My Top Five Writing Exercises

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. I’ve had a busy one with the ACW Flash Fiction Group and a lovely trip to see the latest production from my local excellent amateur theatre company. Review to follow on CFT in due course. All I will say is with the title being Waiting For Gateaux I was expecting some laughs. Lady got to see her friend Coco the other day for the first time in ages and both dogs were very happy to see each other. Dogs are lovely like that.

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Facebook – General and Chandler’s Ford Today

Had a lovely time at Ritchie Hall for Waiting For Gateaux last night. Review to follow for Chandler’s Ford Today in due course.

Meantime, I’m pleased to share My Top Five Writing Exercises as my CFT post this week. If you would like to try writing exercises to help with your story creations etc but don’t know where to start, why not try out the five I list here? I use them all regularly. There are many other exercises available but these are the ones I use most often.

My post also looks at how writing exercises encourage you to think in different ways (and therefore stretch your imagination). I also share further top tips for making the most of writing exercises. Hope you find the post useful.

My Top Five Writing Exercises

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Am off to see Waiting For Gateaux, the latest production to be staged by The Chameleon Theatre Group at Ritchie Hall tonight. Should be fun. Will be reviewing for Chandler’s Ford Today in due course. I also get to meet up with my lovely CFT editor at these productions so we do kind of consider these to be a CFT works outing!

Will be sharing My Top Five Writing Exercises for CFT tomorrow and evaluating what I find helpful about each of these. There are many more I could have mentioned as I use far more than five but I thought the ones I picked for this post would be useful for any writer to use. See above.

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Every so often I receive reviews directly rather than via Amazon etc. Delighted to say one came in for me today for Tripping the Flash Fantastic. A huge thank you to the reviewer concerned.

I like how Allison Symes managed to put together a book of short stories, flash fiction, and poetry that intrigued me here and there. Tripping the Flash Fantastic is also very easy to read through because the stories are short—before long, I found myself already having devoured more stories than I thought I could in a short amount of time. The stories are also creative and while not all stories resonate, it is inspiring and quite original. I like simple books like these. From KO.

I’ve mentioned before all authors appreciate reviews. They help make our books more visible and all writers welcome validation of their work (and we get that from reviews and other feedback from readers of course).

Reviews don’t have to be long either. Nor is there a use by date by which you need to get reviews in by. Yes, they are especially useful shortly after publication but I’ve reviewed books by other authors which I came to years after those books originally came out. You can’t know when someone is going to see your books.

But do review. It doesn’t take long. And it gives the author something to share as part of their marketing via posts like this one, mentions on their website etc.

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Facebook – From Light to Dark and Back Again

Pleased to share my latest story on Friday Flash Fiction – Deception. The opening line for this one started life as an exercise I set for the Association of Christian Writers Flash Fiction Group which I run once a month on Zoom.

I always have a go at the exercises (I don’t want to miss out on the fun of creating stories from them!) and knew this one had potential. This story, I think, will have resonance for many. Many thanks to those who have already commented on this.

Screenshot 2024-04-26 at 10-12-54 Deception by Allison Symes

One of the delights of going to see a live production, as I will be doing this evening, is watching for those lovely moments which add to the characterisation of the play in question. These will be those “flash moments” which help you understand a character better and can be funny, moving, tragic etc. Mind you I am off to see Waiting For Gateaux so I am expecting humour with a title like that!

Glad to say last night’s Association of Christian Writers Flash Fiction Group on Zoom went well last night. I hope everyone gets something positive from the exercises I set. I have a go at these myself after the meeting and I think I can do something with at least two of what I drafted last night. Hope to start drafting something over the weekend when I have more time.

Sometimes for these meetings, I will prepare an answer to an exercise in advance to give an example but I do love joining in with live writing exercises myself. Does wonders for the old brain cells!

I often set and AM set writing exercisesLooking forward to tonight’s meeting of the Association of Christian Writers Flash Fiction Group. Always good to see everyone and we usually draft flash pieces in response to prompts (or have the starts of stories to finish off later) by the end of the evening.

I join in with these exercises and indeed, from the meeting in March, I’ve used a couple of opening lines I drafted then for YouTube and Friday Flash Fiction stories this month. That’s a result as far as I’m concerned.

Pleased to have received a review of Tripping the Flash Fantastic directly (see my author timeline on Facebook for more on that). See above. But I will sneak in another plea for reviews for all authors. Thanks.

I like to mix up how I open my flash tales but the one thing I try to do for all of them is to hit the ground running. I want to engage readers immediately. Sometimes I do that by setting up an interesting premise. Other times I’m showing a character in the middle of something and you have to read on to find what happens.

Sometimes I’m using thoughts, dialogue, or questions. But whatever I use, I always ask myself what is in this for the reader? That matters. Keeping your audience in mind all the time helps with focus. It makes editing easier too. With that question in mind, it is easier to spot what would be useful to a reader and what could be cut.

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Fairytales with Bite – Magical Equipment

In your setting, what exists in the way of magical equipment? Who makes it? Where do they get their “components” and do they have to meet safety standards?

(I’m married to an electronics engineer. Safety standards come into his world a lot and rightly so but I see no reason why they can’t come into a fictional world too. Indeed, a good story idea would be about someone trying to enforce safety standards for the greater good and the struggle they have to get everyone else in their society to accept that point. How many accidents would have to happen before the need for change is recognised and your character is the one to lead the way here?).

Can all of your characters access the magical equipment they need or are these reserved for certain species and/or for those at a certain level of magical ability? Your governing authority could of course control who can gain that magical ability to limit what powers can be used by whom that way but there would be an interesting story in why they are doing this.

Also does magical equipment go wrong? Can it be fixed? Who would carry out repairs and “servicing”? Is there the equivalent of an MOT for a witch’s broom? (If not, why not! Would love to see a queue of witches lining up to get their vehicles through statutory checks. What would happen to any unfortunate service engineer telling an annoyed witch her bristles need replacing? Could see some funny stories coming out here!). How can wands be checked to ensure they are doing what they’re supposed to do? Who cares enough to ensure magical equipment does work properly?

What controls do your governing authority have to ensure shoddy equipment doesn’t make it out into the open? Where has your world come from in terms of equipment development to get to where they are now?

Who has invented the equipment? What was done to improve the original models (almost inevitably improvements would either be necessary or become desirable when technology changes)?

Give some thought too as to how well or otherwise your characters use magical equipment available to them. That could make a huge difference as to whether they complete their “mission” successfully or not. Tools/equipment matter!

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This World and Others – Manufacturers

Linking in with Fairytales with Bite above, who are the manufacturers who make the products your characters will use? (The best known one of course is Ollivander the wand maker from the Harry Potter series but I liked that character. I liked the way it was realised someone had to make the things the main characters need to use).

How do the manufacturers access the ingredients and materials they need? What difficulties do they face here? Do they ever find materials they could always access before become rarer due to reasons of natural disasters/magical wars/other events in your setting or other manufacturers effectively buying up the lot?
Do magical manufacturers trade knowledge and materials with each other? Are there trade bodies? Do governments agree standards manufacturers have to meet and enforce that?

How did manufacturers get into the business? Is it a question of following the family business? How did those businesses begin? What made characters realise their talents lay in making equipment rather than using it directly?

How do they balance selling their equipment to those they would far rather not have these things with being able to survive? (Well, would you want to sell equipment to Sauron or Voldemort but what choice would you give your manufacturers for your own cast of villains here?).

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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