Review: The Chameleon Theatre Group – Waiting For Gateaux

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
A huge thank you to The Chameleon Theatre Group for permission to use their splendid photos on my post for Chandler’s Ford Today this week. Also thank you to Katrina Lush from my Slimming World group for permission to use her very funny photo as part of that post. See the post itself for more!
Hope you have had a good few days. Weather all over the place again with sunshine, rain, thunder, strong winds etc. Have enjoyed a lovely Zoom meeting this week. I am part of another Association of Christian Writers genre group which meets on Zoom and it is always great to get together and chat. Online meetings work so well.
Looking forward to a break away next week. I will post as and when possible and yes the dog is coming. Lady always has a fabulous time when we’re away – lots of lovely walking in glorious scenery. Looking forward to that.

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Facebook – General and Chandler’s Ford Today

Hope you have had a good day and you are all set for a nice Bank Holiday weekend (as it is for the UK).

Pleased to finally share my review of Waiting For Gateaux recently performed by The Chameleon Theatre Group. As ever it was a joy to see the show and it is another joy to write about the show for Chandler’s Ford Today. Hope you enjoy the post. Lots of local links on this one, which is lovely. Two of my worlds kind of collided here – find out which in the post, link below.

Review: The Chameleon Theatre Group – Waiting For Gateaux

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Lady had a bonus today – she got to see and play with her Rhodesian Ridgeback chum today. Both dogs happy to see each other unexpectedly like that.

Will be sharing my review of Waiting For Gateaux performed by The Chameleon Theatre Group on Chandler’s Ford Today tomorrow. See above. Already looking forward to their next show in July which will be another comic one. If ever there was a time you could do with a laugh on stage, I suspect this is it given the news continues to be so grim.

I am part of another ACW genre group based around science fiction and fantasy and we were discussing on Zoom last night utopian works as opposed to dystopian ones amongst other things. I can see the point of dystopian fiction. I don’t read much of it. If I do want grim, I will tune into the news!

Generally I like my fiction to entertain and help me escape the world for a bit, regardless of the genre I’m reading. I definitely don’t want unremitting grim. Can get that for real elsewhere, thank you. I also don’t write grim fiction for the same reason. I want to finish my book, whether it is non-fiction or fiction, having had a pleasant time reading it!

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Hope you have had a good day. Hard to believe it’s May already. May is one of my favourite months. Lots of colours and better weather (fingers crossed for the latter!).

Author newsletter went out earlier today. See screenshot for a taster. If you would like to sign up do head over to https://allisonsymescollectedworks.com

Many thanks to all who have subscribed since the last edition and a huge hello to all of my subscribers. Many thanks for the support.

The theme for the May newsletter was writing exercises, something I adore and use a lot. I like to mix up the kinds I use too. Keeps me on my toes and I end up producing more stories than I might otherwise have done. Nothing to dislike about that!

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Facebook – From Light to Dark and Back Again

It’s the end of the working week for many and a Bank Holiday weekend for the UK. Time for a story then. Hope you like my latest on Friday Flash Fiction – Hiding Place. My character wonders what could possibly go wrong after they come up with a good idea but are they right to think this? See for yourself via the link.

Screenshot 2024-05-03 at 10-03-34 Hiding Place by Allison Symes

Have drafted a poetic flash which I hope to look at over the weekend. Whenever I write these, I sort out what the story is first. Then I work out if it Is suitable for telling in poetic form. Then and only then do I worry about rhyme (I like rhyme in poetry. I also like free verse but I know what I prefer here).

Once I’ve got these basics sorted, I will record myself reading this out loud on Zoom and play it back so I can hear how it sounds. I often do this with prose fiction but I find it even more important to do when writing in a poetic form. I can hear what works and what doesn’t. Then out comes the editing pen again. Then I re-record and play it back again until I am happy with it. I have found doing this pays.

I do find this kind of flash works best when kept short. My current draft comes in about 200 words but I suspect it will end up at about the 150/175 words mark when done.

440791713_10161861104852053_5425516408687705655_nAmazon still has From Light to Dark and Back Again on offer as a paperback. See the link for more details. I don’t know how long they will hold the book at this price. Also do bear in mind you can contact me via my website if you’re interested in having signed copies of either of my flash collections or the anthologies I’ve contributed to over the years. Both of my flash collections are also available as ebooks.

When not working on flash fiction, I am writing various pieces for Writers’ Narrative, Chandler’s Ford Today and so on. My monthly blog pieces do tend to come in at the 500 words mark so would count as flash non-fiction. Most of my CFT and WN articles are 1000 words so are right at the upper limit here too. All good fun to do (and I hope useful to readers).

 

Fairytales with Bite – Changing

Often in fairytales an arrogant character is transformed into something else for a while to teach them a lesson and to learn the value of love. The best known example of that is The Beauty and the Beast, of course.

