Originality in Fiction and Alphabetical Writing Thoughts

April 29, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.

It has been a busy few days. I have two blog posts to share tonight and a new story on Friday Flash Fiction. In most of the UK, it is a bank holiday this weekend so I hope those who can enjoy it. Wouldn’t mind the weather being a bit warmer though!

Screenshot 2022-04-29 at 18-45-14 Originality in Fiction - Chandler's Ford Today

Screenshot 2022-04-29 at 18-45-29 Alphabetical Writing Thoughts by Allison Symes

Facebook – General and Chandler’s Ford Today and More Than Writers

Chandler’s Ford Today

It’s a busy night tonight. First up, I’m pleased to share my latest post for Chandler’s Ford Today. I talk about Originality in Fiction and discuss whether or not we can be truly original in what we write given we are all inspired by what we have read and as there are only so many basic plots.

I also look at finding and making the most of your author voice (which is key to being original), and at how to put your own take on an idea. Hope you enjoy the post and find it useful and do share your thoughts on originality in the comments box.

Oh and talking of CFT, Janet Williams, my lovely editor, and I had an absolute ball at The Dragon of Wantley pantomime put on by the Chameleon Theatre Group last night. Oh yes we did! Review to follow in due course.

Janet and I very much treat our trips out like this as “CFT works outings”! They’re an absolute joy to go to -and the panto was a hoot from start to finish. The Chameleons had to delay this from January but it was definitely worth the wait! More to come in my review.

Originality in Fiction

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More Than Writers – the blog spot for the Association of Christian Writers

My second post tonight is for More Than Writers, the blog spot of the Association of Christian Writers. I blog monthly here and my topic this time is Alphabetical Writing Thoughts. Great fun to do and I get to share a number of useful tips and hints. Again, I hope you find this one fun and useful.

AWT - Pens have to come into writing somewhere

AWT - I see writing and editing as two separate tasks

AWT - Judging is subjective, feedback is useful

AWT - Enjoying writing and reading is vital

Am off to the panto this evening with my lovely CFT editor, Janet Williams. Oh yes I am…!

So not too much on the writing front from me today though I will be making up for that tomorrow with my double blog for CFT and More Than Writers. That’s it. No blog for ages then two come along at once, you know how it is!

I have no idea what the storyline is behind The Dragon of Wantley, which is what I’m off to see tonight, but I do know it will be fun finding out. And it will be lovely having a nice night out with guaranteed laughs – that is the joy of panto. Yes, it may be unseasonal but The Chameleon Theatre Group had to put it off from January and I say better late than never, especially after the last couple of years where there was no live theatre at all. It is lovely having live events back again.

It will be a double blog from me on Friday with my Chandler’s Ford Today post out on Originality in Fiction. Also my More than Writers post, where I blog monthly for the Association of Christian Writers, will also be out and I’ll be talking about and sharing Alphabetical Writing Thoughts. I look forward to sharing both posts later in the week. See above.

Don’t forget I send out my author newsletter on the first of the month so if you would like to sign up for tips, prompts, news etc., do head over to my landing page at https://allisonsymescollectedworks.com

I’ve mentioned before for my fiction work I always have an Ideal Reader in mind. I do the same for my blog posts. I try to think of what they would find useful about this story or blog of mine and tailor them accordingly. I find doing this helps stop me going off at unhelpful tangents. Having an Ideal Reader in mind from the start helps with targetting your work to the right place (market or competition) as well.

Facebook – From Light to Dark and Back Again

I hope you enjoy my latest story on Friday Flash Fiction. The starting point idea for my story, Reflection, comes from a random object generator and I then took things from there as to why my character would want the object.

I sometimes write historical flash fiction pieces. For these, I give my characters the benefit of being able to speak to us in language we understand so I don’t use Olde English. It’s not easy to read and clarity is everything for a story, especially a short one. What I do do is be accurate and everything I come up with is either based on fact or reasonable supposition given the known facts.

I sometimes get my characters to address us the readers and then go on to show us their perspective on things. I hope this is a way of making those characters seem more real. I think that is even more important the further back in time you go. It is easy to forget these were real people with real feelings. I hope my flash pieces here can correct that to an extent. Honesty in characterisation is vital as otherwise the reader simply won’t believe the people you present to them.

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Hope you have had a good day. Chilly today. Not that Lady noticed. She was too busy running around with her best buddy, the lovely Rhodesian Ridgeback.

Whether I write my stories in the first or third person, I try to ensure my opening line has an intriguing hook immediately. There has to be something to entice the reader in to want to find out what happens next.

With my reader’s hat on, I know I want to be enticed to go on reading! Okay, okay, you don’t have to try too hard with me to get me reading. I do read the menu in the fish and chip shop because it is there, it has words on it, and words have to be read etc but I can be switched off by something that doesn’t grab me.

Writing flash fiction has meant that I have to hit the ground running from the opening words. There is no room to “run into” the story. And if I’m not intrigued by the story premise, I also know nobody else will be either. I have to be excited about writing it!

Fairytales With Bite – Fairytale Acrostic

F = Flighty fairies, not likely!
A = Able to conjure up spells to bring down the arrogant – and they do.
I= Intelligent and they see right through to a character’s soul.
R = Reality for them is coping with everything from a dragon to a witch trying to build gingerbread houses again.
Y = Young? Not necessarily. The best have been around for centuries. Age is not a thing for them.
T = Tough but kindhearted, yes you can combine the two. They are anything but twee.
A = Always ready to help someone in distress.
L = Like helping people, loathe liars and cheats.
E = Experts in getting to the truth of a matter and not caving in to evil.
S = So why would you annoy a fairy? Only if you’re incredibly brave or foolish and my money would be on the latter.

This World and Others – Games and Puzzles

When I’ve finished writing for the day, I like to unwind with an online game of CrossCraze (a version of Scrabble). So words still come into my “play time”! But I inherited my love of word games, as I did my love of reading from my late mother.

So in your created world, are games and puzzles a “thing”? If so, can anyone join in or do certain species play one type of game or puzzle and others have their own they have to stick to? Are the games and puzzles anything like the ones we have here? If so, what is different about them that could only exist in your fictional world?

I love a game to relax but what does your world use them for? Could they use them to assess intelligence (and therefore someone’s role in their society)? Can they use the games to control people?

Or is this kind of thing seen as a waste of time? If so, what kind of recreational activities are your people allowed to do and why are they only allowed to do these?

Originality in Fiction https://t.co/oXJSSAsOur I ask if we can be original in what we write as we're all inspired by what we read and as there are only so many basic plots. I look at finding and making the most of your author voice and at how to put your own take on an idea.
— Allison Symes (@AllisonSymes1) April 29, 2022

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More than Writers: Alphabetical Writing Thoughts by Allison Symes https://t.co/ZwsY6dFY8b It's my turn on the More Than Writers, the blog of the Association of Christian Writers. My topic is Alphabetical Writing Thoughts. Fun to do and I share tips. I hope you find this useful.
— Allison Symes (@AllisonSymes1) April 29, 2022

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Reflection, by Allison Symes – Friday Flash Fiction https://t.co/pA9zNdTFXl The starting point for my latest story on Friday Flash Fiction, Reflection, comes from a random object generator. I then took things from there as to why my character would want the object. pic.twitter.com/CDdqG5Btos
— Allison Symes (@AllisonSymes1) April 29, 2022

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Names in Fiction

April 22, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots and photo taken by me, Allison Symes.

Hope you have had a good week. Lady has been enjoying the sunshine and meeting up with her dog pals all week. I’m busy preparing workshops and looking forward to running them.

Facebook – General – and Chandler’s Ford Today

I’m pleased to share Names in Fiction, my latest Chandler’s Ford Today post. I don’t always know the names of my characters immediately. Often I will know their major trait and their situation and ideas for names will emerge from knowing those things.

Setting helps too as if I’m writing a historical piece as I do sometimes, I will want to make sure the name is suitable for that time period. Sometimes I will jot down a name but a better one will come to me as I’m drafting so I change it, but once I do have the right name for the right character in the right story, nothing is making me change it!

I share thoughts on useful sources to find names in my post, as well as looking at how names have meaning and how that can be used by writers. Surnames didn’t happen until after the 1066 Norman Conquest in England so that is something which has to be borne in mind by historical writers.

I’ve used names to indicate the likely age of a character without spelling the age out. For example, I named a character Walter. Not likely to be a young person with a name like that, right? Correct, he wasn’t.

Hope you find the post useful.

Names In Fiction

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I’m talking about Names in Fiction for Chandler’s Ford Today this week. Link up tomorrow. See above. I look at how writers can use names to add to their characterisation and how certain names have gone into the language. I’ll also be sharing tips on using names and good places to find them. (Don’t forget the old random name generators too).

Am looking forward to seeing The Dragon of Wantley, the panto being put on by the Chameleon Theatre Group, next Thursday. It’ll be lovely to catch up with Janet Williams, my lovely editor at CFT. I do see these evenings as “Chandler’s Ford Today works outings” when Janet and I both get to go! Review in due course. And it is so nice getting back to seeing live theatre again.

