Underlining In Fiction


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots and one photo were taken by me, Allison Symes.
Hope you have had a good week. Mixed bag weather wise (hot, cold, windy etc). Will be having another story on CafeLit next week and am looking forward to sharing that. Working away on further workshop material too.

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Screenshot 2022-06-24 at 09-19-44 Underlining in Fiction - Chandler's Ford Today

Facebook – General – and Chandler’s Ford Today

Pleased to share my latest Chandler’s Ford Today post on Underlining in Fiction. I look at how writers can stress points without seeming to repeat themselves. Also I look at where repetition, carefully used, can be effective too in underlining an important point. I give an example of underlining that I use when running workshops. (It’s also a good example of show and not tell).

I discuss how characters themselves can do the underlining, whether they are conscious of that or not, and why it matters to pick the right thing to underline.

For example, I want my readers to pick up on my themes from what I show them through what my characters say, do and think. I don’t want to have to spell everything out (for one thing I think that’s boring – I love working things out for myself when I read other writers’ books. I just need the right clues).

The best underlining is subtle. You want your readers to absorb things and work things out and to have fun doing that!

Underlining in Fiction

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Cooler today though Lady, and her lovely gentleman friend, a wonderful Aussie Shepherd, were clearly happy about that as they ran around. It was a joy to watch them.

My Chandler’s Ford Today post (Underlining in Fiction) goes up tomorrow – I don’t know where the time has gone as I rapidly head towards the end of this series. Link up above.

I use a variety of ways to find ideas for my blog posts, as well as my fiction. Often the random generators (especially the theme and question ones) can be used to trigger ideas for a CFT post say.

For example this came up on the random question generator I often use – If you lost all of your possessions but one, what would you want it to be?

  1. I could invent a character here and get them to answer the question (and that would be the story. Nice thing about that is I’ve got a basic structure in place immediately too. Questions always need answering!).
  2. I could answer the question directly and frame a CFT post around it.

You get the idea so why not give the random generators a go if you are looking for non-fiction inspiration.

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Another hot day here though Lady was pleased to see her best buddies, the Rhodesian Ridgeback and a lovely Hungarian Vizler, today. Am looking forward to another swim tomorrow.

I’ll be talking about Underlining In Fiction for Chandler’s Ford Today – post up on Friday. See above. Am busy getting my author newsletter ready for July. Do sign up for tips, stories, prompts etc at https://allisonsymescollectedworks.com.

Do you find it harder or easier to write much in the hot weather? I must admit I flag a bit but this is where writing short pieces is a bonus as I still feel like I’ve got something useful done and that is enough for me.

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Facebook – From Light to Dark and Back Again

It’s Friday. It’s storytime. It’s time for Friday Flash Fiction. Hope you enjoy my latest – A Picture Paints a Hundred Words. Written in exactly one hundred words of course, barring the title.

Screenshot 2022-06-24 at 11-42-40 A Picture Paints A Hundred Words by Allison Symes

Getting into the head of your characters is vital in any fiction but for flash, with the short word count, it is essential to do that from the get-go. This is why I outline what I need to know about a character before I start writing their story up. I need to know what their reactions to any situation would be at once – I can then decide which situation I’m going to throw them in! It is great fun dropping your characters right in it.

I read a wonderful short story ages ago in The Oxford Book of Humorous Prose (compiled and edited by the much missed Frank Muir) where the characters come to life and berate their author. Very funny – and a teensy weensy bit scary for any writer I think!

Knowing your character’s basic attitudes (and why they have them) is a good way in here. Fleshing your character out means you are more likely to write their stories up with conviction because you know your character is definitely capable of this. You’ve already seen how and why they would be like this.

I’m convinced a writer’s belief in their character does come through in the story. Certainly I can sense when a writer has fun with their character precisely because I do the same thing myself with mine.

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I have fun sometimes having titles which are capable of more than one interpretation. For example in my story Serving Up a Treat from From Light to Dark and Back Again, I can take that in a lighthearted way or not, as I see fit. (Not saying which way I did though – do check out the book! Yes, I know I’m bound to say that!).

I also see this as giving my imagination more room in which to work. Proverbs and well known sayings come in handy here. And guess what I just found? Yes that’s right – a random proverb generator! Will take up less room than the old book of proverbs I suppose but this will prove to be another useful tool to use to trigger story ideas. Hope you have fun with it too.

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Fairytales with Bite – Character Development

I am partial to character development in any story, regardless of what genre it is or its word count length. Indeed I don’t think you can have a story without it given something has to change and often it is the character that does the changing. Sometimes it is forced on them if they are going to survive. Sometimes they are happy to change. Maybe they have been waiting for the chance to do so and escape something.

In fairytales, I think this is even more important. I don’t think a wave of the magic wand should be the cure to all ills. Where’s the drama in that? Even when the fairy godmother turns up to help out, I still want the main character to have done something to merit that help and to still have problems to sort out after the wand waving!

To avoid the old problem of character cardboard cut-outs, your character does need to have some sort of back story which has a bearing on their story now but which they overcome. That is the kind of development I love to read and write.

So think about how your characters will develop over the course of your story. Where is the moment when they have to change and go on to better things? How do they make themselves face up to what has to change? Great conflict can come from a character’s internal struggle as well as external circumstances.

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This World and Others – Formative Experiences

One of my earliest formative experiences is that of my late mum teaching me to read before I went to school. Back in the day, she got told off for that. (These days they’d probably give her a medal). Apparently Mum taught me in the wrong way. Have I felt the lack? Not a bit of it. Am I grateful to Mum for giving me my life-long love of books and stories (and from there the wish to write my own)? Oh yes!

What kind of formative experiences have shaped your characters? What impact are they having on your characters’ lives now for the purpose of your story? I don’t always put such things into my stories but I need to know enough about my characters to be able to envisage what they would do and how they would react in any given situation. Knowing what drives them including formative experiences is so useful here.

Also bear in mind a society’s formative experiences as well. A society which has had to face continual threat of invasion is likely to have a reasonably strong military to try to counter that and/or seek alliances with other threatened worlds. So their attitudes towards diplomatic relations will be different from a strong, isolated kingdom which feels it has no need of anyone else. Their people’s views and attitudes will be coloured by things like that.

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Flash Flexibility, Writing Workshops, and Supporting Other Writers

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. 
Hope you have had a good few days. Summery weather at last which Lady and I have loved. I have publication news too so it’s a good start to the week in that department too.

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Facebook – General

Lovely day today and Lady is very happy because she got to “boop” her best mate, the lovely Rhodesian Ridgeback. Usually the Ridgeback boops Lady. For dogs, it really is the little things in life that bring them the most joy (oh and dinner of course!).

Delighted to say I can now reveal I will have another story on Cafelit on 27th June. Looking forward to sharing the link on that then. The piece comes from a homework exercise I set for members of the Association of Christian Writers Flash Fiction Group.

Will be off to the theatre again in July with my lovely editor from Chandler’s Ford Today, Janet Williams, Looking forward to seeing the latest production from The Chameleon Theatre Group. Will review in due course. I should’ve finished my In Fiction series for CFT by then – wish me luck finding something suitable for the letters V and X! I hope my years of Scrabble paying might help here!

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Hope your Monday has been okay. Busy as ever here though the weather was lovely. Glad to say I’ll have further publication news to share soon so that’s a smashing start to the week.

My Chandler’s Ford Today post this week is about Underlining In Fiction. I’ll be looking at how to stress points to a reader without needless boring repetition and talking about planting the right clues. Link up on Friday.

Amazon currently has offers on the paperback of both From Light to Dark and Back Again and Tripping the Flash Fantastic. See the link.

Writing Tip Number 3,004 or something like that but one I’ve found incredibly useful: time away from a piece of work is crucial. You do need the distance in terms of time away from it so you can see where it has strengths and, more importantly, where it hasn’t!

With my judge’s hat on, I can spot those stories where an author has clearly given themselves enough time away from their story as they have then edited it effectively too.

The trouble with editing a story immediately is there tends to be two responses to it – this is a work of utter genius, no work needs to be done to this deathless prose, or this is a work which I really shouldn’t have bothered with, everyone will loathe it. Neither are true. The truth is your story will have promise but needs polishing up and sharpening to show bring its potential out.