But in your stories do your magical characters go straight for that or do they try something else on a proud person first before using the transformation option. Also give some thought to your transformed characters. Could any of them prefer to stay in their new “look” and why would that be? Are they granted their wish to stay in the form they’ve become?

When it comes to being changed back again, how do your characters readjust? Do any remnants of their transformed self stay with them for a while? I would hope other characters in your stories realise it is best to change what is wrong (and indeed to recognise what is wrong in the first place) without having to become another creature altogether – it would be quicker and less traumatic I would have thought.

Even without transformation spells, characters do need to change during the course of your story. Something has happened. It changes them. They face a problem. They deal with it. They are changed by what they have had to do here. Most of the time that leads to a positive outcome but not always.

I admire the way it is acknowledged in The Lord of the Rings Frodo Baggins was so changed by what he went through he was not going to be able to stay in The Shire and it was best he went with the elves. It was absolutely the right outcome for him and his character portrayal backs that up.

So give some thought about what changing does to your characters – physically in the case of magical tales but even more importantly to their overall state of being. Are they happier/better off for the change or has the change, unavoidable as it was, left them with scars they have to find ways of living with?

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This World and Others – Making Things Happen

Who and/or what makes things happen in your setting? What would be the driving forces in your world? Would it be politics, as we know it here, or something like creative agencies driving this?

If you have a world dominated by engineers, scientists, inventors etc., that world is bound to be driven by what they come up with. Also does your world welcome their inventions? Are the inventions generally for the greater good? Have any of them gone horribly wrong?

Making things happen is often a good thing. I welcome discoveries in science (medicine especially) because I can see the potential for making lives better for people. But not everyone welcomes new discoveries. For one thing, it means old ones are superseded. Could someone resent that and try to stop the new invention/inventor? What would they be prepared to do here? Could easily see crime stories emerging from that. Making things happen could mean stopping other new things happening at all!

Who would make things happen in the various settings in your world – the political scene, the arts sector, the sports world etc? If your world doesn’t get on with other worlds around it, is there anyone prepared to try to make things happen to improve that? Do their efforts pay off?

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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My Top Five Writing Exercises

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. I’ve had a busy one with the ACW Flash Fiction Group and a lovely trip to see the latest production from my local excellent amateur theatre company. Review to follow on CFT in due course. All I will say is with the title being Waiting For Gateaux I was expecting some laughs. Lady got to see her friend Coco the other day for the first time in ages and both dogs were very happy to see each other. Dogs are lovely like that.

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Facebook – General and Chandler’s Ford Today

Had a lovely time at Ritchie Hall for Waiting For Gateaux last night. Review to follow for Chandler’s Ford Today in due course.

Meantime, I’m pleased to share My Top Five Writing Exercises as my CFT post this week. If you would like to try writing exercises to help with your story creations etc but don’t know where to start, why not try out the five I list here? I use them all regularly. There are many other exercises available but these are the ones I use most often.

My post also looks at how writing exercises encourage you to think in different ways (and therefore stretch your imagination). I also share further top tips for making the most of writing exercises. Hope you find the post useful.

My Top Five Writing Exercises

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Am off to see Waiting For Gateaux, the latest production to be staged by The Chameleon Theatre Group at Ritchie Hall tonight. Should be fun. Will be reviewing for Chandler’s Ford Today in due course. I also get to meet up with my lovely CFT editor at these productions so we do kind of consider these to be a CFT works outing!

Will be sharing My Top Five Writing Exercises for CFT tomorrow and evaluating what I find helpful about each of these. There are many more I could have mentioned as I use far more than five but I thought the ones I picked for this post would be useful for any writer to use. See above.

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Every so often I receive reviews directly rather than via Amazon etc. Delighted to say one came in for me today for Tripping the Flash Fantastic. A huge thank you to the reviewer concerned.

I like how Allison Symes managed to put together a book of short stories, flash fiction, and poetry that intrigued me here and there. Tripping the Flash Fantastic is also very easy to read through because the stories are short—before long, I found myself already having devoured more stories than I thought I could in a short amount of time. The stories are also creative and while not all stories resonate, it is inspiring and quite original. I like simple books like these. From KO.

I’ve mentioned before all authors appreciate reviews. They help make our books more visible and all writers welcome validation of their work (and we get that from reviews and other feedback from readers of course).

Reviews don’t have to be long either. Nor is there a use by date by which you need to get reviews in by. Yes, they are especially useful shortly after publication but I’ve reviewed books by other authors which I came to years after those books originally came out. You can’t know when someone is going to see your books.

But do review. It doesn’t take long. And it gives the author something to share as part of their marketing via posts like this one, mentions on their website etc.

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Facebook – From Light to Dark and Back Again

Pleased to share my latest story on Friday Flash Fiction – Deception. The opening line for this one started life as an exercise I set for the Association of Christian Writers Flash Fiction Group which I run once a month on Zoom.

