KNOWING WHAT I DO NOW…

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Are there things connected with writing that you are glad you know now? This is definitely the case for me and my list would be:-

1. When offered a contract, get it checked out by the Society of Authors. I did and it stopped me entering into something that would’ve been a vanity publishing contract. I’ve never regretted not going for that (though at the time I wasn’t published elsewhere nor was there anything in the pipeline). Talking of which:-

2. Don’t be afraid to turn things down. You have got to be happy with what you are doing writing wise. And, as with so much in life, if it seems too good to be true, it is. There’s no shame in walking away from such a thing.

3. You really do need to edit on paper and not on screen. You WILL miss typos, grammatical errors etc on screen. I’m sure there must be a logical reason to this, probably based on how the brain interprets things on screen as opposed to paper. All I know for sure is when I edit on paper, I pick up far more that needs correcting (and so save myself a great deal of embarrassment in NOT submitting something with errors because I’ve not seen the wretched things and dealt with them!). It IS worth taking the time here.

What would you list here?

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New story from me coming up on Cafelit on Tuesday (5th June), will share the link then. If you like dragons, it will be for you!

Am sorry to be missing the Winchester Writers’ Festival this year. Hope all who go have a wonderful time. Likewise all going to the Waterloo Arts Festival and to all of the winning authors who will be reading their stories out here, have a great time and good luck!

Am looking forward to the Hursley Park Book Fair later in June and Swanwick Writers’ Summer School in August. Much later in the year will be the annual Bridge House Publishing/Cafelit/Chapeltown Books get-together in London.

Immediate writing plans are to get more stories out to Cafelit and press on with my third flash fiction book (though I am happy with how that is going). I would like to write more non-fiction and a long term goal is to do something more with that.

Am also pleased to say a new mini-series will be coming up on Chandler’s Ford Today shortly which is about art by Graham MacLean. I was the series editor on it and it was lovely to work on. Some wonderful pictures by Graham illustrate the three part series. These will be appearing on 7th, 14th and 21st June.

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Does the mood of your characters match your mood as you’re writing their stories?

Definitely not in my case and this is just as well given a lot of my flash fiction has themes of murder, revenge, poetic justice and so on! When I’m not writing on those topics, I often write about magical beings you would not want to meet, yet alone cross, or I’m writing about poignant situations.

So is all human life then in From Light to Dark and Back Again? Quite a bit of it is, yes – and a fair amount of non-human life too!

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One of the most difficult things about writing flash is ensuring that it is a “proper” story and not just a piece of prose cut abruptly short. The need for a beginning, middle and end applies to whatever length of fiction you’re writing, though I suppose it is more obvious for things like novels and short stories.

This is where twist endings help a lot as you can’t go beyond that without spoiling the effect. I’ve occasionally written a flash piece as a letter (Punish the Innocent is a good example of this) and the great thing with that as a device it it has GOT to end with the sign-off (or possibly a PS at most!).

I think of the middle of the story as the “pivot point”. It is where the problem in the tale has been set out, it has got to be resolved, and your reader can see that being done in at least two different ways. (You’ve got to keep them guessing!).

Goodreads Author Programme – Blog – Holiday Reading

I’ve recently picked up three lovely paperbacks which will be part of my holiday reading. Many thanks to generous friends and family for the book shop gift cards. I’ve finally had a chance to go and use them on:-

1. Double Cross by Ben McIntyre
2. London by Peter Ackroyd
3. View from the Cheap Seats by Neil Gaiman

I love history of all sorts (and am intrigued by the idea of having a biography of a city!). The Neil Gaiman book is a collection of his non-fiction pieces and I’m really looking forward to reading that.

As ever, my trusty Kindle will also be with me on my holidays this year. I love both ebooks and paperbacks and switching between the two formats is another joy to reading as far as I’m concerned.

Now all I need to do is catch up on my reviewing!

 

 

 

 

SPECIAL CHARACTERS AND HOW CHARACTERS SPEAK

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Why are your favourite characters in other writers’ stories your favourite? What is it about them that makes them stand out from the other characters in that story or book?

It pays to take time out now and again to think about these questions as the answers to them can inspire you as to how to make your own characters stand out in a way that is appropriate to them and your own story.

Another reason for reading widely and well (and including non-fiction) is you do learn from other writers and you can analyse what works well and what works less well. So the more you read, the more you can learn.

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Glad to say I’ll be taking part in the Hursley Park Book Fair in just under a month’s time. I’m there on the Saturday, 23rd June, and will also be giving a talk on flash fiction. The event is FREE, there is parking and a wide range of authors and genres will be represented. Hursley Park is the home of IBM and is between Romsey/Chandler’s Ford and Winchester and just on the edge of Hursley Village itself. Hope to see you there!

Book fair Flyer

Image Credit:  Many thanks to Glenn Salter for the book flyer image.

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Characters can speak in all sorts of ways, sometimes by not speaking at all! Silence as part of a story can be very powerful. A character usually happy to chat who suddenly clams up – I would want to know why, what happened to trigger the clamming up and so on.

Characters can always speak through “their” writing – diaries, letters to others and so on. Characters can also speak in the way that they talk. For example, you could have a character who refuses to use contractions and as a result their speech is far more formal than everybody else’s.

Characters can also “speak” through how they treat each other. Are they as nice as pie to most people but treat Character X despicably? Wouldn’t you want to read on and find out why?

So what are your characters telling you and your readers? And are you aware of what your characters are saying or do they surprise you (sometimes)? One of my favourite things as a writer is when I write a line and just know it is exactly what that character would say, but I also relish the “out of the ball park” moments when my characters surprise me. I like to explore where that takes me as I nearly always discover something more about my characters.

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What is the image that you want to leave in the minds of your readers from your flash story? How will you achieve that? What impact do you want your flash tale to have on your readers?

I often ask myself the latter and so think along the lines that I want this story to be a dark one, another a light one and so on. I then ask myself how can I achieve this and prepare an outline. As other ideas come to me I add them to the outline and then work out which would be best.

