Underlining In Fiction


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots and one photo were taken by me, Allison Symes.
Hope you have had a good week. Mixed bag weather wise (hot, cold, windy etc). Will be having another story on CafeLit next week and am looking forward to sharing that. Working away on further workshop material too.

BookBrushImage-2022-6-24-19-428

Screenshot 2022-06-24 at 09-19-44 Underlining in Fiction - Chandler's Ford Today

Facebook – General – and Chandler’s Ford Today

Pleased to share my latest Chandler’s Ford Today post on Underlining in Fiction. I look at how writers can stress points without seeming to repeat themselves. Also I look at where repetition, carefully used, can be effective too in underlining an important point. I give an example of underlining that I use when running workshops. (It’s also a good example of show and not tell).

I discuss how characters themselves can do the underlining, whether they are conscious of that or not, and why it matters to pick the right thing to underline.

For example, I want my readers to pick up on my themes from what I show them through what my characters say, do and think. I don’t want to have to spell everything out (for one thing I think that’s boring – I love working things out for myself when I read other writers’ books. I just need the right clues).

The best underlining is subtle. You want your readers to absorb things and work things out and to have fun doing that!

Underlining in Fiction

This slideshow requires JavaScript.

Cooler today though Lady, and her lovely gentleman friend, a wonderful Aussie Shepherd, were clearly happy about that as they ran around. It was a joy to watch them.

My Chandler’s Ford Today post (Underlining in Fiction) goes up tomorrow – I don’t know where the time has gone as I rapidly head towards the end of this series. Link up above.

I use a variety of ways to find ideas for my blog posts, as well as my fiction. Often the random generators (especially the theme and question ones) can be used to trigger ideas for a CFT post say.

For example this came up on the random question generator I often use – If you lost all of your possessions but one, what would you want it to be?

  1. I could invent a character here and get them to answer the question (and that would be the story. Nice thing about that is I’ve got a basic structure in place immediately too. Questions always need answering!).
  2. I could answer the question directly and frame a CFT post around it.

You get the idea so why not give the random generators a go if you are looking for non-fiction inspiration.

This slideshow requires JavaScript.

 

Another hot day here though Lady was pleased to see her best buddies, the Rhodesian Ridgeback and a lovely Hungarian Vizler, today. Am looking forward to another swim tomorrow.

I’ll be talking about Underlining In Fiction for Chandler’s Ford Today – post up on Friday. See above. Am busy getting my author newsletter ready for July. Do sign up for tips, stories, prompts etc at https://allisonsymescollectedworks.com.

Do you find it harder or easier to write much in the hot weather? I must admit I flag a bit but this is where writing short pieces is a bonus as I still feel like I’ve got something useful done and that is enough for me.

This slideshow requires JavaScript.

Facebook – From Light to Dark and Back Again

It’s Friday. It’s storytime. It’s time for Friday Flash Fiction. Hope you enjoy my latest – A Picture Paints a Hundred Words. Written in exactly one hundred words of course, barring the title.

Screenshot 2022-06-24 at 11-42-40 A Picture Paints A Hundred Words by Allison Symes

Getting into the head of your characters is vital in any fiction but for flash, with the short word count, it is essential to do that from the get-go. This is why I outline what I need to know about a character before I start writing their story up. I need to know what their reactions to any situation would be at once – I can then decide which situation I’m going to throw them in! It is great fun dropping your characters right in it.

I read a wonderful short story ages ago in The Oxford Book of Humorous Prose (compiled and edited by the much missed Frank Muir) where the characters come to life and berate their author. Very funny – and a teensy weensy bit scary for any writer I think!

Knowing your character’s basic attitudes (and why they have them) is a good way in here. Fleshing your character out means you are more likely to write their stories up with conviction because you know your character is definitely capable of this. You’ve already seen how and why they would be like this.

I’m convinced a writer’s belief in their character does come through in the story. Certainly I can sense when a writer has fun with their character precisely because I do the same thing myself with mine.

This slideshow requires JavaScript.

 

I have fun sometimes having titles which are capable of more than one interpretation. For example in my story Serving Up a Treat from From Light to Dark and Back Again, I can take that in a lighthearted way or not, as I see fit. (Not saying which way I did though – do check out the book! Yes, I know I’m bound to say that!).

I also see this as giving my imagination more room in which to work. Proverbs and well known sayings come in handy here. And guess what I just found? Yes that’s right – a random proverb generator! Will take up less room than the old book of proverbs I suppose but this will prove to be another useful tool to use to trigger story ideas. Hope you have fun with it too.

