All images from Pixabay/Pexels unless otherwise stated. Some images created in Book Brush using Pixabay photos.
A HUGE thank you to The Chameleon Theatre Group for arranging access to pictures for me for my Chandler’s Ford Today post this week. So good to see you all back!
Book cover images from Chapeltown Books and Bridge House Publishing.
And I’m off to the Swanwick Writers’ Summer School tomorrow (7th August) where I look to meet up in person with friends I’ve not seen for two years and to hopefully make new friends by the end of the week.
Thanks to Geoff Parkes and Penny Blackburn for the two pictures of me reading at the Swanwick Open Prose Mic Night in 2018 and 2019 respectively. Images of the Swanwick grounds were taken by me, Allison Symes, in 2017, 2018, and 2019.
Facebook – General – and Chandler’s Ford Today
It is with real pleasure I return to reviewing The Chameleon Theatre Group for Chandler’s Ford Today. I loved their show last week and my review gives a flavour of (a) their performance and (b) what the plays (Lockdown in Little Grimley and Bombshells) were about. It was a great evening out (and very well organised in relation to social distancing and so on).
Welcome Back, Chameleons – it is good to see you back.
Back to the walking books and lightweight mac for going out with Lady this evening… hmm… even she wasn’t that impressed.
Does music change what you write and, if so, how? I find listening to classical doesn’t. What it does do is relax me and when I am relaxed, I write more. So win-win there. I have listened to pop and rock in the past when writing but found that the mood of the song could affect the mood of what I was writing and I didn’t want that. (It’s difficult to write a killer scene, say, when you’ve got a sweetly sick love song playing!).
Talking of moods, I must say a huge thank you for the tremendous response to last week’s Chandler’s Ford Today on Wildflowers which celebrated the local wildflower meadow in the park where I exercise Lady. There have been some lovely comments in on this over the week (on my Facebook timeline) so that post clearly hit a chord.
Mind you, after what we have all gone through during the last year, a gentle post like that was probably overdue. And I am glad I wrote the post when I did. The rain has been pouring down today so I think I got the best of the pictures possible for that post. (I suspect when I take Lady out tomorrow that poor meadow is probably going to look a bit flattened).
Nice task today – packing for the Swanwick Writers’ Summer School! One or two last minute bits to add but I’m basically good to go. Looking forward to catching up with old friends and making new ones (this is one of the great joys of Swanwick). Can’t wait to explore the Book Room too – trust me, it is legendary.
My Chandler’s Ford Today post this week is another great joy as it is my first review of a production by The Chameleon Theatre Group since their pantomime back in 2019. It was fantastic to see them back on the stage last week and I look forward to sharing my review on Friday. They staged Lockdown in Little Grimley and Bombshells. The latter was a series of five monologues from very different women and made for fascinating character studies. More details in the review but I liked this as I sometimes write character studies as they work well in flash fiction.
And the great joy of writing blog posts is being able to schedule them. Looking a little further ahead, I will be sharing a fascinating two part interview with #FranHill and #RuthLeigh about writing humour. Watch this space, as they say, for more details nearer the time.
Facebook – From Light to Dark and Back Again
Story time once again. Am pleased to share Silence Is Less Damaging, my latest tale on #FridayFlashFiction. Hope you enjoy it. And if you ever wonder whether trying to understand nature could ever go too far, my story may well provide an answer to that!
It took me a while to find my voice for both my fiction and non-fiction work. And that’s fine. I think it does take time for a writer to realise what their voice is and run with it – I know it did with me. For my flash tales, I like a direct “take you into the mindset of the character immediately” approach.
This is one reason I do use a lot of first person narrative here (I see that as hitting the ground running!). It was when I realised I needed to focus on one major character, whether I was writing a flash tale or a longer short story, that my pace increased, the waffle was a thing of the past (most writers have been guilty of this at some point), and I suddenly found myself having acceptances. I say suddenly. The reality is I’d been working to that point for years (as most writers do).