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Many thanks for the comments in on Time Off, my latest tale on Friday Flash Fiction. Some smashing feedback, all appreciated.

Going back to my Authors Electric post yesterday on Writing Workshops, I can’t stress enough how important it is to support other writers (something Friday Flash Fiction does very well, as does CafeLit). Nobody produces a perfect bit of work immediately (and is there any such thing anyway? I can look back at my earlier stories and see immediately how they could be bettered but they were where I was at during that time of my writing life).

We all have to start somewhere. We can all improve on what we do. It takes time and practice. There are no shortcuts for anyone.And people remember those who support them. They also remember those who were unsupportive. Which would you rather be known as – a supportive writer or not? I know what camp I want to be in! (That thought is assisted by the old saying make your words sweet as you never know when you’ve got to eat them!).

18th June – Authors Electric
It’s my turn on the Authors Electric blog and this month I’m talking about Writing Workshops. I discuss what I love about these, whether I run them or go to them, and look at how old school pen and paper can come into their own at these things. Hope you enjoy (and I’m looking forward to running another workshop at the Swanwick Writers’ Summer School in August).

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Facebook – From Light to Dark and Back Again

Flash has more flexibility than you might think. Yes, there is the word count issue but I’ve written stories in the first person, the third, as diary extracts, as well as setting my characters backwards and forwards in time. I’ve written fairytales with bite, crime tales, the odd ghost flash piece etc.

What influences all of this are the kinds of story I’ve loved reading over the years and which I continue to love and read. It really has paid off for me to read reasonably well and widely (I don’t think anyone can claim to be perfect here. Why would you want to be anyway? You want there to be other books and genres to discover after all!).

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Many thanks for the views on my YouTube tale last week (or should that be tail?) – The Unexpected. But it is Monday once again and time for another video. Hope you like this one – The True Picture. I used a random verb generator which triggered the word picture and here is what I came up with for that prompt.

Sometimes I have an idea for what I think will be a flash piece but the story really does deserve a larger word count. So I simply write that piece for the short story market instead (and my stories tend to come in at 1500 to 2000 words for that). Sometimes what I think could make a good short story really does work better as a shorter, tighter flash piece. And that’s all fine.

It’s why it has paid me to ensure I have a foot in both camps when it comes to short form storytelling. What matters is the story is right for the character (and vice versa) and the story has a proper beginning, middle, and end. The story ends with a proper resolution to the dilemma the story is about and sometimes that will come in at a longer or shorter word count that you might have originally anticipated.

 

I’m chatting about Writing Workshops for Authors Electric this month (see my author page on this – https://www.facebook.com/allison.symes.50) and one advantage to flash fiction here is these are easy to share when you want to discuss elements of story writing. They don’t take too long. They also demonstrate the points you’re trying to make. (And it’s another way of spreading the word about flash fiction so win-win there!).

I’ve found flash pieces are especially useful for demonstrating the old advice of show, not tell. Precisely because I don’t have the word count room for description, I do have to get my characters to show the readers what matters. And showing a point gets things across more clearly I find. I’ve been on the receiving end of that benefit many a time from workshops I’ve been to and have always appreciated that.

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Goodreads Author Blog – Book Covers

For a book to grip me, I have to be gripped by its characters, but the right book cover is what is going to get me to look at the blurb, the opening page, and then go on to buy said book. I want the cover to show me something of the mood/genre of the book, to be attractive, and to intrigue me enough so I do pick the book up in the first place. Not asking much. Hmm…. No wonder book covers are so difficult to get spot on.

My favourite quote on the topic comes from the wonderful P.G. Wodehouse who, in a letter to a friend, said “God may forgive Herbert Jenkins Limited for the cover of……… But I never shall!” Book title deleted here to protect the guilty. I highly recommend the Wodehouse books of letters by the way – there is a wonderful one edited by Frances Donaldson (Yours Plum, the Letters of P.G.Wodehouse which is where I came across this quote) and another which was edited by Sophie Ratcliffe (Wodehouse: A Life in Letters). Both are fascinating reads.

It is some comfort to me as a writer that even the big names didn’t/haven’t always liked the book covers they’ve been “given”. I’ve been fortunate here in that my small indie publisher has ensured I have had some input into my covers which is something I’ve appreciated.

The author ought to have some idea of themes etc that their book cover could draw on though, rightly, the publisher should have the final say given they know what has worked for them already and can drawn on that kind of knowledge one author is simply not going to have.

So then what works for you with book covers? I don’t like over-complicated ones. Indeed my Agatha Christie collection (good old Odhams Publishers) are simply red hardbacks with gold lettering – simple but effective. The Lord of the Rings trilogy has Gandalf striding out in bad weather and again works well (I know immediately this has to be a fantasy quest).

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Travelling Workshops

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Photos for Chandler’s Ford Today post taken by me, Allison Symes, as were the screenshots.
Hope you have had a great week. I had a wonderful time at the Association of Christian Writers Golden Jubilee weekend. Many thanks to those who came to my flash fiction workshop. It was so lovely catching up with old friends and making new ones. It’s great to be out and about again too.

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Facebook – General – and Chandler’s Ford Today

Am pleased to share my Chandler’s Ford Today post this week about Travelling Workshops. I look back at the Scottish Association of Writers conference, and the more recent workshops I ran for the London Jesuit Centre and the Association of Christian Writers Golden Jubilee weekend.

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I look at the point of workshops, I discuss the value of writing exercises (whether I set them or do them!), and share my thoughts on why workshops should be interactive. Hope you find the post useful preparation for your next workshop!

Travelling Workshops

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Hope you have had a good day. My Chandler’s Ford Today post about Travelling Workshops will be up tomorrow. See above. I then plan to resume my In Fiction series after that. Will be at the letter T for next time (17th June) so I am getting there!

It’s been a busy week since coming home from the ACW Golden Jubilee weekend but it is always a better week when you happily get a publishing contract sent off to someone you’ve worked with before on many happy occasions. Also spurs me on to try and get another one!

A big thank you for the response to my rather long post yesterday. Just sometimes you really feel the need to say something, right? And I wanted to share that my writing journey has had (and will continue to have) setbacks. The writing life is up and down and I think over time you get used to that. I’ve found it has helped me appreciate the up times far more (and to not take them for granted).

One of the joys of writing for me, whether it is published or not, is having an outlet for creativity. For many years I sought to just write for myself. I wanted to prove to myself I could write and keep on writing. It was only when, with my confidence up a bit knowing that I could write, I stared approaching publishers etc. That was a huge learning curve in itself!

This is a good indication of why I say writers always learn. You have to learn from your mistakes so you can do better (and sometimes just being alerted to what the mistake is can be a great help. I found that when someone told me about vanity publishing).

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Shortly, I’ll be having the joy of returning a contract to my publisher for a short story to appear in an anthology due out later this year. It’s always a lovely thing to do but for many years, I despaired of ever being published. All I ever seemed to receive were rejections or, even more frequently, I just wouldn’t hear back. So what changed?

Firstly, I didn’t give up. Secondly, when I could get feedback on my short stories (some competitions offer this), I took it. Thirdly, I read plenty of writing advice (reputable writing magazines and websites etc) and tried to apply it. Fourthly, I gave myself much more editing time before submitting a story anywhere. All of those things put together made a huge difference.

The best tip is the last one though – write regularly and read regularly. It is the regularity that matters. You do kind of build up your writing “muscles” here. From reading, you can work out what it is about stories you love or dislike and apply those principles to your own stories. I dislike insipid heroines so am not writing any!

Yes, you do need some luck. But putting in all the work you can matters too. It is a bit like an apprenticeship here and every writer I know has had their fair share of set backs.

The positive thing about the rejections? They made me look at my stories again and sometimes I could find a way to improve them. So I did. I then resubmitted that work somewhere else and I have been published doing that. Sometimes it was a case of accepting I could do no more with this particular tale – time to write more.

And I found having a story “out there”, another one being written and rested ready for editing, and another one being drafted helped a lot. It still does. It means I always have something on the go. It pays not to pin your hopes on one story on the chance it will be rejected and that then crushes you.

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Facebook – From Light to Dark and Back Again

It’s the end of a long week (well it will seem like an even longer one than usual after the Platinum Jubilee weekend!) and it is time for another story. My new tale on Friday Flash Fiction is Midnight Bells. See what Maggie thinks about bells and firemen here!

