DOCTOR WHO, STEAM TRAINS, AND STORIES

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Had a lovely day out at Swindon (yes really!) visiting the Steam Railway Museum. Great place and one of my favourite things there is being able to walk under a locomotive so you can look up at the workings etc. It is strangely beautiful, especially the brass.

What gets to me every time I visit a place like this are the personal stories. The stories of the navvies (how many of them were killed cutting out the routes for the lines?), the stories of the workshop men creating every single piece for a train by hand, and later the way women took over the roles of men during WW2 and had to give those roles back again. (One soul on a video being played admitted she’d loved her job, didn’t want to leave, but was glad it was because the men were coming back and hadn’t been killed. Lovely lady, lovely attitude).

Having said all that, I was not impressed with the way people were crammed on to GWR trains today. Hardly the legacy Isambard Kingdom Brunel would have wanted to leave – the GWR was very much his railway – but that is another story….

Just had a look at the new Doctor Who trailer. Looks interesting. Have no problem with 13 being female (I thought Missy was great too). What I do want from the new series is good, strong storylines. Looking forward to seeing the series. Doctor Who is one of the few things I will tune in to watch live.

Favourite episodes to date? Hard to say but I did love Matt Smith’s “Vincent“. One of those stories you wanted to be true! Great introduction to the works of Van Gogh too (which is fantastic anyway but also ties in with the original idea behind the commissioning of Doctor Who. The idea was to entertain AND educate, show viewers history they may not know and so on. If you’ve not seen An Adventure in Space and Time which tells the story of Doctor Who itself, I’d recommend it. Good insights.).

Images below taken by me at the Doctor Who Experience in Cardiff back in 2010. Very sorry that’s gone now.

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One of the joys of writing shorter fiction is that, if you have a longer project in development, you have something you can submit to markets and competitions in the meantime. So this is one reason why I believe that for novelists, it is a good idea to write shorter fiction too.

Assuming these shorter pieces are published, well it all adds to your writing CV and helps to raise your profile. (I’ve always thought that a strange phrase incidentally. Has anyone ever wanted to sink their profile?!😁).

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When I’m engrossed in a story, I just want to read on for as long as possible before I have to sleep. Always, always, always it is a case of the characters gripping me enough to want to find out what happens next.

This can be a good test for your own stories. Put them aside for a while and come back to them and read them as a stranger would. Are you engrossed with the story? Is there anything you would skip? Does anything “jar”?

Naturally the answers to those should be “yes”, “no”, and “no” though I concede it can take several edits to get to that point!

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Good tip for developing characters is to go and visit any kind of museum where you find out how people lived in the past. (It should also make you grateful for the many blessings we have now!).

Why? I am always moved by the personal stories that come out from visits like this and you find yourself wondering whether you could have been like that person. What would your reactions and actions have been? Could you have worked so physically and mentally hard as they did and keep that going day in, day out? (It does develop a certain amount of grit and you could show your characters developing this even if their situation is very different. Why and how did they develop THEIR grit?).

Then you could think of a character, perhaps one that has been “brewing” in your imagination for a bit, and put them in that historical situation and see how they’d manage.

The great thing is this technique does not have to be confined to historical stories. Going back into the past is like visiting a different world so you could have a fantastical world which has developed way beyond ours, or is way behind ours and set your stories there

Let’s say you’ve been to a museum which involves craftsmen (wood, metal etc), well what would the equivalent be in your story world? What people or strange alien beings would they employ? What would they need the craftmen to produce for everyday use or special occasions? What are these craftsmen like?

Something to ponder I think…

Many thanks to all who liked or commented on my recent stories on Cafelit. Much appreciated!

I loved writing those stories (and indeed love all that I write) and hope some of that love of writing and the characters comes through.

Certainly when I am reading works by other writers, I think you can sense the author enjoyed their work and that kind of enjoyment is contagious in a good way, even when the story itself makes you shiver with fear or laugh your proverbial head off! And that’s just how it should be…

Happy reading and writing!

My favourite trigger for a new flash story is coming up with a title and having fun with the different possibilities that offers.

I sometimes use spider diagrams to work these out, more often or not I jot down a quick note as to story idea A and then again for B and see what I like best. I do know now not to necessarily go with the first idea I’ve come up with but to dig deeper and to see what else I can come up with.