My outlines for flash are, appropriately, brief but they help me to focus on what I want the story to “do”.

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My next book event will be at the Hursley Park Book Fair on 23rd June. I will be posting more details about this via Chandler’s Ford Today nearer the time but I wanted to flag it up a little early as it is a FREE event, there is plenty of parking and a wide range of authors and genres will be represented. I’m waving the flag, so to speak, for flash fiction and will be speaking about it at the event too.

The Fair is on 23rd and 24th June and my only regret is I can’t be there on the 24th as well, but these things happen! Having said that, I hope there will be a good turnout on both days. Sure to be good fun!

SIDE VIEW MIBI DISPLAY

My book (and a friend’s!) on sale at a local gift shop.  Image by Allison Symes

Books from Bridge House, Chapeltown and Cafelit

Some of my published works, the majority are anthologies.  Image by Allison Symes

Don't think I'll ever tire of signing my books

Don’t think I’ll tire of signing my books!  Image by Adrian Symes

Let creativity spill out - image via Pixabay

Let your creativity spill over.  Image via Pixabay

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Some thoughts to ponder as you create your fictional world. What would happen when push came to shove for your characters?

What do your characters do when under extreme pressure? (What is the first of their virtues to suddenly bite the dust?).

What laws do your government(s) bring in to cope with emergencies? (What freedoms and rights suddenly bite the dust?).

What good qualities does your hero/heroine suddenly discover they’ve got in response to a quest or other task they know they’ve got to see through no matter what?

What would it take for your hero/heroine to either break or compromise with evil?

What would your fictional world do to defend itself (and what could threaten it)?

What is the driving force behind your characters’ motivations and actions?

Are the media still free to operate in an emergency situation or do new rules come in?

How do the “good guys” remain “good guys”? What do they do to fight the temptation to compromise with evil?

What triggers the “push”? Who or what is behind the threats to your fictional worlds ?

Are your characters better for having been put through so much pressure or have they caved in and what are the consequences?

There is definitely plenty of stories to be written here, just answering some of those! Okay, they may be on the dark end of the scale as opposed to the light but there may be a place for your characters to show humour in the face of adversity. (Equally whether it is appropriate humour or not would tell your readers quite a bit about them).

Goodreads Author Programme – Blog – Character IDs

In every good book or story, there is at least one standout character. Something about that character grips you so you have to keep reading until the end of the story.

So it pays, as a writer, to work out what exactly it is about that character which gives them their unique standout identity. How has the writer treated their character’s faults and virtues?

It pays writers then to read widely and across genres, including non-fiction. The more you read, the more you take in what other writers have done with their characters and that can inspire you with your own.

We all have favourite books and most of the time the reason they’re our favourites is because of the characters. (They don’t have to be the heroes either).

Characters have to be special to make a story work. For me, some of my favourite characters include:-

1. Frodo Baggins/Sam Gamgee
2. Severus Snape
3. Robin Hood
4. Jeeves and Wooster
5. Sam Vimes
6. The Patrician (Ankh-Morpork)
7. Hercule Poirot
8. Sherlock Holmes
9. Jane Marple
10. Elizabeth Bennett and Fitzwilliam Darcy

All of these have traits that make them unforgettable (even if some of these, as with Sherlock, would make them questionable even now).

So what qualities do you look for in stories you read that really identify the character as the standout one for you?

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Being Creative

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I think most of us need to find some form of being creative – whether that’s using a pen to write or gardening tools to make the “perfect plot” (pun intentional, no apologies!).

I suppose it is because creativity gives us an outlet, especially if most of the time we are doing something far more humdrum. (I love that word humdrum, just sounds good, and conjures up the exact image of what it means).

Creativity is good for mental and physical health so why does it seem sometimes as if it is something that is “indulged in”? (I don’t have that problem, my family are very supportive of my writing, for which I am enormously grateful as I know not every writer can say that).

 

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Pleased with writing achievements on the train yesterday. A whole CFT post written for next week and a flash fiction story (though one at the higher word count end for me). Hope to have a good look and edit of the latter during the week and submit it somewhere.

Looking forward to taking part in the inaugural Hursley Park Book Fair in June. Over 40 authors are taking part and I will have more details nearer the time via a CFT post about it.

Reading, for me at the moment, is pretty much split 50/50 between paper and Kindle. That is a change for me as it used to be 80/20 paper to Kindle. (But you can’t beat the convenience of slipping your Kindle into a bag with loads of books to choose from over having to limit yourself to one or two paperbacks, depending on the size of one’s bag of course. Goodness knows how men manage here. Is that a paperback in your pocket or…. well you can fill in the rest!😁).

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I’ll be resuming my 101 Things to Put into Room 101 series for CFT this week. Up to No. 76 already! Drafted this on the train at the weekend. Had no problem thinking of things to shove (hard) into the vault of doom.

Am hoping to get a couple of flash fiction stories off for competition later this week. I am pleased (and frankly relieved) so many competitions now accept online submissions. I used to spend a small fortune in postage when I first started writing – and yes, the dinosaurs did still walk the earth then. I was one of them – easily spotted. I was part of that sad group forever in a Post Office queue! (I could almost guarantee I’d be out of stamps when I needed them for a competition. I guess the online equivalent would be finding out your server is down just as you’re trying to send your story in. Murphy’s Law does get everywhere).

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Glad to say I’ve had to order more copies of From Light to Dark and Back Again ready for book events coming up over the summer months. Will post more about those nearer to the time of each though I am glad that at one of them in particular, I should have the chance to catch up with friends, which is always a lovely bonus.

I did manage to write some flash fiction on my train journey today – one of my longer pieces. (I also wrote an entire CFT post too so a productive day!)

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I am definitely going to have to go on more train journeys as all of the ones I’ve taken so far this year have meant I’ve drafted LOADS of flash fiction stories, which I hope will end up in a third collection eventually. Just a pity my Swanwick trip in August is going to involve a replacement bus service due to major works happening at Derby Station over the summer. Will be interesting to see how I write while on a bus – assuming I can of course.