Screenshot 2022-06-10 at 09-27-17 Midnight Bells by Allison Symes

If you’d like to check out my latest column on flash fiction for Mom’s Favorite Reads, you can do here. It is great fun writing for the magazine (and a challenge too but writers need a challenge to keep their creativity firing on all cylinders, so to speak).

As with my blogs, I prepare material in advance and this does pay off. It means I’m not going to worry about deadlines as I know I’ve got the piece prepared. And I draft future blogs too. I inevitably use these on those occasions where I really don’t have time to write anything new. That pays too.

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Great to see such wonderful comments coming in for On The Doorstep, my most recent story on Friday Flash Fiction Thanks everyone. I love inventing characters but sometimes one particularly “gets” to you. For me Mabel does that here. See what you make of her.

Screenshot 2022-06-10 at 20-22-49 On The Doorstep by Allison Symes

Fairytales with Bite – Celebrations

I loved watching the Queen’s Platinum Jubilee events recently (and I especially loved the Paddington Bear sketch – marmalade sandwich, anyone? Do look this up if you haven’t seen it – it’s good fun and quite sweet too). So all of that turned my thoughts towards celebrations.

In your fictional world, what would these celebrations be for? What food and drink would they have? What music? Can anyone take part or are only certain types allowed to celebrate? I loved the fireworks Gandalf produced in The Lord of The Rings but how would your magical world have a spectacular display like this? Would magic be used to produce it or would things be hand-made?

Is the whole of your society expected to celebrate when told to do so and what would the consequences be for those who do not take part? How do your characters celebrate when, due to their own circumstances in your stories they really don’t feel like doing so? How well can they cover up and pretend all is well?

Who would feel relief when the celebrations were over? That could range from the organisers to the security people who can now step down. So that relief can be for positive reasons rather than the obvious negative ones.

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This World and Others – Commemorative Events

Commemorative events tend to be more sombre than celebrations, of course. So how does your fictional world remember important historical events? Do they actively remember to try to prevent future wars etc? Does your world have schools and how are younger members of your society educated about commemorative events, if so?

I remember being told many years ago by family what the meaning of the Remembrance Sunday/Armistice Day events was and there was no question of not watching or going to these. (My grandfathers both served in the war – one in the forces and later as an ARP Warden in London’s East End and the other in armaments in the Woolwich Arsenal – the latter was forever being bombed out).

Commemorative events are full of meaning and symbolism so how does this work in your fictional world? Can anyone pick up on the meaning of the symbols used? If anyone is excluded from taking part, who are they and why are they shut out? Do different societies in your world commemorate the same event but in vastly different ways and does this cause conflict? People don’t always like different after all.

How did the commemorative events come in to being and who was the driving force behind them? How did they persuade those in authority to stage these things?

Food for thought there I think!

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Jubilees, Flash Fiction, and Publication News


Image Credit:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots and photos relating to the ACW Golden Jubilee weekend taken by me, Allison Symes.
It has been a lovely few days. No Jubilees for ages and then two together – Her Majesty’s Platinum one (I loved the Paddington Bear sketch) and the ACW one.

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Facebook – General

Funny old day weather wise here. June is being far from flaming in my part of the world.

I’ll be looking at Travelling Workshops for my Chandler’s Ford Today post this week. I’ll be taking a look back at two I’ve recently run and share what I think the benefit of these things are. Link up on Friday.

Managed to get a story drafted for Friday Flash Fiction on my train home on Sunday as I came back from the ACW Golden Jubilee weekend. Polished that up on Monday and submitted it. Also drafted and then edited a story for my Youtube channel on the way home and I hope to share the results of that over on my book page shortly. Good old Evernote – a very handy app to have on my phone!

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Hectic day after a wonderful and busy weekend away. Lady went bonkers, the way she usually does, when she saw me again last night. She went even more bonkers with her best mate, the lovely Rhodesian Ridgeback, in the park this morning! Back to normal here then!

Delighted to come back to another acceptance of a story of mine, which I hope to talk about more later on in the year. Separately have had the contract in for my story for the next Bridge House Publishing Anthology. All exciting stuff.

What is especially nice is for a long time you get stories out there and then things tend to happen at once (or seem to). You get used to those periods where nothing seems to be happening and then make the most of those times when it is clear things are definitely happening!

The writing life really is a roller coaster.

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Am on my way home from a fabulous Association of Christian Writers Golden Jubilee weekend. Had a great time and it was wonderful to catch up with old friends and to make new ones.

I was especially pleased to meet up with #JennySanders because she often sends in stories for the flash fiction challenge I set monthly for Mom’s Favorite Reads. And talking of which I’m pleased to share the link for the June edition of MFR. Hope you enjoy.

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It was lovely to see so many at my flash fiction workshop at the Association of Christian Writers Golden Jubilee weekend. Many thanks for coming along and I hope people use the writing exercises to draft flash stories. Would love to hear news of publication successes later on.

It has been a fantastic day of celebration and writing here. Have loved catching up with friends and chatting in person to those I’ve enrolled for ACW membership or whose email queries I’ve dealt with.

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Facebook – From Light to Dark and Back Again

It may be a day later but we can still start the week with a story! Hope you enjoy my latest tale on YouTube – Ringing The Changes.

My post in this month’s Mom’s Favorite Reads is all about Numbers in Flash Fiction. I look at how I use these in various ways to create stories. Link to the magazine here – and do check out the excellent flash pieces that came in as a result. Hope you enjoy.
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Had a wonderful time talking about flash at the ACW Golden Jubilee weekend. I hope people try writing it as well as enjoy reading it. It’s an interesting writing challenge and I’ve found it has sharpened up my writing considerably and not just for my fiction work.

So pleased to be having a standard length short story in the next Bridge House Publishing anthology. Looking forward to finding out what the cover will be – and for The Best of CafeLit 11 also due out later this year.

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It has been wonderful to share the joys of flash fiction at the Association of Christian Writers Golden Jubilee weekend. It was great to share stories and give feedback too. I’ve always found that element of things so useful at workshops.

Back home again tomorrow. Lady will wonder where I’ve been. As usual, Lady went a bit bonkers when I came back! Lots of cuddles and pleased to have ALL of her “pack” back!

Goodreads Author Blog – Sharing Stories

One great joy of stories is their share-ability. I’ve happily recommended books to friends and often taken up their recommendations to me.

When I run writing workshops, especially for flash fiction, I often share a couple of my tales and break down how I wrote them. I’ve learned a lot when other writers do this. We’re all keen to learn more about improving on what we do.

I base my recommendations to others on what I know of their book tastes but also if the characterisation is especially good. We all read to find out what happens to the characters after all.

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Zooming Around and Being Kind to Yourself


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you’ve had a good few days. Weather changeable here. Hope it brightens up for Her Majesty’s Platinum Jubilee (mind you, we are used to changeable weather here so prepare for it). I plan to raise a glass or two while I’m away at the Association of Christian Writers’ Golden Jubilee this weekend. I know – no jubilees for ages and then two at once!

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Facebook – General

Hope you’ve had a good day. You know I said Lady and I received a bit of a soaking yesterday? Well, today we “copped the lot” in a cloudburst that drenched us in minutes. It was a relief to get home and change. Lady is pretty good at being towelled down – she sees it as a chance for a cuddle.

Don’t forget I send out my author newsletter on the first of the month. I share tips, prompts news etc here and if you would like to sign up, just head over to my landing page at https://allisonsymescollectedworks.com

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Looking forward to my trip to Derbyshire at the weekend. So nice being able to do in person events again. Mind you, I’ve taken to Zoom well too. It has been lovely to be able to make the most of both worlds here. Long may that continue!

Is there a particular day of the week when writing just seems tougher to do than usual? I hope it is some comfort to know every writer has those days. On those days, I focus on writing short things or accept I will write something towards a longer piece (say one of my blog posts). Writing is writing, whether you manage 50 words in a day or 5000. It accumulates.

And on those tough days, you will still have got something written. I find that cheers me up knowing I’ve got something to develop later. On those days when I can’t write at all, I try to ensure I “up” my reading as that helps with my writing too.