20220624_195637(1)

Fairytales with Bite – Character Development

I am partial to character development in any story, regardless of what genre it is or its word count length. Indeed I don’t think you can have a story without it given something has to change and often it is the character that does the changing. Sometimes it is forced on them if they are going to survive. Sometimes they are happy to change. Maybe they have been waiting for the chance to do so and escape something.

In fairytales, I think this is even more important. I don’t think a wave of the magic wand should be the cure to all ills. Where’s the drama in that? Even when the fairy godmother turns up to help out, I still want the main character to have done something to merit that help and to still have problems to sort out after the wand waving!

To avoid the old problem of character cardboard cut-outs, your character does need to have some sort of back story which has a bearing on their story now but which they overcome. That is the kind of development I love to read and write.

So think about how your characters will develop over the course of your story. Where is the moment when they have to change and go on to better things? How do they make themselves face up to what has to change? Great conflict can come from a character’s internal struggle as well as external circumstances.

BookBrushImage-2022-6-24-20-530

This World and Others – Formative Experiences

One of my earliest formative experiences is that of my late mum teaching me to read before I went to school. Back in the day, she got told off for that. (These days they’d probably give her a medal). Apparently Mum taught me in the wrong way. Have I felt the lack? Not a bit of it. Am I grateful to Mum for giving me my life-long love of books and stories (and from there the wish to write my own)? Oh yes!

What kind of formative experiences have shaped your characters? What impact are they having on your characters’ lives now for the purpose of your story? I don’t always put such things into my stories but I need to know enough about my characters to be able to envisage what they would do and how they would react in any given situation. Knowing what drives them including formative experiences is so useful here.

Also bear in mind a society’s formative experiences as well. A society which has had to face continual threat of invasion is likely to have a reasonably strong military to try to counter that and/or seek alliances with other threatened worlds. So their attitudes towards diplomatic relations will be different from a strong, isolated kingdom which feels it has no need of anyone else. Their people’s views and attitudes will be coloured by things like that.

BookBrushImage-2022-6-24-20-1226

Twitter icon

https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js

Processing…
Success! You're on the list.

Flash Flexibility, Writing Workshops, and Supporting Other Writers

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. 
Hope you have had a good few days. Summery weather at last which Lady and I have loved. I have publication news too so it’s a good start to the week in that department too.

BookBrushImage-2022-6-21-20-4155

Facebook – General

Lovely day today and Lady is very happy because she got to “boop” her best mate, the lovely Rhodesian Ridgeback. Usually the Ridgeback boops Lady. For dogs, it really is the little things in life that bring them the most joy (oh and dinner of course!).

Delighted to say I can now reveal I will have another story on Cafelit on 27th June. Looking forward to sharing the link on that then. The piece comes from a homework exercise I set for members of the Association of Christian Writers Flash Fiction Group.

Will be off to the theatre again in July with my lovely editor from Chandler’s Ford Today, Janet Williams, Looking forward to seeing the latest production from The Chameleon Theatre Group. Will review in due course. I should’ve finished my In Fiction series for CFT by then – wish me luck finding something suitable for the letters V and X! I hope my years of Scrabble paying might help here!

BookBrushImage-2022-6-21-20-2357

Hope your Monday has been okay. Busy as ever here though the weather was lovely. Glad to say I’ll have further publication news to share soon so that’s a smashing start to the week.

My Chandler’s Ford Today post this week is about Underlining In Fiction. I’ll be looking at how to stress points to a reader without needless boring repetition and talking about planting the right clues. Link up on Friday.

Amazon currently has offers on the paperback of both From Light to Dark and Back Again and Tripping the Flash Fantastic. See the link.

Writing Tip Number 3,004 or something like that but one I’ve found incredibly useful: time away from a piece of work is crucial. You do need the distance in terms of time away from it so you can see where it has strengths and, more importantly, where it hasn’t!

With my judge’s hat on, I can spot those stories where an author has clearly given themselves enough time away from their story as they have then edited it effectively too.

The trouble with editing a story immediately is there tends to be two responses to it – this is a work of utter genius, no work needs to be done to this deathless prose, or this is a work which I really shouldn’t have bothered with, everyone will loathe it. Neither are true. The truth is your story will have promise but needs polishing up and sharpening to show bring its potential out.

Screenshot 2022-06-20 at 20-11-22 Amazon.co.uk Allison Symes

Many thanks for the comments in on Time Off, my latest tale on Friday Flash Fiction. Some smashing feedback, all appreciated.

Going back to my Authors Electric post yesterday on Writing Workshops, I can’t stress enough how important it is to support other writers (something Friday Flash Fiction does very well, as does CafeLit). Nobody produces a perfect bit of work immediately (and is there any such thing anyway? I can look back at my earlier stories and see immediately how they could be bettered but they were where I was at during that time of my writing life).

