Using the Senses, Workshops, and Classical Music

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good few days. It was a bank holiday for many of us in the UK and I loved listening to a special classical music chart – more details below. I find writing to classical music effective. There is something about classical which relaxes me and when I relax, I write more (and I hope better!). As far as Lady is concerned, bank holidays mean bonus walks so she is happy.

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Am delighted to be back on More Than Writers, the blog spot for the Association of Christian Writers, with my post on Workshops.

I share thoughts on what I look for from a workshop I go to as a delegate. I especially check out the workshop leader’s background in the topic they’re sharing. This should never be difficult to find out by the way!

I am so grateful for all I have learned from workshops and will continue to do so. They are a good thing and I am glad Zoom has made more workshops possible.

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For those of you who had a bank holiday today, I hope it went well. Bank holidays are a bit odd for me as I get on with the jobs I would usually do on a Monday anyway. Lady got to see her Hungarian Vizler pal today so it was a normal day for them too!

Mind you, I am enjoying the movie music countdown on the Classic FM Hall of Fame today. I’m rooting for The Lord of the Rings soundtrack to get the number one spot. The soundtrack is perfect for the films. There is everything from opera to Enya on there and it all suits the story so brilliantly.

Talking of music, do you listen to any while you write? I find classical to be soothing and when I’m relaxed, I just get on and write. Sometimes I will hear a piece of music and think that might suit Character X whom I’ve just written about. That’s a good sign. If the characters seem real enough to me to have tastes in music, they’ll seem real enough to readers too.

So working out what your characters are likely to love and/or loathe is a good way to find out more about them and as a result you will write their stories up knowing you know your character well enough to do justice to their tales.

I find it helps to think of it as being “their” tales too. I don’t want my authors’ voice intruding. It is the character which holds my interest in any story I read. I want to find out what happens to them so I take the same approach with my own stories.

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Hope you have had a lovely weekend. Will be talking about Workshops in my More than Writers post for the Association of Christian Writers. That will be up on Tuesday. See above. Can hardly believe the end of next week will see us into September, mind you.

Writing Tip: It has often been said about using all of the senses in your writing. It is a great idea but don’t shoehorn these things for the sake of it as that never works.

If I need a character to eat something, I may well slip in something about how much they loved or loathed the texture of their food etc. Or, even more likely, mention the smell of it. But I won’t get a character to eat something just so I can get the use of another sense into my story.

Everything in your story has to be in there for a good reason. The story should lose something important if you were to take that something out. I’ve found this to be a useful way of gauging whether I do need something in the tale or not.

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Strange day weather wise – a right old mix. Still I guess it prepares us for autumn with September just around the corner. I’ll be talking about Autumnal Joys for Chandler’s Ford Today next week so it’s timely! I don’t do a lot of seasonal writing – my autumn post for CFT and my festive flash fiction writing is about it.

I’ve talked about knowing your character well before but you could consider, as part of the getting to know them process, what they make of the seasons and why they hold the feelings they do. You do get people who love autumn and those who loathe it.

My late grandmother hated it. Always thought it was the season when everything died. I do love it as I see it as the colour change season (leaves etc) and things getting ready for a rest period (winter) and then coming back (spring). You can’t have the spring without the autumn and the winter before it.

This in turn could lead you to thinking about whether your character is generally optimistic or not and what kind of problems their overall attitude to life could cause them. There would be story ideas there.
I thought I’d share one of my autumn stories from a while back. Hope you enjoy it.

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Don’t forget my author newsletter is due out again on Friday. I share links to my online flash stories here as well as useful writing advice and the latest news from me. To sign up do head over to my landing page at https://allisonsymescollectedworks.com and many thanks to all who have subscribed. Much appreciated.

I’ll be talking about Autumnal Joys for my Chandler’s Ford Today post on Friday. Autumn is a busy season writing wise and I have various things to look forward to, culminating in the Bridge House Publishing celebration event in December. I hope to have further publication news soon too.

One good thing about the darker evenings is they do encourage you to stay at your desk and write! Have resumed working on a long term project and it has been great to get back to that so I hope to make good progress on this over the next few months.


