Reviews, Book Covers, and Publication News

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated.

Book cover images from Chapeltown Books and Bridge House Publishing.

Image of Wendy H Jones kindly supplied by her.

Hope you have had a good week.

To those who celebrate Easter (as I do), may you have a blessed one.

Writing wise, not a bad week and there’s another story of mine up on Friday Flash Fiction. This site is a great way to encourage me to write a drabble (a 100-worder) every week! More below.

Always fun to find out what happens next, writing wise!

Facebook – General – and Chandler’s Ford Today – Good Friday – 2nd April 2021

Delighted to share my latest Chandler’s Ford Today post which is on a topic close to many a writer’s heart – Reviews!

I look at why authors need them, my policy on reviewing (including when I review National Theatre Live productions and shows put on by our wonderful local amateur dramatic company, The Chameleons). I also discuss hatchet jobs and share my thoughts about those (!). I also share why paid-for reviews are, for me, a huge no-no.

Like so much in writing, building up reviews does take time and it has to be done the right way to avoid running into difficulties with Amazon especially. Even ignoring that, the policy of paying for a review does make my blood run cold. It just doesn’t seem ethical to me. I want reviews to be honest and with thought put into them.

The old saying goes that he who pays the piper calls the tune but for a review, I want that “tune” to be an honestly considered one and not “bought in”. You really don’t want to be muddying the waters here, to use another old phrase.

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Pleased to share a More Than Writers blog from #WendyHJones tonight. More Than Writers is the blog of the Association of Christian Writers. Wendy’s post this time is all about book covers and, as well as discussing her latest cover reveal (for the lovely Bertie The Buffalo), she invited some fellow ACW members to share their latest book cover and a few words about it.

Many thanks, Wendy, for inviting me to take part in this. And do have a good look – there are wonderful covers here.

(Oh and my CFT post is up tomorrow).


My CFT post this week is all about a subject close to many a writer’s heart – reviews!

I talk about why they are useful, my policy for giving reviews, and share a few thoughts on how to write a review that will be useful to an author.

I also chat about my policy when I review stage productions, National Theatre Live plays etc (and I am so looking forward to being able to go to these things again and review them once more! It has been a long year and even more so for our great local am dram company, The Chameleon Theatre Group).

I also discuss hatchet jobs. Now the big question is do I manage that without carrying out a hatchet job myself? Well, you’ll have to find out tomorrow when I put the link up!

 

Facebook – From Light to Dark and Back Again Good Friday – 2nd April 2021

I sometimes start a flash piece by coming up with an intriguing title. For example, in Tripping The Flash Fantastic, one of my stories is called The Terrified Dragon. I had great fun working out what on earth could possibly terrify a creature that is renowned for causing fear in every other creature that is not a dragon!

I do sometimes use a simple flowchart or spider diagram to work out different possibilities and I then go with the one that I like the most. That choice is nearly always determined by the impact the idea has on me. If the idea makes me laugh the most, or makes me cringe in terror, then it will have the same effect on other readers. I am always thinking about potential impact on a reader and that’s a good thing. I want to write with a potential audience in mind, always.

And good news, I have another story up on #FridayFlashFiction. Nice way to end a week! Hope you enjoy this one. Called Mustn’t Tell. I do like an “open” title which hopefully draws people in!


My latest author newsletter went out earlier today including an exclusive flash fiction story. If you would like to sign up just go to my website landing page at https://allisonsymescollectedworks.com

As well as sharing exclusive stories here, I share writing tips and news, most of which is related to flash of course. This time around I’ve also shared a writing challenge and set a 250 word count for it.

It wasn’t something I planned but the 100 to 500 word mark does seem to be my natural home for flash stories. I gravitate to that word length almost as if I’m on auto pilot. (I’m not by the way! If possible I would save auto pilot abilities for boring tasks such as the housework!).

A screenshot from my latest author newsletter. I also share tips and writing prompts here amongst other things.



There will be a new flash fiction story from me in my new author newsletter, which will be going out tomorrow, 1st April. If you would like to sign up for this, please go to my landing page at https://allisonsymescollectedworks.com

Have submitted another drabble to #FridayFlashFiction.

Am working on material for a third flash collection too so plenty going on to keep me out of mischief!

I’ve found the basic ingredients for a flash fiction story, regardless of length, are:-

  • A character (doesn’t have to be human!).
  • An action (sometimes a refusal to act can be the action).
  • Something indicating the story has to go on.

Get those lined up and you’re well on your way to producing a promising first draft!

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Fairytales with Bite – What Would Your Characters Wish For and Why?

Well, what would your characters wish for and why? Just as interestingly, is there any chance at all of them getting their wish granted? What would the consequences be?

Action and reaction. Cause and consequence. The basic building blocks of all stories.

A character outline is a useful tool for working out what your characters are likely to want and why. (I ignore the basics of wanting food, shelter etc because you can take them as read. Everyone wants those things, understandably). What you want to go into here is deeper than that.

Character A wants a loving relationship because they have had loneliness foisted on them all their life and they want to change that. (Interesting story here: who foisted the loneliness on them and why? Why wait until now to change things?).

Your outline would go into who Character A is, who or what has got in their way (and what happened to them incidentally), what they are planning to do to change things. You won’t have every idea immediately but what you should have is a glimpse into who Character A is and, as a result of that, how they are likely to try to change things. A shy character is going to use more reserved methods compared to an extrovert, say.

Just knowing that will get you off to a good start with your story (and finding things out as you go along is (a) fun and (b) should confirm whether or not you know your character well enough to write their story up.

You may well find you will find out more about your character as you go along and that’s how it should be but you should also find your outline did nail the core elements you needed to know about them before you got started. I always find that aspect reassuring.

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This World and Others – Limitations

What limitations do your characters have? How do they overcome these? Can they overcome them?

If they can’t, do they have ways of getting advantages from their situation? What limitations does your setting have? Can your people only live above ground for certain time periods due to restricted oxygen (or other gas) availability the rest of the time?

I write flash fiction and find the word count restriction there (1000 words maximum) doesn’t stifle creativity. It fuels it. Why?

Because I have had to learn to think laterally to get the most out of every single word I put into my stories. And you can do this with limitations on your characters and settings too. If your characters can’t use magic without weakening themselves significantly, they will themselves limit their use of it (and probably save it for life and death moments. You just would, wouldn’t you?! So what would they do the rest of the time?).

If your setting has limited capacity for supporting life, how would that capacity be used? Who would control it? Would someone find ways of boosting that capacity so more people could live?

All interesting thoughts to explore.

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