It’s no coincidence that successful writers will often tell you they’ve been working away for years before anything of theirs saw the light of day. Also that stamina and the ability to keep going and going are essential. Building up flash stories and submitting them regularly is a good way of building up a track record as I mentioned yesterday.
In producing those stories all the time, you’re building up your own writing stamina too. I also find it a useful weapon against the dreaded Imposter Syndrome. Why? Because I can tell myself I have written a story once, I can do it again and again and again. Then I sit down and do so.
The nice thing with flash is the potential is there to have the rewards (publication) in print and in online magazines more quickly than in many other forms. And if you can write short, you can write long. It is harder to write to 100 words than to 10,000 ironically.
Will be happily waving the flag for flash fiction at the Swanwick Writers’ Summer School from Saturday. So looking forward to that. Also looking forward to next Zoom meeting of the ACW Flash Fiction Group later this month. It’s always a good sign when meetings like that get everyone buzzing with ideas and people then get stories submitted. Win-win there. I like flash as it is a great way of building up a track record in being published too. It can be something to show a publisher or agent if you submit longer works to them later. All worth bearing in mind.
Fairytales With Bite – Magic – An Asset or a Pain?
Is magic an asset or a pain to your characters/your favourite characters to read about? Magic, as with any source of power, is open to misuse and abuse. The classic fairytales are full of examples of that.
Part of the reason I never understood all the fuss about Harry Potter was I saw the poor lad as someone suffering simply for who and what he is and that he needed to learn and use his skills to defend himself and others. Also, he was prepared to make sacrifices to help others. I had no problem whatsoever with any of that and I saw the stories as great examples of magic being misused, in the case of Voldemort and company, and that had to be stopped. Fire fighting fire and all that.
In the Discworld series from the late great Terry Pratchett, in Raising Steam, Moist von Lipwig wants the Patrician (Havelock, Lord Vetinari) to call in the wizards to help with building a railway in the time scale Lord Vetinari wants. The Patrician is having none of it, being all too aware of the damage caused to Ankh-Morpork before when magic ran riot. (See The Sorcerer for the full story of when magic alone did rule the city).
So I see a lot of the fairytales then as warning us of the misuse of power. Magic is something to be controlled and should be used for the greater good. So do your characters do this? Where magic is misused, who intervenes to stop that? Can the damage done be undone? There are classic and timeless stories to be had here because this is a great example of art imitating life. We have all known examples of abuses of power so stories reflecting that (and fantasy often does) will have great resonance.
This World and Others – Who Lays Down The Rules?
Who does lay down the rules in your fictional world? Is it one universe with one ruler or a series of kingdoms and republics with monarchs and presidents/patricians/Lord Protectors etc? How long has your world been like this? Are the ruled over happy with the status quo or are they seeking change? If the latter, how will they do this and what do they want to see replace the old system?
If the rules are good (in a broad sense) and the government is accepted by most, then what challenges could your world face? Do threats come from another world or from malcontents who want to seize power for themselves? (They turn up anywhere!).
All great story ideas there.
If the rules are bad or have been misused, who would seek to change that? How? How would they garner popular support for change especially against a tyrant where most people would think at least twice about putting their own lives (and those of their families) at risk?
It is no coincidence that in past times, rebels would not only be executed by the king but their estates would be seized. The whole idea was to send out the message that not only would the rebel die, the family would be likely to do so as well (as there would be huge risks attached to helping the family of a proven rebel). With no estate or other support, the family at best would be likely to starve.
Looking into the history books to see how places were governed and how traitors were dealt with (one man’s traitor is another one’s freedom fighter) can also be a source of ideas for your own characters and stories.
Welcome Back, Chameleons https://t.co/H2fFL698rc It was wonderful seeing The Chameleons back on stage last week for the first time in well over a year. Welcome back! My review of their performance of Lockdown in Little Grimley and Bombshells is my CFT post for this week. pic.twitter.com/TC89KVEU5L— Allison Symes (@AllisonSymes1) August 6, 2021