Do you find it hard to come up with names for your characters? Sometimes I know a name immediately. Sometimes I know who my character is going to be in terms of personality first and that in turn will give me ideas for names to suit that personality.

I don’t always worry about surnames and, where it is appropriate for the story, I stick to first person and just use I throughout. What matters I think is knowing how you are going to get “into” writing your story. I have to know the character’s major trait as so much comes from that. Some writers absolutely have to know the name first or to be able to visualise their people and that’s fine.

What I hope is my post on Friday will be a useful guide as to where you can find inspiration for names as there are various ways to find ideas here.

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It’s been another lovely day in Hampshire. Someone has enjoyed her time out and about – see pic.

Looking forward to taking part in the Association of Christian Writers’ Flash Fiction group on Zoom later this evening.

One thing to come out of the pandemic was the increasing use of Zoom and that has made many things possible. I can talk to family members in New Zealand easily for example. Genre group meetings like this one, where the people taking part live several hundreds of miles away from each other, is something else made possible.

Am busy getting my author newsletter ready for the beginning of May. Do head over to my website at https://allisonsymescollectedworks.com if you would like to sign up.

Am putting finishing touches to various blogs I write for on a monthly basis – I like to keep ahead of myself here so when one has gone out online, fairly soon afterwards the next month’s one is up and scheduled. Gives me plenty of thinking time too and that is always a good thing.

Facebook – From Light to Dark and Back Again

Am pleased to share my latest story on Friday Flash Fiction. This one is called Where Am I? It is based on a prompt thrown up by a random scenario generator (which was about waking up in a strange room). Hope you enjoy it and a big thank you to all who have commented on this one already.

Another lovely spring day in Hampshire. Dog was equally impressed.

I’ve been asked an interesting question about whether flash is necessarily about moral twists. Not necessarily. You can argue that Jesus’s parables in the New Testament and Aesop’s Fables are flash fiction given they are mainly within the word count for flash and yes they have a moral message and there can be twists to them. Whoever would expect a tortoise to win a race against a hare, for example?

But a lot of my stories don’t exactly have a moral message though, as with most fiction, you can learn a lot about what not to do or be thanks to following the exploits of the characters. You can “watch” as you read as the characters make mistakes that make you wince etc and think I’d never do that. That is one of the great joys or reading fiction!

Where I think flash does come into its own is having a powerful impact for such a small word count. You can get the “punch in the gut” effect that much more quickly and a writer can exploit that.

Do you have a favourite kind of character to write stories around? I think most of us do. I have a soft spot for the feisty older woman character where you know there is more to her than meets the eye. I’ve always loved this kind of character in the fairytales. You know the kind – the old woman who suddenly turns out to be a powerful magical being and cuts some arrogant twerp down to size. (See Beauty and the Beast for more on that!).

I suppose behind this is a wish that older characters aren’t written off as being unimportant (and I wish that too for older people in general). What matters here is caring about the characters you dream up because only then can you write their stories up with any conviction. The first person to enjoy your story has to be you, the writer.

Fairytales with Bite – The Older Magical Practitioner

I have a very soft spot for the older magical practitioner in fairytales. I love those wizened older people who turn out to be a powerful fairy godmother/wizard in disguise who then usually go on to teach some arrogant so-and-so a much needed lesson.

I know my love of this character type is partly due to my own wish that older people are not underestimated or dismissed for being old. I don’t want age to be a factor for my characters. Indeed, if anything, I want their years of experience to have beneficial outcomes in the stories I’m writing about them now. I want experience to count for something.

The ideal sweet spot for me is having a character like that teamed up with someone younger, faster etc but who is willing to learn from them. They could make a formidable team!

What uses do you put your older characters to in your stories? Yes, they can be invaluable sources of advice but I would want them to do practical things that the younger ones could not. I would want the younger ones to do the things the older characters could not. Genuine team work.

Ageism, for me, has no place in fiction (or indeed anywhere!). Yes, sure your older characters aren’t going to be able to do what they could easily do years ago but there should be other things they can do instead, tips and tricks they’ve learned along the way precisely because they can’t do the other stuff any more. So what do you get your characters to do? Are you limiting what they can do?

This World and Others – Age

Going on from my Fairytales with Bite post, how does your fictional world react to age? Is it respected or despised? A lot will depend on the cultural background of your characters so how can you play on that to come up with interesting tales? You could get some nice tensions/conflicts between between those who respect age and those who do not. Here I would want the old ones to prove those who despise them wrong!

You can also write about age as an era and show how your fictional world has moved on (or not) from times past. What consequences would that have for your characters in the here and now?

Does age work in the same way it does here or is reverse aging possible? What conflicts could that cause? Also are only certain species/classes allowed to get to certain ages and beyond?

The Easter story is amazing. It is the little moments that get me. I understand why Mary thought Jesus was the gardener. I can picture that. We need to add little touches to our characters so they resonate with our readers. What is it about your characters we would understand? pic.twitter.com/AQKMWjatdE
— ACW (@ACW1971) April 20, 2022

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My favourite characters in stories are those who are redeemable and those who make mistakes but then go on to put what they can right. What mistakes have your characters made? When do they realise they need to correct things as much as they can? pic.twitter.com/agCYPY5kfS
— ACW (@ACW1971) April 21, 2022

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I like to get “behind” a character so there must be something about them I understand. I don’t have to agree with all they come out with but do have to get their basic rationale. What motivates your characters? What would drive them to do/say things they wouldn’t usually say/do? pic.twitter.com/bHqKoWnSY0
— ACW (@ACW1971) April 22, 2022

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Names In Fiction https://t.co/kTR1iLKNDK I’m pleased to share my new CFT post. I don’t always know my character names immediately. I know their major trait/situation and name ideas emerge. I share sources to find names and look at how names have meaning.
— Allison Symes (@AllisonSymes1) April 22, 2022

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Where Am I? by Allison Symes – Friday Flash Fiction https://t.co/Mrdj7B5f1s Hope you like my latest tale here. The idea for this one came from a random scenario generator where the prompt was about waking up in a strange room. pic.twitter.com/AaTQIIqSee
— Allison Symes (@AllisonSymes1) April 22, 2022

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Making Characters Real in Fiction

April 15, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.

Happy Easter to those who, like me, celebrate it. Good to have some proper Easter weather too – lovely, sunny and warm in the UK right now.

Facebook – General – and Chandler’s Ford Today

15th April 2022 – Good Friday – CFT
Happy Easter to those who celebrate it. I visited another church this morning for a lovely Good Friday service. I had a lovely walk of a couple of miles each way and I was especially grateful for the cup of tea on offer when I got to the church! It was needed!

My usual church has all of its Easter events on Easter Sunday so it starts mournfully and then ends in celebration. It is a lovely service but I like to get to a service on Good Friday when I can. On my walk down, I came across a little bridge and someone had put up a small bin with sticks in it. They’d marked the bin “Pooh Sticks” so someone is a Winnie the Pooh fan – made me smile as I saw it. (No sign of Eeyore or Tigger before you ask).

I hope you find my Making Characters Real In Fiction for Chandler’s Ford Today useful. I talk about why characters have to resonate with readers for their stories to be believable (and that’s still true even for the most fantastical of settings). I look at motivation and realism too. (Wish me luck for when I get to Q in this series! It is approaching rapidly!).

Making Characters Real In Fiction

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Lady had a fabulous play “date” with her gentleman friend who is a gorgeous tri-coloured Aussie Shepherd this morning. She usually prefers to play with her girlie dog friends but this very nice lad is a rare exception for the boys. Good to see them both running around at full pelt and having a wonderful time.

Writing wise, I am busy getting workshop material ready. Love this (and indeed presenting it later on). As with my flash work where I have my Ideal Reader in mind all the time, here I am thinking of what my audience is going to find useful. Putting yourself in your readers’/listeners’ shoes is a good idea, always. It helps cut any tendency to waffle for a start!

I also have in mind what I’d find useful from a workshop if I was going to it as a delegate. That perspective again helps me tailor my material in the right way. Later, I will record my material and play it back via Zoom. That is a great way of highlighting any issues – such as am I speaking too fast? Am I speaking clearly enough and so on? I’ve also found it triggers ideas for material to add in as I literally listen to what I’ve said and spot gaps which I then fill. It’s also great practice at writing and presenting non-fiction of course so win-win!

Not a bad day. Looked grotty first thing, then brightened up. This could often apply to me first thing in the morning just after I’ve had my first cup of tea for the day!

Looking forward to sharing my Making Characters Real In Fiction post for Chandler’s Ford Today on Good Friday. Hope you will find it useful.

My author newsletter goes out on the first of the month and is packed with tips, news, prompts etc so if you would like to sign up do head over to my landing page at https://allisonsymescollectedworks.com

The next couple of months will be busy with workshops – one in May in London and the other as part of the Association of Christian Writers Golden Jubilee weekend at The Hayes, Swanwick.

