Interviews and Characters

Image Credit:  As ever, unless otherwise stated, all images are from Pixabay.

Facebook – General – and Chandler’s Ford Today

For my CFT post this week, I look at why writer interviews are so useful. I also share news of an interview I’ve taken part in, more details on that next week, and share memories of an interview that went wrong and another that involved an Emu! Anyone growing up in 1970s Britain will remember the latter!

I look at what I think makes for a good interview too and share my thoughts on interview etiquette. I also share a little of how I go about interviewing authors for Chandler’s Ford Today (and I hope there will be many more of those later this year).

I discuss the art of interviews as part of my Interviews post on Chandler’s Ford Today this week. Good preparation for an interview is important for both parties to it, of course. But it is just as important for writers, as well as interviewers and interviewees, to think of good questions. (In the latter’s case, anticipating questions that are likely to come up gives you time to prepare your answers).

For fiction writers, you may well want to interview your characters to find out more about them and what makes them tick before you write their stories. (I do this as part of my outlining process. I have to ask what the character thinks makes them tick. They don’t have to be right! Other characters may have completely different ideas as to how Character A really ticks!).

For non-fiction writers, it’s a question of working out what research you need to do for your project and there you ask yourself what you think you need to know. As you start working on your project, other questions will inevitably crop up but, having already decided where and how you will research and found answers to those initial questions, you will know where to look to deal with the other ones as they come up!

I often find this to be the case for my CFT posts. I know a thread I need to look into initially to help me write on my topic. Inevitably there will be threads from those initial ones I need to check out to see if they are relevant to what I want to write about. Sometimes they are. Not always. It is important not to be sidetracked but this is where asking yourself what you really need to know first can help. It helps to keep you focussed.

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How well do you know your characters before you start writing your stories?

Particularly for flash fiction, I outline what I need to know about my character before I work out what their story is.

A character who is a loud mouth is going to need a tale that will show this trait in action and the resultant consequences. This could easily be a funny story or a tragic one.

A quiet mouse of a character is going to need a tale that will either show when that trait saves the day or they get so fed up of being treated as a doormat, they rebel. Then you can go into the consequences…

I’m a great believer in getting the character right. Then it is a question of deciding what kind of story they WOULD naturally be at home in and whether that shows them at their best or their worst. Either can be a great deal of fun!

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My CFT post this week will be about interviews and what I think constitutes a good one. It’s a timely post for me as you’ll see when I put the link up on Friday! (I also hope to be sharing more interviews later in the year on CFT too).

Moving on, let’s think of a wish list for writers. My top three wishes would be:-

1. Time expands so you can do all the writing you want and the boring things of life (e.g. housework) somehow magically go away. I do see that as one wish, so there!

2. There are never any tech issues. Computer batteries won’t go too flat. You’ll never get a power cut at any awkward moment (if only!). You’ll always be able to connect to the net. I’m sure you can think of loads to add to that one!

3. Never running out of ideas and enthuasism for writing (again I see that as one wish on the grounds the first bit is no good whatsoever without the second part as well).

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Facebook – From Light to Dark and Back Again

I see a novel as akin to seeing a beautiful tapestry on a wall. You step back and literally see the whole thing. You are rightly taken in by its scale and how much it covers. There are so many wonderful threads to follow and your breath is taken away wondering at the mastery in putting such a thing together. You are immersed in the whole world portrayed.

A novella is like seeing one half of the tapestry, complete in and of itself, with plenty of stunning details to take in but simply not as much as the full novel, which is fair enough. But there is more than enough to capture your interest, plenty of threads to follow, again just not so many as the novel, but exactly the right amount for what you want to take in and enjoy. (I’m very pleased to see the form is back. Why? Well, people have all kinds of tastes in reading, not just in genre, but in length of story that they want too. There is plenty of scope for the novella).

A short story is like seeing one quarter of the tapestry. There is still plenty of detail. There are interesting threads to follow but obviously not so many as for a novella or a novel. You are taking in a world in minature and that’s fine. Maybe you want to enjoy some of these before taking in the whole of the tapestry again. (I often read flash fiction and/or short story collections in between reading novels).

