Writing Likes – and a Dragon Story

Facebook – General

Who do you like to write about most – the heroes or the villains?

I think there is some truth in the saying that villains are more fun to write (and indeed act out) but the challenge for writing for the “good guys” is to ensure they’re not worthy but boring.

This is where the device of the character flaw(s) for the heroes and where the villain(s) being shown to have understandable reasons for being the way they are comes in.

However, this can become cliched in itself so the challenge then is to create characters, bad or good, where the reader can “root for them”. They’ve got to grab the reader’s attention and hold it (even if it is a case of the reader really wanting the character to get their comeuppance).

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Facebook – General – and Cafelit

My latest flash fiction story, Time For A Change, is now up on Cafelit. If you like dragons, you’ll like this one.

Also pleased to say another flash fiction story, Progressing, will soon be part of the Waterloo Arts Festival Writing Competition anthology. This will be an ebook. I’ll share further details when I have them.


Facebook – General

My CFT post for this week features an update from Richard Hardie, author of YA novels, Leap of Faith and Trouble With Swords, regarding his Authors Reach group.

I’ve discussed the importance of networking in previous CFT posts. Groups like Authors Reach will become increasingly important given writers are banding together more to support one another in marketing, holding events no one author could do alone and so on.

The post also shows you shouldn’t underestimate the time and effort needed to get your work “out there” regardless of whether you are in a group or are on your own. Writing the book really is the beginning…

Facebook – From Light to Dark and Back Again

I’ve talked before about having to have a title to work to when I’m writing a story. However, this doesn’t mean the title I initially come up with is set in stone.

Quite often a better title becomes apparent as I’m drafting the tale so I change things to suit. I don’t know quite what it is about having “something” to start with – perhaps it it is the literary equivalent of giving myself a head start!

All I know is it works!

 

Facebook – From Light to Dark and Back Again

I love story titles which can take you in all sorts of directions. My latest story on Cafelit, Time For A Change, is a good example of that. A title like that can mean your setting is on Earth, in any time or place, or out there in the depths of the known and unknown universes. The only limit is your imagination.

I love this Pixabay image of a dragon. There’s something about those eyes… (mind if you did get so close to such a magnificent beast, I doubt if you’d have chance to study the eyes much!).

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Facebook – From Light to Dark and Back Again

Well, I hope you might look at dragons in a different light if you read my Time for a Change story on Cafelit yesterday! (Will share the link again shortly).

One thing I love writing is taking an often maligned character – say a dragon! – and show a story from their angle. I like to look in general terms as to why a character might act the way they are and, a lot of the time, you can end up feeling some sympathy towards a kind of character you might otherwise have felt nothing but antipathy towards!

I also believe knights in shining armour aren’t necessarily all they’re cracked up to be either! Some knights don’t need armour in which to shine either..

 

Goodreads Author Programme – Blog – What Defines a Good Book for You?

A good book, as far as I’m concerned, has to:-

1. Have characters I care about (though I don’t mind if some are “slow burn” characters so I grow to care about them. I am prepared to give them time but I feel cheated if by the end of the book, I haven’t been made to care about the characters.).

2. Have characters I can get behind and either “root” for their success or, usually if a villain, hope they get their comeuppance. (I do love finding out how they do!).

3. Give you a sense that the author has said all that has needed to be said but oh how you wish there was more of the story because you enjoyed it so much.

4. Give you a sense of a wonderfully created world, leaving the way for prequels or sequels, whether or not the writer actually does write these.

5. Have a gripping plot, obviously.

6. Have an easy to remember blurb. It makes it easier to recommend the book to others because it gives you the main point, which drew you to reading the book in the first place.

7. Have a title that intrigues or you can see a few different directions in which the title could take you. That opens up all sorts of possibilities for the story itself and makes me want to crack on and read it!

8. If within a really popular genre, such as crime or fantasy, being able to offer something different to the “mix” so the book stands out.

9. You could see a decent film being made out of the plot as long as the movie people stick to the plot of the book, given it is so good.

10. You want to re-read it at least once a year. Always a good sign that.

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FAIRYTALES, TRUTH, AND NETWORKING

Now there’s a combination!