Did I ever anticipate running workshops one day when I started going to writing events etc? Not a bit of it but I am thrilled with how things have worked out here and ironically the pandemic helped. Zoom was my way in to workshops as it made certain things possible. I hope to do much more of this kind of thing.

I’ve taken the long view that I will see where my writing journey takes me. It has thrown up some interesting things which I hope to develop further. I mean I hadn’t anticipated being a flash fiction writer either when I started out and that has worked out well! Being open is important.

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Facebook – From Light to Dark and Back Again

15th April 2022 – Good Friday
Happy Easter to those who, like me, commemorate it (today, a sad day) and celebrate it (Easter Sunday, a joyful day). I once wrote a flash piece for Christian Writer magazine (the journal of the Association of Christian Writers) called The Craftsman. It focused on the carpenter who made Jesus’s cross.

What mattered for that story and indeed for any I write is that I know where my focus is – for this example, I had my carpenter smooth the wood down as much as he could. He couldn’t help in any other way so he did that. So my focus here was on my carpenter’s wish to help and to figure out a small way in which he could feel he had done that.

My focus for my current story on Friday Flash Fiction comes from a prompt. It was from a random scenario generator (yes really!) and the scenario that came out was finding a piece of paper stuck in a chest of drawers. And this is what I did with that prompt. Hope you enjoy my A Timely Reveal and a huge thanks to those who have commented on this one already.

I don’t always name my characters in my flash stories. One reason for this is that, with my darker tales, keeping something as an “it” is more scary than naming “it”. But with other tales, the name of the character isn’t so important to the story. What matters is what the character does.

Where I do use a name then see that as important information. I’m nearly always using a name to convey social status, sometimes species (in my Losing Myself from Tripping the Flash Fantastic I start the story with the name Graxia – this is highly unlike to be a human name), sometimes genre (ditto with Graxia – likely to be a fantasy name, as it is).

Names, like any other vital information, need to move the story on in some way and that can be by giving an indicator of likely status/setting as that in itself will put pictures inside the reader’s mind. You want them to see the right kind of pictures here.

I sometimes start a flash piece with a question. It makes for a good hook as the reader knows that question has to be answered by the end of the story and they have to read on to find out how that answer happens. My The Truth from From Light to Dark and Back Again does this. I rarely finish a story with a question though I did for Losing Myself in Tripping the Flash Fantastic. Why do that? Because the question itself reveals crucial information that wraps up the tale nicely.

Questions also make for good themes. Shorter questions might be useful as titles too. I use random question generators every so often and have found that most of the ones from those tend to be on the long side (e.g. What was your favourite meal as a child and why don’t you have it now?) and so work best as a theme.

In this example, I would probably show a character being offered an old childhood favourite meal and get them having mixed feelings over eating it because there are sad associations with it now etc. I certainly wouldn’t have that question as a title. Titles work best when kept short and snappy. They draw in a reader’s attention better too like that.

Fairytales With Bite – Diaries

It was great fun writing my fictional fairy godmother’s diary last week. Hope you enjoyed it.

Now think about your own writing. Do you have a character who could keep a diary like that? The one thing I would say about this kind of writing is it is essential you know your character’s voice well enough. You need that strength of voice to come through to your readers (and to be able to sustain the diary for however long you choose to write it).

On a related note, in your created world, are diaries and journals kept by the population at large or only by the elite? (Can everyone read and write or is that privilege kept for a select few?). Are there official diaries that everyone can read? Would diaries be amongst your world’s historical documents and do the contents still impact on how your world is governed?

Just because a document is old doesn’t mean it’s irrelevant. The Domesday Book has been cited in legal cases and is still a valid legal document. (I suspect William the Conqueror might have considered it to be his personal diary of what he owned!).

This World and Others – Record Keeping

Who keeps the records in your fictional world? Who keeps the unofficial ones and how are they kept away from those who would destroy them? If only a few can read and write, are the scribes treated with honour by the general population or are they resented?

One thing I picked up from a medieval fair I went to some years ago was that it wasn’t unknown for scribes, when asked by a peasant to read a letter for them so they could understand its contents, to deliberately tell their client wrong information. Part of the reason for that was to drum up further business from the peasant. Get the peasant angry enough, the scribe would offer to write a suitable reply, the peasant pays up, and another letter gets written! And the scribe moves on to another town before they get found out! Scribes would often be part of travelling fairs and were always on the move.

Is there any way of the accuracy of your world’s records to be checked? Are there records which should be kept but which deliberately are not? What does your character(s) take as “gospel”and are they right do so so?

Records matter. They can confirm or remove an inheritance for one thing. They can sway how a country, say, reacts to another one, because that is all dependent on the pasts of these two nations. If one is deliberately wrong, that can easily change the course of history and the future.

Making Characters Real In Fiction https://t.co/1dZQyIJPHz I hope you find my new post for CFT useful. I talk about why characters must resonate with readers for their stories to be believable (and that’s true even for fantastical settings). I look at motivation and realism too.
— Allison Symes (@AllisonSymes1) April 15, 2022

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A Timely Reveal, by Allison Symes – Friday Flash Fiction https://t.co/1JwodOJ3Lf My FFF tale idea comes from a random scenario generator prompt (yes!). What came out was finding paper stuck in a chest of drawers. Thanks to those who have commented already on A Timely Reveal. pic.twitter.com/FWutJNNTAX
— Allison Symes (@AllisonSymes1) April 15, 2022

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Laughter In Fiction

April 8, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. My CFT post was a special joy to write – I love writing about humour. I hope it makes you smile.

Facebook – General – and Chandler’s Ford Today

Am delighted to share a Chandler’s Ford Today post which I hope will put a smile on your face. I talk about Laughter in Fiction and explore the point of humorous fiction, as well as share some gloriously funny quotes from Wodehouse and Pratchett.

I look at why the humorous story has to be a story first and foremost and discuss why there should be a good mixture of funny as well as tragic material in fiction.

Hope you enjoy (and let’s hear it for the humour writers – they deserve more awards than they get. Why humorous fiction is looked down on in some quarters is beyond me).

Laughter in Fiction

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Looking forward to sharing my Chandler’s Ford Today post tomorrow. See above. I’m talking about Laughter in Fiction, which is a fun topic to write about, and I get to share some fabulous quotes from P.G. Wodehouse and Terry Pratchett.

I also talk about the point of humorous fiction. Give some thought as to whether you think humorous fiction is hard to write as comments in the CFT box are always welcome.

Also looking forward to taking part in a couple of Zoom sessions with writing friends over the next day or two., If you can’t get together in person, then Zoom is the next best thing and it has been an lifeline for staying in contact with people and still being able to “go” to writing events.

Next major in-person event for me will be the Worth Our Weight in Gold weekend, which the Association of Christian Writers are having to celebrate their Golden Jubilee. Looking forward to running a workshop there and meeting up with friends and, naturally, it will be lovely to be back at The Hayes, Swanwick for that.

I love a bit of word play. It’s why I’m fond of radio shows such as I’m Sorry I Haven’t A Clue, Just A Minute etc. I was writing a guest post for a pal on Facebook as I often do and playing the great game of changing one word in a famous book title with the word “tea”. So I came up with things like The Lord of the Tea, Bleak Tea, Tea and Prejudice etc etc. All good fun. Silly word games like that are (a) a great way to unwind, (b) make me laugh, and (c) remind me of great books I need to re-read again soon.

When it comes to my story titles, I use a variety of ways to find the best one for my purpose. I sometimes use proverbs directly, sometimes subvert a saying (my Punish the Innocent from From Light to Dark and Back Again is an example of that), and sometimes use repetition (such as my Enough Is Enough).

Sometimes I come up with an interesting premise I just have to write up such as my The Terrified Dragon from Tripping the Flash Fantastic. That was great fun to envisage and write up!

I find I have to have a working title as a “peg” to work to but I know now not to be worried if a better idea for a title comes up as I write my first draft. I just note it down and if it still seems better once I’ve written my story, I will change my original title. Only The Ten Commandments were set in stone after all. But I just need something to get me started. And yes often the title will set the mood for the story and that’s fine too. Sometimes the mood of the story I want to write helps inspire the title idea.

What matters here is being open and not being afraid to play around with ideas until you get the one title you know suits your story perfectly. It is lovely when that happens immediately but often it doesn’t. I know now to trust the process of writing to know the ideas will come. I didn’t know that when I started out but writing regularly and often helps develop that trust.

Facebook – From Light to Dark and Back Again

It’s Friday. It’s time for another story from Friday Flash Fiction. Hope you enjoy my Four Chairs. This came about as a result of a picture I found via a random picture generator.

F = Find your character – why are they worth writing up into a story?

L = Love your characters, loathe your characters – what matters is they are able to keep the reader wondering what on earth is going to happen and to keep on reading to find out.

A = Animals, aliens, whatever – your characters don’t necessarily have to be human.

S = Story, story, story – what happens, what changes, what do your characters do?

H = Have a rough idea as to where your story is heading – this helps even if you don’t like to outline.