Writing is hard work but most of the time it should be a joy too.

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Changeable weather here in Hampshire – Lady and I did get a bit of a soaking. (Have known worse, mind you).

Many thanks to everyone for the lovely comments in on my Getting the Most from a Writing Workshop post for More Than Writers yesterday.  Link further down.

I’ll be looking at Settings and Simplicity In Fiction for Chandler’s Ford Today on Friday, just ahead of my heading off to the ACW Golden Jubilee weekend in lovely Derbyshire. I hope to write about that event and my recent workshop for the London Jesuit Centre in a CFT post after that. And I’ll be setting another flash challenge for Mom’s Favorite Reads soon too – so it’s all go in a good way.

Chandler's Ford Today post reminder picture(1)

 

Writing Tip 10008 or thereabouts: Be kind to yourself.
What has that got to do with writing, I hear you ask. A lot! I find I write more (and enjoy what I do more) when I am relaxed. So having classical music on in the background helps me a lot there but so do things like ensuring I get enough sleep, make time for reading, etc.

I’ve learned over time to realize on those days when the writing is slow or I am especially tired to just write what I can and have done. (Mondays for me is often a day like that). I’ve found being kind to myself, especially in not beating myself up over what I haven’t got done, helps me on those days when I do have more time to write. Away I go again and it’s fine.

I also look at my writing over the course of a week so I never judge my progress (or lack of it) by what I managed to do (or couldn’t do) as a result of one good or bad day. I’ve found that helps a lot. I think my productivity has increased due to this too – it certainly feels like I get more done now than I used to do.

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It’s my turn on the More Than Writers blog (Association of Christian Writers blog spot). I’m talking this time about Getting The Most from a Writing Workshop. I share some thoughts and tips which I have found useful over the years when going to these. Hope you find it helpful).

Looking forward to running my flash fiction workshop at the ACW Golden Jubilee weekend from 3rd to 5th June too.

Oh and the most important tip (well it is to me, anyway)?

Go – and have fun!

Screenshot 2022-05-29 at 14-31-29 Getting the Most from a Writing Workshop by Allison Symes

Many thanks for the great comments coming in on my The Heights of Equals, my latest story on Friday Flash Fiction. All much appreciated.

I’m back on the ACW blog tomorrow with my post about Getting the Most Out of a Writing Workshop. Timely since I’ve recently run one and am about to do so so again. Link up tomorrow on that. See above.

Don’t forget I send out my author newsletter on the first of the month. I share tips, news, prompts, writing advice etc and if this sounds of interest please do sign up at https://allisonsymescollectedworks.com

Am enjoying using the various random generators to trigger ideas for stories and hope to resume more work on those tomorrow. I’m finding I am producing more stories as a result so I like that aspect too.

Screenshot 2022-05-27 at 09-24-38 The Heights of Equals by Allison Symes

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I do a dry run of my workshop material and record myself on Zoom. As well as listening to see how it sounds (and therefore how the material is likely to come across to someone else), I can get a sense of the timing of my workshop and adjust things as I need to.

I do love that facility within Zoom to automatically convert your files to mp4 for you. So useful.

I like to leave enough time for questions too. Knowing the timing means it is easy to do that. At workshops I’ve attended, I love the question section. Interesting topics come up and I inevitably learn something useful from that.

I often read a story or two of mine and break down how I wrote them. (I’ve found this useful when other writers do it). So I get to practice that too.

It helps (I find just knowing I have had a read through helps with nerves. I can remind myself I have read the stories, it was fine etc., now all I need to do is do it again – and that’s fine). With flash, the huge advantage is the readings don’t take long (leaving plenty of time for question time later!)

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How come it is almost the end of May already? I don’t know the answer to that one but I do know it’s Monday and time for a story. Hope you like my latest YouTube story, Surprise.

I’m running my flash fiction workshop as part of the Association of Christian Writers Golden Jubilee weekend (3rd to 5th June – yes, we’ll raise a glass or two to the Queen while there !). Very much looking forward to it as it is always a pleasure to spread the word about the joys of writing flash fiction.

I look at how it can benefit all forms of writing and share a couple of stories and break down how I wrote them amongst many other tips and advice and yes I set writing exercises too. All good fun. Did I imagine I would ever do something like this when I started out as a writer? Absolutely not! It’s another reason to be grateful for the flash fiction though!

 

I often read my stories aloud, as you know, sometimes for things like Open Prose Mic Nights. I also do this as I prepare workshop material so I can hear that my chosen tales do fit in as well as I thought. I also do this when I get a collection together. I see that as part of my editing.

Reading work out loud does confirm if the story flows as well as you think or not. If you stumble over reading the story, a reader will do but you can adjust that before the story sees the light of day. I’ve done this several times. It can be strange sometimes when you see dialogue written down, say, it looks fine. Reading it out loud shows otherwise!

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Goodreads Author Blog – Other Worlds in Books

All books take us to other worlds. Yes, even non-fiction, given that can enlighten us to aspects of life in this world and increase our knowledge, making us see this world in new lights.

But for fantasy and sci-fi especially, what is it about their settings which convinces you to “suspend disbelief” while reading the story? For The Lord of the Rings (though this applies to many other stories too) it was the portrayal of the characters which made me believe in the settings.

Hobbits are small so it makes sense for them to live in something like hobbit holes. I was also convinced by the peaceful tranquil setting of The Shire especially when contrasted with the dark world of Mordor. To have both of these elements in the book made sense to me. One represents good, the other evil. No world is perfect, even in fiction. Contrasts work for me.

And we can all understand the wish to defend one’s home, even more so with world events right now. So again I get the setting and the wish to defend that. I don’t need to know every little thing about the setting but I do need to know enough to understand why the characters love it.

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Reading, Rhythms, and Resolutions In Fiction


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. Am looking forward to the Association of Christian Writers Golden Jubilee weekend at the end of next week. I’ll be running my flash fiction workshop at that. Good to have some gloriously sunny weather in my part of the UK. The dog and I have been making the most of it!

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Facebook – General – and Chandler’s Ford Today

I’m pleased to share Reading, Rhythms and Resolutions in Fiction for Chandler’s Ford Today this week. Must admit I’m enjoying writing the In Fiction series. Only one more tricky letter to think about – X! Wish me luck!

In this week’s post I look at the reasons why writers should read widely. It’s something writers are often told to do but here I look at specific reasons why it is such a good idea. I also look at why making writer friends also helps with your reading “diet” – doing so myself has done wonders for mine!

I go on to look at rhythms in stories. Now these can vary depending on genre. Crime ones for example tend to have a fast rhythm to them, a reflective piece has a slower one, but all have to follow an internal rhythm we as readers subconsciously pick up on.

Occasionally I have read a story which hasn’t felt right to me and on looking back at it, this is because the rhythm of the story is wrong for the type of story that it is. Something feels out of kilter and it is nearly always the rhythm.

As for the resolution side of things, again a story has to have a resolution which works for it. Sounds obvious, doesn’t it? But it doesn’t always work out in practice. A resolution shouldn’t be based on chance. It should also be apt to the character and type of story. My post looks at this aspect of things too. Hope you enjoy the post.

Reading, Rhythms, and Resolutions in Fiction

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Reading, Rhythms, and Resolutions In Fiction is my Chandler’s Ford Today post for this week – link up tomorrow. See above.

I’ll be looking at why reading is so important for a writer, how stories should have a natural rhythm to them (though the rhythm can vary on genre – crime fiction will always be faster paced than reflective tales, say), and why resolutions should tie in with and make sense for your character and setting.

Just over a week to go to the Association of Christian Writers Golden Jubilee weekend. Am so looking forward to going and catching up with people. I’ll be running my flash fiction workshop and I hope people will leave it either with a draft story completed and read out later in the day or with something for them to take home and work on further (and then submit somewhere. I would love to hear of publishing success as a result of this). Looking forward to the Swanwick Writers’ Summer School later on in the year too.

Writing Niggle Number 1890 – why is it I can never find a pen when I want one? I know I’ve got them. I’ve got loads in fact. But are they ever to hand when I need to jot something down quickly? Of course they’re not! For almost any other profession, this would be one of those things but for a writer? We’re supposed to have pens on us!

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Blustery day today, more like autumn out there. Not impressed! Am grateful writing is generally done indoors.