Flash fiction is like focusing on one section of that quarter of the tapestry. You can’t see the whole picture. You are literally too close to it. Everything else around that section is blocked from your view. What you DO do is find those wonderful moments of sheer detail that those looking for the bigger picture will overlook as they have so much to take in and follow. They are standing too far back to spot what you are looking at. You are focusing on the ONE most important thing and can tease out every vital detail from that. You will pick up on things missed by the longer forms of creative writing.

And I love them all! (Whatever your preference is here enjoy! Writing and reading are two of the most wonderful things in life).

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Story time again. Hope you enjoy.

Putting My Face On

If I can fake this, I’ve got it made.

I’ve only got to go and meet John at 3. I don’t want to go but it will be the acid test. If I can keep my act together when I meet him, I can keep it together for anyone. Anyone, I tell you.

So if a bit of lippy and rouge are what I need to cover how I feel, so be it.

Well, I say I’ll meet him. It’s really a question of seeing him.

John’s in the Chapel of Rest at the local undertakers.

I put him there.

ENDS

Allison Symes – 6th February 2020

Now this is one of those tales where I knew my lead wasn’t looking forward to meeting John but I then had to work out why. So I did! Could’ve taken this in all sorts of directions but that is the joy of flash. It is open to genre and I fancied this one being a crime tale.

The irony is I can change the mood of the story completely by adding a few words to the ending.

If I added “I put him there – and so wished I hadn’t” – the mood of the story completely changes. Yes, there could still be a crime element but tragedy becomes the lead genre here instead.

So have fun with your flash fiction. Think about what impact you want your character and story to have on a reader.

 

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The story I shared yesterday, Putting My Face On, was something I came up with while out on a walk with my dog, Lady. I mentioned yesterday I could’ve changed the mood of the story by adding a few words. That is one of the arts of flash fiction if you like. You can change mood with a judiciously placed word here and there. The fun bit for you as the writer is working out what mood it is you want to go with!

The story on the book trailer for FLTDBA is one of my favourites. Part of the reason for that is the whole mood of the story turns on the very last word of Calling The Doctor. Do check the trailer out and you’ll see what I mean.

One thing I make sure of is that whenever the twist of moods comes in the story, it IS something that could reasonably be expected from the rest of the tale based on the information given.

Calling The Doctor does this because the conversational style of my narrator here is (a) consistent and (b) ties in with the mental image you will form of the character especially their age and such a conversational style would be appropriate for them and their age. The story leads up to … but that would be telling now, wouldn’t it! But the denouement is appropriate given the facts already stated by my narrator.

And very conveniently here is the book trailer with Calling the Doctor for you to check out!

Fairytales with Bite – Favourite Character Types

We all have our favourite kinds of characters, the ones we instantly gel with when we come across them on the page/on audio/on video etc. Some of mine include:-

  1.  The underdog. I always look out for the character who is bullied, despised, overlooked etc. I am never surprised when this character beats all the odds and has transformed their life by the end of the story. I adore stories like that.
  2. The fairy godmother. I love these. They are the agents through which cruelty and neglect will be put right. (Think Cinderella especially). Sadly we only know cruelty and neglect are so often not put right and even as a kid I remember being aware of that. Fairytales are comforting in that in those you know things will be rectified. I think we all need that comfort sometimes.
  3. The one who sees the error of their ways. Firstly, they too can be used to transform the story. Secondly, I like anyone who can see the error of their ways in life as well as in fiction! I am also very fond of redemption stories. I like to see characters being redeemed (it gives hope for us all!) but it has to be done in a way that makes sense. This is why I think gradual realisation of said errors is far more realistic.

Whatever your favourite kinds of characters, happy reading!

This World and Others – 

What I Like to See in Created Worlds

  1. I like to get a picture of the overall world. This is partly because I’m nosey (!) and partly because I like to be convinced the writer really has thought it through.
  2. I like to see a system of government, even if it is a basic one. A world does have to have someone leading it after all. (Best one here: Terry Pratchett’s wonderful Lord Vetinari from the Discworld series).
  3. I like to know how people live. I love the Middle Earth/Shire scenes in The Lord of the Rings. Okay, I could probably make myself very cosy and comfortable living in a hobbit hole as I’m not tall (that’s my example of understatement for this week!). More importantly, again it convinces me the author has thought this through and recognised different species will have different kinds of home and so on.
  4. A sense of how the different species get on, assuming they do. Where there are conflicts, and I would expect some, I want to see how these originated. Both sides in the conflict should have good reasons for holding the views they do, even if they are only good to them and their people. It should be something a reader can understand.