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The nature of flash fiction in that it gives only a glimpse into the world of its story makes it useful for when you want to imply your character is a time travelling alien or what have you but don’t need to set up a lot of details as to the world they’ve come from.

I’ve found the odd line showing the character’s reaction to the world they’ve left can be telling. It can be a case of what they don’t say that will imply to the reader the world they left was horrendous. Equally a comment, a throwaway line from the character will show their attitude and from that a lot can be deduced.

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Goodreads Author Programme – Blog – Broadening the Mind

The old saying goes that travel broadens the mind and, of course, it can do. But so can reading widely across genres and non-fiction.

Also reading contemporary AND classic fiction is useful here as the former keeps you in touch with what is out there now, and the other keeps you in touch with where writing has come from.

Also I’d argue that writers such as Wodehouse, Austen, Dickens etc have all stood the test of time and will continue to do so. What is fun is to watch out for those contemporary (or near contemporary) authors who will go on to stand the test of time. (I’d have the late, great Terry Pratchett as a certainty here. Also J.K. Rowling for Harry Potter.).

Writing, especially when it involves any kind of research, also encourages mind broadening. (The great thing with this is most of us don’t want our waists to broaden, but you can broaden the mind as much as you like! No calories involved whatsoever…!).

So read and write away!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ALL THE FUN OF THE FAIR – AND NIGHTMARES!

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Went to our local Funtasia at one of our parks today. Very hot. You should’ve seen the queues for the icecream vans and the cold drink sellers! Good to catch up with friends at Bettermaths and Three Rivers Rail Community Partnership in particular. I’ll write more about this for CFT later this week (though I will put in now a quick nod to the lady selling old paperbacks for charity. Hope she did well. Mine wasn’t in there!).

What kind of fair/show would your fictional world have? Are they based on a religious festival or something decreed by the powers that be that should be celebrated? What would happen to those not taking part? Now I suspect there are quite a few stories to be had from answering those questions alone. Good luck!

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What would be your main character’s worst nightmare and what would happen if they had to face it? Now there’s a writing prompt for you (and I would guess it is the basis for most horror writing in particular).

Equally, success can corrupt so what would happen if your character’s ambitions came true and then they found what they had longed for wasn’t all that it was cracked up to be? Disappointment happens so how would they handle that? (Good question to ask yourself at times I think!).

Thinking about this kind of question will help make your characters seem more real to you, which is crucial. If you don’t believe in them, nobody else will!

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The perfect flash story is one which grips your readers, where nothing more could be said in that tale, but also where you have created such a character, it is easy to envisage further stories involving them.

I love it when characters come to life as you know your story has “legs” then. (A recent play performed by local group The Chameleons had the writer bringing their characters to life literally! Were the characters impressed by what their “boss” came out with? Not a bit of it!).

Another sign of a good story is when you re-read it after a suitable gap and you still enjoy it. Remember your first reader is you. If you can’t convince yourself with your story, you won’t convince anyone else, so if you enjoy the re-read, it is likely a reader would love the story too.

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One of the reasons for the need for escapism in any form of fiction is that real life can, of course, be pretty horrid at times. I can understand misery memoir can be therapeutic but I’m afraid it’s not for me. I have to have a story that entertains me (whether is by making me laugh, cry, or by making my blood run cold).

The great thing with flash, naturally, is you can do all of those things in a very short word count. Sometimes you have the “perfect” short story that would be ruined if you tried to pad it out to a more standard length for competitions etc. So never pad! It does show.

 

Goodreads Author Programme –

Blog – What is the Best Thing about Stories?

What would you say was the best thing about stories? The happy ever after/for now ending? The twist? The engaging characters?

Any decent story, to my mind, has to have at least some of those elements but, for me, the best stories reveal something about human nature that, for whatever reason, has not occurred to me before.

A good story will show you something about yourself and challenge you to think about whether you would have done what Character X did or not. A good story also shows consequences from action and, sometimes, inaction. You should be asking yourself what would I have done had I been the character in this story?

Do you find yourself a bit less quick to condemn when doing this? Putting yourself in the shoes of characters, whether you write them or not, can be enlightening.

I also love it when justice is seen to be done where the story calls for it given we all know that so often doesn’t happen in life. This is one reason for the continuing huge popularity of fairytales.

And you can’t beat pure escapism as one of the great joys of story reading and writing. So whatever the best thing for stories is for you, enjoy it all!

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ODD COMBINATIONS AND FLASH FICTION TERMS

Again, a mixed bag for you!

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My latest CFT post combines two things in a review, which I never anticipated I would ever combine – the Famous Five and William Shakespeare! Yes, really.

I review Five Go Mad for Shakespeare staged by the MDG Players at the Dovetail Centre in Chandler’s Ford last Thursday. They were ably assisted by the Romsey Players with their “play within a play”, which is another nod to the Bard!

The evening was a mixture of spoofs, well known scenes from Hamlet and Macbeth, and songs. It was good fun and very well put together.

MDG NOTICEBOARD

The MDG Players cast and notice board. Image by Allison Symes

MDG NOTICEBOARD PART 2

All the seats were taken at the show. Image by Allison Symes

Programme Front

The front cover of the programme. Image by Allison Symes.

Programme - What is on offer during the show

A mixed menu of delights in the show are listed here. Image by Allison Symes

THE GAME CARDS FOR WOULD WE LIE TO YOU

The green and red cards were used for a game during the show, Image by Allison Symes.

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Went to see an April Trio of Plays by the Chameleon Theatre Company tonight. Review on CFT next week. This week will be a review of Five Go Mad For Shakespeare put on by the MDG Players last week. So yes, I’ve been out and about and seeing some wonderful plays! I like this. I like it a lot! (Hope it won’t be too long before I get to see some National Theatre Live productions again too).

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One of the problems I face with writing is prioritising! Writing for Chandler’s Ford Today helps as I know I’m posting on Friday so I plan my posts so usually I’m carrying out final checks on Wednesday.