Do you have any writing niggles? If you’ve got loads, which ones particularly bug you? Mine are:-

1. Phone going just as I am completing an edit and I lose my train of thought. Okay, I can ignore the phone, but that train of thought has been derailed and nothing is bringing that back quickly. It is as if I have to step right back to just before that wretched phone rang…

2. Manage to do that and am settling down to editing the next bit when guess what… the phone goes again. Worse, it’s one of those fake Amazon/Inland Revenue calls designed to part you from your money. I’m usually thinking unpleasant thoughts at this point. May ask one of my crime writer pals (you know who you are) to arrange something to deal with these people in their next novel so the scammers never bother anyone again. How about it, girls? You would be doing the world a service here, honestly.

3. Getting off to a slow start with my writing session, then the spark really gets going and I can’t type fast enough. Okay it’s great the spark gets going but I prefer an even pace throughout and would like that spark to turn up sooner! I’m good to go, it’s just that my brain isn’t! Have learned to accept you do just get days like this. What matters is I am writing something which can be improved at a later date but it is frustrating at the time.

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Am pleased to share my latest story on Friday Flash Fiction. This one is called The Heights of Equals and is based on a random generator which came up with “pet peeves” as a theme.

I chose one pet peeve for one character and created the story from that. It is also one where I have immense sympathy with my heroine here given I am also under five feet tall. Is it a coincidence I gave my heroine the same name as myself given this information? Err.. No! Hope you enjoy it.

Screenshot 2022-05-27 at 09-24-38 The Heights of Equals by Allison Symes

Really enjoyed the Association of Christian Writers’ Flash Group meeting on Zoom last night. I set everyone a challenge too which I will also have a go at. Groups like this are great for encouraging you to write (a) more – if I do the challenge, I will have an extra story to my credit and (b) encourage people to write something short.

The nice thing with flash is you have a market now for small pieces. If time is tight as it so often is for most of us, five minutes is enough to draft something towards a complete flash story. You’ve then got something to carry on with the next time you’ve got five minutes spare. You can build up a story like that.

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I was chatting about writing niggles over on my Facebook author page and one that bugs me from time to time over flash fiction writing is when I’ve got an idea for a 100-word story and a competition/market to sent it to, but try as I might, the tale will end up at 150 words or so. I know now to leave it as it is and write something else for the 100 word market but it can be frustrating at times!

Having said that, this happens and it means I end up writing two stories so you could argue it increases my productivity.

Screenshot 2022-05-27 at 17-15-34 Allison Symes Facebook

Fairytales with Bite – Using Minor Characters

I’ve used minor fairytale characters in stories. Indeed my first published story in print was about the youngest stepsister to Cinderella and appeared in Bridge House Publishing’s Alternative Renditions anthology back in 2009. It is great fun to write fairytales from the viewpoint of other characters.

Minor characters should have a vital role to play in your story, even though they’re not on the “stage” for long. This could be anything from providing key information to unwittingly getting in the way and having to be “removed” in some way so the lead character can get on with the job they’re meant to do. It should be clear to the reader why they’re in the story. The story should feel as if something was missing if they weren’t in it.

A good way of flagging up whether a character is important to a story is to name them. Unnamed characters are generally seen as “walk-ons”.

In longer works, minor characters can have sub-plots of their own which should add something to the overall plot. Think about The Lord of the Rings. The lead story there is Frodo’s quest to destroy the Ring of Power but there are many sub-plots including the role of Pippin and Merry. They’re not major in their own right (not compared with Frodo and Sam anyway) but their story adds something vital to the overall depth of that book.

Could your minor characters do the same for your story?

Always ask yourself what their role is to ensure there really is a place for them in the tale.

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This World and Others – Layers

What layers does your fictional world have? I think of layers as dimensions to the fictional world created. For example. Do you focus on the political side of things with layers of government etc. Or do you focus on the creative side of your world with the layers being the various arts and industries supported by those arts?

What is the most important thing about your fictional world and how does that impact on your characters?

What layers are there to your characters themselves? What hidden depths do they have (or are they strictly shallow)?

I focus on characters for my stories so I want to know what drives those people. I need to know what their major trait is as that will give me a rough picture of what they are like.

Minor traits tend to back up the major one. For example, if a character is brave, are they also honest, direct in their speech and actions etc? Answering those questions helps me build up a composite picture of my characters and then I get on with the draft.

Working out what you need to know, what layers your world/characters needs to have for you to write convincingly about them, pays off. It can can save you a lot of grief in the editing.

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Questions in Fiction

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good few days. I ‘fess up to one of the downsides of scheduling this week! Let’s just say I think most schedulers get caught out this way at some point and this week it was my turn!

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Facebook – General – and Chandler’s Ford Today

Now I’ve talked before about the virtues of scheduling blog posts etc. It is a useful thing to do but one slight downside is it can mean you get ahead of yourself a bit and I’ve realised I’ve just done that for Chandler’s Ford Today.

My post this week is actually called Questions in Fiction where I talk about using questions as a structure, as inspiration for themes and titles, and I look at questions for characters too.

Screenshot 2022-05-20 at 09-54-18 Questions In Fiction - Chandler's Ford Today

My Reading, Rhythms, and Resolutions post will be on CFT next Friday, 27th May and will I hope to prove to be equally useful as I discuss why reading matters so much to writers. I will also look at rhythms in stories and how resolutions have to be suitable, even if not happy ones.

Apologies for the mix up but as ever comments on all of my CFT posts are welcome over on the website. (It has been a long week! That’s my excuse and I’m sticking to it!).

Questions In Fiction

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Hope you have had a good day. Nice to see some decent weather. Other half and I enjoyed our evening meal al fresco which was lovely and not something we get to do that often.

My Chandler’s Ford Today post tomorrow covers Reading, Rhythms, and Resolutions in Fiction. Err… no! See above! As ever comments are welcome in the CFT box. This is always true though!

Talking of comments, many thanks for the comments in on my Authors Electric post yesterday. See below. I was talking about Why I Love the Short Fictional Forms. I love novels, novellas, short story anthologies, and flash fiction collections though I must admit I would like the latter two to have as much “status” as novels.

What every short form writer will hear at some point includes the following:-

1. When are you going to write a proper book?

2. Can you only do short stories then?

3. You must be belting out short stories all the time then because they can’t take you long!

4. Are short stories only for children?

5. Is there really a market for short stories?

Answers (possibly given to stop the writer from gnashing their teeth at the questioner):-

1. A short story or flash collection is a proper book. It still takes time to compile, edit, and proof-read.

2. No but I love short stories so that’s what I write.

3. I do write a fair few but each story needs editing and crafting and that takes longer than you might think.

4. No! Best example here is the original story of The Birds by Daphne du Maurier, which Alfred Hitchcock then turned into a film. Definitely not for kids!

5. Yes. It’s a question of knowing where to look. There are the magazines, including the online ones. There are the competitions. And then there is the indie press who are open to collections.

I feel better for getting that off my mind!

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18th May – Authors Electric
It’s always a joy to blog for Authors Electric, especially when it’s on a topic close to my heart. This month I talk about Why I Love The Shorter Fictional Forms. I celebrate the wonders of the short story and flash fiction formats here.

One great aspect to them is you get the “payback” from a twist in the tale story, to name one example. that much more quickly. And I love going on from story to story in a collection too. In one book I can read a variety of moods and genres. Why should mixed assortments only be for chocolates?!

Screenshot 2022-05-18 at 08-51-06 Why I Love the Short Fictional Forms by Allison Symes

Facebook – From Light to Dark and Back Again

20th May 2002 – Bonus Post – Mom’s Favorite Reads
Pleased to share a bonus post tonight. Here is an example of a column I write on flash fiction for Mom’s Favorite Reads. The magazine is FREE to download and, as well as the column, I set a writing challenge each month. Why not take a look, have a good read, and give the challenge a go?

Screenshot 2022-05-20 at 12-20-06 Flash Fiction

I like to start the working week with a story (YouTube) and I like to end it with one (Friday Flash Fiction). Seems like a good arrangement to me! Hope you enjoy my latest tale on FFF called Another Birthday.
Screenshot 2022-05-20 at 09-54-32 Another Birthday by Allison Symes

Titles can carry a lot of “weight” for flash fiction but I’ve found they work best when kept short. I like to use my titles to either indicate the mood of the story to come or to be open to interpretation so someone has to read the story to find out which direction I have taken it in. I sometimes subvert well known phrases (my Punish the Innocent is an example of that).

