (kindness for me is one of them) and the role of justice in these stories. As ever, comments are welcome on the CFT page.

Kindness and Killing in Fiction

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Am still not impressed with the weather – have had sleet, hail, snow today. I thought March was supposed to come in like a lion and go out as a lamb. No sign of that happening today. Lady literally shakes it all off though she can have little “snow mountains” on her back until she decides to shake it off. She does this with rain too. I’ve learned to side step her when she does that! Having an extending lead is useful…

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Writing wise, I’m getting on with various blogs and I’m planning to get back to actual flash writing at the weekend. By the end of a week, as long as I have managed to get a good mixture of fiction and non-fiction writing done, I’m happy.

And odd moments of time I use to draft a flash tale or brainstorm ideas which I can use as I see fit. Sometimes I will have a specific brainstorming session where I focus on ideas for future blogs. These sessions always pay off because I have things to come back to later when I’m not feeling so inspired.

And you learn to recognize every writer gets periods like that (and in my case I know it can be fuelled if I’m feeling especially tired). Having a notebook stuffed with ideas though is a great thing to fall back on!

When I haven't much writing time

Hope you have had a good day. Not impressed with the weather suddenly turning cold though it was lovely seeing Lady having a riotous time with her best buddies, a lovely Rhodesian Ridgeback and Hungarian Vizler. (Good rule here is to stand back and enjoy the show. You don’t want any of the three dogs cannoning into you!).

Looking forward to sharing my Chandler’s Ford Today post on Friday. I’m talking about Kindness and Killing In Fiction this time. The whole crime genre has a major focus on the latter, of course, as a good whodunnit depend on there having been a crime to solve but kindness turns up more often than you might think.

A huge thank you to all who commented on my More Than Writers blog about Spring-like Writing yesterday.

My author newsletter goes out again on Friday. I enjoy putting these together and I hope you make good use of the tips and prompts shared.

One thing I’ve found useful to remember when rejections/no hears happen is to recall every writer goes through this and there’s nothing to stop you revisiting a story, polishing it some more, and sending it out elsewhere. I’ve had work published doing that. Good luck!

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Facebook – From Light to Dark and Back Again

Am delighted to be back on Friday Flash Fiction with my The Way Time Smells and a huge thanks to all the who have sent in fabulous comments on this already. This story is loosely based on fact and I evoke how a particular scent takes my character back in time. The scent I use here is one that does take me back in time in a similar way. Hope you enjoy it.

I had the idea for this one because the title came to me quickly and I know I would then need a scent to “latch on to” and why someone would link a scent with something in their past.. I’ve found before when the titles come first that tends to also give me a story structure from the start and I find that really useful. That was the case here.

Screenshot 2022-04-01 at 09-18-31 The Way Time Smells by Allison Symes

I’ve mentioned reading your work out loud before to hear how it sounds and the nice thing with flash is of course that doesn’t take long. The other reason I do it (and record myself to play back later) is to work out a kind of “set” for Open Prose Mic Nights. I like to have a balance of different moods of story, vary the word counts I read to, vary whether I use a first or third person narrator etc. I hope that makes things more interesting for an audience. I know it does for me!

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For humorous flash pieces, such as my Bypassing The System in Tripping the Flash Fantastic, I write my punchline down first and then work out different ways as to how I could logically get to that point. I do the same for twist in the tale stories. To me it makes sense to write down what I know I want to be in the story and then work out everything else around it.

Occasionally I have had a go at competitions where they give you a line they want you to put in the middle of the story. That’s a tough call but the way I’ve tackled this is to work out what must lead from the middle line to get to the end.

Having got two-thirds of the story down, I then figure out what the beginning has to be. Sounds a bit convoluted I know but it does mean that I have completed the “brief” and what leads to the middle makes sense as does what comes out from it to the end. I find with these stories knowing what the ending is, again, helps me to sort out the beginning.

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Fairytales with Bite – Time for a Spell?

I’ve long believed that Cinderella’s fairy godmother was somewhat late for the party when she did finally turn up. Where was she when poor old Cinders was having such a hard time of it being ill-treated by her stepmother and her daughters? Cinders could have done with earlier intervention I think – it would’ve limited the misery for one thing.

That said, when is the right time for a magical being to intervene to help someone? Is there a case for leaving intervention as late as possible to (a) give the character to chance to help themselves and (b) to ensure all other options are exhausted first? (Not a lot of comfort for poor Cinders there!).

Whenever you get your characters to intervene magically, ensure there is a good reason for that intervention and that magic is the only option available at this point in the story. Set something up earlier in the story to show magical intervention is a distinct possibility to avoid any disbelief on the part of a reader.

And if you can get a character on the receiving end of such help to do something to help the process, even If it is only by just fetching possible “ingredients”, then so much the better. They are at least contributing to their own positive outcome here.

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This World and Others – Recollections

Memories matter. They matter to individuals. They matter to countries. They matter to a world, fictional or otherwise. Culture is built up (or destroyed) by what people choose to remember. And what is chosen here will reflect a great deal on the nature of the character or culture doing the reflecting.

We, for example, remember the fallen in world wars etc for Remembrance in November. Others may see remembering the fallen as something they simply do not do – they only recall the heroes, the ones who survived.

For your fiction, you can pick elements like that to show the nature of your fictional world overall. A world that celebrates war is going to be very different from one that remembers and honours more peaceful ways of living. A culture that remembers its failures as well as its triumphs is likely to be a better one in which to live simply because it has learned to be honest with itself about its failures.

So what will your characters recollect? What is officially chosen to be remembered? What is remembered but talked about very quietly for fear of the authorities?

What would your characters do if they come across something that has to be told or recollected in some way yet goes against their world’s policy on what is remembered? Will they dare to cross the line here and what would the outcomes be if so? I would suspect there would be more than one outcome. There would be the obvious one of the authorities punishing the character but what would happen if the words had “got out” and others had got to hear the forbidden truth? What could be the outcome from that?

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