We all have to start somewhere. We can all improve on what we do. It takes time and practice. There are no shortcuts for anyone.And people remember those who support them. They also remember those who were unsupportive. Which would you rather be known as – a supportive writer or not? I know what camp I want to be in! (That thought is assisted by the old saying make your words sweet as you never know when you’ve got to eat them!).

18th June – Authors Electric
It’s my turn on the Authors Electric blog and this month I’m talking about Writing Workshops. I discuss what I love about these, whether I run them or go to them, and look at how old school pen and paper can come into their own at these things. Hope you enjoy (and I’m looking forward to running another workshop at the Swanwick Writers’ Summer School in August).

This slideshow requires JavaScript.

 

Facebook – From Light to Dark and Back Again

Flash has more flexibility than you might think. Yes, there is the word count issue but I’ve written stories in the first person, the third, as diary extracts, as well as setting my characters backwards and forwards in time. I’ve written fairytales with bite, crime tales, the odd ghost flash piece etc.

What influences all of this are the kinds of story I’ve loved reading over the years and which I continue to love and read. It really has paid off for me to read reasonably well and widely (I don’t think anyone can claim to be perfect here. Why would you want to be anyway? You want there to be other books and genres to discover after all!).

BookBrushImage-2022-6-21-20-3019

Many thanks for the views on my YouTube tale last week (or should that be tail?) – The Unexpected. But it is Monday once again and time for another video. Hope you like this one – The True Picture. I used a random verb generator which triggered the word picture and here is what I came up with for that prompt.

Sometimes I have an idea for what I think will be a flash piece but the story really does deserve a larger word count. So I simply write that piece for the short story market instead (and my stories tend to come in at 1500 to 2000 words for that). Sometimes what I think could make a good short story really does work better as a shorter, tighter flash piece. And that’s all fine.

It’s why it has paid me to ensure I have a foot in both camps when it comes to short form storytelling. What matters is the story is right for the character (and vice versa) and the story has a proper beginning, middle, and end. The story ends with a proper resolution to the dilemma the story is about and sometimes that will come in at a longer or shorter word count that you might have originally anticipated.

 

I’m chatting about Writing Workshops for Authors Electric this month (see my author page on this – https://www.facebook.com/allison.symes.50) and one advantage to flash fiction here is these are easy to share when you want to discuss elements of story writing. They don’t take too long. They also demonstrate the points you’re trying to make. (And it’s another way of spreading the word about flash fiction so win-win there!).

I’ve found flash pieces are especially useful for demonstrating the old advice of show, not tell. Precisely because I don’t have the word count room for description, I do have to get my characters to show the readers what matters. And showing a point gets things across more clearly I find. I’ve been on the receiving end of that benefit many a time from workshops I’ve been to and have always appreciated that.

Screenshot 2022-06-18 at 20-05-37 (4) Allison Symes Facebook

Goodreads Author Blog – Book Covers

For a book to grip me, I have to be gripped by its characters, but the right book cover is what is going to get me to look at the blurb, the opening page, and then go on to buy said book. I want the cover to show me something of the mood/genre of the book, to be attractive, and to intrigue me enough so I do pick the book up in the first place. Not asking much. Hmm…. No wonder book covers are so difficult to get spot on.

My favourite quote on the topic comes from the wonderful P.G. Wodehouse who, in a letter to a friend, said “God may forgive Herbert Jenkins Limited for the cover of……… But I never shall!” Book title deleted here to protect the guilty. I highly recommend the Wodehouse books of letters by the way – there is a wonderful one edited by Frances Donaldson (Yours Plum, the Letters of P.G.Wodehouse which is where I came across this quote) and another which was edited by Sophie Ratcliffe (Wodehouse: A Life in Letters). Both are fascinating reads.

It is some comfort to me as a writer that even the big names didn’t/haven’t always liked the book covers they’ve been “given”. I’ve been fortunate here in that my small indie publisher has ensured I have had some input into my covers which is something I’ve appreciated.

The author ought to have some idea of themes etc that their book cover could draw on though, rightly, the publisher should have the final say given they know what has worked for them already and can drawn on that kind of knowledge one author is simply not going to have.

So then what works for you with book covers? I don’t like over-complicated ones. Indeed my Agatha Christie collection (good old Odhams Publishers) are simply red hardbacks with gold lettering – simple but effective. The Lord of the Rings trilogy has Gandalf striding out in bad weather and again works well (I know immediately this has to be a fantasy quest).

Screenshot 2022-06-18 at 20-24-23 Book Covers

 

Twitter Corner

https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js

Processing…
Success! You're on the list.