The Good Writing Fairy, Research and the Waterloo Arts Festival

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Which writing books have you found most useful? I’d have to list:-

On Writing – Stephen King

Scrivener for Dummies – Gwen Hernandez

Wannabe a Writer?/Wannabe a Writer We’ve Heard Of? – Jane Wenham-Jones

Story – Robert McKee

There are loads of others I’ve found useful, for different reasons, over the years but these ones stick out. I’m also fond of The Seven Basic Plots which is a detailed book and gave me plenty of pause for thought.

What do you want from a writing book? Encouragement, yes. Honesty, yes. (You do need to know you need stamina and persistence but that it is also okay to change direction if you want to do so). Useful tips you can apply to your own writing, yes. A friendly and easy to read style – in most cases, yes. For something like The Seven Basic Plots, the style is more academic but is still a fascinating read.

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Have caught up on a few writing prompt exercises in my diary. One was based on a lovely picture of a dog having fun at the beach (my Lady could so identify with that!) and another was to list 10 words associated with a train journey which I then had to use on a piece of writing. Very good stretching the imagination type work though what came out was a couple of very rough poems rather than flash fiction.

Whether these pieces will stay as rough poems (and they are VERY rough right now!) or whether I’ll transform them into stories later, I don’t know, but there is something liberating about a writing exercise where you can use any form you like. You don’t feel compelled to write to your normal form. You have fun playing around with words and seeing what happens.

 

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How much research do you do for your writing? I suspect your answer will be the same as mine – it depends on what I’m writing. Correct!

Do I need to do any research for my flash fiction stories? Yes, sometimes. For historical stories, I have to ensure any dates used are accurate and so on. If I mention a piece of furniture, for example, I need to ensure it WAS around at the time I’ve set the story.

For my CFT posts, I have to do more research of course. Can research become procrastination unless you know that’s a risk and don’t allow it to happen? Oh yes. Is it too easy to go down all sorts of interesting byways and be distracted from the task in hand? Oh yes.

But being aware of that risk can help nullify it.

Looking forward to the Waterloo Arts Festival on Saturday and meeting up with fellow writers there. Hope everyone is in good voice. Am looking forward to hearing the different stories. It is a real treat being read aloud to at events like this.

What I like about this is all of us have had to write to the same word count and on the same theme, but there will be 16 different stories here. You can’t have a book with 16 stories all with the same take on the topic as that would be boring to say the least.

This kind of event proves the point that what makes a writer unique is THEIR voice, THEIR take on a topic and nobody can write as YOU do with YOUR voice. So write away!

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The story in one sentence exercise is great for stretching the brain AND cutting your word count, but other uses for it are:-

1. Using what you come up with as an opening line. For example, “She refused to part with the key. This was the beginning of things going wrong for Sharon…”

2. Using what you come up with as a key to “twist” the story. For example, “She refused to part with the key” could lead to a twist being that she knows the key is useless for the purposes her partner in crime wants it for but cannot say how she knows.

3. Deliberately using what you come up with as the closing line. For example, “It was no good Bill arguing. Mary had been consistent. She refused to part with the key.”

Have fun with your one-liners then and put them in different places and see what impact they have.

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I use Scrivener for my writing and one of the things I have found most useful for my flash fiction work is being able to set the word count target you want. I love seeing the bar change colour as I near my target. I know it sounds silly but watching that colour change is great incentive to keep on writing (and especially when you might feel like giving up).

I use the short story character and setting templates for longer stories and these effectively help me get my outlining done. As I flesh out who my character is, what their traits are etc, ideas are beginning to tease away at just what awful situations I can dump that character in (nobody said a writer had to be nice! This is also so much fun!).

In organising my writing in a better way, I do get more done. I don’t use all of the Scrivener features by any means but select the ones I know I’d find most useful. The word count setting is brilliant for flash fiction writers as I can adjust it to take account of those markets where the title IS part of the word count and for those where it ISN’T. I know I’m not going to get it wrong.

The screenshots of Scrivener below were taken by me. It’s also useful being able to see how much you do in a session.

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What do I look for when reading flash fiction? There is no one definitive answer to this but I would include the following.

1. It has to be an entertaining read.
2. It should show me the most important point of change in a character’s life, especially as there won’t be word count room for anything else.
3. It can take me back or forwards in time.
4. It can show me new worlds or make me look at this one with new eyes.
5. The ending should be a powerful one.
6. Any twist should have clues within the story that I can go back and check later on those occasions when I fail to pick them up immediately!
7. I like slices of life stories but would like to see more humorous tales.

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If the good writing fairy turned up, what would most writers wish for? Aside from wanting to know why she hadn’t turned up earlier in my writing life (!), my wishes would be:-

1. To have as much time as possible for writing and to use that time well. (She may count this as two wishes in one here but I’d chance my luck here and see if I could get away with it counting as one!).

2. For reviews to appear at a steady rate against FLTDBA and the Cafelit and Bridge House anthologies in which my work has appeared.