Music and Stories

Facebook – General – and Chandler’s Ford Today

One of the joys of writing my Chandler’s Ford Today posts is when I have a topic where I can go to town on finding music clips! The topic of books is one of them.

Many thanks to my wonderful panel – #JenniferCWilson, #ValPenny, #AnneWan, #WendyHJones, and #RichardHardie – for taking part in my mini-series The Joys and Challenges of Writing Series Novels. Hope you enjoy their fantastic insights AND the music I’ve used to go with these!

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Had a great night out watching the Chameleon Theatre Group perform three episodes from Blackadder Goes Forth, including Goodbyeee. Review to follow on Chandler’s Ford Today in due course but I will say now it was superbly done and the set, made by the company themselves, was brilliant. Looking forward to sharing more on that.

Adaptations I’m generally happy with if they are faithful to the book/series etc. This is why I loved the Miss Marple series with Joan Hickson – they were faithful to the Christie canon – but the Marple series. No. Didn’t watch it. Just couldn’t bring myself to do so when it emerged they were altering the stories and bringing in characters that didn’t belong in the originals. Really don’t like that.

My CFT post this week will be the final part of my series on the joys and challenges of writing the series novel. As ever, my thanks to to #JenniferCWilson, #ValPenny, #AnneWan, #WendyHJones, and #RichardHardie. Nice range of genres between them too – from children’s to crime (and Wendy writes both!) to fantasy to historical crossed with ghost stories. Link up on Friday.

Glad to report I’ll be having more work on Cafelit later this week and again in November. Will share links as and when.

From what I’ve seen of the set the Chameleons have produced for the stage version of Blackadder Goes Forth, I anticipate a packed house and a wonderful and thoughtful evening of entertainment. Will review for CFT in due course. Do check their FB page out.

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Pexels image.  There are times when words are inadequate.

Facebook – From Light to Dark and Back Again

So more on my alphabetical list then.

J = Juicy Storylines! Not just for soap operas, honestly, but something every character wants. Now “juicy” can be taken literally of course, but I see it as the storyline being appropriate for the character and taking them and stretching them to see what they are really made of. There’s nothing like a crisis for bringing out the best or worst in someone and that applies just as well to fiction!

K = Kicker. Must admit I needed to look this one up. (It’ll be interesting to find out what I can research for Q!). In journalism it apparently means a sudden unexpected change of events. In fiction we’d usually refer to it as a twist in the tale. I like kicker though. Has bite. And your stories must too, whether they have a twist/kicker in them or not.

L = Lines. Who is getting the best lines in your story? Your hero or your villain? A great story will have this split between the two to prevent either becoming a stereotype or, worse still, boring! Also a villain capable of humour etc means while your reader will not want them to win (possibly SHOULD not!), they will sympathise and identify with the villain to a certain extent. There should be something about each character a reader can identify with. (My inspiration here is Alan Rickman’s masterly portrayal of the Sheriff of Nottingham in Robin Hood: Prince of Thieves!).

About halfway through the alphabetical listing now. So then:-

M = Muse. The best way to feed said muse is to read widely and often (and do include non-fiction and poetry in this too. Different sources of writing are good for you and inspire your own thoughts and ideas in various ways). I’ve also found writing regularly feeds it too. Never worry about what you come out with at first being awful and needing work. That would’ve happened to Shakespeare too! It can and will be put right in the edits!

N = Narrative. Whose story is it? Whose viewpoint is going to dominate? What can that character see and know that the others cannot? Why have you chosen that character to lead the narrative? Answer those questions and your story will be off to a good start!