I also like using one word titles such as Expecting – the idea there is to raise questions in the reader’s mind. Who is expecting what? Are they going to be disappointed or thrilled?

So I do give some thought as to what I want my title to be/to do. For flash this is useful as in many cases, the title does not count as part of your overall word count so a writer can use that to good effect.

However, a ten word title to indicate mood etc isn’t going to work. As with the story itself, you want to have an impact on the reader and that works best when kept short. A long title will dilute the effect (and be harder for readers to remember).

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I love slipping in humorous one-liners into my flash stories sometimes. For example in my story, Rewards, from From Light to Dark and Back Again, I have the line “The mocking face of blue-eyed brunette, Gemma Alderson, who was endowed with a bosom that could knock someone out if deployed as a weapon”.

It was great fun writing that but I needed it to have a purpose too – I wanted to send out a specific image (and I so do there!). I could’ve just said that Gemma was big-busted and saved a fair number of words in doing that but it wouldn’t have been so much fun to read or to write.

So yes there is a time when you need more words rather than less in flash fiction but there should always be a specific purpose behind it. Here it was to raise a smile! Good enough reason for me!

Fairytales With Bite – Making the Most of Tropes

For my flash fiction, I can make the most of tropes to help me get the most out of my word count.

If I’ve got a fairy godmother character, I needn’t go into details about the magical equipment she uses, say. You will expect there to be a magic wand, probably a spell book, maybe some pre-prepared potions and so on. You will bring to the story what you know from other fairytales you have read. You will know what to expect. What you don’t want is for something to spill over into cliche.

Yet a fairy godmother character who turns up without a magic wand would seem odd to a reader. So you can use the conventions to your advantage here. You can work out what you don’t need to explain and what you can leave to your readers as they fill in the gaps.

And, yes, things like magic wands can act as a kind of a shorthand. Saves a lot of explaining on your part. Pick your “things readers could reasonably expect” carefully.

If you want to bring in a twist on your trope, such as my fairy godmother character hitting someone with her wand rather than aiming it at them, do explain why. Better still, get your characters to do it. There must be a good reason for the trope being used in a strange way.

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This World and Others – World Building Acrostic

W = Work out whether you’re going to show the whole of your world in a story or just part of it.

O = Originality – what makes your world stand out? How is it different from ours?

R = Realistic characters are always vital. Just bear in mind in a strange setting, those characters can still be realistic even if, say, they are e a great big dragon! Their behaviour and attitudes should be reasonable for the world you’re in.

L = Limits are a good idea, funnily enough. Limit what your powerful characters can do and make them think of alternative solutions to problems.

D = Dreams – what do your characters want and what stops them getting it? Are their dreams/ambitions etc constrained by the type of world they’re living in?

 

B = Build in contrasts. Comparisons with things on earth bring home this is a alien type story.

U = Under your world – what lies there? All sorts of things are being discovered in our seas so what could be beneath current knowledge in your world? Could that have a major impact on them later.

I = Imagination. Have plenty of it! Use the right telling details to help us conjure up what you’ve created.

L= Lunches and leisure – how does your creative world affect them? Does everyone have to stop at a certain time? If so, what would happen on the odd occasion they couldn’t turn up?

D = Dig deep into your characters’ lives but also in to why this setting rather than one other.

I = Intensify the conflicts between certain people groups on your home planet.Look at how these developed. Then ideally come across people from both who will try to put things right. great drama there!

N = New scene, new paragraph. Keep things nice and tight. Drip feed information in throughout the story. Don’t go for big blocks of explaining. Those will be what readers skip.

G = Go for it! Have fun. Think about what you need to know to be able to write the world and characters up.

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The Writing Life and Show, Don’t Tell


Image Credits:- All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots by me, Allison Symes.
Hope you have had a good weekend. My workshop at the London Jesuit Centre went down very well and many thanks to all who came. Also for the lovely feedback. Happy writing to you all! (I plan to have a write up about this for Chandler’s Ford Today once I have also ran my flash fiction workshop at the Association of Christian Writers Golden Jubilee celebration weekend in June. Meantime, there are pictures taken by me from the event throughout the post).

 

Facebook – General

Strange day – gorgeously sunny and warm and by this evening it was pouring down. Fortunately Lady and I missed the worst (we’re never sorry about that) and she got to play with her pal, Coco, today.

When do you know you really are a writer? Is it when you get your first publication credit or contract or you’ve mapped out your self-publishing route? Not necessarily! I would argue it is when you recognize that writing can not be part of your life and you will write regardless of anything else. Doesn’t matter if you only have a few minutes a day or several hours. It is the commitment and regular writing that matters I think.

Also the acceptance that rejections happen to everyone (and even more so not hearing back from a publisher or a competition) is an important factor. Another one is recognizing nobody’s work can ever be described as perfect. It is a question of making it the best you can make it at the time you wrote it.

I can look back on several of my earlier stories and see how I could improve them. They act as a record of where I was at the time and as encouragement to keep going and to continually try to improve on what I do. That is the challenge of writing – to keep on improving. Resting on your laurels doesn’t encourage you to see what else you might do either.

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Hope your week has got off to a good start. Changeable weather here again though Lady got to play with her two best girlfriends today and all three dogs went home very happy. It is quite something to see a Collie cross, a Ridgeback, and a Vizler playing! You do learn to get out of the way quickly, mind you.

Many thanks for the comments in so far on Creation, my latest Friday Flash Fiction tale. The feedback on this site is encouraging and much appreciated.

It’s almost time again for my monthly Authors Electric spot – my post will be up on Wednesday (18th May so will be included in my next round up here) and I will be talking about Why I love the Shorter Fictional Forms. There you go! A good example of writing about what you know! Screenshot 2022-05-13 at 09-12-04 Creation by Allison Symes

More like an autumn day out there today than a spring one!

I plan to write up a bit more about my workshop yesterday for the London Jesuit Centre later in June, after I come back from The Hayes in Swanwick after the Association of Christian Writers’ Golden Jubilee weekend. I will be running my flash fiction workshop there and am looking forward to doing so and catching up with friends old and new.

That means I continue with my In Fiction series for Chandler’s Ford Today and next Friday’s post will be about Reading, Rhythms, and Resolutions In Fiction. There’s some nice alliteration for you!

Don’t forget I send out my author newsletter on the first of each month so please head over to my landing page at https://allisonsymescollectedworks.com if you would like to sign up for tips, prompts, news etc.

And I got my story off for one of the competitions I always have a try at so that rounds off the week nicely! As I mentioned to someone at the workshop yesterday, I really don’t miss having to send everything off in the post. I am so grateful for email submissions. It’s quicker and I can know my story got there straight away too!

 

A huge thank you to the lovely people at the London Jesuit Centre for making me so welcome today (Saturday, 14th May 2022). I ran my workshop Finding Your Voice – Writing Fiction – How to Get Started there this morning and there were some fabulous discussions and questions as a result of the workshop material. Many thanks all – I love interactive workshops whether I’m running them or attending them!

Also a quick trip down memory lane here as I always used to try and “buy” Bond Street on the old Monopoly board when playing this as a kid and my Tube Station stop today – you guessed it, Bond Street!

In other news, as they say, a big thanks also to all who have commented on Creation, my latest story on Friday Flash Fiction.

Facebook – From Light to Dark and Back Again

I’m sure we’ve all heard the expression “show, don’t tell” and it took me a long time to work out what that meant. Writing flash helped me enormously here.

When I “clicked” it was all about getting your characters to say/do things and not the author, I was away. (Catherine walked through the wall as if there was nothing to it as opposed to me saying something like The character, Catherine, did this, did that. Oh and by the way she’s a ghost. My first example shows you she must be a ghost without my spelling it out).

The flash element helped me develop this because of the limited word count. I had to ensure my characters were doing all of the work.It’s a bit like a play – what does the audience want? To see the actors perform the story (or listen if it’s an audio play). What they don’t want are the stage directions. Those aren’t for them.