Facebook – General – and Chandler’s Ford Today

My latest Chandler’s Ford Today post is called Networking Tips. Fellow Chapeltown Books author, Mandy Huggins, and I both share our thoughts on networking here and we hope you find the post useful. Many thanks to her for her pictures. Also a big thank you to Paula Readman for kind permission to use the picture of Dawn Knox, Paula and I which was taken at the Bridge House celebration event last December.

I remember being so scared of the thought of having to network when I was first starting out as a writer. It was really only when I realised networking meant talking about something I love – books, stories etc (generally, as well as my own) – that I relaxed. Can I talk about these things? Yes! The problem can be stopping me! (But that is how it should be. I don’t see how you can commit to writing as a long term love unless you are enthuasiastic about stories. Given the ups and downs of a writer’s life, writing has to be thought of as a series of hopefully achievable goals over a reasonable period of time. There are no shortcuts).

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Facebook – General

Questions I like to ask of my characters from time to time include:-

What would you say was your best trait?
What would you say was your worst one?
What drives you and why?

I inevitably don’t use all of what I come up with here in the stories themselves but have found having a good working knowledge of what my characters are really like makes it so much easier to write convincingly about/for them.

It is worth taking the time out to flesh out your thoughts here before you write your story. (Scrivener is great here with its character and setting outlines in its short story “mode” but you can create your own template of things you should know about your “people” before you write their stories down).

Facebook – General

What are your writing “likes”? Some of mine include:-

Decent one-liners that make me laugh.

A story that shows me motivations or stresses characters are under that I might not have considered before. For example murders are committed for serious reasons and to what appears to others to be trivial ones. Yet a good story will take you into the mind of that murderer and show why the trivial reason isn’t trivial to them.

Good, sharp pace with quiet bits in between giving me good background on the setting and characters, knowing said quiet bits are gearing the reader up for the next big scene.

A satisfactory ending, which is not the same as a happy one necessarily. The ending has to be right for the story and the main character. It won’t feel right if the match isn’t there.

Characters I can rally behind (or metaphorically boo for) but either reaction has to be genuine. I don’t want to see the author’s hand making their characters act in a certain way. The characters’ acting has to be realistic for those characters.

I love getting to the end of a story or novel and in a sense wishing neither had ended. Always a sign of a well told tale! Going back over a story/novel and picking up the bits I missed first go around. This is particularly true for a detective novel. I always miss some of the clues on the first read!

I like a happy ending where the hero/heroine has “earned” it. I also like to see villains get their comeuppance but again in a realistic manner. Villains generally are not going to fall apart. They can be caught out.

Every word to count… Funnily enough that doesn’t necessarily mean everything has to be short but that each word is appropriate for the story being told. In P.G. Wodehouse’s stories so often he uses very long sentences (he’d never get away with it now!) but not a word is out of place and indeed especially when Wooster’s narrating the long-windedness is part of (a) the character’s charm and (b) the character’s characteristics!

Positive developments in characters, especially a character that goes on to make something good out of themselves.

I like pinpointing moments of change in a story and watching the drama unfold.

Feeling a slight sense of envy I didn’t write the story/novel I’ve enjoyed is a good sign – and nothing but a compliment to the actual author!

Facebook – From Light to Dark and Back Again

It is only in looking back at stories that make up a collection, you really get to see what influences came out. FLTDBA has a nice mixture of influences – fairytales, nods to films, Frankenstein, poetic justice, and Pride and Prejudice to name just some.

I guess this shows why you should read widely (in whatever format and including non-fiction) because you are feeding your imagination. What drives you to write the stories you do? Your own influences/thoughts. Why have you got those influences and thoughts? Almost certainly thanks to things you have read that rang true for something deep inside your creative self.

Facebook – From Light to Dark and Back Again

The right ending for a story is the one that is most appropriate for it. It doesn’t need to be happy necessarily. Indeed, quite a few of mine in From Light to Dark and Back Again are definitely not of the traditional happy ever after variety!

I remember being stunned when I first read Hans Christen Andersen’s The Little Mermaid. You expect everything to work out okay (after all, isn’t that how fairytales are supposed to turn out?) and then it doesn’t! And I won’t say more than that. No spoilers here. It does pay to read the fairytales. They’re often darker than people think and have more layers. The Little Mermaid is a tale of sacrifice when all is said and done.