However, it is fitting everything else in that I’d like to do, both for fiction and non-fiction, that is the problem. The one comfort? I know I’m not alone in this. (And things like using Evernote on a phone on a train does help me get a lot more done with time that would otherwise be wasted. Just how much staring out of the window can you do?!!).

The one good thing is I am well ahead on coming up with ideas for stories for what I hope will end up being my third flash fiction collection. I’ve also drafted some of the stories out. (I hope some of them will appear online at some point).

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There are times I wish there were better terms for flash fiction writers. We’re flashers for a start! Anyone writing 100-word stories is a drabbler and I have occasionally written at the 50-word mark too (though this has been more for my second collection which is under submission).

Therefore, this makes me a flasher, a drabbler and an occasional dribbler. Doesn’t sound good, does it?😀 Does anyone know who came up with these terms in the first place?!

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I’ve talked before about one benefit of writing flash fiction being that it shows up your wasted words. This carries over into any other creative writing you do as you learn to look out for these wasted words and they’re the first to be cut out.

However, another huge benefit to writing flash fiction is having to write with absolute clarity. As your word count is limited, you want every word to carry its weight so your readers pick up the meaning you intended.

That clarity can (and I think should) carry over into other writing too. Also, because flash fiction really does have to be character led, it beefs up your ability to create convincing characters! They have to “lead” the story, there simply isn’t the room for an elaborate plot. But the great thing is genre isn’t an issue. I’ve written flash fiction pieces in fantasy, fairytale, crime, horror, and so on.

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Managed to draft another flash fiction piece while waiting to give blood this afternoon. Best thing to come out of the afternoon too given there was trouble with my veins and I had to come home without donating. Ah well… try again. (I cherish the thought if the National Blood Service had trouble with my veins, so would your average vampire! You have got to find the things to use them!).

That aside, I’m pleased with the progress I’m making on this batch of stories and hope to submit some more to Cafelit before long.

Goodreads Author Programme – Blog – Childhood Books

I sometimes review local theatre productions and a recent one was called Five Go Mad for Shakespeare. Good fun, and I enjoyed the references to Enid Blyton’s adventure series, and to the Bard too.

I used to collect the Famous Five series as the local newsagent stocked them. (Those really were the days… the newsagent’s shop was big compared to the ones I come across now. Its book section was reasonably generous in size).

I loved reading the Five’s adventures and I think those books, plus the fairytale collections I had (and still have!), are the fiction volumes that have had the most affect on me. Of course, the moment I’d got my hands on the latest Five adventure, I had to read it as soon as possible. I don’t remember reading them in one sitting but I know I would’ve been ready for when the next book was due in the newsagent’s!

So what childhood books have had the most impact on you? Have you re-read them since then?

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Fairytales With Bite – Why Children’s Fiction Matters Even When You Do Not Write It

My Chandler’s Ford Today post this week is a review of a show called Five Go Mad for Shakespeare and it was good fun.  I never expected to review something that combined Enid Blyton’s Famous Five with the Bard of Avon but there you go…

This led me on to thinking about the importance of children’s fiction, even for those who do not write it.  My first loves in terms of children’s books were the classic fairytales and the Famous Five series.  I also liked Heidi, Black Beauty, and other classic children’s books.

I think it can be forgotten sometimes that anyone who, like me, writes for adults, “owes” our audience to children’s writers.  Why?  Because most people who read regularly have always read since they were children and all that changes as they become older is their tastes in books!

While I’m sure it does happen, the majority of readers don’t suddenly go into a bookshop and pick out a book to read.  They are going into stores or ordering books online because they already have a love of reading they are developing further.  That love of books nearly always starts in childhood with the classic children’s stories.

This World and Others – What Makes a “Fully Rounded Character”?

You hear the phrase “fully rounded characters” a lot, well I have (!), but what does it actually mean? My take on this is:-

1. You can identify with the character.
2. The character has clear virtues and flaws. (This is usually why you can identify with them!).
3. The character makes mistakes and, usually, learns from them. Often they make the same mistakes more than once before they learn from them, but then so do real people!
4. Their behaviour and attitudes make sense, given the way the writer has portrayed them.
5. You can imagine how this character would live outside of the constraints of the story.
6. They interact with other characters in a way that makes sense, even if the interaction itself isn’t good. (This could be because the character really does not get on well with others or the other characters aren’t great at “people skills”).
7. The character has feelings, tastes in music, food etc so you would feel they “could be” a real person if somehow characters could come to life.
8. The character has emotional depth. Basically this means the reader can see if the character is shallow or is capable of more complex emotions and attitudes. Shallow characters can be appropriate to a story. It’s just their emotional depth isn’t very deep!
9. You can’t imagine the story without them. (Always a good sign).
10. The character has real struggles and difficulties to overcome and finds different ways of overcoming them. (Unless they are a shallow creation, they don’t give up at the first hurdle).

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LIFE’S LITTLE IRRITATIONS AND TEN FAVOURITE THINGS

A nice mixture of moods this time I think!

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What do cooking chocolate, zips that break too easily and roundabouts that are too small for purpose have in common? Easy peasy. They’re some of the items I’ve consigned to Room 101 in the latest part of this series. (I’m now up to No. 75!). I also share my thoughts on product name changes and fake news. So a nice mixed bag here tonight!

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What aspect of writing do you like the least? I suppose for me it would be the line by line edit for typos, grammatical errors etc, anything that I would call the technical side of writing.

Yet without that side, the chances of work being accepted do decrease given you have to present your work as professionally as possible. Anything that reduces a professional impression, such as weak spelling etc, will impact on your story.

The nice thing, though, is that if spelling, grammar etc are weak points, ideas like a writing buddy can be a real boon. (Going to good creative writing classes can help you make friends, get feedback on your work, including on this kind of thing, and help you find someone who might end up being your writing buddy!).

I also think there isn’t a writer anywhere without blind spots as to certain words/grammatical issues. My blind spots are “effect” and “affect” (I always have to double check them against the dictionary definitions to make sure I’m using the right one).