O = Originality. Reading widely feeds your originality. Partly this is due to what you read, but sometimes it can be because you read something you really don’t like or feel you can do better and that can be the trigger point for your own writing. Also, your voice is unique to you and will come through in your writing, especially if you write often. Regular writing (even if it is short bouts at a time) really does encourage your imaginative “muscle” to start working.

Pressing on with my alphabet topic then, we reach P, Q and R. (Great letters if you can get them out in Scrabble incidentally!).

P = Performance. Do your characters perform well in your stories? Do they live up to what you outlined them to be or have they gone beyond that? Read your stories out loud. Perhaps record them and play them back. Hear how your characters perform. Are they having the impact on you that you want them to have on your reader?

Q = Quizzing. I’ve found quizzing my characters to be a very useful part of my outlining. I don’t need to know the minute details. Nor do I put everything I outline in a story. However, I take my character’s basic traits and quiz them from there. If I decide a character is going to be brave, I will quiz them to find out if there are limits to that courage. I try to find out where that courage comes from. Does their “tribe” prize bravery? Or is it noticeably absent and your character is rebelling against that? What are the outcomes? (There WILL be some and that’s where the drama and your stories are to be found!).

R = Right Word Count for your Flash Fiction. I sometimes write a piece deliberately to a word count and that’s it. Sometimes I think a story will come to 100 words but discover it can be done in 75 or needs to run to 250, say. Be flexible on this. The story is the right length when the lead character has done and said all they have to do/say for the situation you’ve put them in. The great thing with flash fiction is there are so many different categories, that even if your treasured 100 word piece comes in at 500 words, there will be markets and competitions for that out there.

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Goodreads Author Programme – Blog –

After the End, What’s Next?

If you’ve enjoyed a really good book, what do you do when you finish it? Go on to read more books by the same author, or read more in the same genre, or do you go for something that is completely different in mood and style?

I have done all three of these (though obviously not at the same time!) and it very much depends on my mood at the end of the story. If I’ve loved a gory crime thriller, I may well want something humorous to show the lighter side of life, albeit a fictional one!

With short stories especially, I tend to read a few by the same author before moving on. With novels, if the book has really gripped me, I’ve got to check out what else the author has done, even if I decide I’ll come back to those later.

The important thing though is that whatever you read, you enjoy it so much, you keep on reading, no matter what author, genre, style etc you choose next. Happy reading!

Image Credit:  many thanks to the Hampshire Writers’ Society for taking the photo of me reading as guest speaker and for kind permission to use the photo.  Both much appreciated!

Fairytales with Bite – Signs of a Fairytale World

What are the signs of a fairytale world?  How can you know quite quickly you ARE in one (via fiction I’m presuming for the purposes of this post!  If you do find a portal to another world, however, be sure to report back with plenty of details, pictures if at all possible.  We will all want to know!!).

1.  Magic.  The biggest giveaway of course is the use of magic.  The interesting thing to work out when planning your stories though is whether everyone can use magic or just a select few.  If everyone can use it, what are the rules so anarchy doesn’t break out?  Boundaries increase the drama in your story.  If everyone can zap everyone else, that doesn’t make for much of a story.  If only a few can do that but the price they pay is their own lives are forfeit, now there’s a potential story.

2.  Inanimate Objects – The Use Of.  We all know from Disney (see Beauty and the Beast) a teapot, to name one example, is rarely just a teapot!  Sometimes they’re an enchanted victim.  Sometimes these things are portals (also see Harry Potter).  So what uses are the inanimate objects put to in your setting?  Does a particular object convey a particular meaning or power and, if so, what and why?  What are the limits to the use of objects?

3.  Creatures.  Ranging from domestic animals that can talk (hello, Puss in Boots!  Loved Puss in Shrek.  Thought they had the portrayal spot on) to odd creatures that are the stuff of legends to monsters of course.   Basically what you wouldn’t see here!  And there’s nothing to stop you inventing your own.  This is where some knowledge of natural history is invaluable.  Knowing what animals need to survive and how their bodies are designed to handle that should inspire some ideas for how the creatures in your stories will do this kind of thing.

Happy writing!