Facebook – From Light to Dark and Back Again

What do I most like about writing? Well, here’s a few thoughts.

Coming up with characters who spring to life and develop in front of your “eyes”.

Coming up with world(s) that fascinate you.

Coming up with villain(s) that fascinate you!

Coming up with hero(ines) that also fascinate but show why they are the good guys. They’ve got to have a good cause, literally.

Being able to write short length stories from flash to standard length (up to 2000 words) to novels to plays… the only limit is your imagination.

You can explore ideas.

You can discover ideas from the characters you develop, not just in terms of new story ideas, but you get to learn how your “people” think and why. Could it change how you feel about issues? Can be fun finding out!

Receiving feedback which helps you improve your work (this is not necessarily complimentary, though nice responses are obviously nice, but so you can see how well you “got through” to your reader).

Winning or being shortlisted for competitions is a huge morale boost.

Getting to talk about your work at writing festivals and enjoying hearing about others’ work. I love both aspects here. I think it’s like a kind of celebration of the work of the imagination.

Fairytales with Bite – Fairytales and Truth

I’m sure you must have come across at some point someone saying something like “it’s just a fairytale”.  That phrase has always annoyed me.  There is nothing “just” about a fairytale.

When examined closely, the vast majority of fairytales contain at least one element of truth in them (and often much more).  Yes, fairytales do tend to follow character type but there is a lot of truth in those.  What does the wicked witch represent?  Those who are prepared to use the power they’ve got to control others or who are prepared to do anything to gain power.  Who does the good fairy represent?  Those who use their powers for the good of others.  And that’s just to name two examples. We can all think of real life people who can fit into those categories so fairytales do reflect humanity as we know it.

Hans Christen Andersen showed that fairytales do not always have happy ever after endings.  (While it surprised me the first time I read his The Little Mermaid here, I have a greater appreciation now of the truthfulness of his characterisation and the way the story does end).  Fairytales can sometimes get across a certain amount of social commentary (again see Hans Christen Andersen’s The Little Match Girl here).

So I do wish some people would stop being dismissive of fairytales.  There is a lot more to them than may at first be apparent.

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This World and Others – Networking In Your Stories

My Chandler’s Ford Today post this week is all about networking.  Fellow Chapeltown Books author, Mandy Huggins, and I share our thoughts on this and I hope you find it useful. But it led me to wonder what kind of networking goes on inside the world of our stories.

How do our characters meet each other?  Have they known each other for years?  What are the social networks in the worlds you’ve created?  What happens to those who defy convention here?

Our stories won’t necessarily spell out all of that but readers should know why the characters are interacting the way they do.  If they hate each other, that is bound to be a major factor in how your story develops and the reason for the hate should be shown.  (I don’t think you can ignore the fact they hate each other, it must be what is driving your story.  I can’t see how it would be otherwise).

Is there such a thing as an old boys’ network in your world?  Who benefits or suffers because of it?  Is there a class system and can people/beings cross the divides?  If your world just has one major species, there should be some sort of hierarchy within it.  How does this work?

Feature Image - Networking Tips

My latest CFT post. Mandy Huggins and I discuss networking. Image via Pixabay

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My flash fiction collection from Chapeltown Books!

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Mandy’s flash fiction collection from Chapeltown Books. Image kindly supplied by her.

Amanda Huggins reading from the Ink Tears showcase anthology Death of a Superhero at the launch party in London December 2017

Mandy Huggins – reading is a great way to network with your readers. Image kindly supplied by Mandy Huggins.

It is always good to meet readers and even better when they read you - image via JW

Networking with readers at the Chandler’s Ford Book Fair in 2017. Image from Janet Williams, CFT’s amazing editor.

Setting the mood classically perhaps - image via Pixabay

Setting the mood with music. Image via Pixabay

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Humans are immensely creative - image via Pixabay

Let those ideas flow! Image via Pixabay,

A familiar desk scene for writers - image via Pixabay

The familiar sight of the writing desk, regardless of genre! Image via Pixabay.

The best advice for any writer - image via Pixabay

Sound advice. Image via Pixabay

From diving board to keyboard via Pixabay

The keyboard beckons…