I’ve deliberately gone for a mixture of moods in the stories in both of my flash collections because I like to read a mixture of moods myself. I do see my books as “mixed assortments” and fail to see why that idea should just be restricted to chocolate boxes!

It is also one of the great joys of short story anthologies. I ensure I read a good mix of flash and story short collections in between reading novels because I love the long form and short forms of fiction and think it healthy for my reading “diet” to read a good mixture of both.

So do check out the indie presses like Chapeltown Books to find out what is out there. And if you want an idea of where to start here, how about checking out the bookshop here, the one my publisher runs?

Fairytales With Bite – The Diary

What a page from a fairy godmother’s diary could look like…

Monday – Needed a lie in as was up after midnight for the umpteenth night in a row turning things into other things for my various goddaughters. When I find out who decreed that fairy godmothers have to stay up late almost continually, I will turn them into something – unpleasant. Possibly with a new ability to croak.

Tuesday – And breathe. Feel so much better after making sure I had a quiet day yesterday. Out in the garden replenishing my pumpkin stocks. I have gone through so many this year. Haven’t even made pie with any yet. Will make up for that. Could just do with a slice of pumpkin pie.

Wednesday – The big boss has sent me all around the magical kingdom today carrying out various errands. Saw off three marauding dragons and that was before lunch. Got back home well after 10 pm (at least is isn’t bloody midnight this time!), having sent various evil beings to the next world where they can harass someone else. Must admit I had more pumpkin pie than I should have done but it was luscious.

Thursday – It was fun shopping with the girls. There’s nothing to beat getting a group of fairy godmothers together and we call come up with more and more beautiful dresses which we swap amongst ourselves. Why should the likes of Cinders have the lot? Tell me that. I’ve come home with a fabulous purple number I will wear to the next Palace party the Fairy Queen holds for us. Had to go up a dress size though. Suspect the pumpkin pie might have something to do with that. And annoyingly I can’t magic the calories off. It’s a banned practice. Grrr…

Friday – Any hopes of a weekend at home were dashed by Her Nibs. I’m on Palace duty all weekend where I have to accompany Her Nibs everywhere. Now that’s okay funnily enough. She wants her fairy godmothers to be at their very best so she boosts our magical abilities temporarily so we can use extra powers to create jewellery for ourselves and so on. I’ve created a stunning amethyst necklace and bracelet combo to go with my new purple dress. Still not allowed to magic calories off though.

Saturday – Got to ride in the big gold coach with Her Nibs. Looks wonderful. The suspension on it is hell though. Her Nibs likes it that way though. Says it reminds her to ensure she always sits up straight. You get used to it after a while though. Mind you, you can get used to almost anything after a while.

Sunday – I got home at 11.55 pm. I think Her Nibs ensured that. Someone likes a laugh! It was nice touring the countryside with her though and waving at the ~~peasants, punters~~, potential future clients.

Hope you enjoyed that. It was great fun to write.

This World and Others – Work and Employment

Now for Fairytales with Bite, I’ve invented a fictional diary for a fairy godmother but in it, I show a little of her workload. What kind of jobs do your main characters do? What kind of employment exists in your fictional world? Where magic is involved, what employment opportunities does that create or take away? Who takes advantage of those opportunities? Who suffers because their jobs are taken away?

The issues we face in our work lives – are these replicated in your fictional world? Is there such a thing as management/union disputes for example? When change needs to happen in how people work, what they can do, how are these changes brought about?

When your characters need to go off on quests etc (as you do), what impact does that have on their old lives, including their work ones? If they get back again, do they pick up their old work etc as if they’d never gone?

Does your society have a haves and have nots situation? What drives the need to work? One will be the need to produce food, every society needs that, but the ways in which it is done will differ. Payment of bills is the other “big” issue. So in your world, how do your people provide for themselves and what do they have to do to keep on doing that?

Laughter in Fiction https://t.co/DZNv850WLy Am pleased to share a CFT post which I hope will make you smile. I explore the point of humorous fiction, look at why the funny tale must be a story first, and say why there should be a good mix of funny as well as tragic fiction.
— Allison Symes (@AllisonSymes1) April 8, 2022

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Four Chairs, by Allison Symes – Friday Flash Fiction https://t.co/jjODGPOR4r It’s Friday. It’s time for another story from Friday Flash Fiction. Hope you enjoy my Four Chairs. This came about as a result of a picture I found via a random picture generator. pic.twitter.com/EkWxaCeJwH
— Allison Symes (@AllisonSymes1) April 8, 2022

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Kindness and Killing in Fiction – and Snow!

April 1, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. My CFT post this week has the most unusual title I’ve ever written to but I show there are plenty of examples of kindness and killing in fiction and not just in the usual genres. It’s good to be back on Friday Flash Fiction as well though I could have done without the snow coming back! But then that’s April in the UK for you!

Facebook – General

Two posts from me for 1st April 2022 – not an April Fools Day joke, honestly!

The first of the month is a busy time! Am delighted to share the link for the April edition of Mom’s Favorite Reads. As ever, the magazine is packed full of articles, photos, and, of course, stories!

My column this time talked about Dialogue and there was a fabulous response to my challenge to create an all-dialogue piece of flash fiction with a maximum word count of 300 words. Do check the column and stories out – as well as the rest of the magazine. You’ll be in for a great read but don’t just take my word for it – there is only one way to find out, isn’t there?!

Second post!
Okay – not so much sleet and snow today. Lady ran around like a mad thing this morning so almost certainly was unaware of just how cold it is right now. I got my gloves and scarf out! Hmm… I thought I had finished with them for a few months but never mind.

Author newsletter out this morning. Many thanks to those who have opened it so far. Hope you find it useful and informative.

My latest Chandler’s Ford Today post is called Kindness and Killing in Fiction, which is probably the oddest contrast I’ve ever written about. The funny thing is though there are plenty of examples of both across the fictional world and not just in the “obvious genres”.

I take a look at why characters must have a good reason (or reasons) for their actions and attitudes, though it doesn’t mean the author and/or their readers have to agree with them. We do need to see where the characters are coming from though – that is where realism comes in I think.

I also share my thoughts on why we read crime/horror when the world is the way it is and discuss signs of strength (kindness for me is one of them) and the role of justice in these stories. As ever, comments are welcome on the CFT page.

Kindness and Killing in Fiction

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Am still not impressed with the weather – have had sleet, hail, snow today. I thought March was supposed to come in like a lion and go out as a lamb. No sign of that happening today. Lady literally shakes it all off though she can have little “snow mountains” on her back until she decides to shake it off. She does this with rain too. I’ve learned to side step her when she does that! Having an extending lead is useful…

Writing wise, I’m getting on with various blogs and I’m planning to get back to actual flash writing at the weekend. By the end of a week, as long as I have managed to get a good mixture of fiction and non-fiction writing done, I’m happy.

And odd moments of time I use to draft a flash tale or brainstorm ideas which I can use as I see fit. Sometimes I will have a specific brainstorming session where I focus on ideas for future blogs. These sessions always pay off because I have things to come back to later when I’m not feeling so inspired.

And you learn to recognize every writer gets periods like that (and in my case I know it can be fuelled if I’m feeling especially tired). Having a notebook stuffed with ideas though is a great thing to fall back on!

Hope you have had a good day. Not impressed with the weather suddenly turning cold though it was lovely seeing Lady having a riotous time with her best buddies, a lovely Rhodesian Ridgeback and Hungarian Vizler. (Good rule here is to stand back and enjoy the show. You don’t want any of the three dogs cannoning into you!).

Looking forward to sharing my Chandler’s Ford Today post on Friday. I’m talking about Kindness and Killing In Fiction this time. The whole crime genre has a major focus on the latter, of course, as a good whodunnit depend on there having been a crime to solve but kindness turns up more often than you might think.

A huge thank you to all who commented on my More Than Writers blog about Spring-like Writing yesterday.

My author newsletter goes out again on Friday. I enjoy putting these together and I hope you make good use of the tips and prompts shared.

One thing I’ve found useful to remember when rejections/no hears happen is to recall every writer goes through this and there’s nothing to stop you revisiting a story, polishing it some more, and sending it out elsewhere. I’ve had work published doing that. Good luck!

Facebook – From Light to Dark and Back Again

Am delighted to be back on Friday Flash Fiction with my The Way Time Smells and a huge thanks to all the who have sent in fabulous comments on this already. This story is loosely based on fact and I evoke how a particular scent takes my character back in time. The scent I use here is one that does take me back in time in a similar way. Hope you enjoy it.

I had the idea for this one because the title came to me quickly and I know I would then need a scent to “latch on to” and why someone would link a scent with something in their past.. I’ve found before when the titles come first that tends to also give me a story structure from the start and I find that really useful. That was the case here.

I’ve mentioned reading your work out loud before to hear how it sounds and the nice thing with flash is of course that doesn’t take long. The other reason I do it (and record myself to play back later) is to work out a kind of “set” for Open Prose Mic Nights. I like to have a balance of different moods of story, vary the word counts I read to, vary whether I use a first or third person narrator etc. I hope that makes things more interesting for an audience. I know it does for me!