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Do you prefer alien settings in your flash fiction or tales that are firmly rooted on to this planet? I like both, no real surprises there, but here are some advantages to consider.

The biggest advantage to having an alien world as a setting is you get to choose what that world looks like, how it is run etc. Only drawback would be is it is too easy to just keep on creating your world and never getting on with the story. So just stick to the bare bones of what your reader really does need to know.

The biggest advantage to setting a world here is that the background information we know already. You really do just to fill in relatively minor details such as what part of the world they’re in (can give your readers ideas about likely weather patterns and so on).

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Although flash fiction by its nature might seem quick to write, it still needs careful crafting to ensure every word carries its weight and justifies its place in the story.

Yes, obviously, novels do take far longer and the joy of those is having the room for sub-plots and being able to characterise more deeply. Having said that, one of the great joys of flash fiction for me is being able to shine a sharp light on say one aspect of a particular character. That IS the story. Nothing more to be said. Nothing more needs to be said.

 

Writing first, editing later but both needed - image via Pixabay

Preparing a talk or a flash fiction story perhaps. Image via Pixabay.

Stories can be created and read on just about any modern device - image via Pixabay

Big screen, little screen, LOTS of stories on either! Image via Pixabay

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Let your stories have impact. Image via Pixabay

Themes pour out of good books - image via Pixabay

Let the writing flow and if music can help it along even better! Image via Pixabay

Fill that blank sheet with ideas from non-fiction as well as other fiction works - image via Pixabay

The basic necessities of the writer’s life!

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Flash – for light or dark fiction! Image via Pixabay

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There can be reality behind fairytales. Image via Pixabay (and image used as part of book trailer for From Light to Dark and Back Again)

Goodreads Author Programme – Blog

1. Books can take you into worlds beyond anything we know here. This is especially true for science fiction and fantasy.

2. Books can shed light on history both in non-fiction accounts and historical novels. The latter also has the advantage of being able to show what a historical figure could’ve been like as an individual, based on what is known about them. The author is not saying they are definitely like this, just that they could’ve been.

3. Reading a book encourages you to keep reading others. Not only is this relaxing, this improves your own appreciation of the written word by reading different authors and types of book.

4. You learn so much about characterisation by reading widely, in and out of your own genre.

5. Reading across non-fiction and fiction will help feed your own imagination. What can you do in your stories the authors you’ve read have not etc? (Also different writers have sparks for story ideas from varying sources. Where you get your sparks from will almost inevitably not be the same as where I get mine. At best there MIGHT be some overlap but we are all inspired by different genres and styles, What we do with what inspires us is unique to us too).

6. If you want to try out an author new to you, but are not sure about committing to the cost of a hardback etc, you can always borrow from the libraries and support them while you indulge in a good read!

7. Short story collections, including flash fiction, are increasingly popular so if the thought of a full length novel is not for you at this stage, why not try shorter fiction? There is something out there that will suit you! I love the fact there is a book out (and usually several) for anyone and everyone.

8. I suppose I am particularly conscious of this being a woman, but literacy is not something that has always been available to so many of us. So therefore I want to make the most of being able to read and write. There is a whole world of stories out there to explore.

9. Especially reading non-fiction, you can increase your own education significantly. Above all, it should be fun to find out things you didn’t know.

10. Last but not least, as a writer, by reading as well you are supporting the industry you hope to join or have become part of. Whether you are self or traditionally published, I can’t help but feel this is a good thing to do. I also can’t see how you can write without reading well. You have to know what you like and dislike to come up with your own stories and how can you do that, other than by reading?

Comments welcome!

Fairytales with Bite – Life’s Little Irritations

My current series on Chandler’s Ford Today is all about life’s little irritations (and is called 101 Things to Put into Room 101)From a fictional viewpoint, it doesn’t matter whether you write short or long fiction or, indeed, what genre you write in, but you can guarantee your characters will have more than their fair share of life’s “little irritations”.

So what are these and why do they rile your characters so much?  Do some of your characters handle the trials of life better than others and, if so, why and how?  What would count as an irritation in your fictional world that here on our own planet might be seen as a catastrophe or something your characters shouldn’t be wound up about at all?

Are the irritations you portray shared by other characters in your stories?  Is there anything that the society/world you’ve created considers an irritation and how did it come to be seen this way?  (There is always a reason for these things!).  Answering all of these will help you flesh out your world and your characters better and that is always worth doing.

This World and Others – Ten Favourite Things about Characters

I do love a list!  Ten favourite things I like about well portrayed characters include:-

1.  Such characters show me something about my own nature (for good or bad!).
2.  I can identify with the characters, sympathise even.
3.  I will “root for” characters and “feel” their struggles, which is not quite the same as 2 above.  For this, I have to really like the characters concerned.  With 2, I can identify with say what a villain is up to (they’ve been crossed once too often and are now out for revenge), but I’m not going to root for them to succeed in their aims.  I often hope ambiguous characters will not turn out to be villainous in the end or at least have motivations that are understandable.  The best of these will do both.
4.  You can “see” exactly where a character is coming from.  That leads to empathy (which I believe can encourage empathy generally and that is no bad thing).
5. Characters will show you the world they live in and how they handle it.  Is there something I can learn here?  (That includes what not to do!).
6.  For a character that’s set in a historical period, you can compare how they handle their situation and ponder how you would do so.  (I love Elizabeth Bennett in Pride and Prejudice but can see her situation as almost being prison like.  For her not to marry Mr Collins, when it would have meant helping her family, was a brave thing to do.  It would also be seen as selfish, especially by her mother.  Here, I am so glad I have never faced something like that).
7.  As a writer, you can put your characters through the emotional wringer!  Heartless though that may sound, it is also huge fun – and it will be where your story really is.  It is all in the conflicts.
8.  Sometimes a historical character can change your mind about a period in time or a well known historical figure.  The Daughter of Time by Josephine Tey did this for me with regard to Richard III and Henry VII.
9.  Characters can show up injustice clearly.  Think To Kill a Mockingbird here or something like Uncle Tom’s Cabin.
10. Characters can say things you would love to say to others but for whatever reason rightly decide it’s best not to!  And I’m not saying more than that….!