Likewise, a reader doesn’t want to see my early drafts of a story. They want to see and read what my characters get up to – and it has helped me to remember that it is the character’s story.

Why am I writing this character’s story up? What is so important they get to do this? Only answer there is for the characters to show me (and ultimately the reader) through what I get them to say and do. The only people readers want to hear from are the characters.

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It’s Monday (16th May 2022) and time once again for a YouTube video. Hope you enjoy my latest, 47. Linda has an unlucky number but it’s not one of the usual ones – she has no problem with the number 13 for example. Why 47? Find out here!

 

I suppose one of the reasons I love characters so much in any kind of story is I usually understand where they are coming from, even if I still disagree with their attitudes and actions. I want to then see how things pan out. Did those characters make the right choices for them and their situation after all or not? That is the big draw of fiction and I need characters to make things happen.

Okay, sometimes those things will make the initial situation worse but a “good” character will find ways of overcoming that/learning where they went wrong and put things right. In flash fiction, naturally, all of that happens so much more quickly so you get the payback more quickly.

And for any kind of story collection, I like a mixture of moods of story too. It is why I called my first book From Light to Dark and Back Again after all!

Flash with Amazon and Barnes and Noble


I was sharing a flash piece today as part of my workshop Finding Your Voice – Writing Fiction – How to Get Started for the London Jesuit Centre today (Saturday, 14th May 2022). The great thing about doing this is that it doesn’t take too long, flash can illustrate points quickly, and it is easy to demonstrate the point of hooks, powerful opening lines etc.

Also you can show a character does not necessarily have to be right about conclusions they’ve reached for themselves but what should happen in stories like that is the reader should have empathy with that character. They should be able to understand where the character is coming from even though they think the character should have reached a more positive conclusion, say.

Stories, of any length, should make you react, make you feel something, make you care about what happens to the character (and something does have to happen. There should be a conflict which needs resolving. It should matter to the characters that it is resolved).

 

Goodreads Author Blog – Books Acrostic

B = Brilliant books in all sizes and genres, sure to be something to suit you.
O= Original storytelling from contemporary writers or do you fancy the
O = Old Classics? Why choose – have both!
K = Kindles now mean you can now have an overflowing electronic book shelf as well as a physical one!
S = Stories you read may well inspire the ones you write.

A = Adventures or animal stories – enjoy them all.
C = Children’s fiction, YA, adult, – work your way through!
R = Reading feeds the mind, liberates the imagination.
O = Off in a world of your own – maybe when you read but then the author has done their work well if that is the case.
S = Scary or silly – there are stories for both.
T = Twist endings are not just for crime tales though there are plenty there.
I = Imagine what it might be like to live in a different world – books can take you there.
C = Characters – it’s all about the characters for me whether I love them or loathe them. They have to make me feel something. The very best linger in the mind long after I’ve finished reading the book.

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Paragraphs and Punctuation In Fiction

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. Off to run a workshop in London tomorrow. Submitted a story for a competition I always enter. Finished judging a flash fiction competition and sent results back to the organisers. Has been a reasonably productive week!

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Facebook – General – and Chandler’s Ford Today

It’s that time of the week again. I’m pleased to share Paragraphs and Punctuation In Fiction, my latest post for Chandler’s Ford Today.

I discuss how both are invaluable aids to clarity in writing which in turn is going to increase your chances of acceptance by a publisher or getting a placing in a competition.

What you don’t want to do here is give them a reason to turn your work down and writing which is clunky thanks to bulky paragraphs and/or unclear punctuation (which can change the meaning of what you want to say) is a sure fire way to ensure your work is turned down.

My post looks at the Oxford comma, why size matters for paragraphs, and why keeping it simple for punctuation does pay off. I also recommend checking out house styles for publishers (and for competitions the guidelines the organizers are asking you to adhere to) and share my thoughts on why I treat writing and editing as two separate creative tasks.

Albeit editing is creative in a different way to writing that first draft but it is still creative. Honest. I find it immensely satisfying seeing how a work improves over various drafts before I finally send my piece out into the big, bad world.

Hope you find the post useful and, as ever, do add your comments in the box – it is always good to hear from people.

Paragraphs and Punctuation in Fiction

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What got you into reading for pleasure? Well, in my case, it was my late mother who read stories out to me and encouraged me to learn to read at a very early age. You do copy by example.

What got me into writing my own stories? Suddenly waking up to the idea after I hit a significant birthday and a life change (the birth of my son) and realizing if I wanted to be a writer, something that had been in the back of my mind for ages, I should get on and do something about it.

I wrote just to prove to myself I could do it but it was some time later before I went on to try and be published. I suspect lack of confidence was an issue there, but by then the writing bug had got me well and truly hooked and I wasn’t going to let rejections etc stand in the way, which helped against the lack of confidence dilemma!

For me, stories are all about the characters. I have to find out what happens to them. I have to care about the outcome. And that remains an enjoyable challenge for me as I write my stories, as well as giving me immense delight when I read stories by other writers where I am rooting for their “people” all the way through. I use the word “people” loosely there. After all, I was cheering on rabbits in Watership Down!

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Changeable day weather wise. Lady and her pals were not that impressed by it. Their owners were even less impressed. At least the dogs were running around! (Before you ask, there’s no chance of me doing that. Walk yes; run out of the question!).

Will be sharing my Paragraphs and Punctuation In Fiction on Chandler’s Ford Today on Friday. See above. I’ll be looking at this from the viewpoint of a writer but also from the viewpoint of a competition judge – me! I judge flash fiction and short story competitions every so often and am currently judging for Nottingham Writers’ Club. I also judged the Margaret McConnell Woman’s Short Story competition for the Scottish Association of Writers earlier this year. So I hope you will find the tips in my CFT post handy as both of these things can help make or break a story for being placed. Will explain more on that in my post.

Image on the right is one I took at the SAW conference earlier this year. They have a very impressive range of trophies for their competitions!

Facebook – From Light to Dark and Back Again

It’s Friday. Hope you have had a good week. I’m glad to say my story, Creation, is now on Friday Flash Fiction and I think any creative type will identify with my lead character in this one. Hope you enjoy the story.

Screenshot 2022-05-13 at 09-12-04 Creation by Allison Symes


Am currently judging a flash competition for the Nottingham Writers’ Club, which is a great pleasure to do. Does judging other people’s work make me think about what I do with my stories and why? Oh yes and that’s a very good thing.

It means I can take a more detached view of my own work for a start but I can also think about why a story works for me and apply that to what I’m writing. What will my readers make of this? Will my readers pick up on what I want them to pick up and so on?

The best tip I’ve ever had was (and continues to be) to put my work aside for a while before evaluating it. It does need that distance of time to help you to read the piece as a reader (or editor or judge) would do. That in turn opens your eyes to potential faults but you then have time to correct those.


Out in my garden at the moment is a laburnum in flower. Looks stunning. So what, you may think?

Well, this tree is an old one, it has lost major branches over the years, and every time there is a storm, we expect it to come crashing down. But it carries on and is a visual lesson in resilience and not giving up, I think. Now there’s an obvious parallel to the writing life in that but why not also think about this from a character viewpoint?

What kind of character could you create that battles on regardless and “blooms” again despite everyone around them having good reason to think they can’t? I think there could be some interesting story ideas from that.

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Fairytales with Bite – Magical Equipment

What springs to mind when you think of magical equipment? Wands? Crystal balls? Potions (and the ingredients for them)? Fair enough. These are the classic tools which spring up in countless fairytales. But I was wondering whether the magical world had its equivalent of Microsoft and they were always bringing out magical upgrades and so on. Perhaps someone’s wand wasn’t “healthy enough” to take Wand 11 Version 8.9 and so on.

What would your characters make of having to upgrade regularly? Would they be suspicious of the manufacturers doing this trying to make even greater profits? Would they make do with their old equipment for as long as possible? (I resisted switching to Windows 8 when that came out as I heard nothing but bad things about it from various sources. I basically wore my PC out still using Windows 7 and switched PCs only when Windows 10 was out).

Also how many magical equipment manufacturers exist in your created world? Is there a monopoly? Can old equipment be recycled or can people still find a use for it? Does said equipment ever let your characters down at awkward moments and, if so, are the consequences tragic or even humorous? Some story ideas there I think!

