Kindness and Killing in Fiction – and Snow!


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. My CFT post this week has the most unusual title I’ve ever written to but I show there are plenty of examples of kindness and killing in fiction and not just in the usual genres. It’s good to be back on Friday Flash Fiction as well though I could have done without the snow coming back! But then that’s April in the UK for you!

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Two posts from me for 1st April 2022 – not an April Fools Day joke, honestly!

The first of the month is a busy time! Am delighted to share the link for the April edition of Mom’s Favorite Reads. As ever, the magazine is packed full of articles, photos, and, of course, stories!

My column this time talked about Dialogue and there was a fabulous response to my challenge to create an all-dialogue piece of flash fiction with a maximum word count of 300 words. Do check the column and stories out – as well as the rest of the magazine. You’ll be in for a great read but don’t just take my word for it – there is only one way to find out, isn’t there?!

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Second post!
Okay – not so much sleet and snow today. Lady ran around like a mad thing this morning so almost certainly was unaware of just how cold it is right now. I got my gloves and scarf out! Hmm… I thought I had finished with them for a few months but never mind.

Author newsletter out this morning. Many thanks to those who have opened it so far. Hope you find it useful and informative.

My latest Chandler’s Ford Today post is called Kindness and Killing in Fiction, which is probably the oddest contrast I’ve ever written about. The funny thing is though there are plenty of examples of both across the fictional world and not just in the “obvious genres”.

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I take a look at why characters must have a good reason (or reasons) for their actions and attitudes, though it doesn’t mean the author and/or their readers have to agree with them. We do need to see where the characters are coming from though – that is where realism comes in I think.

I also share my thoughts on why we read crime/horror when the world is the way it is and discuss signs of strength (kindness for me is one of them) and the role of justice in these stories. As ever, comments are welcome on the CFT page.

Kindness and Killing in Fiction

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Am still not impressed with the weather – have had sleet, hail, snow today. I thought March was supposed to come in like a lion and go out as a lamb. No sign of that happening today. Lady literally shakes it all off though she can have little “snow mountains” on her back until she decides to shake it off. She does this with rain too. I’ve learned to side step her when she does that! Having an extending lead is useful…

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Writing wise, I’m getting on with various blogs and I’m planning to get back to actual flash writing at the weekend. By the end of a week, as long as I have managed to get a good mixture of fiction and non-fiction writing done, I’m happy.

And odd moments of time I use to draft a flash tale or brainstorm ideas which I can use as I see fit. Sometimes I will have a specific brainstorming session where I focus on ideas for future blogs. These sessions always pay off because I have things to come back to later when I’m not feeling so inspired.

And you learn to recognize every writer gets periods like that (and in my case I know it can be fuelled if I’m feeling especially tired). Having a notebook stuffed with ideas though is a great thing to fall back on!

When I haven't much writing time

Hope you have had a good day. Not impressed with the weather suddenly turning cold though it was lovely seeing Lady having a riotous time with her best buddies, a lovely Rhodesian Ridgeback and Hungarian Vizler. (Good rule here is to stand back and enjoy the show. You don’t want any of the three dogs cannoning into you!).

Looking forward to sharing my Chandler’s Ford Today post on Friday. I’m talking about Kindness and Killing In Fiction this time. The whole crime genre has a major focus on the latter, of course, as a good whodunnit depend on there having been a crime to solve but kindness turns up more often than you might think.

A huge thank you to all who commented on my More Than Writers blog about Spring-like Writing yesterday.

My author newsletter goes out again on Friday. I enjoy putting these together and I hope you make good use of the tips and prompts shared.

One thing I’ve found useful to remember when rejections/no hears happen is to recall every writer goes through this and there’s nothing to stop you revisiting a story, polishing it some more, and sending it out elsewhere. I’ve had work published doing that. Good luck!

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Facebook – From Light to Dark and Back Again

Am delighted to be back on Friday Flash Fiction with my The Way Time Smells and a huge thanks to all the who have sent in fabulous comments on this already. This story is loosely based on fact and I evoke how a particular scent takes my character back in time. The scent I use here is one that does take me back in time in a similar way. Hope you enjoy it.

I had the idea for this one because the title came to me quickly and I know I would then need a scent to “latch on to” and why someone would link a scent with something in their past.. I’ve found before when the titles come first that tends to also give me a story structure from the start and I find that really useful. That was the case here.

Screenshot 2022-04-01 at 09-18-31 The Way Time Smells by Allison Symes

I’ve mentioned reading your work out loud before to hear how it sounds and the nice thing with flash is of course that doesn’t take long. The other reason I do it (and record myself to play back later) is to work out a kind of “set” for Open Prose Mic Nights. I like to have a balance of different moods of story, vary the word counts I read to, vary whether I use a first or third person narrator etc. I hope that makes things more interesting for an audience. I know it does for me!

