Author Interview: Val Penny – Hunter’s Rules and Lynsey Adams – Book Blog Tour Organiser

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. Many thanks to Val Penny and Lynsey Adams for images associated with their interview on Chandler’s Ford Today this week.
Funny old week again. Lovely sunshine followed by heavy rain – the British summer is in full swing! Had a lovely time watching The Chameleon Theatre Group’s latest production – review to follow on Chandler’s Ford Today in due course. Do check out your local amateur theatre companies. I’ve seen some splendid shows staged by The Chameleons. You may well be in for some good surprises here with your own companies. Also I see plays as staged stories so that and the idea of supporting local theatre all at the same time is a fabulous one I heartily endorse.

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Facebook – General and Chandler’s Ford Today

So pleased to welcome back Val Penny to Chandler’s Ford Today. We celebrate her Hunter’s Rules, which was recently launched at the Harrogate Crime Festival. Well done on achieving something so prestigious, Val!

In this in depth interview, Val shares with me the joys of coming back to write about familiar characters, writing straplines, what she loves about book blog tours and crime fiction, and much else besides. Plenty of useful thoughts and advice here – do check this out.

I also have a brief chat with Lynsey Adams who organised Val’s book blog tour. Lynsey shares a few tips on what authors should think about when planning their own book blog tour. Again do check this out.
Am sure you will find plenty of information which is useful and entertaining from both ladies. Thank you both for taking part in this.

Author Interview – Val Penny – Hunter’s Rules and Book Blog Tour Organiser interview – Lynsey Adams

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Am off to see Bleak Expectations, the latest show to be staged by The Chameleon Theatre Group, tonight. Looking forward to that and catching up with my lovely editor at Chandler’s Ford Today too. Plays are staged stories when all is said and done so I see these as another way of taking in wonderful tales I might not come across another way. Nothing to dislike about that!

Writing Tip: When you’ve enjoyed a fabulous tale of any word count, why not look at it again and work out what it was you especially liked. If the characters gripped you (as I would hope they would), work out what it was which made them “do” that to you. What made them stand out? How did the author achieve that? Which details were key in getting the character across to you that way? There will be something!

Another thought – re dialogue. Now we know that fictional speech can only replicate real speech but it has the advantages of having far fewer hesitations and repetitions in it because we don’t want our readers to nod off due to boredom. But if you’re tempted to abbreviate fictional speech think about how it will look on the page/on the screen to your reader. It still has to “look right” to read right.

Whatever your kind of character, their dialogue has to fit their portrayalHope you’ve had a good day. Lady managed to see her Hungarian Vizler friend and Gertie, a lovely Golden Retriever, whom we see from time to time. Lady went home shattered but happy (as one of her favourite tricks is to suddenly get a burst of energy and run around pals showing off as she plays with her toys. I have no idea if that impresses them but it impresses her).

Am off to the theatre again tomorrow for a Chandler’s Ford Today works outing! My lovely editor and I will be seeing Bleak Expectations (a stage play based on the hilarious radio comedy of that name) being staged by The Chameleon Theatre Group. Review will follow in due course. Am expecting plenty of laughs and Dickens based jokes. Should be a lot of fun. If you can, do check out the radio show. I thought it was fabulous.

Talking of CFT, I’m talking with Val Penny about her Hunter’s Rules and Lynsey Adams about book blog tours on Friday. Lots of useful information from both ladies. Be sure not to miss it and well done to Val for having her new book launched at the Harrogate Crime Festival too. See above.

As for this evening, I’m running the Association of Christian Writers’ Flash Fiction Group meeting on Zoom later. Theme is summer. Jury is out as to whether summer has turned up. I have had the sun back out today so I would give a cautious thumbs up to this one (given I know the rain is back for me tomorrow!).