For humorous flash pieces, such as my Bypassing The System in Tripping the Flash Fantastic, I write my punchline down first and then work out different ways as to how I could logically get to that point. I do the same for twist in the tale stories. To me it makes sense to write down what I know I want to be in the story and then work out everything else around it.

Occasionally I have had a go at competitions where they give you a line they want you to put in the middle of the story. That’s a tough call but the way I’ve tackled this is to work out what must lead from the middle line to get to the end.

Having got two-thirds of the story down, I then figure out what the beginning has to be. Sounds a bit convoluted I know but it does mean that I have completed the “brief” and what leads to the middle makes sense as does what comes out from it to the end. I find with these stories knowing what the ending is, again, helps me to sort out the beginning.

Fairytales with Bite – Time for a Spell?

I’ve long believed that Cinderella’s fairy godmother was somewhat late for the party when she did finally turn up. Where was she when poor old Cinders was having such a hard time of it being ill-treated by her stepmother and her daughters? Cinders could have done with earlier intervention I think – it would’ve limited the misery for one thing.

That said, when is the right time for a magical being to intervene to help someone? Is there a case for leaving intervention as late as possible to (a) give the character to chance to help themselves and (b) to ensure all other options are exhausted first? (Not a lot of comfort for poor Cinders there!).

Whenever you get your characters to intervene magically, ensure there is a good reason for that intervention and that magic is the only option available at this point in the story. Set something up earlier in the story to show magical intervention is a distinct possibility to avoid any disbelief on the part of a reader.

And if you can get a character on the receiving end of such help to do something to help the process, even If it is only by just fetching possible “ingredients”, then so much the better. They are at least contributing to their own positive outcome here.

This World and Others – Recollections

Memories matter. They matter to individuals. They matter to countries. They matter to a world, fictional or otherwise. Culture is built up (or destroyed) by what people choose to remember. And what is chosen here will reflect a great deal on the nature of the character or culture doing the reflecting.

We, for example, remember the fallen in world wars etc for Remembrance in November. Others may see remembering the fallen as something they simply do not do – they only recall the heroes, the ones who survived.

For your fiction, you can pick elements like that to show the nature of your fictional world overall. A world that celebrates war is going to be very different from one that remembers and honours more peaceful ways of living. A culture that remembers its failures as well as its triumphs is likely to be a better one in which to live simply because it has learned to be honest with itself about its failures.

So what will your characters recollect? What is officially chosen to be remembered? What is remembered but talked about very quietly for fear of the authorities?

What would your characters do if they come across something that has to be told or recollected in some way yet goes against their world’s policy on what is remembered? Will they dare to cross the line here and what would the outcomes be if so? I would suspect there would be more than one outcome. There would be the obvious one of the authorities punishing the character but what would happen if the words had “got out” and others had got to hear the forbidden truth? What could be the outcome from that?

Allison Symes – April 2022 – Flash, Friends, and Fun – https://t.co/msYpVibeoP
— Allison Symes (@AllisonSymes1) April 1, 2022

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Kindness and Killing in Fiction https://t.co/VRJ6cuHqFS My CFT post is the strangest contrast I've written about but you will find many examples of both in fiction. I look at how there should be good reasons behind character actions and attitudes, whether we like them or not. pic.twitter.com/WgyGyKsPDx
— Allison Symes (@AllisonSymes1) April 1, 2022

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The Way Time Smells, by Allison Symes – Friday Flash Fiction https://t.co/fOv5XQTm3Y Pleased to be back on FFF. This is loosely based on fact. I evoke how a scent takes my character back in time as this scent does for me. Hope you like it. Thanks for the great comments in so far. pic.twitter.com/1w8Q35QH90
— Allison Symes (@AllisonSymes1) April 1, 2022

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Am delighted to share a link for April's Mom’s Favorite Reads. My column is about Dialogue. There was a fab response to my call to create an all-dialogue flash fiction tale with a maximum word count of 300 words.Have a good read, you know you want to! https://t.co/QaWdoO3nSb
— Allison Symes (@AllisonSymes1) April 1, 2022

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At The Scottish Association of Writers Conference

March 25, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. I also took the photos from the Scottish Association of Writers (SAW) Conference. It was a joy to be north of the border for the SAW event. I had a wonderful time and the journey to/from by train was a wonderful chance to relax and get plenty of writing done so win-win there too!

Facebook – General – and Chandler’s Ford Today

Am pleased to share my latest Chander’s Ford Today post, At the Scottish Association of Writers Conference. It’s a real pleasure to report back from last weekend’s fabulous event. I also take the chance to have a look at the art of judging since, as well as running my flash fiction workshop there, I had the pleasure and privilege of judging one of their competitions, the Margaret McConnell Woman’s Short Story competition. I must admit I wouldn’t have minded winning the beautiful trophy myself!

And it was so nice meeting people in person whom I’ve previously only met thanks to Zoom as well as catch up with fellow Swanwickers (attendees of the Swanwick Writers’ Summer School – we get everywhere!).

At The Scottish Association of Writers Conference

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Nice to get back to a good old swim today – perfect day to do it too! No flash fiction on Friday Flash Fiction from me for this week, hope to resume that next time, but do check out the fabulous stories on there. There’s bound to be something you’ll love (and for flash fiction writers, it is a great way to showcase what can be done with the form).

Will be sending out my author newsletter next week so if you’d like to sign up for tips, prompts, news etc., do head over to the landing page of my website at https://allisonsymescollectedworks.com for more. I’ll resume my In Fiction series for Chandler’s Ford Today after this week’s post, which is a report on my recent time in Scotland.

I’ll be off on my travels again in June to run a flash fiction workshop for the Worth Our Weight in Gold celebration weekend the Association of Christian Writers are putting on to celebrate their Golden Jubilee. Looking forward to that especially since it will be at The Hayes, Swanwick, where I “swan” off every August for the Swanwick Writers’ Summer School.

Plenty to look forward to then – and now on with the writing!

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Many thanks for the great birthday messages yesterday (22nd March). Much appreciated and it was a lovely day.

Something I found out just before I headed to Scotland for the weekend was that I will be having a story of mine out in The Best of CafeLit 11 later in the year. Very pleased about that (and delighted friends of mine will be in there too).

My Chandler’s Ford Today post this week will be called At the Scottish Association of Writers Conference and I report back on my time there. Looking forward to sharing the link on Friday.

happy birthday card beside flower thread box and macaroons

pair of yellow foil balloons with smiley face

Facebook – From Light to Dark and Back Again

Nothing from me on Friday Flash Fiction this week (I hope to make up for that next time) but don’t forget to check the website out. There are wonderful stories on here and it is a joy to scroll through and have a good read. It is important to read well as well as write well and sites like this have a very useful purpose to serve in providing contemporary material for you to read. Enjoy!

I make a point of reading flash and short stories as well as writing them. I think it is vital to read in the field you’re in as well as reading widely outside of it. Inspiration for ideas comes from all manner of places including what you like to read so it makes sense to have a broad pool from which to fish, so to speak. Sometimes an odd line will strike you and ideas for stories of your own will begin to develop from the thoughts that have occurred to you as a result of reading that story.

So don’t let anyone tell you that you’re “just reading”. You are, in fact, carrying out vital market research and it is a lovely way to do it too, so there!

How do you make the most of a workshop? Notebook and pen or laptop or app where you can take notes is essential. I note down any markets suggested by the speaker (to check them out later and see if they suit me). I also listen out for specific tips – it is the detail I am after. I can then work out how to apply that to my own writing. And if there is anything like a checklist or template I can make use of, I make a note of all that too.

But best of all is the fact if a speaker sets a writing exercise, as many do, there’s nothing to stop you polishing that piece up and sending it out as a flash fiction piece later on. I’ve done that and had work published as a result. Always see any writing exercise you have a go at as a rough first draft and do give them a go.

The idea is for you to produce a piece of work you can work on again later. Even if you get to read it out at the time, don’t worry about how it will come across. Nobody’s expecting perfection. What they’ll be after is seeing how you took the brief because that can confirm to them they’re on the right lines.

If your exercise is to write a 100 word story set in any world, it won’t matter if you set your tale in Fairyland and someone else sets theirs on a rodeo. What matters is getting a story down any old how. They’ve seen/heard how you’ve done it. They know they’ve got something in their notebooks which could be read out. They’ll be reassured and maybe encouraged to read their work out too. You also get instant feedback from those around you here and you can use that to help you polish your story later on.

A huge thank you for the birthday messages yesterday (22nd March).

I’ve mentioned before that one thing I love about flash is the ability to set characters anywhere and everywhere. I was able to prove that point during my workshop at the Scottish Association of Writers conference last weekend. And it is something to make full use of – I love reading across many genres, so why shouldn’t I write across them too? You can do exactly that with flash with only the 1000 words beings the upper limit as your main restriction and even there, you can write across the spectrum. Some of my stories genuinely work better at 500 words or less so I leave them at that word count. Others need a little bit more “room” so I give them 750 or the full 1000 words treatment.