3. To never run out of ideas to write up and energy with which to get on and do so. (Again, she might count that as two wishes. I’d argue it was two sides of ONE coin so ONE wish).

Now while waiting for said fairy to turn up, I’d better get on and write!

Goodreads Author Blog – Mixing Up What You Read

I like to mix up what I read in several ways.

1. I mix up genre. I tend to read a crime book or two, then must move on to, say, fantasy for a book or two, before moving on again.

2. I mix up how I read. I have a “glut” of reading on the Kindle followed by a “glut” of reading printed books, then magazines etc. (The one thing I’ve not really “got” on the Kindle are e-magazines but I suspect I’ll get around to them eventually).

3. I mix up reading novels, short stories, flash fiction, non-fiction. So for a while I will only read novels, then move on to short story collections for a while, then have a non-fiction feast etc.

4. I switch between books and magazines. I do love a good magazine.

All of this means I’m never short of something to read!

I think mixing things up is good for my old brain and I like to ensure I don’t neglect any type of reading material I like. It would be too easy to “just” read books or magazines and neglect the other.

What would I wish for though?

More time to read, definitely.

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WRITING NIGGLES, CONFERENCES AND A REVIEW OF THE FAIR

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I take a look back at the recent Hursley Park Book Fair for this week’s CFT post.

There are many things non-writer friends/family can do to support the writer in their life and one is to go to their events and show some moral support. Trust me, it is appreciated!

The biggest nightmare for all writers is being at an event where nobody turns up.

Helping to distribute flyers etc is also something that will go down well with your writer. (And plentiful supplies of tea/coffee/chocolate etc though in fairness those go down well with practically everyone!).

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Managed to get caught in some rain while walking the dog this evening. Came home to find it hadn’t rained here at all. Better half and I had only gone a couple of miles up the road to one of our favourite walks! Talk about localised weather… (it was also ironic that, for once, I had hoped for more rain).

On to writing niggles then….

How to Irritate a Writer Part 10001….. (I may be exaggerating)

1. Tell them you like books but much prefer films. (Grrrr….)

2. Tell them you think books are expensive. (Double Grrrr… – books are relatively cheap when you consider you can read them over and over. A really good book will make you want to have repeat reads. It’s exactly like revisiting an old friend).

3. Tell them you think the paperback is on its way out. (If by this time the writer has refrained from throwing something at you, count your blessings for you have done very well).

4. Ask the writer of How to Irritate a Writer Part 10001 where the other 10000 posts are on the topic!😉

5. Tell them you’ll wait until they hit bestseller status and then you might get a copy of their book. They want to know it is really popular first. The writer by this time is using every inch of self control they’ve got not to grab the nearest bit of 4 x 2 and hit you with it….

6. Tell them you can’t possibly leave a review for them, they’re not well known enough. It is almost certainly a waste of breath telling such like that everyone has to start somewhere and reviews help everybody, no matter where they are on their writing journey.

7. Tell them you think notebooks and pens are outdated. Surely everyone writes to screen these days. The writer by this time is already thinking of the perfect crime story where an irritating “friend” is done to death by an angry author and have already made plans for dumping the body. There may be wistful thoughts as to why they can’t do this for real….

My fellow writers, feel free to add your own thoughts here!

 

My CFT post this week will be a review of the Hursley Park Book Fair from a couple of weeks ago. Link to go up on Friday.

And to all my fellow authors taking part in festivals etc, hope they all go well.

Am looking forward to Swanwick Writers’ Summer School in mid-August. Always good fun. Lovely to catch up with friends who for the rest of the year I’m in contact with via Facebook etc.

I remember being dreadfully nervous going to my first writing conference years ago (and set on the lovely Isle of Wight – and run by Felicity Fair Thompson.  It was great to catch up with her again at the recent Hursley Park Book Fair.). The nerves went when I realised networking was talking about something I absolutely love (writing and, associated with it, reading).

Also it is easy to get a conversation going with a writer – ask them what they’re writing! They in turn should ask you and before you know it, you are chatting away as if you’ve known each other all your lives. And that is how it should be.

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What do you like to see in a good flash fiction story? Some of my thoughts include:-

1. The story has to be the right length. Whether that’s 100, 250, or 500 words, it has got to be appropriate and right to that particular story. You want the reader to feel that nothing else could be added to the story, nor could there be anything taken away.

2. A strong lead character. Without that any flash fiction piece falls flat. The great thing is that strength can come in different forms – physical strength, mental strength etc. How your character shows their inner strength is up to you but it has to be there somewhere. Else why are they the lead?

3. There has to be a good ending (though not necessarily a happy one). The story has to “follow through”. Okay, sometimes that will be a twist ending, sometimes it can be a character coming to a conclusion about what they’ve just done or have been through. But the ending has to be right for all that has come before it.

The big challenge of flash is not so much the word count but having a complete story which has a proper beginning, middle and end in that word count limit. It is too easy to just write “truncated prose” but that does not come across as a proper story and rightly so. It can leave your reader feeling cheated.