Another favourite starting point is the lead character. I tend to hear how they sound rather than spot how they look straight away, but if their voice is powerful enough and intrigues me, I get on and draft a story about them.

The nice thing is there is no one way to generate ideas for stories, all have their merits, and I think it both useful and fun to mix up how you do this. I think it helps to keep your enjoyment of writing fresh.

LIKES POST - editing - Pixabay image

The joy of editing! Image by Pixabay

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Sadly a very familiar sight! Pixabay image

LIKES POST - Far too elegant a desk for me! Pixabay image

Wonderful writing desk. Pixabay image

LIKES POST - Losing yourself in a book - Pixabay image

Being lost in the world of your story. Pixabay image

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When is your writing time? Pixabay image

My late mum always believed in being short and to the point. Think she’d be pleased I take the same approach by writing flash fiction!

You lose any fear of killing adverbs or cutting whatever isn’t necessary for your story when you write flash and, of course, you can carry that over into whatever other writing you do. There’s no chance of getting confused over your characters either given, realistically, you only have the room for 1, maybe 2, main people.

I admit I do miss the fact you can’t have subplots in flash fiction, that really is the privilege of a short story or a novel, but I do love being able to cut to the chase with the very short tale. Definitely a case of you pays your money, you take your choice here.

 

Memories and Collections

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What memories are special for your characters and why? Are they shared memories with other family/tribe members or individual ones or both? Does your created world have special events where certain memories are officially recalled? Is the past a good place for your characters to visit or do they block out all memories to avoid inflicting more pain on themselves?

This post came about because I was showing some lovely photos of my maternal grandparents’ wedding (set in the grounds of Chiswick House) to other members of my family today. I only came across these photos after I cleared out my late parents’ house. My only regret is had I known of their existence before, I would have quizzed my mother in particular over one photo where she and her younger sister were bridesmaids. There were people in this photo I didn’t know and the family and I took intelligent guesses at who they were.

I guess this shows the importance of maintaining memories and cherishing what is vital from the past, your past. So how do your characters do that?

When you read a book outside of the genre you write in, what are you looking for?

I’m looking for a world I can identify with (though almost inevitably I wouldn’t want to live there!) and characters whose motivations I understand (and usually sympathise with).

I like a fast pace to the story and other background information to help me make sense of the setting. I also want there to be gaps that I have to fill in with my imagination. I want the dialogue to hook me so that I have to read on and not notice the “he said/she said” tags. Well written dialogue does make me skip over these tags as if they weren’t there.

And when I’ve finished the story, I want to feel as if not one word could be added. I also want to regret coming to the end of the story because I enjoyed it so much.

And the challenge here is to write this way myself so hopefully people will feel the same way about MY stories!

I have collections by several of my favourite authors on my shelves – Agatha Christie, P.G. Wodehouse, Terry Pratchett to name a few. Love all that they wrote. Tremendously difficult to pick a favourite book by any of them.

What I especially adore though is when they take their major characters and put them into situations they would never have anticipated encountering. For example, Murder on the Orient Express gives Poirot a moral dilemma (and I won’t say more than that – no spoilers here). It’s not the kind of moral dilemma he would have anticipated facing. And it is how he handles that which, for me, makes this story fascinating. (The TV version with David Suchet is particularly good on this aspect).

So can you take the usual situations your lead characters would reasonably expect to face and subvert them? That what has worked for your lead characters before cannot possibly work in this new situation so they are forced to come out of their comfort zone and “go for broke” because they have to solve this new condundrum, no matter what?

One thing is for sure: do this and there will be no lack of drama/conflict in your story!

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One of the biggest issues facing writers is getting their book out there and, once that has been achieved, how to market it without annoying everyone! One simple thing is just to let people know where it can be found and leave it at that. So taking my own advice then…!

FLTDBA in the Swanwick Book Room

FLTDBA for sale in the Swanwick Book Room. Image by Allison Symes

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Chapeltown Books have a distinctive central image in a frame such as with mine. Image by Allison Symes

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Back cover of FLTDBA. Image by Allison Symes

I was enjoying an old Doctor Who episode earlier this evening when Catherine Tate came in as companion, Donna Noble, to David Tennant’s Doctor. Great episode. What I liked about the character of Donna was her feistiness, her abilty to think on her feet, and the fact she wasn’t letting the Doctor get away with ANYTHING. Her character claimed that the Doctor needed someone to stop him sometimes. I think it’s a fair assessment too.