Flash has to be character led. I never liked reading lots of description. I always want to find out what the characters get up to and with flash you pretty much have to do that from the start. So win-win there as far as I’m concerned.

Fairytales with Bite – Character Traits in Fairytales

I use character traits as my major way in to finding out about my “people” and writing their stories up. I have to know what they are made of in terms of those traits to work out what their stories could be. #

Positive traits can fail at moments of stress (and those can make interesting stories as the character comes to terms with their failure – or not). Negative traits can be overcome especially with the help of other characters and the story is all about how that “overcoming” is done (and why).

Traits are a major feature in fairytales. The arrogant are punished and usually need some act of love/kindness to be redeemed from whatever spell they’ve had cast on them as punishment. Powerful magical beings often disguise themselves humbly to work out who is worthy of their support and who definitely isn’t and here kindness is definitely rewarded eventually. It is a trait that counts for something in fairytales.

So think about what character traits you want to see in your people. What matters to you here? If honesty is important, would you show that through a character who is honest or one who isn’t and they get their comeuppance for that? In your fairytales, how would you like to see magic used? To benefit the kind in some way? When those who are not kind somehow get magical benefits, will there be a price to pay for “bucking the system”?

In working out what matters to you, you can work out what matters to your characters and that will help you set up a good story structure. If your character has to be honest, your story structure will show how that honesty lands them in it, say, and how they get out of that.

This World and Others – Differences

Differences take many forms, of course. Differences in culture, language, what we find funny and so on. Most people have no trouble accepting others are different. But how does that work out in your fictional world? Are your characters tolerant or not? What would your fictional world count as “normal” or “different”? And does it react well to differences?

Fear can be a major motivator in the unkind treatment of others. If you dislike a particular trait, how would you act towards a character who has that trait in abundance? Would your character’s fear lead them to prejudiced treatment of others, for example?

If your fictional world is a monocultural one, how did that evolve? Was there ever a time when that wasn’t the case and, if so, what led to the removal or suppression of the other culture(s)?

How we handle differences can reveal a lot about us whether that is conscious or not. We can use that for our characters too.

At The Scottish Association of Writers Conference https://t.co/iXsVyb3NK3 Thrilled to share my latest CFT post. I look back at last weekend's fabulous conference and share some thoughts about the art of judging, which I was privileged to do here.
— Allison Symes (@AllisonSymes1) March 25, 2022

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Journeys in Fiction – and For Real!

March 18, 2022March 18, 2022Leave a comment

Image Credit: All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Some photos taken by me, Allison Symes, from the Scottish Association of Writers Conference.

Facebook – General – and Chandler’s Ford Today

Pleased to share Journeys in Fiction for Chandler’s Ford Today this week. Am sharing from Scotland!☺

I hope to report back on the Scottish Association of Writers Conference next week.

But journeys can take many forms including internal journeys. I discuss this and more in my CFT post this week.

https://chandlersfordtoday.co.uk/journeys-in-fiction/

It’s double blog today for me as my latest Authors Electric post is out today. This time I talk about Coming Up with Ideas. Hope you find it useful.

https://authorselectric.blogspot.com/2022/03/coming-up-with-ideas-by-allison-symes.html?m=1

Am on my way up to Scotland for the weekend conference of the Scottish Association of Writers. Looking forward to being on LNER again for the leg up to Edinburgh Waverley.

Meanwhile, am enjoying seeing the Hampshire countryside. And of course train journeys are the perfect opportunity for a spot of discreet people watching! I have used odd snippets of conversation overheard on train journeys to trigger ideas for characters and their tales. Waste nothing!

I was talking on Zoom last night about random generators and while preparing for that discovered new ones I know I can use. Win-win there!

One was a historic events generator – could be useful if you use settings as your way into a story. The other was a world building generator with many separate elements also available as generators. Think character names, geographic elements to pick and choose etc.

The nice thing with all generators is you pick your parameters and adapt these based on what you know you need to know to start drafting a story. I find choosing two or three random things to generate at a time works best for me. Something amongst those items will trigger an idea and away I go. Limits encourage creativity.

I don’t know how I manage it but I always seem to time having a haircut with soggy weather! It’s the kind of talent nobody wants but someone gets… in this case, me!

Am looking forward to travelling north tomorrow for the Scottish Association of Writers’ Conference. Hope to get plenty of writing done on the train via Evernote. I usually manage to draft some stories, blog posts etc – all useful stuff I know I can use later.

My posts here will be at different times over the next few days but my Chandler’s Ford Today post will be up as normal on Friday. Aptly I’m talking about Journeys in Fiction.

Facebook – From Light to Dark and Back Again

Delighted to share my latest story on Friday Flash Fiction. Hope you enjoy Waiting – the story at least!☺

https://www.fridayflashfiction.com/100-word-stories/waiting-by-allison-symes

Looking forward to giving my flash fiction workshop at the Scottish Association of Writers’ Conference this weekend.

Am currently heading north at a rapid speed enjoying the countryside en route.Finding your way in to writing a story or blog or article is vital. With my workshop I look at a couple of different ways to find that way in.

Shortly going to be chatting about random generators to the Association of Christian Writers Flash Fiction group via Zoom. Have a web search and see how many there are out there. There are more than you think and I found one new to me for the talk I’m about to give too. Hope to share more here later.

Fairytales With Bite – Is the Best Help Always Magical?

Given magical power, as with any other kind of power, is open to abuse, I would say the answer to this one is a definite “no”! It’s also not the only answer to a problem.

Despite Gandalf’s magical powers in The Lord of the Rings, the others still have to fight Sauron etc. And it wasn’t entirely magical help that got Frodo to where he needed to be either. He and Sam still had to walk, still had to work out whether to trust Gollum or not etc.

And even in the classic fairytales when the fairy godmother turns up (albeit often somewhat belatedly in my view) to help the lead character, that same lead character has had to show themselves to be worthy of that help coming their way. Those fairy godmothers don’t get their wands out for just anyone, you know.

So self-help, the help of loyal friends etc is every bit as important as magical help – and I think that is how it should be too. You don’t want a story to hinge on a magic wand funnily enough. You want it to contribute but not be the be all and end all.

If a story can be solved by magical help alone, where is the story? Where is the depth of characterisation? You can show the latter through the friends coming to our hero’s aid.

This World and Others – Resolving Conflicts

This kind of topic will always be topical, unfortunately, but for fiction purposes how are conflicts resolved in your created worlds? Is there such a thing as our conciliation services, the United Nations etc? Or are conflicts always fought out, literally?

Someone in your stories has to have the courage to be the peacemaker (or at least be the one who tries to bring about peace. It isn’t up to them whether that attempt is successful). What makes that someone set themselves up for, at best, being moaned at by both sides in an attempt to make them see reason?

Peacemakers and those who call out wars are not always the most popular people on the planet. What drives them to try to resolve conflicts? What conflicts form part of your back story and drives your characters here?And when conflicts are resolved, how long does it take your people to settle back to normal lives again?

Now not everything will be back to normal again. There will be losses. So what are these and how do people cope with them? How do your characters resolve their own inner conflicts?

When conflicts are resolved, amongst the huge sense of loss there often is, what happens to your characters’ sense of hope etc? How and where does the future look brighter? There should be hope somewhere otherwise there is no “proper” resolution to your story – and without hope, your characters and your readers will only feel despair that things haven’t been resolved properly.

Imagery in Fiction – oh and Cherryade too!

March 11, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. I’m talking about imagery this time and share a new tale on Friday Flash Fiction, which is loosely based on fact. One of the great joys of any of the creative arts is they are beneficial to you as the creator and not just to those you hope will read your work, enjoy your music etc. And in troubled times that is so important. It may not change the world but it will change you – positively.

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Am pleased to share Imagery in Fiction my latest post for Chandler’s Ford Today. I look at how writers “paint images” with words, how I use this for my flash fiction, and look at the role of book covers.

Imagery matters which might sound odd for something so obviously text based but let’s just say you’re not getting a pink fluffy cover for a Gothic novel!

And writers have to select the details the readers need to know to make sense of the story and to help bring that tale to life in the readers’ minds. So you plant images created by the words you’ve chosen. I also look at how objects can be used to represent themes in fiction so when you see that object referred to in the text, you see that theme. And then there are the images needed for marketing – chosen to represent the book well “out there”.

So imagery crops up more than you might think. Hope you enjoy the post.

Imagery In Fiction

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I’ll be sharing my Imagery in Fiction post for Chandler’s Ford Today – link up tomorrow. See above.

Being a flash fiction writer means I have to choose my words for my stories with particular care as I am looking for the maximum impact in the fewest possible words. So I am thinking of those choice words and phrases that will conjure up the most powerful images in my readers’ minds.

But whatever length of fiction you write, this is a great habit to develop. It will make your writing more striking. Readers will remember the images you create that much better. Tight writing is taut, powerful writing. Choosing the details you need your readers to see is good fun and you only show them what is the most important things for them to know.