At the end of a flash piece, your reader must not be left wondering where the rest of the story is! You want them thinking the story could not have ended any other way. I see flash as short, sharp looks into a character’s life. Look, write down what you see, and stop there.

What do I look for in flash fiction, whether I’m reading or writing it?

I look for a strong character and an ending I don’t see coming but which is entirely appropriate for the story.

I do enjoy playing “guess the ending”, sometimes I’m right, more often I’m not, and I always like that.

This is where I find writing the ending first can be helpful. If I’ve got something that makes a powerful impact which is what I want my readers to finish with, then I’ll work backwards from that point to see how the story could start. I find it a useful technique.

When I brainstorm ideas for new flash fiction, I’ll sometimes come up with something that will make the perfect ending, so leave it at that. I will be looking for what “threads” could come from what I’ve written and if it seems to be linear, then I’ll write the story in the traditional way from start to end.

But it doesn’t always work like that. The threads can sometimes lead away from what I’ve written back to a start point and that’s generally when I know I’ve got something that will make a wonderful ending to the story. I know enough now to NOT force something to be a start when it really isn’t suitable for that.

I also think it a good thing to mix up how I write here. It helps keep things “fresh” for me as a writer, and that will hopefully show through in the stories.

Fairytales with Bite – Fairytale Themes

If you’re looking for themes for your stories, analyse some fairytales and ideas will leap out at you!

After all, what is the theme of Cinderella?  Never giving up?  Justice will “out” in the end?  Whatever you think the theme is, you can use that for your stories.

Themes such as anti-bullying emerge from stories like The Ugly Duckling.  (Also beauty is only skin deep and transformation is always possible!  Lots of themes from this one).

The lovely thing is that the themes from fairytales are timeless.  It is one major reason we still love these old stories.  They still resonate.  I think they always will.  They reflect on our nature.  There will always be jealousy (Snow White), a need for sensible building materials (The Three Little Pigs!), and  greed (Goldilocks – I always have sympathised with the three bears here). That is to name just a few examples.

And there’s nothing to stop you combining themes either.  After all your lead character may have the virtues of, say, Puss in Boots and the villain the qualities of The Big Bad Wolf.  Set up the conflict and away you go!

Generating the writing ideas maybe - image via Pixabay

Generating the writing ideas. Image via Pixabay.

Lost in a good book - image via Pixabay

Lost in a good book. Image via Pixabay.

Books create their own sense of space - image via Pixabay

Books have their own sense of time and space. Image via Pixabay.

Books are wonderful whatever their format - image via Pixabay

Books are fabulous, whatever the format. Image via Pixabay.

CLARITY POST - Editing is vital to help you be as clear as possible - image via Pixabay - Copy

Editing – the crucial part to getting a story right. Image via Pixabay.

Books can be one major key to knowledge - image via Pixabay

Books are the keys to knowledge. Image via Pixabay

Printers would have fun trying to print this - image via Pixabay

Let the ideas flow and let journeys encourage that! Image via Pixabay

Use review questions to find out more about your characters, image via Pixabay

Use personal reviews to help you generate character and story outlines. Image via Pixabay.

Creation is good for us, image via Pixabay

Well, let’s do so by writing lots of stories! Image via Pixabay.

This World and Others – Character Virtues -v- Vices

I thought I’d list a few character virtues and vices to look at how these can be used in storytelling.

Patience/Impatience
Patience doesn’t always come across well in fiction. Much as I love Little Women, I did find the very patient Beth to be a little too much of a goody goody for my tastes.  I think patience translates better when it is shown as a character actively trying to seek a goal, is at a point where they need to wait for a very good reason before taking further action, and that they do so.  There is a point to the patience then.  It is also an “active patience”, an act of will.  I find I want to read to find out if they CAN see that patience out and have the reward for doing so.

Impatience, of course, can be shown as a character’s weak point, causing them more problems than they needed to have (which adds to the conflicts and drama of the story).  Sometimes impatience can be used more positively in that it can be the trigger for change.  Someone is impatient with the lack of education, say, in their village and actively seeks to change that.  Again, the impatience at the status quo here can be a good catalyst for the story.  There are bound to be those who want the status quo continued.  Is there a reason why they don’t want the villagers to be educated?

Calmness/Anger
Calmness I think is easier to show in a story as there are always characters who are needed to calm other characters down and make them see sense.  What effect would that have on the tale?  If they failed to calm the other one down, what would the consequences be?  Keeping calm can be a crucial need in a thriller where that virtue gives the character time to think, time to work out a way of escape etc.  (Less likely to think of this if the character is panicking, getting worked up etc).

Anger can be shown as a character’s downfall – their temper alienates anyone who might help them.  It can be used to show a character’s sense of justice.  (You’ve got to question why anyone wouldn’t be angry at abuse, violence etc).  It can also be shown as part of a character’s development.  At the start of the story they’re hotheaded, at the end they’ve learned to temper their temper, so to speak.

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