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This World and Others – Engagement

How does your created world engage with (a) other worlds near it or (b) with different species within its own confines? Is engagement a positive thing or are your people suspicious of it?

How would national characteristics come into play? If one part of your world was aggressive, how would that impact on the rest of your created world and what would their reaction be? How would they engage with the aggressor to try and persuade them to stop?

Now there are obvious parallels with the war in Ukraine (and indeed with many wars throughout our history) but this is where knowing how we engage with others can make you think about how you would do this for your fictional people and worlds. Are they better than us? Are they worse?

Comparisons with what we know here to what could be in what you are drafting are useful. They give you a place to start as you world build. They can also be useful “echoes” for readers who recognize certain traits are what we do or are based on what we do/have done.

Even the most fantastical world has to have something readers can identify with – they need to engage with what you have come up with – so basing your concept on what we know here helps with that.

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Characters, First Person, and Impact

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you had a good weekend. Have a weekend workshop coming up which I’m running – looking forward to that. Also preparing for a weekend conference I will be at in June (and where I’ll run one of the workshops. Naturally mine is on flash fiction). Weather all over the place again but then that is a UK spring for you!

Screenshot 2022-04-23 at 17-00-06 Finding your voice — London Jesuit Centre

Facebook – General

Lady got to play with her pals Coco and Kitima today – a good time was had by all.

Writing wise, I’m looking forward to running my workshop at the London Jesuit Centre on Saturday. Hope to have a visit to the National Gallery in the afternoon.

And my tickets have now come in for the Association of Christian Writers Golden Jubilee weekend at The Hayes, Swanwick in June. I must admit I am seriously impressed when booking my train tickets online. Always with me in a day or two after booking, even at the weekend. And no queues!

Am almost ready to submit a story for one of the competitions I always have a go at but I always make myself slow down a little to do a final “is it really good to go” check. I’ve found it pays to do this.

I’ve picked up last minute errors doing this and that’s despite having gone through the manuscript several times previously. It is easy to miss something. Hope to get the story off tomorrow or Thursday, and still in good time for the official deadline.

Time away

Hope you have had a good Monday. Busy, busy, busy here.

When I read any story, it has to be the characters I get behind, whether I want them to succeed or fail. Their success or failure must make sense and be the right things to happen for those characters. If a character has a problem solved with magic, say, I need to know earlier on in the story that might be a possibility so I don’t feel cheated when the author reveals this to me at the end.

To get behind the characters I have to care about them so there has to be something about who they are and what they do I “get”.

When I invent my own people, I try to keep all of that in mind so readers can identify with the people I put on the page/screen.

Above all, I have got to know what happens, whether I’m reading or writing a story.

Readers understand character failings


I’m back to my In Fiction series for Chandler’s Ford Today this coming week. I’ll be talking about Paragraphs and Punctuation In Fiction on Friday. Both have a crucial role to play for clarity, improving pace in a story and so on.

Am looking forward to running my fiction workshop for the London Jesuit Centre next Saturday.

Now when I write a story or a post like this, I have one question always in the back of my mind – what is in it for my potential readers? I’ve found having that in mind helps me to (a) not waffle and (b) come up with useful writing tips or a story which entertains. That question helps me ensure I deliver something useful and makes me focus. For my flash fiction work, the word count there helps me focus as I cannot go on for too long.

In trying to engage with a potential audience immediately, I write with them in mind and I think that helps me “up my game”. “Upping my game” means I stretch myself creatively too so win-win. Also for book writers, it helps enormously to have your audience in mind from the word go because it will help when it comes to pitching your novel to a publisher and/or agent as they will want to know who you think your potential audience would be.

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Have booked my train tickets for the Association of Christian Writers Worth Our Weight In Gold Golden Jubilee celebration. This will be at The Hayes, Swanwick from 3rd to 5th June and I’ll be running my flash fiction workshop as part of it. Looking forward to meeting everybody in due course.

Many thanks for the comments coming in on One of Those Days, my latest Friday Flash Fiction story. This was fun to write and inspired by two nouns coming up in a random noun generator. What came up here for me was “waitress” and “tiara”, not things you would usually associate together.

But then that’s the joy of random generators. They encourage you to think creatively and to put things together you normally wouldn’t do. Lo and behold, you get another story written which would not have come to you in any other way.

Screenshot 2022-05-06 at 17-04-48 One of Those Days by Allison Symes

Facebook – From Light to Dark and Back Again

The advantage of writing in the first person is you get into your character’s head immediately. The disadvantage is you can only see or think what your character can see or think. That works well for short pieces though so this is why first person is a good technique to use for flash fiction. (Essential for monologues naturally!).

I didn’t set out with the intent of writing more in the first person but it is something that has sprung from my flash writing. For first person to work, the character has to be a strong one so I find I have to ask myself why does this character “deserve” to get their story told at all and what it is about them that means “they” have to tell the story “themselves”.

Deadline


It’s funny how music can grow on you the more you hear it. Am currently loving listening to my favourite Mendelssohn piece – The Hebrides Overture (Fingal’s Cave) on Classic FM. As at 8.00 pm UK time Monday night but there is never a time when this piece of music does not enthral!

The more I hear this piece, the easier I find to picture the scenery in that fabulous part of the world. (I’ve not been to that part of Scotland, it is on the To Do list, but I’ve seen plenty of photos and it is those I have in mind when I hear this).

When I write my flash fiction pieces, I do have in mind the image or impact I want my stories to leave with the reader. When I review my stories, I check how the tales make me feel. Does this compare with what I had in mind when I was drafting the story? Often the answer is yes and that is how it should be.

Sometimes though the impact is stronger than what I had in mind originally and that is even better!
As for my latest story on YouTube, A Magical Design, I have every sympathy with my lead character. See what you think!


Just to flag up that Amazon have an offer on both of my paperbacks – see screenshot and link for more.

As you know, I love inventing characters so having to do that all the time for flash fiction is a wonderful bonus for me. I also adore mixing up the moods of my stories so I get to write “light” funny tales and I get to write to deeper levels of emotion too. I get to write monologues, I can take you straight into the action by getting you to see what my character sees, and I don’t make you wait too long for the pay-off for twist endings or humorous punchlines. And even if you didn’t want to make flash fiction writing your main “thing”, it is still incredibly useful as a warm up writing exercise.

Screenshot 2022-05-08 at 16-28-17 Amazon.co.uk Allison Symes


Hope you have had a good Saturday. Nice day here. Lady got to play with her gentleman friend, a gorgeous Aussie Shepherd, who is a sweetheart. Both dogs so pleased to see each other. Our other (and much missed) dogs would say “hello” to other dogs but were not sociable in the way Lady is – they had a rotten start in life and having found “doggy heaven” with us didn’t really want anything else.

I’ll be spreading the word about flash fiction workshops over the next couple of months and am currently judging a flash competition.

On the writing side of things, I’m working on something I want to submit shortly to a competition. So busy-busy but in a good way.

Let nobody tell you that you have to have loads of time in which to write. Those odd moments of time we all get are useful for jotting down potential ideas for flash stories and flash non-fiction pieces. A writing session spent brainstorming ideas is never wasted. I often spent my odd five minutes here and there doing things like this. I then have things to refer to later which I can then write up into first drafts.

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Goodreads Author Blog – Is the Film Ever As Good as the Book?

Now there’s a controversial question! And my answer to it is “it depends”.

For The Lord of the Rings, I feel Peter Jackson’s trilogy of films does do justice to the books, though there are scenes missing from the films. I never understood this incidentally. Given the films were so long anyway, I would have had the missing scenes in the films given another twenty minutes to the running time wasn’t going to make a lot of difference in my view.

Where films can help is encourage people to read the original books. I watched Oliver Twist where Alec Guinness played Fagin and Oliver Reed played Bill Sikes. Excellent, and scary, performances from both of them. The story gripped me and I read the book immediately after seeing the film (it was on BBC2 one late afternoon years ago). And I’ve always loved The Muppet Christmas Carol for where Gonzo recommends viewers go and read the original of A Christmas Carol after watching.#

So films can help fuel reading. And if a book I’ve loved is adapted into a film, I’m more likely to want to check the film out, if only out of curiosity to see if they have stuck to the spirit of the book or not.

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