It’s a Bank Holiday Monday where I am but it still remains at heart a Monday, that day of the week which can fill people with dread. Time for a story then. Hope you enjoy my latest tale on YouTube – Bobbing for Apples. A bit early for an autumnal story, I hear you cry? Hmm.. Given the weather has taken a distinctly autumnal turn where I am, I thought I’d get ahead of the game here!


Flash illuminates one moment in time but has such a powerful impact because of that. I use that aspect of flash fiction writing to work out whether I want to write a funny story, a sad one, or what have you. I then work out how I can best achieve this.

I focus on one character, one moment for any tale which is 500 words or fewer. For the 500 to 1000 bracket, I may have a second character but I always make it clear whose story it is and there has to be a good reason for the second character to be there at all.

Naturally that second character can fall into the helper or villain category where I have made the main character the “good guy”. Where I haven’t, I can flip that around (though I still like to show where my main character is a villain, the second character has severely damaged them and I have to have a good reason for telling the story from the villain’s viewpoint in the first place).

Flash Fiction focuses on THE important aspect of a character's life

Sometimes I use repetition in a flash tale. An example of this is The Wish List from Tripping the Flash Fantastic. Every sentence bar the last one starts with the words I wish. The story builds up until the conclusion. It was fun to do.

Repetition can be useful. It can be used to build up tension, which is what I did in this story. It can be used for emphasis. But it is important you know what you want repetition to achieve for your story. Otherwise you will use up your word count without having good reason to do so.

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Goodreads Author Blog – Fiction – An Acrostic

F = Fabulous characters in a range of settings, past and present and future, in this world and others.

I = Imagination, inventiveness, images created – all gripping stuff.

C = Characters who live on in your memory long after you have read their tales.

T = Truth is often stranger than fiction but the latter can show truths in a way straight reporting cannot and in a more palatable way too.

I = I can get to imagine what I would do if I was in the characters’ shoes – fiction is great for encouraging empathy.

O = On this world, over it, off this world altogether – fiction can take you anywhere.

N = New books, old books, bought books, borrowed books, audio books, ebooks, collections – treasure them all!

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Imagery in Fiction – oh and Cherryade too!

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. I’m talking about imagery this time and share a new tale on Friday Flash Fiction, which is loosely based on fact. One of the great joys of any of the creative arts is they are beneficial to you as the creator and not just to those you hope will read your work, enjoy your music etc. And in troubled times that is so important. It may not change the world but it will change you – positively.

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Facebook – General – and Chandler’s Ford Today

Am pleased to share Imagery in Fiction my latest post for Chandler’s Ford Today. I look at how writers “paint images” with words, how I use this for my flash fiction, and look at the role of book covers.

Imagery matters which might sound odd for something so obviously text based but let’s just say you’re not getting a pink fluffy cover for a Gothic novel!

And writers have to select the details the readers need to know to make sense of the story and to help bring that tale to life in the readers’ minds. So you plant images created by the words you’ve chosen. I also look at how objects can be used to represent themes in fiction so when you see that object referred to in the text, you see that theme. And then there are the images needed for marketing – chosen to represent the book well “out there”.

So imagery crops up more than you might think. Hope you enjoy the post.

Imagery In Fiction

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I’ll be sharing my Imagery in Fiction post for Chandler’s Ford Today – link up tomorrow. See above.

Being a flash fiction writer means I have to choose my words for my stories with particular care as I am looking for the maximum impact in the fewest possible words. So I am thinking of those choice words and phrases that will conjure up the most powerful images in my readers’ minds.

But whatever length of fiction you write, this is a great habit to develop. It will make your writing more striking. Readers will remember the images you create that much better. Tight writing is taut, powerful writing. Choosing the details you need your readers to see is good fun and you only show them what is the most important things for them to know.

So images then have a purpose in our prose. When you know the basics you want to get across, it is then a question of asking yourself have I chosen the very best images to show your readers? I’ve lost count of the times I’ve gone through my first draft and then spotted something that could be strengthened by replacing one word with a more distinctive one. Details matter.

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Is it true that nothing you write is ever wasted? I think so. I can’t tell you how many rejections I’ve received in my time (and these days they tend to take the form of not hearing back from a competition etc). What did happen is where I could ask for feedback on my work (usually at a modest additional fee), I did that and learned a lot from the judge’s comments.