So images then have a purpose in our prose. When you know the basics you want to get across, it is then a question of asking yourself have I chosen the very best images to show your readers? I’ve lost count of the times I’ve gone through my first draft and then spotted something that could be strengthened by replacing one word with a more distinctive one. Details matter.

Is it true that nothing you write is ever wasted? I think so. I can’t tell you how many rejections I’ve received in my time (and these days they tend to take the form of not hearing back from a competition etc). What did happen is where I could ask for feedback on my work (usually at a modest additional fee), I did that and learned a lot from the judge’s comments.

I’ve also found the more I write, the more ideas come to me (ideas have this lovely habit of sparking off other ones but you to have to learn to trust the process). And in writing story after story after story, you get better over time at figuring out what works and what doesn’t. You learn a lot from what doesn’t work, funnily enough.

And I can’t stress enough the importance of studying the market you think you might want to write for, whether it is a print magazine or an online one. For one thing, you will pick up on “house style” and for another, you get to see what they like and can work out from that whether your piece is likely to fit in.

You do want to be a square peg in a square hole!

Facebook – From Light to Dark and Back Again

Am pleased to be back on Friday Flash Fiction with Cherryade, a flash acrostic. This one was great fun to write especially as it is loosely based on fact! Hope you enjoy it. And do check out the other stories on there. You’ll be in for a fabulous read. Perfect start to the weekend, perhaps?

Don’t forget Friday Flash Fiction will have new stories up tomorrow. See above. I hope to have something in there but will report back on that one! Meantime, do check out the wealth of stories here. It will give you a good “feel” for what flash fiction is and can be. It is a great way of getting in contemporary reading in my field in as well so win-win there! And you can literally see what 100 word stories actually look like.

Now I deliberately mix up how I write my stories as you know. I love playing with acrostics, all dialogue tales, setting stories in the past, the present and the future etc. It keeps things interesting for me (and I hope readers).

What you don’t want to do, regardless of what you write, is to rest on your laurels. You need to keep striving to (a) write better, (b) discover new markets for your work, (c) to develop being able to respond to different writing challenges and (d) to get work out there.

Persistence pays. And when a story doesn’t work in one market, have another look at it, Maybe you can send it out elsewhere. I’ve done this and have had work published on a second or third go.

When I am writing to a specific word count, I tend to have the ending of my story in mind first. This is so I have a clear goal to aim for, of course, but also I then work out what “juicy details” I need to get to that ending. I select only the very best.

The ones that impact on me the most will have the same effect on a reader and I do have an Ideal Reader in mind all the time. It is a good habit to get into to think of your intended audience from the word go. I’ve found just doing that has stopped me going off at unnecessary and ultimately unhelpful tangents. These only get cut out in the edit anyway.

When I’m writing to a more open word count, I focus on how much can I “wring out” from my unfortunate characters! This is because with 1000 words to play with, I can give more depth and show you more of my character’s life as they overcome whatever obstacles I’m making them face. I may even be able to give them more than one hurdle to overcome. But when the character has done all they need to do, I stop, whether that story is at 400 words, 750 words, or right up at the flash fiction limit.

Fairytales with Bite – Using the Senses

Now in fiction, we are always advised to use all of the senses (where appropriate to do so naturally). It is easy to focus on what a character hears or sees. It’s easy to forget to use the sense of smell (which can evoke memories and powerful associations for your characters).

Touch is probably easiest to use for the romance writers amongst us but it can be easy to forget to bring that one in too. Having a character pick up a photo frame with their loved one’s picture inside it will resonate with readers. We’ve all done that. Taste can be brought in obviously for food and drink scenes but in your magical world, are there other senses which you could bring in?

Can your character detect when magic is about to be used, for example? What reaction does that cause in them so they can detect it? Do they generate it themselves when they are about to let fly with the magic wand? Are their “normal” senses heightened in an way in the presence of magic? How can you use these things to help or hinder your character in your story?

This World and Others – Cooking and Culture

One of the nicest ways of appreciating other cultures is to discover their food and enjoy it! Everyone needs to eat and drink after all. So can you use that element in your stories? Which cultures would you bring together? Which foods do they have in common? Which foods are distinctive to each one? How is cooking done in your stories? Is it as we would know it or by magic?

I maintain there is nothing as good as properly produced food and I would worry about whether magic could contaminate the food in some way. After all if you’ve just used your wand to turn someone into a frog, would there still be elements of that spell remaining in the wand when you then use it to whip up a souffle?! (You could get humorous stories from that kind of scenario).

Sometimes cooking can divide people as to the best way of producing a meal. In the UK, there are two ways to have scones with cream and jam. Some maintain that the cream must go on the scone first, then followed by the jam. Others insist it is the other way around and never the twain shall meet! So you could use things like that to cause division and conflict in your stories that your characters must find a way of overcoming.

Cherryade – What Not To Do, by Allison Symes – Friday Flash Fiction https://t.co/1m3EitlymI Am pleased to be back on Friday Flash Fiction with this acrostic flash piece. It is loosely based on fact! Hope you enjoy it. pic.twitter.com/Fquh4IJlkj
— Allison Symes (@AllisonSymes1) March 11, 2022

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Imagery In Fiction https://t.co/Dg2BU7RfT7 I look at how writers "paint images" with words, how I make use of this in flash fiction, and the role of book covers in my latest post in the In Fiction series for Chandler's Ford Today. Hope you enjoy it. pic.twitter.com/usVXwDxgJj
— Allison Symes (@AllisonSymes1) March 11, 2022

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Human Behaviour in Fiction

March 4, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.

In a horrifying news week, I think we need books and stories more than ever – they encourage empathy and the world could definitely do with more of that. Keep reading, keep writing. Stories matter. Truth matters. And stories share truths in a way that is often more palatable than “preaching”. My CFT post this week takes a look at that.

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I’m pleased to share Human Behaviour in Fiction, my latest Chandler’s Ford Today post. As I mentioned yesterday (see below), I think this may be a timely post. All human behaviour is mirrored in fiction somewhere and fiction doesn’t flatter. Fairytales, for example, call evil out for what it is and rightly so too.

Mind you, fiction does have to reflect us, no matter how fantastical its setting. We read to find out what goes on in the setting, we root for characters to succeed or fail, and this is based on what we know about how we behave.

Fiction gives us ways of exploring through characters what could happen in this circumstance, that one etc., and may well make us reflect on whether we would be as brave as Character Z or as cowardly as Character P.

Human Behaviour In Fiction

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I’m talking about Human Behaviour In Fiction for Chandler’s Ford Today this week. I look at how fictional characters reflect us and why the big themes, which matter so much to our humanity, come up time and again (and across different genres too). Link up tomorrow (see above).

Just sometimes a post is timely. This one might be I suspect. Not planned either – you can’t always avoid these things as a writer. There is a good case why you shouldn’t – writers need to be honest whether they’re writing fiction or not – and sometimes a theme you pick will resonate with what is going on in the news. There is little you can do about that but you hope the resonance makes people think. What you do need to do is be honest and sensitive.

And my post reflects on the fact characters have to be “true” to what we recognise in ourselves, which is why we root for the “good” characters to come through and be successful and why we want to see the villain fail.

Factors that can affect your writing include tiredness, low mood, and anxiety. Ironically, settling down and doing some writing, even if it isn’t much, helps lift my mood, takes me out of myself for a while, and I head off to bed happily having created something I will polish up and submit later on.

This is where writing flash is a great help because just writing 100 words means I have got a story I can knock into proper shape later. Incidentally I do focus on just writing in these situations. It’s the creative aspect I find most helpful here.

The creative aspect to editing is more challenging so when I just need to be kind to myself for a bit, I just focus on drafting something. And knowing now, in the way I didn’t when I first started writing seriously, it is absolutely okay to come back to something later, it is absolutely fine to accept nothing is going to be perfect on the first go anyway, helps enormously.

Just get something written. Be creative. Have fun being creative. Get yourself ready for the editing stage by being kind to yourself here. It pays off for later on too.

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When I look at a draft of one of my flash pieces, what am I looking to improve?

The first thing I ask myself is whether the story makes the impact I aimed for it to have and is there anything that might weaken that impact?

The second thing I look at is whether the character(s) draw me in or not. Do I absolutely have to find out what happens to them? The answer to that one should be yes, of course.

The third thing I look at is whether I have chosen exactly the right words and phrases to convey maximum impact. I often find I can change the odd word here and there to strengthen things so I do!

Then and only then do I sort out typos etc which inevitably creep in and are the bane of every writer. (I’m a fairly fast typist so I know to expect the odd typo creeping in thanks to that alone!).

I’ve talked before about flash having more impact because of its very short nature (and for once I can justify the use of the word “very” there, it is one of my bugbear words to be cut out usually!). But that doesn’t mean the impact has to be blunt. It can be sensitive and thoughtful and this works well for character studies. My They Don’t Understand in From Light to Dark and Back Again is an example of this. Without giving anything anyway, this tale leaves you with sympathy for my lead character.