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Facebook – From Light to Dark and Back Again

Delighted to be back on Friday Flash Fiction with my new story, Life Dreams. What does someone, whose species uses dreams to communicate, do to avoid being caught by them and dragged back to their own planet? Find out here!
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Do look out for Friday Flash Fiction’s annual Edinburgh Festival competition (it runs in conjunction with the actual festival). See screenshot but more details will be put on the website soon. The FFF competition runs over two weeks. Worth having a go. It is free to enter. You can enter one 100 word story per week for the fortnight the competition is on so two stories in all.

The 100 word category is a popular one for competitions. It is a great discipline for sharing what matters to your characters. You give the reader what they need to know and the rest they can infer. Well worth practicing regularly (which is one reason why I submit stories to FFF often!).

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Writing to closing lines is great practice for coming up with punchlines or twist endings. Every so often one of my brainstorming sessions will be to do this. (I also use such sessions for coming up with title ideas and opening line possibilities).

Once I’ve got some closing lines down, I rest them for a while before having another look and seeing what I could use. Inevitably there will be some discards but there will be ideas which literally stand the test of time with me. I then have the fun of working out how I could get to that closing line. The line will throw up different possibilities and I go with the one which appeals to me the most.

For example, if my closing line was And the day had started so well too, I could use that line to produce a humorous story. I could also use it to produce a sad or slice of life tale. I would then decide what mood I wanted to write to and then figure out what character could serve my purposes here. All good fun and then I write my first draft.

But what I am keen on is to ensure that lovely closing line I’ve got seems like the only way to end my story. It has to seem natural and not tacked on though that is true for any line for any length of story.

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Fairytales with Bite – Agencies

In your fantasy setting, what agencies exist? Is there one, for example, to train fairy godmothers to an acceptable standard? Is there a law and order agency (and, if not, why not? Who would ensure criminal magic did not run riot here?). Who runs the agencies and are they accountable to higher powers? How do those higher powers operate?

Within the agencies themselves, what hierarchies exist and how did these come about? There would be potential for humorous stories here I think as well as dramas. Where you have organisations you have the competent, the incompetent, and those who muddle their way through. You could have fun here!

How would your characters fit into that kind of set up? Could one of your “muddling” characters develop something which proves to be brilliant? How would they handle their unexpected success, given others wouldn’t have expected it either?

You may not want one hugely powerful magical being running everything. It would be bound to drain powers etc. So how would the ones at the top of the tree farm out jobs for others to do and where could your characters fit in to this?

Would the agencies be your world’s major employers and how easy or otherwise is it to get a job with them? Does it depend on the “old boys’ network” and could someone break that if so?

Story ideas there I think.

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This World and Others – Who Does What?

Wherever there is a setting, no matter how far away or fantastical it is, you have administration! It does get everywhere. To be fair, a job has to be done, someone has to do it (and therefore has to organise how they do it).

I’ve always loved the quote about Death from the Discworld novels by the much missed Terry Pratchett. The Archchancellor refers to Death as a Professional fellow with a job to do. And if you read the Death novels here you will discover there is an immaculate system of hour glasses and books. There is a reason why Death has a huge desk!

So for your characters who does do what job? Is it based on their species, their class status, or a mixture?

Do certain species have certain talents so your setting rightly deploys them for the jobs requiring those skills? How did those talents develop in the first place? Who organises your setting? Discworld has the Patrician and the Guilds. Who runs your world? Are they good at it? Is there any threat to their position? Do they give the most awkward jobs to the ones who might challenge them? Do they give offers others cannot, dare not, refuse? (Good way of dealing with enemies!).

If your characters are nowhere near the seat of power, and perhaps glad to be so, what would they do? What would they be expected to do in usual circumstances? If those change, what would your characters have to learn to do (and quickly)?

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WRITERS NARRATIVE SUBSCRIBER LINK

This time I’m sharing the link to the May 2024 issue which was about memoir. My article is about Using Memoir Techniques for Character Creation.

AMAZON AUTHOR CENTRAL – ALLISON SYMES

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