 

DRAFTS, TLAs AND FAVOURITE GENRE

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Managed to draft a few flash fiction stories on my train journeys yesterday. Great use of time, made even better with my headphones plugged in so I can enjoy classical music while I write. She will indeed have music wherever she goes… unless the train goes into a tunnel of course!

I sometimes draft blog posts on this kind of trip too. This has come in extremely useful. It means I always have ideas drafted down I can refer back to and then flesh out when ready to do so. I did take my Kindle with me yesterday meaning to read as well but ran out of time. Still, I made up for that later…

It did strike me though, as I looked around the carriages to see practically all of us plugged into our phones, what a bizarre sight this could seem for an outsider looking in. All of us in our little virtual worlds, all with a kind of invisible barrier up around us. Hmm… I strongly suspect there’s some story ideas to be had from that image! Good luck…

 

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TLAs turn up everywhere. And it’s fine if you know what the three letter acronym is for. You can feel a bit of a twit if you don’t. Apparently, HFN means Happy for Now and HEA is Happy Ever After, both used in romantic fiction. I can’t think of any TLAs for flash fiction writers (do share if you know any but keep them clean!).

You could use TLAs as part of an outlining process for your characters.

ABB = Awkward but Brave
SBK = Stupid but Kind
NBT = Not (to) Be Trusted
DBD = Daring but Dim

Hmm… some interesting character possibilities there I think What TLAs would you use for your own characters and why?

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What is your favourite genre (whether writing or reading it) and can you sum this up in one line? Name an example.

Mine is fantasy because, while taking you to other worlds, it can also shed light on this one. My example would be The Lord of The Rings. The traits of the main characters, for good or ill, can all be found on our own planet. The places such as The Shire or Mordor can be compared to places on earth (and this is made even easier thanks to the fantastic film version).

The battle between good and evil is something to be identified with too (though, from a fictional point of view, the very “best” villains don’t consider themselves villainous at all. They see themselves as having a just cause. They’re wrong and it’s up to the hero/heroine to prove them so). Can treachery be overcome (it so often isn’t in life)? Will justice be done (it so often isn’t in life!)? Fantasy then can be a vehicle for resolving injustices we know so often aren’t put right on our world.

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I enjoy a lot of flash fiction collections on my Kindle. It’s helped me widen my reading of contemporary fiction (which is no bad thing) and flash does read so easily on a screen.

It is a huge advantage to those who prefer technology to paper books. I hope it encourages those who wouldn’t pick up a paperback to discover reading electronically is absolutely fine and flash is such a great format for that.

I like downloading story magazines now too. I love magazines in any event but one problem is storage space for those ones you really do want to keep. No worries about that for e-magazines!

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It’s difficult to say what I like best about writing flash. It is great when you have completed a piece, have edited it well, and after leaving it aside for a while, you come back to it and discover it is actually a good story! (One of the biggest enemies of all writers is the demon known as self doubt).

I like the process of writing the story out and then going back through it, removing what I realise I don’t need, and discovering it is a much stronger tale as a result. Of course, you don’t realise what is unnecessary material until you’ve completed the story, look again at what its theme is and then know what you have to take out, so the theme is not undermined.

What I do know for sure is there are no shortcuts and you have to persist, while learning from your mistakes too.

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I’m a bit of a traditionalist in that my favourite place to read is in bed shortly before I head off to the land of Nod.

However, the Kindle has widened my choices of location when it comes to reading. I sometimes read from it on a train trip (unless I’m too busy writing something via my phone). I always read from it when I’m travelling up to Scotland for my annual holiday.

One of my favourite things about e-reading is I no longer have to worry about how many books I can take with me when I’m away. I can have loads! I do find I want to get back to paperbacks when I’ve “feasted” on the Kindle for a bit though. Not that this is a bad thing!

I must admit I do hope we get some good weather in the UK soon. It would be nice to be out in the garden again, with book or Kindle in hand, and a glass of something nice close by. I suspect I may have to wait to August for that!

 

 

 

 

 

 

 

 

 

Twists, Trailers, and Judging Your Own Work

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Lovely night out at a local pub/restaurant. Good opportunities for people watching! (You never know when something said or what someone wears will strike you as a good idea for your own characters).

Have earned my first royalties on my published works, many thanks to #GillJames and Chapeltown Books for such hard work here. Glad to say will need to put in an order for From Light to Dark and Back Again before too long.

Have confirmed I will be going to a big Book Fair later in the year. More details later but am looking forward to this.

 

 

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Book trailer for From Light to Dark and Back Again.

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I’ve put up the book trailer for From Light to Dark and Back Again on my main writing page as I was thinking of my choices in this year’s Hall of Fame that Classic FM put on at the Easter weekend.

Danse Macabre by Saint Saens was one of them. I came across it when I watched the TV series Jonathan Creek but it struck me as being the perfect piece for my book trailer. Quirky music for quirky fiction!

I nearly always do have classical on when writing. It relaxes me and I write better when in a good state of mind. It also has the huge advantage of using up zero calories (sadly, the odd glass of prosecco and bar of chocolate cannot claim that! Sighs…. there really is some fantasy that is unlikely to be realised!😁).

 

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Why do I like twist ending stories so much? For one thing, I like guessing at the ending. Sometimes I’m right, sometimes I’m not.

A really good twist tale will make me admire the way it was set up and carried out (even if I did guess the outcome). An even better one not only surprises me with the way it turns out, but makes me go back through the story to look for the clues I clearly missed in the first place. I then berate myself for having missed them!

 

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When do you know your story, of whatever length, has really “taken off”? For me, it is when the characters come to life. You know (though almost certainly won’t say in the story) what they have for breakfast, what their major traits are, and what they’d be like in a fight – just to name a few random examples!

I find outlining a character before I write “for” them really helpful (and this is one reason I love Scrivener. The character and setting outlines in the fiction – short story option are amazing. The great thing is you can adapt them with anything you feel you want to jot down before you write the story itself).