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For humorous flash pieces, such as my Bypassing The System in Tripping the Flash Fantastic, I write my punchline down first and then work out different ways as to how I could logically get to that point. I do the same for twist in the tale stories. To me it makes sense to write down what I know I want to be in the story and then work out everything else around it.

Occasionally I have had a go at competitions where they give you a line they want you to put in the middle of the story. That’s a tough call but the way I’ve tackled this is to work out what must lead from the middle line to get to the end.

Having got two-thirds of the story down, I then figure out what the beginning has to be. Sounds a bit convoluted I know but it does mean that I have completed the “brief” and what leads to the middle makes sense as does what comes out from it to the end. I find with these stories knowing what the ending is, again, helps me to sort out the beginning.

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Fairytales with Bite – Time for a Spell?

I’ve long believed that Cinderella’s fairy godmother was somewhat late for the party when she did finally turn up. Where was she when poor old Cinders was having such a hard time of it being ill-treated by her stepmother and her daughters? Cinders could have done with earlier intervention I think – it would’ve limited the misery for one thing.

That said, when is the right time for a magical being to intervene to help someone? Is there a case for leaving intervention as late as possible to (a) give the character to chance to help themselves and (b) to ensure all other options are exhausted first? (Not a lot of comfort for poor Cinders there!).

Whenever you get your characters to intervene magically, ensure there is a good reason for that intervention and that magic is the only option available at this point in the story. Set something up earlier in the story to show magical intervention is a distinct possibility to avoid any disbelief on the part of a reader.

And if you can get a character on the receiving end of such help to do something to help the process, even If it is only by just fetching possible “ingredients”, then so much the better. They are at least contributing to their own positive outcome here.

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This World and Others – Recollections

Memories matter. They matter to individuals. They matter to countries. They matter to a world, fictional or otherwise. Culture is built up (or destroyed) by what people choose to remember. And what is chosen here will reflect a great deal on the nature of the character or culture doing the reflecting.

We, for example, remember the fallen in world wars etc for Remembrance in November. Others may see remembering the fallen as something they simply do not do – they only recall the heroes, the ones who survived.

For your fiction, you can pick elements like that to show the nature of your fictional world overall. A world that celebrates war is going to be very different from one that remembers and honours more peaceful ways of living. A culture that remembers its failures as well as its triumphs is likely to be a better one in which to live simply because it has learned to be honest with itself about its failures.

So what will your characters recollect? What is officially chosen to be remembered? What is remembered but talked about very quietly for fear of the authorities?

What would your characters do if they come across something that has to be told or recollected in some way yet goes against their world’s policy on what is remembered? Will they dare to cross the line here and what would the outcomes be if so? I would suspect there would be more than one outcome. There would be the obvious one of the authorities punishing the character but what would happen if the words had “got out” and others had got to hear the forbidden truth? What could be the outcome from that?

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Blogging on the Move

I was away in the stunning far North of Scotland last week and was pleased I managed to blog most of what I would usually do most of the time.  Tonight’s roundup will include two Goodreads blog posts I wasn’t able to share while on the move last week.  I’ll also include the Fairytales with Bite and This World and Others links I also wasn’t able to share last week (and repeat the copy from each blog).

Must say I found the Word Press mobile app a joy to use though and that is encouraging.  (Only things I couldn’t do were coloured headings which is not overly crucial when all is said and done, nor could I share slideshows, so got around that with various individual images instead.  That worked a treat.).

First things first though.

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Learned a lot this week as to which mobile apps really are mobile friendly and those will be the ones I’ll stick to when next blogging on the move.

Having said that, it has been lovely writing overlooking a beautiful loch. From tomorrow it will be back to looking at my study wall! Mind, I can turn and look at the garden.

What matters when writing is being in the right frame of mind. That is, you are ready to write and you want to write because you can’t stop yourself from writing.

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Loved this when I found it on Pixabay.

Back to my desk and now it is time to catch up with my usual writing (though I drafted a lot while on the move last week, which I am going to be so thankful for this week!). Have smartphone, have Evernote, am dab hand with a stylus, and away I go.

I’m planning on submitting a couple of flash fiction stories this week, having drafted them while away. Later this week will be about the right time to look at them again with a “clear view” and if they still grab me, I will submit them. You do have to be grabbed by your own stories. You are your own first audience. If you don’t like what you write, why should anyone else?

The important point is to be objective and above all be honest. What did you like about your story and why? Are there any points you think need strengthening? Do trust your gut instincts here by the way, they’re nearly always right.

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I’ve got a few writing prompts in my diary to catch up on later this week. The one that takes my fancy the most is the picture of the white terrier running along a sandy beach – now I wonder why that is!

Another prompt is to select ten words associated with a train journey and write these up into a piece of writing. The nice thing with this one is you can easily make that fiction or non-fiction. (I suspect for anyone caught up in train delays, broken down trains etc that they’d have no trouble coming up with at least 10 words on the subject! How many of them would be non-swearing is another matter though…).

