Introducing Rosemary Johnson – Wodka, or Tea with Milk: The Road to Publication

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. Many thanks to Rosemary Johnson for supplying author and book cover pictures and images of her trip to Poland for the Chandler’s Ford Today interview this week.
Hope you have had a good week so far. Christmas preparations are coming along. So pleased to have my cards out! Mind you, it is lovely seeing the cards coming in. Nice way to keep in touch. Lady, as ever, will be looking forward to her Christmas dinner and inevitable toys. She is a great believer in Santa Paws. Writing wise, so pleased to be back on Hannah Kate’s Three Minute Santas show again and also to have another story on CafeLit (coming up later this week, will share on next post here).

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Facebook – General and Chandler’s Ford Today

Am delighted to welcome Rosemary Johnson to Chandler’s Ford Today this week to talk about her novel, Wodka, or Tea With Milk. Rosemary shares her road to publication, which has not been an easy one, and what she thinks about writing blurbs. There is much here for many writers to identify with!

She looks at what triggered her love of creative writing and much else besides. Do enjoy a cracking interview and, many thanks, Rosemary for coming on to CFT. Also thanks for a shout out on your blog (see second link) and for referring to me as a flash writer supremo!

Introducing Rosemary Johnson – Wodka, or Tea with Milk: The Road to Publication

Chandlers Ford Today

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Will be sharing a fabulous interview with Rosemary Johnson on Chandler’s Ford Today this week. Link up tomorrow. Do look out for it. See above. Rosemary will be talking about her book Wodka, or Tea With Milk, which is set against the backdrop of the Solidarity movement in the early 1980s, a time I recall well.

I love author interviews. I always learn so much from them. And even if you are not published yet (note the yet!), it is worth preparing for these.

Why? Because it gives you some useful practice in working out what to say about your book or story and to keep it succinct and interesting. That may well prove to help you in preparing a short description when you are ready to submit said work to a publisher. In reading/listening/watching other author interviews, you can learn from how they’ve done this. I know it has stood me in good stead.

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Lady got to play with Coco today. Two happy dogs. Always nice to see that.

My story, I Do, I Don’t, will be on CafeLit on 17th December. This story started life as one of this year’s Flash NANO prompts. Link to come later in the week.

Looking forward to an informal Christmas chat/review of writing year with the Association of Christian Writers Flash Fiction Group next week. Glad to say three of us will have pieces on the Three Minute Santas show hosted by Hannah Kate at the weekend. This is especially nice as we managed this last year too!

Writing Tip: Festive flash fiction is the main seasonal writing I do. I’ve found it helps to focus on one thing – whether I’ll feature Santa or someone present at the Nativity etc. But for the other seasons, you can pick telling details to flag up to a reader the season in question.

For autumn, I could mention the nights drawing in earlier, or harvest events, or leaves changing colour but I would pick one as the detail for the reader to pick up on. I’ve never believed in laying it on with a trowel! One good thing about flash is the word count limit does stop you doing that.

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Facebook – From Light to Dark and Back Again

Delighted to share my story, Breakdown, on Friday Flash Fiction. This is the second entry by me for the Christmas competition. Here you can find out why Santa needed to call out a mechanic. Hope you enjoy the story.

Screenshot 2023-12-15 at 11-54-50 Breakdown by Allison Symes

Closing date for the Friday Flash Fiction Christmas Competition is midnight tomorrow, Friday 15th December. Entries to be 75 to 100 words (and the word counts are checked!). So you do still have time to get something in for this one. More details in the link.

Have another story I want to enter for a competition elsewhere. It is almost ready. Deadline is the end of the year but I want to get it in this side of Christmas to make sure (a) I don’t forget to do it and (b) to follow my own advice to get a submission in about a fortnight ahead of the closing date!

If you are entering any Christmas related competitions, good luck! Even if you don’t win or get shortlisted, these are still good things to try as they’re fun and they get you working to a deadline and word count. That is always useful to practice.

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Every so often I will use something I’ve seen in a film to inspire a flash fiction story. Where the Wild Wind Blows (Tripping the Flash Fantastic) is an example of that. The film in question is The Wizard of Oz. This is good fun to do because I can take the viewpoint of another character and run with that.