I will think ahead as to what kind of impact I want my story to have. That in turn points me to the mood of the story and the kind of character who would best suit that mood. For me, it is another way into writing a flash piece. And I like having more than one way in though the route I choose does then lay out how I approach the writing of the story.

I was talking over on my author page about how certain factors can affect your writing. But you can bring those factors in to play for your characters too. How does your character act and react when they’re tired or anxious? What decisions do they make in this state they wouldn’t usually have done? What are the consequences from that? And when your character understandably decides to take time out to be kind to themselves how do they do this? How does it impact on characters around them?

Fairytales with Bite – The Stuff of Nightmares

What would count as the stuff of nightmares in your fictional magical world? Much would depend on whether your setting is a generally peaceful one or a war-like type. Also what one character would count as a nightmare someone else would dismiss.

So think about what your characters would consider as nightmares and then make them face it. Would your character sink or swim? Would they overcome the nightmare and never be bothered by it again? (I would consider that the best, the happiest and most logical ending to a story of this kind).

You can also use the nightmares you think your characters would have outside of the story itself. It would be a good way for you to find out what your character is truly made of before you write their story up. Do they use their nightmare to drive them to achieve a great deal or does it hold them back? Does their nightmare affect certain aspects of their personality (and therefore what decisions they are likely to make)?

When it is a question of facing a nightmarish situation, what traits do your characters possess to help them deal with this? It is crucial they don’t just cave in (where’s the story there?) but it does make sense to have them struggle and then come through at the end. Most of us would sympathise with that – don’t we all want to overcome our own nightmares in some way?

This World and Others – Peacemaking

Who are the peacemakers in your fictional world? Why have they been chosen for this role or do they find it thrust upon them? Why is the peacemaking necessary and how are the “hawks” overcome? (There are always plenty of those about).

I must admit I do despair at peacemaking sometimes being seen as “weak”. It isn’t. It takes great strength of character to get on with that demanding and often unappreciated work. So it would be realistic to have your characters feel that despair and then find ways to overcome it (and this is where loyal support from friends etc can make a huge difference too).

A positive story would show the rewards of peacemaking too. I like to see vested interests overcome when these are not good ones though you can create a conflict for your peacemakers to overcome here as different people will define what is good here differently.

As with our own world, there are times when a situation is black and white and it is a clear case of wanting the good guys to win through. Mostly though things are often shades of grey (I leave you to decide how many shades of grey there are!) . How do your peacemakers reconcile this to get the best possible outcome for as many as possible? That logically should be the objective here.

When writing a story like this, the need for peacemaking should be clear cut. Why the conflict arose should also be understandable. As in life, people don’t like things that seem to happen for no good reason. We can’t always avoid that in life. We should avoid it in our fiction.

Human Behaviour In Fiction https://t.co/EDPNhAD3TM I look at how human behaviour is reflected in fiction, discuss why that must be so, and why fiction can make us see ourselves in a clearer light. We won't always like what we see – fiction doesn't flatter – we need that honesty. pic.twitter.com/m7uN1M8cIC
— Allison Symes (@AllisonSymes1) March 4, 2022

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Geography in Fiction and The Light of the Moon

February 25, 2022Leave a comment

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Screenshots taken by me, Allison Symes. Book cover images from Chapeltown Books and Bridge House Publishing.

It has been a dreadful week news wise. I think the image below, which I used earlier this week, says it all.

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Delighted to share my latest Chandler’s Ford Today post. This time I’m looking at Geography in Fiction. A strange topic? I don’t think so. Geography plays a major role in so many stories and books. Can you imagine, say, The Lord of the Rings without it? Or Winnie the Pooh? Or The Wind in the Willows? And geography can help create stories simply by the problems it can cause, based on what we know here. Hope you find the post useful.

Geography in Fiction

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News wise, it has been a dreadful day. I wasn’t expecting war in Europe again, ever.

One of the roles of the creative arts, including writing, is, of course, to allow us to escape into what are effectively alternative universes for a while. They can make us reflect. Stories can show us the best and the worst of ourselves. They can console and cheer.

Yet, much as I love stories, I know they’re not the most important thing in the world right now. Despite that, I also believe they do have a vital role to play in emphasizing our humanity. I really cannot stress enough how important it is we don’t lose that.

So keep reading. Writers, keep writing. Stories matter.

Hope you have had a good day.

I’ve talked before about drafting a story and leaving it for a while before coming back to editing it. Once edited, I take another break from it and then I do a final edit. What is the point of one break, yet alone two?

The first break is to enable me to check my story structure and character works after that initial thrill of creation. (And I do get a real buzz from that. Pity I can’t bottle that feeling really). Happy with that, I make adjustments to my story to strength my characterisation where I feel that is needed. It is also at this point I may well spot an element of the storyline that could be improved so I do that too.

The second break means when I come back to the story again I spot the typos and grammatical errors. There inevitably are some (nobody gets away with these things entirely scot free) but I know to look for them and to trample on the lot!

I want to give my story the best possible chance out there so going over everything and ensuring there are no errors takes time but it is worth doing. I remember in my early days not doing that and spotting a glaring error after I sent the story off. No surprises when I tell you that story didn’t get picked. I did rework the story and sent it off elsewhere and if memory serves me correctly, it ended up on CafeLit.

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It’s Friday. It’s story time again. Pleased to share Light of the Moon, my latest tale on Friday Flash Fiction. Not everyone enthuses about the light of the moon – find out why here. Hope you enjoy the tale.

It is difficult to know what to write after a dreadful news day. But I do know it is important to write. To tell stories. Stories can unite us, whether we write flash fiction or epic sagas. And stories encourage the imagination and can help with empathy. If you understand where a character is coming from, you’re well on your way to understanding where other humans are coming from, given stories reflect on us.

What do I do with flash tales which don’t get picked for a competition win or placing? I look at said stories again, polish them up, and send them out elsewhere. I have gone on to have stories published on the second or third attempt.

But it has to be said, the break away from the stories has meant I can look at them again with a critical eye and try and work out why it might not have been picked. Sometimes it is a question the story is just not to the judge’s taste – and that’s fine. You learn to accept early on that not everyobdy is going to like what you do. There are styles of story I’m not keen on so that’s fair enough.

But sometimes you do spot a character portrayal didn’t quite work out as you thought, maybe it was a little weak so I look at ways to improve things and then get my story out again somewhere else.

Waste not, want not!

Fairytales with Bite – Humour

I have a very soft spot for humour in any kind of fiction but especially in the fairytales. Many of them can be grim (some pun intended!) so something to lighten the mood a little I find helpful. While I’m not a huge fan of pantomime, I can understand it and the reason why roles such as the pantomime dame exist. Widow Twankey doesn’t have much of a role in the actual story of Aladdin. “She” does have a major role in the pantomime versions of the story.

I like the humorous one liners and these can work really well in short stories and flash fiction. (If anything they can have more of an impact because the forms are short). This is where creating your own characters and getting them to come out with those one liners is great fun! And they can make fantastic punchlines for your stories too. The key is ensuring that the one liner is something your character as portrayed would come out with. You can’t just tack a funny line on to them.

Humour should arise naturally so if your fairy godmother has a malfunctioning wand, then humorous situations would arise from that.

This World and Others – The Value of Humour

Does your fictional world value humour or suppress it? I am always wary of anyone who cannot laugh at themselves (as it makes me wonder if they have any empathy with human foibles at all and we all have some!). Is humour encouraged in your creation or firmly kept “underground”? Are there any off limit topics for comedy?

I know I deeply appreciate humour. Something that makes me smile or laugh is bound to add a bit of a shine to my day. It does for most people but how do your characters see it? Does their reaction here show you more about them that you can develop further for your tale?

Perhaps your character likes one-liners but has no time for the longer funny monologues. Does that reflect on them just wanting to get on with things quickly in other areas of their life? Perhaps they appreciate quick wit rather than farce or physical comedy? Maybe they were clumsy (or still are) and find physical comedy with its emphasis on slapstick and falls makes them feel uncomfortable. How do they handle that discomfort if this type of humour is normal for their world?

Reactions to humour vary from person to person. You can show elements of that with your characters too. If someone finds something funny and their closest companions don’t, how does that then change how they get on? Does that change how their overall “mission” pans out?

If humour doesn’t exist as we know it here, what would your created world have instead? How would your people cope with naturally funny things in a world that doesn’t acknowledge humour? And what might happen if someone dares to laugh when all around them dare not?

Food for funny thought there, I think!

Geography in Fiction https://t.co/8NEA6eaopa A strange topic? I don't think so. Geography plays a major role in so many stories and books. And it can help create stories simply by the problems it can cause, based on what we know here. Hope you find the post useful. pic.twitter.com/A8yTqhKvoB
— Allison Symes (@AllisonSymes1) February 25, 2022

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Light of the Moon, by Allison Symes – Friday Flash Fiction https://t.co/IyTe12ddpy Pleased to share my latest tale on FFF. There are those who are wary of the light of the moon – find out why here. Hope you enjoy. pic.twitter.com/H0427sVQOO
— Allison Symes (@AllisonSymes1) February 25, 2022

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