Sherlock Holmes, Old Notebooks, and Flash NANO

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. A HUGE thank you to The Chameleon Theatre Group for providing photos from their recent production of Sherlock Holmes and the Mystery at Mallen Hall. Hope all well with you. Some frightful storms in the UK this week, with more to come, but I’ve been out and about to my local amateur theatre’s latest production and have started Flash NANO which I am thoroughly enjoying.

BookBrushImage-2022-11-4-19-136

Facebook – General – and Chandler’s Ford Today

Am delighted to share my latest Chandler’s Ford Today post. This week I review Sherlock Holmes and The Mystery at Mallen Hall, which was recently wonderfully performed by The Chameleon Theatre Group.

My format for this review is different this time too – I do it in the form of a recipe! I look at what makes for a good detective story and give you the ingredients, the method, and the results as it refers to this particular show and the performance. Hope you enjoy it. Loved the show. Loved the performance.

Those local to me – if you haven’t been to see The Chameleons in action, do take the chance to do so when you can. You’ll be in for a wonderful evening of entertainment. I’ve shared a heads up for their next show in this post too.

Review: The Chameleon Theatre Group – Sherlock Holmes and The Mystery at Mallen Hall

This slideshow requires JavaScript.

 

Pleased Lady got to play with her friend Coco today. Both dogs had a lovely time. Not impressed by the ghastly weather coming in again this evening (though if it does lessen the number of fireworks let off tonight, Lady won’t be that sorry. Incidentally, Classic FM are repeating their soothing music for pets programme, Pet Classics, this weekend. I know I found that soothing last year and I hope some of that rubbed off on Lady. It is worth a try for a nervous pet).

My Chandler’s Ford Today post is up tomorrow and this week I’ll be reviewing Sherlock Holmes and The Mystery at Mallen Hall, which was recently performed by the ever excellent Chameleon Theatre Group. My format for this review is a bit different this time too. Hope you like it. Look forward to sharing the link tomorrow. See above and again thanks to the Chameleons for their photos.

One lovely thing about writing, especially when the weather is pretty grim as it is is for a lot of us at the moment, is it is at least an indoors creative art! I am truly thankful for that!


Hope you have had a good day. Blustery and wet here. Lady though had the time of her life with two of her best friends, the lovely Ridgeback and the equally lovely Labradoodle, in the park this morning. A three way zoomie session ensued – great time had by all.

Will be working on my second prompt for Flash NANO later. Enjoyed writing the first one. My aim here is not to write 50000 words over November, funnily enough. Even if I wrote 30 x 1000 words pieces, I would be well short of that target (though if you took in my blogging etc I would easily exceed it).

What I am aiming for is to write 30 new flash fiction pieces throughout November to “knock into shape” later on. Am also putting finishing touches to my third book and am on course to submit that possibly later this week or next. (I was aiming for autumn with this so am happy with this).

BookBrushImage-2022-11-2-19-5346

Facebook – From Light to Dark and Back Again

Pleased to share my latest story on Friday Flash Fiction though it does come with a word of warning. Be ware of writers’ notebooks! If you want to find out why, check out the story, Old Notebooks.

This topic came up as a result of a random theme generator in case you’re wondering why I didn’t go for a writer’s current notebook! Link here (and a big thanks for the great comments already coming in on this one).

Screenshot 2022-11-04 at 09-26-35 Old Notebooks by Allison Symes

Am enjoying Flash NANO and will be working on the Day 3 prompt a little later on this evening.

Don’t forget if you would like signed copies of my books From Light to Dark and Back Again and Tripping the Flash Fantastic, just contact me via the website and I will get back to you. (And I am always pleased to see new followers to my website and/or sign ups for my author newsletter too).

One huge advantage to writing flash is you do pare your stories down to the bare essentials. It makes you focus on what really matters to your characters. I’ve found that makes me think more deeply about why something really matters to them. And it is another way to get to know my characters better as a result. This is even more useful if you write linked flashes. (I’ve written more of these for my third collection and found it enjoyable to do. Not got enough to do a whole novella in flash but one day, maybe).

Newsletter advert - share tips etcFOLLOW ME AT WEBSITE imageAllison Symes - Flash Fiction Collections


It isn’t just for my twist stories that I know the ending first. I often know the ending first for my humorous tales. I know the punchline or ending and then figure out how I can get to that point. When I brainstorm one liners, often I will come up with something that would make a great ending or a powerful beginning to a story, So I work out options for both and then go with what I like best.

Also looking at what Character A would make of a situation and then contrasting it with what Character B would make of it can make for a great story idea. (Often good for comedy).

Overall I’ve got to know my starting point whether it’s knowing the ending first, or knowing what this character could be capable of in these circumstances. It’s the way into a story which matters for me. Once I know that way in, away I go.

BookBrushImage-2022-11-2-19-596

Fairytales With Bite – Seasons in Magic

In your fantastic setting, are there seasons in magic? Does one season encourage more use of magic, for example? I could see there being a need for more of it during what we would consider to be the winter months, if only to try and ward the darkness (and whatever may lurk in it) away.