I’ve also found the more I write, the more ideas come to me (ideas have this lovely habit of sparking off other ones but you to have to learn to trust the process). And in writing story after story after story, you get better over time at figuring out what works and what doesn’t. You learn a lot from what doesn’t work, funnily enough.

And I can’t stress enough the importance of studying the market you think you might want to write for, whether it is a print magazine or an online one. For one thing, you will pick up on “house style” and for another, you get to see what they like and can work out from that whether your piece is likely to fit in.

You do want to be a square peg in a square hole!

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Am pleased to be back on Friday Flash Fiction with Cherryade, a flash acrostic. This one was great fun to write especially as it is loosely based on fact! Hope you enjoy it. And do check out the other stories on there. You’ll be in for a fabulous read. Perfect start to the weekend, perhaps?

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Don’t forget Friday Flash Fiction will have new stories up tomorrow. See above. I hope to have something in there but will report back on that one! Meantime, do check out the wealth of stories here. It will give you a good “feel” for what flash fiction is and can be. It is a great way of getting in contemporary reading in my field in as well so win-win there! And you can literally see what 100 word stories actually look like.

Now I deliberately mix up how I write my stories as you know. I love playing with acrostics, all dialogue tales, setting stories in the past, the present and the future etc. It keeps things interesting for me (and I hope readers).

What you don’t want to do, regardless of what you write, is to rest on your laurels. You need to keep striving to (a) write better, (b) discover new markets for your work, (c) to develop being able to respond to different writing challenges and (d) to get work out there.

Persistence pays. And when a story doesn’t work in one market, have another look at it, Maybe you can send it out elsewhere. I’ve done this and have had work published on a second or third go.

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When I am writing to a specific word count, I tend to have the ending of my story in mind first. This is so I have a clear goal to aim for, of course, but also I then work out what “juicy details” I need to get to that ending. I select only the very best.

The ones that impact on me the most will have the same effect on a reader and I do have an Ideal Reader in mind all the time. It is a good habit to get into to think of your intended audience from the word go. I’ve found just doing that has stopped me going off at unnecessary and ultimately unhelpful tangents. These only get cut out in the edit anyway.

When I’m writing to a more open word count, I focus on how much can I “wring out” from my unfortunate characters! This is because with 1000 words to play with, I can give more depth and show you more of my character’s life as they overcome whatever obstacles I’m making them face. I may even be able to give them more than one hurdle to overcome. But when the character has done all they need to do, I stop, whether that story is at 400 words, 750 words, or right up at the flash fiction limit.

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Fairytales with Bite – Using the Senses

Now in fiction, we are always advised to use all of the senses (where appropriate to do so naturally). It is easy to focus on what a character hears or sees. It’s easy to forget to use the sense of smell (which can evoke memories and powerful associations for your characters).

Touch is probably easiest to use for the romance writers amongst us but it can be easy to forget to bring that one in too. Having a character pick up a photo frame with their loved one’s picture inside it will resonate with readers. We’ve all done that. Taste can be brought in obviously for food and drink scenes but in your magical world, are there other senses which you could bring in?

Can your character detect when magic is about to be used, for example? What reaction does that cause in them so they can detect it? Do they generate it themselves when they are about to let fly with the magic wand? Are their “normal” senses heightened in an way in the presence of magic? How can you use these things to help or hinder your character in your story?

 

This World and Others – Cooking and Culture

One of the nicest ways of appreciating other cultures is to discover their food and enjoy it! Everyone needs to eat and drink after all. So can you use that element in your stories? Which cultures would you bring together? Which foods do they have in common? Which foods are distinctive to each one? How is cooking done in your stories? Is it as we would know it or by magic?

I maintain there is nothing as good as properly produced food and I would worry about whether magic could contaminate the food in some way. After all if you’ve just used your wand to turn someone into a frog, would there still be elements of that spell remaining in the wand when you then use it to whip up a souffle?! (You could get humorous stories from that kind of scenario).

Sometimes cooking can divide people as to the best way of producing a meal. In the UK, there are two ways to have scones with cream and jam. Some maintain that the cream must go on the scone first, then followed by the jam. Others insist it is the other way around and never the twain shall meet! So you could use things like that to cause division and conflict in your stories that your characters must find a way of overcoming.

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