For my flash tales, I prepare a brief outline (appropriately!) but I just need to know what my character is really like. Sometimes “awkward but brave” is enough to get me started on a character.

 

 

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Flash fiction takes at least as much crafting as any other type of story because of the need to get the story across in as few words as possible. There is a balance to be struck here between the needs of the writer getting their story down and the editor ensuring the story comes in at the right word count.

I’ve found that it never pays to do the two writing tasks together. I get the story down and worry about editing later.

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I’ve talked about classical music on my main writing page tonight and why I used Danse Macabre for my book trailer theme for From Light to Dark and Back Again.

Do I have music in my mind when I write my stories? No, but I can often think along the lines that Character X would be a huge fan of rock or Character Y would love opera and so on. Thinking about what a character’s tastes would be is a great way of helping you to bring them to life on the page and, from a reader viewpoint, a very easy way to tell characters apart.

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Sometimes you’re not always the best judge of your own work, but it is always good to know you are not alone here.

Spoiler alert!

I’ve been listening to Classic FM’s Hall of Fame and the 1812 Overture is the new No.1. Listening to it now in fact. Love the piece. Its composer,Tchaikovsky, however thought it had no artistic merit. Well, how wrong can you be? Quite a bit as it turns out!

I’ve found when looking through my stories, I’ve got to allow some time to pass between writing them and editing. I’ve got to come back to the pieces as if I’d not seen them before. It’s the only way I know to be objective about what I’ve written.

And it’s nice to know sometimes you can be wrong about your own work when you’re negative about it and others like it!

Classic music can make a classic filmMusic, whether writing it or playing it or both, is just one form of creativity - image via PixabayWriting, whether it is fiction or otherwise, is a wonderful way to create something new - image via Pixabayonce-upon-a-time-via PixabayOne joy of blogging is ease of publication via Pixabay

 

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Flash fiction can be great for brief character sketches which give you a glimpse into that character’s life. My Pen Portrait is an example of this. What I’ve revealed in this tells you all you need to know about my heroine, Mary. The final line also shows something of her nature.

So what would you convey in a flash fiction piece like this given you haven’t the room for backstory as such? Just enough information to tell you what you need to know (in Pen Portrait you need to know what Mary’s job is) and leave enough “space” for your readers to fill in the gaps. In Pen Portrait, Mary has found a way of avoiding causing embarrassment to one of her neighbours but I don’t tell you why this is important to her. That’s for you to figure out!

Goodreads Author Programme – Blog

I love listening to classical music as I write my flash fiction. So what has this got to do with books and stories generally?

Firstly, I find classical music relaxes me and so I write more easily. Secondly a great piece of music can help you envisage the world you create. If it is vivid for you, as it should be, it will be vivid for your reader.

Reading, however, whether it is my work or not, is carried out in silence. I don’t want music distracting me. Besides, my main reading time is just before I sleep! Definitely not time for something like the 1812 Overture (much as I love that!).

Music can convey so much. There have been some truly amazing film scores which can enhance the original story. I’m particularly thinking of the score for The Lord of the Rings trilogy here. Fabulous and fantastic story. The music for the film version reflected those aspects well, I thought.

Sometimes I can hear a piece of music and it will make me immediately think of a story. I hear Danse Macabre by Saint Saens and think of the stories in my From Light to Dark and Back Again as this great piece was used for my book trailer. I hear a Bond theme and I think of the film first but without the books by Fleming in the first place, there would be no movies.

It is quite nice to think that a creative work such a book leads to a film and in turn leads to wonderful music being created for that. What can the stories we read and write to lead to ultimately, I wonder? Well, it should be fun trying to find out!

Conferences, Dead Time and Reading

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Thoroughly enjoyed the Association of Christian Writers’ day in Derby on journalism on Saturday. Love learning from writer events like this. Have found before that, even though I might not use some information now, I do end up using it later! Brought home some ideas I hope to investigate further and am not saying more than that for now.

On the fiction side, I am finalising a short story for a competition. I am also looking forward to sharing a two-part interview with a fellow Chapeltown Books author on Chandler’s Ford Today. Part 1 will be up on Friday.

Am getting better at using “dead” time. I spent my train journeys to and from Derby using the fabulous Evernote to draft a blog post for ACW, a future CFT one and some ideas for what I hope will end up being my third flash fiction collection. I also got to talk to a children’s writer on the train home. One of the lovely things about writing is, when you do meet up with fellow writers, you’ve got an instant topic of conversation!

Oh and you never get bored!

 

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The only problem with going to writing conferences is catching up with things again on getting home! Still, I can think of worst problems.

Sorry to hear about Ken Dodd. Never got to see him live but enjoyed his TV and radio shows. (Radio 4 Extra sometimes repeats the latter, expect they will soon. Worth a listen).

Priorities this week are to finish editing a short story and, as always, CFT. Why does editing always take longer than you think it will, no matter what your level of experience is?! Or is this just me? Answers on a postcard….

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Do you like short, sharp paragraphs or longer, more detailed ones? For me, it depends on the kind of story I’m reading or writing. I would expect a thriller to have the first kind of paragraph with a family saga having more of the second kind.

Overall, what matters is that each word, each paragraph etc moves the story on and genuinely can’t be cut from the tale without wrecking it. You know you’ve carried out a good editing job when you reach that point in a story!

Sometimes a more detailed paragraph can be used to indicate the time period a story is set in, given you would expect more “wordy” paragraphs in a tale set long before social media came in. Choice of words must be appropriate to the character, the time period and the setting.

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I’ve spent a lot of the weekend in Derby at an Association of Christian Writers’ Day on journalism (it was fab) so used a lot of the time on the train journeys scribbling away via the wonderful Evernote on my phone. Jotted down ideas for several flash fiction pieces and am really looking forward to writing them up.