But this highlighted for me the fact well written characters shine through whatever story they’re in and make themselves and the tale memorable. Something to always aspire to when writing my own characters I think.

The joy of coming up with one line stories is you can either leave them like that and perhaps enter them into 25-word flash fiction competitions OR you can expand them.

From there of course, you can either have a longer flash fiction story or go to 1500-2000 words (standard short story competition word count). I think if you were to go much beyond that, you would be changing your initial idea as you would need more characters, at least one decent subplot and so on for the story to be able to “stand up” over that greater “distance” and still make sense.

I don’t revisit my one-liners that often but it did occur to me perhaps I should do so more regularly! A case of double whammy for the writer here I think!

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A BUNCH OF AMATEURS, THE MAGIC OF THEATRE, AND NON-FICTION

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It’s a joy to review the plays performed by The Chameleon Theatre Group as there is always a good mix of shows put on during the course of a year. I’ve watched pantos, tragedies, and comedies. Each review I do for CFT on these means having a look at the background of the play and/or the writers of it and I always learn something.

It’s a great way of taking in stories that are new to you: go and see them acted on stage!

A Bunch of Amateurs is written by Ian Hislop and Nick Newman.  The plot hinges on a local theatre company, the Stratford Players, desperately trying to save their theatre so bringing in a fading American star, Jefferson Steel, to get sponsorship and bring in the punters seems such a good idea….   You know the phrase “famous last words”?  Well, that applies here!

Image Credit:  All images below are kindly supplied by Lionel Elliott and the Chameleon Theatre Group and used with permission.  Many thanks to them.

 

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I was watching a Dr Who episode tonight (Peter Capaldi) and a phrase “stories are where memories go” caught my attention. Mind, it many ways it should do!

What memories of a character could you turn into a flash fiction piece (or longer)? Can you write a story where a character is led astray by mistaken or deliberately falsified memories (and why would someone do that)? Have you got another character who uses memories as weapons against others and how do they do this? What do they gain? How are they stopped, assuming that they are?

There are some good stories to be written out of memories, that’s for sure! (And the great thing is you can create the memories to write about in first place. The lovely thing about fiction is it should be rooted in truth to ring true to your readers, but it doesn’t actually have to be true, otherwise we’d have little in the way of sci-fi or fantasy!).

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Fairytales with Bite – The Magic of the Theatre

My latest CFT post is a review of A Bunch of Amateurs (written by Ian Hislop and Nick Newman), which was recently performed by the Chameleon Theatre Group.  It was a great play, brilliantly performed.  But it led me to thinking:-

1.  Going to the theatre is a great way of taking in stories!

2.  In your fictional world(s), how do your characters take in stories?  Do they read?  Do they have theatres/cinemas etc?  What would they watch/read?

3.  When you go to a performance like this, you go in knowing you are seeing a “pretence” but being willing to suspend disbelief.  You focus on wanting to see how the story ends and enjoy the performances taking you to that point.  The challenge for writers is hooking our readers quickly enough at the start of the story to achieve the same effect for the length of the tale, whether it is a flash piece or a trilogy of novels!  So face the challenge!  The key is in creating characters readers will want to follow through anything.

Happy writing!

This World and Others – Why Non-Fiction Matters to Fiction Writers

I’ve written about this in a post for Chandler’s Ford Today (Fiction -v- Non-Fiction? No Contest!) a while ago, but it is a topic close to my pen so thought I’d bring it up again here.  Why does reading non-fiction matter to fiction writers then?

1.  If you are writing material which means you need to world build, finding out how this world works/has worked/has made blunderingly colossial historical mistakes/created some fascinating engineering etc can directly inspire you for how your fictional world carries out these things.  (Sometimes it can be the direct opposite of how we’ve done it but you need to know how we did it first to be able to do that!).