This World and Others – Music and Stories

In my latest CFT post, the final part of my mini-series on The Joys and Challenges of Writing Series Novels, I get to have some fun choosing music tracks to go with my fantastic panel’s insights.  Many thanks again to Jennifer C Wilson, Val Penny, Anne Wan, Wendy H Jones, and Richard Hardie for taking part in this three part series.  Hope you enjoy the insights and the music!

Music and stories have long been intertwined of course.  So many wonderful songs are stories set to music effectively.  Music can and does play a part in stories.  It can be used to show character.  Movies, of course, rely on music to help set mood.  Think of the Jaws theme by John Williams.  Every note of that puts pictures and therefore stories in your head (and possibly might put you off swimming in the open sea but that’s another matter!  There are advantages to just swimming in the local public baths!!).

I write with classical music playing.  (I often listen to Classic FM).  Unlike other styles of music, it hasn’t affected my mood (and therefore what I write!).  It does help me relax and I write more (and I hope better) when relaxed.  I’ve also found it helpful to think of the kind of music my characters would be fans of when I’m creating them.  It almost certainly won’t come into the story I write but it fills out my knowledge of the character I’m about to place before a reader.  That has to be a good thing.

And I must admit I loved choosing the music for my book trailer for From Light to Dark and Back Again.   The track used is an adaptation of Camille Saint Saens Danse Macabre (used as the theme tune for the BBC detective series Jonathan Creek).

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Stand Alones, Flash Fiction and Fairytales

Facebook – General – and Chandler’s Ford Today

Many thanks again to Jennifer C Wilson, Val Penny, #AnneWan, Wendy Jones, and Richard Hardie for their further insights into the joys and challenges of writing series fiction. Amongst tonight’s topics is how to ensure each book in a series works as a stand-alone, given our series writers can never know which book a reader will actually start with. It isn’t necessarily book 1!

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What five things do I like to see in a character? Ideally they have all of the traits I list below but as long as a character has the majority of them, I’m likely to enjoy spending time in the company of that character as I read their story.

1. Courage.
2. Sense of Humour.
3. Loyalty.
4. They, at the very least, respect books; at best they have their own library!
5. Kindness.

Does that rule out the villains? No! Even villains can be kind to their pet cat, have a decent library etc.

Looking at that list, it’s what I like to see in myself and, before you ask, I’m working on the personal library bit! (It’s nowhere near as grand as the one in the pictures below though!).

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One of the things I love about going to writing conferences is that I always learn something pertinent to what I write. And it is not always an obvious link.

I’m off to the Association of Christian Writers’ Day on Saturday, the topic is Writing for Children and Young Adults, which is not directly what I do, but I just know I will pick up useful tips that I can apply directly.

And you never know – looking at what other writers do can help you re-examine whether you are working in the best way you can. It may also inspire a new direction of writing too! What I do know is it will be fun finding out if it does or not and what useful tips I’ll bring home with me.

The great thing with writing is you never stop learning how to improve what you do and that is so good for your brain!

(And networking is always fun!).

Facebook – From Light to Dark and Back Again

A = Alliteration. Can be useful for titles in flash fiction (though I don’t use it much) but as with any story, it can grab the attention and help set the mood. Best not overused I think. You want each title to set the tone for what it is to come and a variety of methods for doing that is best. Keeps it fresh for you as the writer too.

B = Backstory. Not a lot of room for that in flash fiction! Best to hint at it through one or two vital details the reader has to know and leave it at that.

C = Character. The kingpin of fiction I think. Get the character right and the plot will come from them. Know your character inside and out – I find it useful to know their chief trait (and I piece together a mental picture of what they are like from there). Find the appropriate starting point for you but it is worth taking the time to know your character well before you start. Your writing will flow better because you write with that knowledge. It does come through in what you write.

As ever, am planning to write flash fiction on the train journey to and from London on Saturday as I head off to a writing day run by the Association of Christian Writers. It’s amazing what you can get done on a smartphone with no interruptions! (Daren’t do this on the Tube though. Always worried I’ll miss my stop! I do think the Tube is a wonderful invention and you never get cold down there either…).

I also sometimes draft non-fiction articles and future blog posts when out and about. I just need a long enough train journey to draft a novel now. 😉😁Hmm….