I always have a go at the exercises (I don’t want to miss out on the fun of creating stories from them!) and knew this one had potential. This story, I think, will have resonance for many. Many thanks to those who have already commented on this.

Screenshot 2024-04-26 at 10-12-54 Deception by Allison Symes

One of the delights of going to see a live production, as I will be doing this evening, is watching for those lovely moments which add to the characterisation of the play in question. These will be those “flash moments” which help you understand a character better and can be funny, moving, tragic etc. Mind you I am off to see Waiting For Gateaux so I am expecting humour with a title like that!

Glad to say last night’s Association of Christian Writers Flash Fiction Group on Zoom went well last night. I hope everyone gets something positive from the exercises I set. I have a go at these myself after the meeting and I think I can do something with at least two of what I drafted last night. Hope to start drafting something over the weekend when I have more time.

Sometimes for these meetings, I will prepare an answer to an exercise in advance to give an example but I do love joining in with live writing exercises myself. Does wonders for the old brain cells!

I often set and AM set writing exercisesLooking forward to tonight’s meeting of the Association of Christian Writers Flash Fiction Group. Always good to see everyone and we usually draft flash pieces in response to prompts (or have the starts of stories to finish off later) by the end of the evening.

I join in with these exercises and indeed, from the meeting in March, I’ve used a couple of opening lines I drafted then for YouTube and Friday Flash Fiction stories this month. That’s a result as far as I’m concerned.

Pleased to have received a review of Tripping the Flash Fantastic directly (see my author timeline on Facebook for more on that). See above. But I will sneak in another plea for reviews for all authors. Thanks.

I like to mix up how I open my flash tales but the one thing I try to do for all of them is to hit the ground running. I want to engage readers immediately. Sometimes I do that by setting up an interesting premise. Other times I’m showing a character in the middle of something and you have to read on to find what happens.

Sometimes I’m using thoughts, dialogue, or questions. But whatever I use, I always ask myself what is in this for the reader? That matters. Keeping your audience in mind all the time helps with focus. It makes editing easier too. With that question in mind, it is easier to spot what would be useful to a reader and what could be cut.

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Fairytales with Bite – Magical Equipment

In your setting, what exists in the way of magical equipment? Who makes it? Where do they get their “components” and do they have to meet safety standards?

(I’m married to an electronics engineer. Safety standards come into his world a lot and rightly so but I see no reason why they can’t come into a fictional world too. Indeed, a good story idea would be about someone trying to enforce safety standards for the greater good and the struggle they have to get everyone else in their society to accept that point. How many accidents would have to happen before the need for change is recognised and your character is the one to lead the way here?).

Can all of your characters access the magical equipment they need or are these reserved for certain species and/or for those at a certain level of magical ability? Your governing authority could of course control who can gain that magical ability to limit what powers can be used by whom that way but there would be an interesting story in why they are doing this.

Also does magical equipment go wrong? Can it be fixed? Who would carry out repairs and “servicing”? Is there the equivalent of an MOT for a witch’s broom? (If not, why not! Would love to see a queue of witches lining up to get their vehicles through statutory checks. What would happen to any unfortunate service engineer telling an annoyed witch her bristles need replacing? Could see some funny stories coming out here!). How can wands be checked to ensure they are doing what they’re supposed to do? Who cares enough to ensure magical equipment does work properly?

What controls do your governing authority have to ensure shoddy equipment doesn’t make it out into the open? Where has your world come from in terms of equipment development to get to where they are now?

Who has invented the equipment? What was done to improve the original models (almost inevitably improvements would either be necessary or become desirable when technology changes)?

Give some thought too as to how well or otherwise your characters use magical equipment available to them. That could make a huge difference as to whether they complete their “mission” successfully or not. Tools/equipment matter!

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This World and Others – Manufacturers

Linking in with Fairytales with Bite above, who are the manufacturers who make the products your characters will use? (The best known one of course is Ollivander the wand maker from the Harry Potter series but I liked that character. I liked the way it was realised someone had to make the things the main characters need to use).

How do the manufacturers access the ingredients and materials they need? What difficulties do they face here? Do they ever find materials they could always access before become rarer due to reasons of natural disasters/magical wars/other events in your setting or other manufacturers effectively buying up the lot?
Do magical manufacturers trade knowledge and materials with each other? Are there trade bodies? Do governments agree standards manufacturers have to meet and enforce that?

How did manufacturers get into the business? Is it a question of following the family business? How did those businesses begin? What made characters realise their talents lay in making equipment rather than using it directly?

How do they balance selling their equipment to those they would far rather not have these things with being able to survive? (Well, would you want to sell equipment to Sauron or Voldemort but what choice would you give your manufacturers for your own cast of villains here?).

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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