I am getting better at using “dead” time like this and when I had to take my car in for service, while I was waiting, I wrote three flash pieces (which are part of my second collection now submitted to Chapeltown Books). I felt distinctly miffed when they told me my car was ready as I had settled down quite well, thank you. There was a tea and coffee machine, loos, and I was all set for further writing! The really great thing here? No distractions… ah well.

 

Most of us struggle to have as much time to read as we'd like - image via Pixabay

I think most of us struggle to find as much time to write as we’d like.  Image via Pixabay

Publishing has to start with a blank page - image via Pixabay

From start to finish here perhaps?  The blank to the printed page.  Image via Pixabay

 

The To Be Read pile - image via Pixabay

The to be read pile! Image via Pixabay

A few books to choose to read from here - image via Pixabay

Plenty to enjoy here! Image via Pixabay

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Do you start your story with a title in mind or do you write the tale and then the title comes to you as a result?

I find I must have a title to “peg” my ideas to but often have to change the title to a more suitable one, once I’ve got the story down. I have, on occasion, tried to work without a title but soon found myself feeling “lost” without one! So I take the attitude now it is all in draft anyway so it doesn’t matter if I change the title half a dozen times until I’ve got it right for the piece.

Goodreads Author Programme – Blog

I have spent many a fine evening re-reading favourite novels and short stories. For me, there is no such thing as a book beyond its “read by”date.

It has been my experience even books written in styles we wouldn’t use now have some entertainment value and I can usually learn something from the way the author has written their characters. I usually pick up something on each reading.

As for contemporary reading, I am reading a fair number of flash fiction collections, I love reading history (and historical fiction), as well as crime. I am reading far more non-fiction than I used to but I think this may be a reflection of the fact I’m writing non-fiction now as well.

Having a Kindle has increased the amount of reading I do too. I do like the “Look Inside” feature and have often used this. I was glad it was available on my own flash fiction collection. This has given me many chances to try books I wouldn’t have necessarily thought of trying.

 

 

 

The Frustrations of Publishing

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Am a night early with my Chandler’s Ford Today post this week. Am away at an ACW conference so thought it best to schedule for this evening!

In writing my 101 Things to Put into Room 101, I came to a topic that deserves its own vault all by itself – the frustrations of publishing. There are few authors who can’t sympathise with this topic, though it has been great to share links to both the Society of Authors and the Alliance of Independent Authors in this post. Writers need all the support they can get!

Will be back to the Room 101 series in a couple of weeks or so, as this post leads into a two-part interview with fellow Chapeltown author, Gail Aldwin, who will be talking about her own route to publication.

I have yet to interview a writer whose route to publication was straight forward or easy! Nature of the beast I suspect!

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When stuck for an idea or two
Have a go at something brand new
Don’t say this is me being rash.
Doing this got me into flash!

Allison Symes 8th March 2019

I accept I’m never going to be offered the Poet Laureate’s post based on my doggerel above. Just as well too, I think. However, the verse is true! It really was my being open to the idea of having a go at Cafelit’s100-word challenge that meant I discovered the joys of flash fiction. Had it not been for that, I wouldn’t have a book to my name now.

One of the great joys of creative writing is to have fun with it and one great way of doing that is to mix up what you write. So go ahead, give flash fiction a go!

Fairytales with Bite – The Frustrations of Publishing

My Chandler’s Ford Today post looks at the frustrations of publishing.  I expect you may have experienced most of them! However, there are two classic ways out of at least some of these.  One is to self publish and the other is to seek publication via the small, independent press.  I chose the latter route!  More in the post…

The main frustration I feel is the Catch 22 one of people wanting you to have a track record before they will take you on, yet the only way to get that track record is to be published!  It is also highly appropriate to use the phrase Catch 22 too given we’re talking about getting books out there…

Back to our fictional worlds though – what role does literature play in it?  Who “controls” literature?  Could your characters be published writers?  What form of writing do they use?  Do they have stories as we understand them?  Who are the publishers  in your setting(s)?  Does the government exercise any control over what the public can read?

(I like the thought of there being an underground library for those not wanting to just read what is on a government’s approved list!).

This World and Others – Overcoming Frustrations

My Chandler’s Ford Today post this week looks at (some of) the frustrations of publishing.

How do your characters overcome the inevitable frustrations they will face?  Do they handle them well or badly?  What are the consequences  of their reactions?  Are there frustrations caused by government (too much bureaucracy etc?

How do your characters face the day to day frustrations and when it comes to being under continuing pressures, how do they handle that?

I'm not arguing with this - image via Pixabay

I’m not arguing with this one! Image via Pixabay.

A familiar desk scene for writers - image via Pixabay

The writer’s desk. What do you hope will emerge from yours this coming year? Image via Pixabay.

The best advice for any writer - image via Pixabay

And prepare well!

Feature Image - Flash Fiction - Books are Gateway - image via Pixabay

Says it all really and applies to non-fiction equally as fiction. Image via Pixabay.

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Flash – for light or dark fiction! Image via Pixabay

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Fantasy may look at other worlds but often reflects on our own. Time is different too. Music can interpret worlds too. Think of classic film scores like that for The Lord of the Rings. Image via Pixabay.

Heaven on earth? Image via Pixabay (of the library at Leeds Castle)

Heaven on earth? Image via Pixabay (of the library at Leeds Castle)

Goodreads Author Programme – Blog

I’m a great fan of Agatha Christie. The first set of books I collected from Odhams (remember them?) were hers and I proudly own at least 30 red leather-bound hardbacks.

Each hardback contains two novels or a novel and a set of her short stories (such as The Labours of Hercules).

My favourite character is Jane Marple, though I do love Tommy and Tuppence in The Secret Adversary.

My favourite novel, though, is Murder on the Orient Express because it looks at whether murder is ever justified, even when the usual justice system fails.

It’s still a pertinent question. Even more pertinent is the fact the justice system shouldn’t fail but can do. Desperation and anger drive people to do desperate things and this is very much reflected in this book.

I also liked the David Suchet TV version of this. His Poirot was in angry anguish over what happened (and by implication what drove those events in the first place).

So what are your favourite Agatha books?