Indeed it is how I got into print back in 2009 with my A Helping Hand in Alternative Renditions (Bridge House Publishing). So give some thought to the films and stories you love. Is there someone you think has been unfairly represented and who deserves to have their story told? In my first story, I went for the viewpoint of the less unkind stepsister to Cinderella.

Think about the kinds of characters you love to read about. What is it about them that draws you? What can you take from that to put into your own creations? Inspiration comes from thinking about what you like yourself in stories. So the more you read, the more inspiration you’re opening yourself up to getting! That’s never a bad thing.

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Fairytales With Bite – The Christmas Tree Fairy

Hope you enjoy the following festive themed tale of woe. Who would be the fairy on top of the Christmas tree?

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The Christmas Tree Fairy by Allison Symes

They get me out of the big cardboard box once a year.
They need five minutes to get the dust out of my ear.
I am given the place of honour, you see.
I must sparkle and shine, every part of me.
I look down at the festive tinsel and lights.
While affixed, I get ladders in my tights.
I watch them scoff all the Christmas chocs
Then doze away by the telly box.
I try to make the most of what I can see.
Takes my mind off having been rammed on a tree.
Pleasant it is not, there are places pine should not go
But I’m just a toy fairy, they think, what would I know?
And then before I know it Twelfth Night is here.
Tomorrow I go inside for the next year.

Ends.
Allison Symes – 13th December 2023

Advantage to flash is setting characters anywhere

This World and Others – Unexpected Visitors

In your fantasy setting, what would count as alien to your usual residents? What would they make of unexpected visitors? What do they expect to be “normal”?

In the Nativity story, I have every sympathy with the shepherds being terrified when the angels arrived. Well, you would be, wouldn’t you? The shepherds knew that bright light wasn’t a natural one (at least not natural to this world). But what would frighten your characters? Would they listen to whoever their unexpected visitors were?

Why would the unexpected visitors come to your setting? Is it a peaceful trip or is there sinister intent behind it? How would your main characters handle this?

I would expect fear, hostility but do you have characters who could see the potential of getting along with the visitors, seeing benefits to both worlds? Would anyone listen to them and give them the chance to see if that potential could be realised?

Definite story ideas there!

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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Hooks, Colours, and The Queue

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. I’ve been watching the various ceremonies for our late Queen and am amazed at how beautiful a building Westminster Hall is. I’ve been to the Abbey but not to that so this is something to make amends for, I think.

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Facebook – General – and Chandler’s Ford Today

Loved a tweet I came across earlier which felt we had reached peak Britishness re The Queue (definitely capitals needed there) and it now having regular weather updates. All that was needed was for the tea to come out (and I am sure someone has organised that!). We do queues well. We organise well. We have organised a queue – a very special one. Yes, I’d say we’d reached peak Britishness all right!

Am pleased to share my Chandler’s Ford Today post about Hooks. Hope you find it useful. I look at different kinds and why it matters that the author plays fair with their readers. We do have to deliver on our hooks.

I love a good hook and enjoy it when I guess how the story will pan out. I like it even more when the writer wrong foots me. I then go back through the story and look for the clues I missed on my first reading. You learn a lot from doing this, much of which you can apply to your own writing.

Hooks

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The flowers around Buckingham Palace, Sandringham, Balmoral etc are so very lovely.

My Chandler’s Ford Today post tomorrow will be about Hooks. I’ll be looking at some of the ones I use most often, discuss the importance of playing fair with your readers, and I’ll ask if you can have too many hooks. Link up tomorrow. See above.

Hooks are useful for non-fiction as well as stories of course. They just differ a bit in type. A hook for a non-fiction piece would be for me to share some indication this post or article is going to tell me something I need to know. (Sometimes something I didn’t know I needed to know too!).

The important point though, whether for fiction or non-fiction, is the hook does have to deliver on its promise.

Non fiction can have hooks too - useful information

The service for the late Queen at Westminster Hall today was lovely. It is a beautiful building but I was struck by the vivid colours of those taking part, on the coffin itself, and down the Mall and Horseguards. I thought it apt too given Her Majesty loved her own vivid colours.