 

When planning your story (you do, yes?), I find it useful to work out what the obvious ideas might be from a title I’ve thought of, and then work out what could come from those. I don’t plump for the first ideas that come to me. I try to make myself dig that bit deeper to come up with something that fits the theme, makes sense, but is also different precisely because I haven’t gone for the obvious ideas!

Spider diagrams or flowcharts can be useful here. I find I must have a title to kick start the process with, even if I do end up changing it for something better later. It is always a tad annoying that a better title idea crops up when you are writing the story and NOT before you get started, but that is one of those quirks of writing!

Picture of me reading was taken by the lovely #DawnKentishKnox at last year’s Bridge House event. Am very much looking forward to this year’s one too!

 

Gill talks with Dawn and I at the BH event, image taken by Paula Readman

Gill James talks with Dawn Knox and I at a networking event held by Bridge House Publishing last December. Am glad to report Dawn will also be in the Waterloo Festival Anthology. Image from Paula Readman and thanks to her for permission to use it.

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman - Copy

Paula Readman, Dawn Knox and I at the recent Bridge House celebration event. Many thanks to Paula for the image. Also Paula is another winning entry for the Waterloo Festival.

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Dawn Kentish Knox, fellow flash fiction writer, reads some work from her excellent book, The Great War. Image by Allison Symes

Lovely having an appreciative audience, pic taken by Dawn Kentish Knox

I read three stories from From Light to Dark and Back Again. Many thanks to Dawn Kentish Knox for the picture!

Book Buying News!

From Light to Dark and Back Again is available from The Book DepositoryDelivery time on the paperback is 1 to 3 business days.  As ever, reviews are always welcome in the usual places.  The great thing is reviews do not need to be long but they all help the writer, even the indifferent ones!

Fairytales with Bite – Flash Fiction and Fairytales

Flash fiction is an ideal vehicle for fairytales.  Why?  Because the best fairytales set up their world quickly, have a definite conclusion, and often pack a powerful punch.  Flash fiction does this too so to my mind flash and fairytales are a match made in writing heaven.

Flash fiction has to be character led due to its limited word count but you can set that character wherever and whenever you wish.  A few telling details can set up a magical world quickly.  For example from my George Changes His Mind (in From Light to Dark and Back Again), I set up a magical world with the opening line “He refused to kill the dragon.”  The telling detail there is in one word – dragon! The story goes on to show what happens and that is the important bit of the story after all.  I don’t need to use thousands of words setting up the magical world in which this is set.  This is not crucial to this story.  What matters is it IS in a magical world and what George goes on to do or not do.

A lot of my stories are either reflections of a fairytale world or set in it and they are great fun to write but I always focus on what the lead character is like.  That is the crucial point of any story I think but in flash where every word must work hard to earn its place to stay there, it is even more so.

This World and Others – Stand Alone

Part 2 of my CFT mini series on The Joys and Challenges of Writing Series Novels looks at, amongst other topics, how to ensure a book stands alone given no series novelist can know at which point a reader will discover their writing.  It is highly unlikely to be book 1.  Indeed I’ve discovered series at the mid point! Many thanks again to my marvellous panellists – Jennifer C Wilson, Val Penny, Anne Wan, Wendy H Jones, and Richard Hardie – for some great insights.  Very happy to recommend their books to you too.  Great reads one and all albeit for different audiences!

It is true that every writer stands alone, even those that collaborate as they have to go off to write “their bits” before coming back and swapping notes with the other one(s) in the project.  We have to judge whether our work is strong enough to submit and, if there is a choice of places to submit to, which is the best one.  We have to judge whether we have edited a piece enough or if it still needs work.  The call is with us and we are going to get it wrong.  The joy, of course, is when we get it right and a piece is published.

This is where meeting other writers, whether at conferences, online, at courses etc., is invaluable.  There is nobody like another writer to know exactly how it feels when you’re struggling to get the words out or who knows the joy of the words pouring out and work going well.  You do have to share this sometimes for the sake of your own sanity!

I learned a long time ago no writer is a competitor to me.  I write as I write.  I cannot write as you would.  We all bring our unique perspectives to what we write – and that is the great thing about it!

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