Meanings

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Facebook – and Chandler’s Ford Today

For this week’s CFT post, I look at Meanings, how comedy writing depends on there being multiple meanings to get the laughs (particularly true for puns), and discuss how certain radio shows can help you as a writer learn about the use of language. Hope you enjoy.

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My inspiration for my Chandler’s Ford Today post on Meanings this week comes from going to see My Husband’s Nuts, the latest production from the Chameleon Theatre Group. (Review next week).

I guessed that there would be at least some reference to the various meanings of nuts within the play (you can fill in your own gags here!) and that led me to look at how much comedy writing depends on multiple meanings etc.

Ideas can be funny things at times. All it needs is that initial spark to create a starting point and you go from there. You just need to be open to recognising that initial spark for what it is AND to see that it really is just the beginning.

I’ve found reading and writing more makes it easier to recognise those initial sparks. And ideas do come from all over the place (and not always at convenient times either!) but you get used to that.

I have brainstorming sessions every so often and just write down all the ideas I come up with then. A lot I do go on to use either for story ideas or CFT blog posts and some I discard.

Closer examination, after a break away from that brainstorming session, leads me to critically decide which ideas have the “legs” and which don’t. But coming up with ideas I don’t take further later on is not a waste of time. Far from it. Sometimes I have to add another element into that initial idea and then it has the “legs”. What matters is there ARE ideas I can flesh up and write up. I think there is a certain element of having to think through ideas to get to the nuggets you can do something with.

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Posting early today as off to see The Chameleon Theatre Group’s latest production, My Husband’s Nuts, later tonight. I make no comment on the title except to say I’ll be reviewing the play and production next week for Chandler’s Ford Today. This week’s post will be all about Meanings. Read into that what you will! 😀😀

I’ll be meeting up with my lovely CFT editor, Janet Williams. Going to the plays has become something of a CFT tradition for both of us. I like to think of it as a kind of works outing! What I do know is this evening should be a lot of fun!

Have put in my order for the Best of Cafelit 8. Looking forward to that postal delivery. You never lose the thrill of being in a book!

Am working on a story for a competition and hope to get that submitted over the weekend. I really don’t miss the old days of having to get everything sent off in the post – email submissions are so much easier.

I’m looking at Meanings for this week’s CFT post. I look a little at how the use of certain English words has changed.

I also discuss how radio shows like Just A Minute and I’m Sorry I Haven’t A Clue, as well as being great fun, are excellent for writers to learn from. This is particularly true for JAM. (If you get the chance, do check out earlier series where grammatical deviation challenges are particularly useful for writers to learn from).

I look at how comedy writing is so dependent on getting the right meaning from the right words to get the laughs. Well, where would puns be without having more than one meaning?

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Facebook – From Light to Dark and Back Again

Pleased to say I’ll have another flash fiction tale up on Cafelit soon. Will share the link obviously. Very pleased with the look of The Best of Cafelit 8. Receiving parcels with books with your stories in is a great joy. It doesn’t dim!

How do I decide what is a great moment in a character’s life that deserves having a flash fiction tale revealing said moment?

Well firstly that moment has to grip ME. A writer is their own first reader and if you’re not gripped by the characters and situation you’ve put them in, nobody else will be.

Secondly that moment should reveal something interesting to a reader.

That can be anything from the character finally learns a much needed lesson (humour can work well here), the character changes their ways or deals with a conflict and resolves it.

I’m always interested in how characters resolve problems and why they’ve gone the route they have. I think most readers are fascinated by that. It’s why we read to the end if we are gripped by the tale. We have to find out what happens and that urge to find out has been with humanity for centuries. It’s not going anywhere any time soon!

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Posting early as off to see My Husband’s Nuts, the latest production by The Chameleon Theatre Group, later on. Oh the power of a title!!

I look at Meanings (including how comedy writing depends on words having multiple meanings to get the laughs at all) for this week’s Chandler’s Ford Today post. Link up tomorrow.

I sometimes know the title of a flash fiction story immediately because I’ve come up with something I really want to write something to and so off I go. At other times, the title emerges from the character and the story but at all times I have to have a draft title to get me started. I do need a “peg” like that but once I’ve got one, away I go!

But I’ve learned not to worry about changing the title if a better one comes to me. Only the Ten Commandments were set in stone, folks.

(Oh and have literally just had The Best of Cafelit 8 delivered – at 5 pm on Thursday 24th October. I like getting parcels like that! So naturally that needs a photo!).

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For someone who writes flash fiction, I can’t say I have that many flashes of inspiration! I don’t usually get an idea out of the blue. What I do hear is a character’s voice and I can detect from that something of what their major traits are likely to be.

Assuming I like the sound of this character (whether they’re hero or villain doesn’t matter – all I need is to see possibilities for them), I ask myself what situations would they hate having to deal with and why. I then dump them in those situations. It’s time for my character to sink or swim then! No shortage of conflict here either (especially internal conflict). And yes, I know, I’m all heart to my characters – NOT!

There’s no point in putting your super duper character in a situation you know they can handle. Where’s the story in that? Give them hell and then some. It will challenge you to work out how your character deals with it and that is where the story is!

Have fun dropping your characters right in it then!

Fairytales With Bite – What I Like in a Fairytale

  • Strong characters (even if they themselves don’t think they are but prove it later)
  • To see wrong being righted (with some help from a fairy godmother and a magic wand. Be prepared for pumpkins to be involved. Just go with it… it’s part of the fairy godmother’s stock in trade).
  • Humour. While the character of Buttons is not in Cinderella to the best of my knowledge, I can understand his addition to the traditional pantomime. If the main character can’t be humorous, for whatever reason, best to get a sidekick to do it then!
  • A good and appropriate ending, usually a happy one though there are exceptions (The Little Mermaid as told by Hans Christen Andersen is a classic example here).

 

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This World and Others – Deciding on a Setting

How do you decide what setting is best for your characters?

  • The setting has to meet the character’s needs. If a character is on a quest, where are they likely to meet those who will help them/supply them etc? Also where are they going to and why? What kind of obstacles must they overcome to achieve their objective?
  • The setting has to be appropriate to the characters. You wouldn’t get a mermaid to live in an inner city etc (well she wouldn’t last for long if you did!).
  • What kind of world do you want to create? Have you got a hankering for forests? Then create a world which has plenty of them and think about what kind of characters would live in woodlands? Which characters would hate that? Would there be conflict between the two types (I should think so but good stories always come out of conflict!)?

 

 

 

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