Are there seasons where magical accidents are more likely to happen? That could tie in with the academic year, for example. You would expect beginners to be more clumsy after all. (Also think about who would clear up after such accidents, is there such as thing as Magical Accident Investigators and so on? Stories can come from someone not doing their job properly here or doing it so well they’re a threat to someone else).

Do your magical characters find they have their own seasons in magic when, perhaps at a younger age, there were things they could do magically they cannot now? Do they feel the lack or are they happy not to have so much responsibility?

Conversely, do older characters, with more experience behind them, discover their main season in magic is at this point rather than when they were younger? Are they taking on more powers and responsibilities? Do they resent the younger ones or is it the other way around? Are the younger ones waiting impatiently for someone’s season to end?

Equally could there be those who give fate a helping shove in the back and remove people in their way precisely because they want their season in magic to take off and flourish?

How would you define your character’s season in magic? When they get to a certain level or have clocked off a certain number of years worth of experience?

Can magic interfere with your world’s natural seasons and what would happen to any character who tries to exploit that?

This World and Others – Light and Dark

We think of light and dark in terms of the sun and the moon and also in terms of traits in ourselves. Most of us will acknowledge we are a mixture of light and dark but are your characters so honest? Do you have characters who think they are light but everyone else around them knows full well they’re not? Do you have characters who struggle to control the dark and have they friends/mentors to help them? What is their reward for not giving in to the dark?

What does your world have in the way of natural lighting? Does it have artificial lights, electricity etc? Thinking about seasons again, do they have a long or short light/dark season and what makes your setting have the kind they have?

We know the lack of light can have an affect on physical and/or mental health. Do your characters find the same and, if so, how understanding is their world?

Thinking about your world’s history, what would be considered to be their golden or light periods? What would be their dark ones? Is this accepted by all or do people/other characters query the official versions of events?

BookBrushImage-2022-11-4-19-4844
Twitter Corner (2)

https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js

Processing…
Success! You're on the list.

Welcome Back, Chameleons

Image Credit:-

All images from Pixabay/Pexels unless otherwise stated. Some images created in Book Brush using Pixabay photos.

A HUGE thank you to The Chameleon Theatre Group for arranging access to pictures for me for my Chandler’s Ford Today post this week. So good to see you all back!

Book cover images from Chapeltown Books and Bridge House Publishing.

And I’m off to the Swanwick Writers’ Summer School tomorrow (7th August) where I look to meet up in person with friends I’ve not seen for two years and to hopefully make new friends by the end of the week.

Thanks to Geoff Parkes and Penny Blackburn for the two pictures of me reading at the Swanwick Open Prose Mic Night in 2018 and 2019 respectively. Images of the Swanwick grounds were taken by me, Allison Symes, in 2017, 2018, and 2019.

Facebook – General – and Chandler’s Ford Today

It is with real pleasure I return to reviewing The Chameleon Theatre Group for Chandler’s Ford Today. I loved their show last week and my review gives a flavour of (a) their performance and (b) what the plays (Lockdown in Little Grimley and Bombshells) were about. It was a great evening out (and very well organised in relation to social distancing and so on).

Welcome Back, Chameleons – it is good to see you back.

Welcome Back, Chameleons

This slideshow requires JavaScript.

 

Back to the walking books and lightweight mac for going out with Lady this evening… hmm… even she wasn’t that impressed.

Does music change what you write and, if so, how? I find listening to classical doesn’t. What it does do is relax me and when I am relaxed, I write more. So win-win there. I have listened to pop and rock in the past when writing but found that the mood of the song could affect the mood of what I was writing and I didn’t want that. (It’s difficult to write a killer scene, say, when you’ve got a sweetly sick love song playing!).

Talking of moods, I must say a huge thank you for the tremendous response to last week’s Chandler’s Ford Today on Wildflowers which celebrated the local wildflower meadow in the park where I exercise Lady. There have been some lovely comments in on this over the week (on my Facebook timeline) so that post clearly hit a chord.

Mind you, after what we have all gone through during the last year, a gentle post like that was probably overdue. And I am glad I wrote the post when I did. The rain has been pouring down today so I think I got the best of the pictures possible for that post. (I suspect when I take Lady out tomorrow that poor meadow is probably going to look a bit flattened).


Nice task today – packing for the Swanwick Writers’ Summer School! One or two last minute bits to add but I’m basically good to go. Looking forward to catching up with old friends and making new ones (this is one of the great joys of Swanwick). Can’t wait to explore the Book Room too – trust me, it is legendary.

My Chandler’s Ford Today post this week is another great joy as it is my first review of a production by The Chameleon Theatre Group since their pantomime back in 2019. It was fantastic to see them back on the stage last week and I look forward to sharing my review on Friday. They staged Lockdown in Little Grimley and Bombshells. The latter was a series of five monologues from very different women and made for fascinating character studies. More details in the review but I liked this as I sometimes write character studies as they work well in flash fiction.