2.  Ideas spark off other ideas and non-fiction is full of them.  What did make an inventor come up with their revolutionary new designs?  What made them come up with a new system for, say, transport when nobody else had realised a need for it?  There are ideas for characters here too…

3.  When anyone comes up with something new, there will be opposition.  Sometimes it’s justified, sometimes not.  How does your hero/heroine overcome that?  Or if they are the ones behind the opposition, do they achieve their objective?

Plenty of story triggers there!

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I write fairytales with bite as flash fiction and short stories in particular. Image via Pixabay.

The Problem with Magic

FAIRYTALES WITH BITE

I discuss The Problem With Magic as it is possible to use magic to solve all evils in a story.  All that achieves is an abrupt and not very satisfactory end to the story.  You wave a wand and that’s it, problem solved, all done.  I suggest two solutions to this issue in my post.  See what you think.

THIS WORLD AND OTHERS

Speech Patterns looks at different ways in which to tell characters apart by the way they speak.  You can use slang, whether a character swears or not as well as favourite phrases and words being specific to a character.  More in the post.

FACEBOOK – GENERAL

A longer post than normal tonight (makes up a little for the gaps!).  I discuss returning to blogging, the last two episodes of Doctor Who, what I think about the Missy/Master combo, and share some photos of the beautiful North East of Scotland, where I was recently on holiday.  Temperatures there much easier to cope with!  It’s absolutely baking where I am at the moment, despite the fact it’s past midnight UK time!

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I share two ways in which I write flash fiction and how I think technology has helped the genre take off.

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Themes pour out of good books - image via Pixabay

FLASH FICTION ADVANTAGES

FAIRYTALES WITH BITE

Part 4 of my A to Z of Writing Tips covers L through to N. I look at literacy (and by implication libraries), memory and notebooks!

THIS WORLD AND OTHERS

I talked a little about one advantage of writing flash fiction on my Facebook page but expanded the idea here in Flash Fiction AdvantagesI’m sure you can think of other advantages but a major one for me is writing flash fiction has taught me to “write tight”.  As the word count is limited (especially if you write 100 words stories as I do), every word must count and so useless ones show up very clearly.  My weak words are “very”, “that” and “actually”.  They do nothing for the story.  They convey no information, change of mood etc so out they come.  And I reduce my word count!  (Also words like this slow pace down so removing them for that reason improves the story too).

CHANDLER’S FORD TODAY

I hope to have a post ready for the end of the week.  I’ve needed a short break due to a family bereavement.

FACEBOOK – GENERAL and FROM LIGHT TO DARK AND BACK AGAIN

From today – this post is again focusing on using flash fiction to help you spot your weak words and remove them from whatever form of writing you do.  This post started out on my book’s Facebook link.

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From yesterday – I discuss how Doctor Who has been consistently right over the years with regard to monsters.  This is partly my response  to the recent horrible terror attacks in Manchester and London, but I also show why the Doctor has long been one of my heroes.

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Says it all - via Pixabay

Good range to start with any way!  Image via Pixabay

 

CONVINCING CHARACTERS

FAIRYTALES WITH BITE

I think I’ve just written what will be one of my favourite posts for this site as it combines a review of a Doctor Who episode and talks about characterisation, two of my favourite things.  Convincing Characters reviews the recent episode of Doctor Who where the always brilliant David Suchet plays “the Landlord”, a character that is doing evil things but not for evil reasons (he’s actually trying to save someone he loves).  I then go on to discuss the importance of our characters being totally convincing with regard to their motivations.

David Suchet is totally convincing with regard to his performance (as he always is – from Lady Bracknell to Poirot!) but the writing of the Landlord character is simply brilliant and brings out the best in him, I feel.  The Landlord character, for me, is the definition of a character knowingly doing the wrong things but doing them out of desperation and, as a result, the character IS evil but sad with it.  I think most would see where the character was coming from and that is precisely what we all need to do with our characters.  Brilliant work all around.   Highly recommend seeing this.

THIS WORLD AND OTHERS

Doing One’s Bit discusses character loyalties with one another and I use one of my favourite examples (Frodo Baggins and Sam Gamgee) to illustrate my point.  The Lord of the Rings is so realistic (despite being an epic fantasy!) for showing how the relationship between these two comes to breaking point thanks to the evil influence of that wretched ring.  I also ask what makes your characters stay loyal.  Have they known betrayal and are determined not to do that themselves perhaps?