I sometimes use colours as a a distinguishing feature for my characters. For example, rather than say Character X had a moth-eaten coat, I’ll show you they had a red moth-eaten one. The addition of colour makes the information given here more pertinent and I think much easier to visualise.

And you can tell something about characters from the kinds of colours they choose to wear – red is vivid, dark blue less so. I would expect the character’s personality to match that. (Incidentally that can be twisted. A shy character can wear red to try to give themselves more confidence but the story should make it clear that is what they’re doing and I would then expect to find out whether the character succeeded in their aim here or not).

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Facebook – From Light to Dark and Back Again

I sometimes write flash stories in the form of a letter and I’ve done so for my piece on Friday Flash Fiction this week. Hope you enjoy Times Past.
Screenshot 2022-09-16 at 09-34-16 Times Past by Allison Symes

When you write, do you have anything on in the background? I listen to classical music as it helps me relax and when I’m relaxed, I find I get “into” writing that much more easily.

You could also think about what makes your characters relax and why they might need that. What has stressed them out that they need their comfort of choice? Again, especially for flash, it’s the telling detail which is needed here. I could get my character to make themselves a huge mug of hot chocolate and put on Beethoven’s Moonlight Sonata for instance. That character will be different to someone who pours themselves a large double whisky and puts on a hard rock track.

Think about why your characters have the tastes they do. How do these indicate their personality, especially that which they keep hidden from other characters in your story? Also what are they hiding and why? Are they successful in hiding it?

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I like to use specific details about a character to help bring them to life for potential readers. Specifics are easiest to visualise and you can infer a lot from them too – saves on the word count too! The nice thing here is you have a wide range of things to choose from here. You can use colours, a character’s tastes in music, food, the senses, their favourite book and so on.

A reader will take different things from a character loving Winnie The Pooh in adult life compared with someone who likes the latest horror instead, for example.

And you can always use a random generator (objects, pictures etc) to help you work out what those specific things could be!

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Fairytales with Bite – When an Era Ends

I’m writing this in the week after the death of Her Majesty Queen Elizabeth. The mood in the UK generally is sombre and sad, as you would expect. The Queen was just a constant presence and it is odd to think she has gone, despite her great age.

Now when it comes to your fiction, who rules in your story world and what happens when there is a change of leader? Is that done peacefully or not? What rules are there in your setting to allow for changeovers? And if you are writing about immortal characters, are they only allowed to serve for so long? This is also where time comes into play. How does that work in your setting? Do your characters age? Is there a natural time for leadership etc to come to an end?

How do the people cope with the end of an era, especially if it has been a long one? If some cope better than others, there could be interesting stories there as to why that is, especially if that triggers resentment in the ones not coping so well.

Going into a new era, are people optimistic or fearful? What is behind the way they feel? Does the world’s history give them good grounds for fear, say?

And just what does the new era usher in for your characters? What are the likely positives and negatives here? Also, will anyone try to get in the way of the one likely to succeed as the new leader?

 

This World and Others – Changes

Changes in life are inevitable though not always welcome of course. Do your characters embrace changes or try to resist them? Do changes come in thanks to advances in technology and the like or through the way life is lived in your setting?

Are there certain types of changes your characters take in their stride or do they struggle with any kind of change?

Changes can also be seen as opportunities. What kind of changes have led to improvements in the way your characters live/their health/their quality of life etc?

Are our characters the kind to bring in changes for the benefit of others (or are they power hungry and the changes they seek are not in the general good)?

Any kind of story from the shortest piece of flash fiction to the most epic novel has to have change in it. Something happens to a character. The chraracter reacts – there are consequences and conflicts which have to be resolved in some way.

But the joy of characterisation I think is inventing different people who react to these things in different ways and I want to find out what happens to them. If you’re intrigued by how your characters handle changes in their circumstances, then your readers will be intrigued too.

And we all know what it is to have changes we don’t like thrust on us. We know we have to find a way of coping with things. That’s where empathy for characters come in because they can live through things we don’t have to and we can learn from how they do handle things.

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