And the great joy of writing blog posts is being able to schedule them. Looking a little further ahead, I will be sharing a fascinating two part interview with #FranHill and #RuthLeigh about writing humour. Watch this space, as they say, for more details nearer the time.

Facebook – From Light to Dark and Back Again

Story time once again. Am pleased to share Silence Is Less Damaging, my latest tale on #FridayFlashFiction. Hope you enjoy it. And if you ever wonder whether trying to understand nature could ever go too far, my story may well provide an answer to that!

Screenshot 2021-08-06 at 18-35-29 Silence is Less Damaging, by Allison Symes


It took me a while to find my voice for both my fiction and non-fiction work. And that’s fine. I think it does take time for a writer to realise what their voice is and run with it – I know it did with me. For my flash tales, I like a direct “take you into the mindset of the character immediately” approach.

This is one reason I do use a lot of first person narrative here (I see that as hitting the ground running!). It was when I realised I needed to focus on one major character, whether I was writing a flash tale or a longer short story, that my pace increased, the waffle was a thing of the past (most writers have been guilty of this at some point), and I suddenly found myself having acceptances. I say suddenly. The reality is I’d been working to that point for years (as most writers do).

It’s no coincidence that successful writers will often tell you they’ve been working away for years before anything of theirs saw the light of day. Also that stamina and the ability to keep going and going are essential. Building up flash stories and submitting them regularly is a good way of building up a track record as I mentioned yesterday.

In producing those stories all the time, you’re building up your own writing stamina too. I also find it a useful weapon against the dreaded Imposter Syndrome. Why? Because I can tell myself I have written a story once, I can do it again and again and again. Then I sit down and do so.

The nice thing with flash is the potential is there to have the rewards (publication) in print and in online magazines more quickly than in many other forms. And if you can write short, you can write long. It is harder to write to 100 words than to 10,000 ironically.

BookBrushImage-2021-8-6-19-4950


Will be happily waving the flag for flash fiction at the Swanwick Writers’ Summer School from Saturday. So looking forward to that. Also looking forward to next Zoom meeting of the ACW Flash Fiction Group later this month. It’s always a good sign when meetings like that get everyone buzzing with ideas and people then get stories submitted. Win-win there. I like flash as it is a great way of building up a track record in being published too. It can be something to show a publisher or agent if you submit longer works to them later. All worth bearing in mind.

Always a joy to talk or write about flash fictionTime to Write

Fairytales With Bite – Magic – An Asset or a Pain?

Is magic an asset or a pain to your characters/your favourite characters to read about? Magic, as with any source of power, is open to misuse and abuse. The classic fairytales are full of examples of that.

Part of the reason I never understood all the fuss about Harry Potter was I saw the poor lad as someone suffering simply for who and what he is and that he needed to learn and use his skills to defend himself and others. Also, he was prepared to make sacrifices to help others. I had no problem whatsoever with any of that and I saw the stories as great examples of magic being misused, in the case of Voldemort and company, and that had to be stopped. Fire fighting fire and all that.

In the Discworld series from the late great Terry Pratchett, in Raising Steam, Moist von Lipwig wants the Patrician (Havelock, Lord Vetinari) to call in the wizards to help with building a railway in the time scale Lord Vetinari wants. The Patrician is having none of it, being all too aware of the damage caused to Ankh-Morpork before when magic ran riot. (See The Sorcerer for the full story of when magic alone did rule the city).

So I see a lot of the fairytales then as warning us of the misuse of power. Magic is something to be controlled and should be used for the greater good. So do your characters do this? Where magic is misused, who intervenes to stop that? Can the damage done be undone? There are classic and timeless stories to be had here because this is a great example of art imitating life. We have all known examples of abuses of power so stories reflecting that (and fantasy often does) will have great resonance.

BookBrushImage-2021-8-6-19-5759

This World and Others – Who Lays Down The Rules?

Who does lay down the rules in your fictional world? Is it one universe with one ruler or a series of kingdoms and republics with monarchs and presidents/patricians/Lord Protectors etc? How long has your world been like this? Are the ruled over happy with the status quo or are they seeking change? If the latter, how will they do this and what do they want to see replace the old system?

If the rules are good (in a broad sense) and the government is accepted by most, then what challenges could your world face? Do threats come from another world or from malcontents who want to seize power for themselves? (They turn up anywhere!).

All great story ideas there.

If the rules are bad or have been misused, who would seek to change that? How? How would they garner popular support for change especially against a tyrant where most people would think at least twice about putting their own lives (and those of their families) at risk?

It is no coincidence that in past times, rebels would not only be executed by the king but their estates would be seized. The whole idea was to send out the message that not only would the rebel die, the family would be likely to do so as well (as there would be huge risks attached to helping the family of a proven rebel). With no estate or other support, the family at best would be likely to starve.

Looking into the history books to see how places were governed and how traitors were dealt with (one man’s traitor is another one’s freedom fighter) can also be a source of ideas for your own characters and stories.

BookBrushImage-2021-8-6-20-241

Twitter icon

 

 

https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js