FACEBOOK – GENERAL

Many thanks to all who shared the recent piece about From Light to Dark and Back Again in Writing Magazine – and a quick hello to all at Southampton Writers’ Circle too.  I discuss my recent review of A Comedy Trio (The Chameleon Theatre Group have put this on their website with permission – they liked it then!) and I am looking forward to hopefully getting to see more National Theatre Live, especially Shakespeare, as the year goes on.

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FACEBOOK PAGE – FROM LIGHT TO DARK AND BACK AGAIN

I share an extract from some notes I wrote for the flash fiction workshop I gave to the Southampton Writers’ Circle earlier this year.  I discuss starting lines.  Hope you find it helpful.

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Hercule Poirot via Pixabay

Hercule Poirot (based on the style of portrayal of David Suchet.  Image via Pixabay)

 

 

QUIZZING AND IDEAS FINDING

FAIRYTALES WITH BITE

In Quizzing I share some questions that can be put to your characters to help you find out more about them (especially their hidden depths) before you write for/about them.  I look at whether they have any regrets (a useful thing to know given regrets can change/inhibit behaviour) and what they really want.  There are, of course, lots of questions you could put to a character but I think the three I’ve shared here are amongst the most useful you could ask.

THIS WORLD AND OTHERS

Ideas Finding lives up to its title!  I share a few sources of ideas, including proverbs, headlines, themes from songs etc, all of which I’ve found useful “spark” generators.

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I look at the current series of Doctor Who and share some of what I love about the show, especially the “layers” to the writing here.

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FACEBOOK PAGE – FROM LIGHT TO DARK AND BACK AGAIN

I share another extract from when I was interviewed by fellow writer, Jacci Gooding.  (Her short story collection, A Collection of Unsettling Stories, really does live up to its name!).  I take a look at the million dollar question – where do I find my ideas?

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My second post here tonight looks at the genre in which I write and what drew me to it.

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Themes pour out of good books - image via Pixabay

Themes, and ideas, pour out of a good book.  Image via Pixabay

 

 

All books are gateways to other worlds, fantasy and science fiction especially I think. Image via Pixabay.

THE RELUCTANT HERO/HEROINE

FAIRYTALES WITH BITE

The Reluctant Hero/Heroine lists some reasons why I think this kind of character ranks amongst my favourites.  Do you agree?   Can you add to the list?

THIS WORLD AND OTHERS

A Wonderful Day asks what your characters would consider would make up such a thing.  Do they need to have a special meal or to have something happen to make it a special day?   Do other characters try to spoil a perfect day and if so, how and why?

FACEBOOK PAGE AND BOOK NEWS

Many thanks to all who have sent congratulations, words of support etc on news of From Light to Dark and Back Again.  I also discuss Doctor Who, my Chandler’s Ford Today post due tomorrow and my love of writing about legendary characters.

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The chorus from the Chameleons Theatre Company and their Robin Hood panto. I review this in tomorrow's Chandler's Ford Today post. Many thanks to the Chameleons for this image and the ones in the CFT post.

The chorus from the Chameleons Theatre Company and their Robin Hood panto. I review this in tomorrow’s Chandler’s Ford Today post. Many thanks to the Chameleons for this image and the ones in the CFT post.

 

Shakespeare had his quill, modern writers have their laptops. Image via Pixabay.

SEASONAL CHANGES

Given we are now into November, tonight’s posts look at autumnal changes in different ways.

FAIRYTALES WITH BITE

The Time of the Year asks what are your characters’ favourite times of year and why?  Could the answers here show something about their state of mind?  (If they like autumn/winter do they tend to be melancolic, for example?).

THIS WORLD AND OTHERS

On the other hand, the title for the post here tonight indicates a more lighthearted theme!  Autumnal Flying Hazards For Your Average Magical Being does sum up the post nicely though and looks at hazards that could reasonably be expected at this time of the year in any magical realm.

FACEBOOK PAGE

I discuss Vincent, the song by Don McLean and the episode of Doctor Who tonight and share one of my favourite You Tube clips.  I share the clip again here.  This also makes a great introduction to the works of Van Gogh.  The clip was originally put up several years ago by Anthony DiFatta.

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