Am delighted to say I’ll be going to the Waterloo Arts Festival on 8th June. I missed it last year due to holiday.

My story, The Professional, is one of the 16 winners in the Waterloo writing competition. I’m looking forward to meeting up with friends and there will be the opportunity to read out extracts of the winning stories at the event.

I look forward to reading some of my story but also hearing the others. It is a treat to be read to!

If last year’s collection To Be…To Become (where I also had a story published) is anything to go by, it’ll be a good eclectic mix of tales.

Will share the link to the ebook when it is available.

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Facebook – From Light to Dark and Back Again

My favourite kind of flash fiction is where it ends with a punchline that makes me smile. That’s partly because I’ve got a very soft spot for any kind of humorous prose. It’s also because having something that “just” makes you laugh is worth so much. Escapism, especially in humour, is invaluable.

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Haven’t seen this one round my way.  Pixabay

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Good idea!  Pixabay

Looking forward to reviewing some flash pieces I drafted while away last week. (Have smartphone and Evernote, the free version, love both!). Once done, I’ll be sending them off to a couple of competitions. Then it’ll be a case of working out which competitions I’d like to have a go at and getting on with the next batch of stories.

The nice thing with short fiction is being able to get work out there far more quickly than you can with novels.

One of the frequent reminders on the motorway is “Tiredness kills, take a break”. In terms of writing, tiredness saps your mental energy and it can be tough to write when you feel like that.

What has helped me has been seeing writing as something that helps me unwind, whatever I come up with now doesn’t have to be “perfect” now (which is just as well!), and that I always feel a bit better once I have written something, even if it is only a few lines.

I see the writing as the “taking the break” bit of the above phrase. When a day has been particularly tough, I jot down ideas for future blogs and stories, and find it is almost like clearing my mind out for a while. (That in itself can help with unwinding). And, of course, when feeling brighter, there are ideas ready for me to write up into what I hope will be something special!

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June is going to be a busy month. I’ll be going to the Waterloo Arts Festival (where winners of their writing competition will read extracts from their stories – really looking forward to taking part in that and listening to the others).

A week later I’ll be at the Winchester Writers’ Festival.

At both, I’ll look forward to meeting up with friends as well as enjoying the events. I’ve no doubt I’ll learn plenty from them too.

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A Double Dose of Goodreads Author Blogs!

Reading and Travelling

I was never able to read while on a car journey when I was a kid as it used to make me feel sick. Now it’s not a problem and is one of the joys of a long journey.

It is also where the Kindle does come into its own. Not much to pack either, just don’t forget the charger!

I catch up with reading, as well as draft stories, when travelling and have a lovely time doing so.

Do you remember the old I-Spy books? I used to love them but they were no good to me on a trip! I had to remember what I’d seen and fill my books in on getting home!

I don’t pick specific holiday reading as I always have books to catch up on but the joy of holidays is having the time to do that.

Wherever you go this summer, happy reading!

What Do You Love Most About a Story?

My favourite part of any story is in the middle. The characters and situation are set up, the (usually) life versus death scenario is well under way, and it is a question of whether you can outguess the author as to the resolution.

I love it when I guess correctly but love it more when a writer wrongfoots me here. I then go back and re-read the story and inevitably find clues over the unexpected resolution that had been there. I just hadn’t paid enough attention, which is an object lesson in itself!

Naturally, I can apply what I learn here to my own writing, but it is also no coincidence the stories I re-read are the ones that have kept me on my toes. There is just so much enjoyment to be had here.

The great thing with twist in the tail stories is the simpler the twist the better and more effective it is. Simple doesn’t necessarily mean easy to guess at either, as it is easy to overlook or forget the “obvious”.

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Fairytales with Bite – Character Values

In my CFT post this week, I’ve looked at what I value most. It won’t come as a huge surprise to know I’ve included family, friends, and literacy in this, amongst other important things.

What is it that your characters value most? As with me, it is highly unlikely to be just one thing, but you should be able to deduce which your characters would fight for and which they wouldn’t. It should also be apparent why they would feel this way.

It can be useful information for an enemy, of course. What can they use against your heroes here? What does the enemy value that could be used against them? (It’s never a one-way street in fiction but you can exploit that).

See this as an invaluable part of an outline and have fun working out how you can use a character’s values to strengthen their portrayal and against them to generate conflict.

This World and Others – Pointer Checklist

Hope you find the following useful.  The following list is a guide to checking if your created world makes sense to a reader.

  1. Can a reader picture your world in their imagination?
  2. Can a reader identify with your characters? They don’t have to like them though!
  3. Does your world have a system of government that makes sense to your reader? Someone has to be in charge. Your characters should know who they would be answerable to!
  4. How do your characters survive on a daily basis? They will have to eat, drink, breath, excrete, reproduce, and die (unless they’re immortals of course but could anything threaten that?).

By ensuring you can answer these points, you will have a functioning created world of your own.

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