My story, The Delivery, is now up on Cafelit. It looks at what can happen when you fall foul of the old boss and not just any old boss, come to that. Hope you enjoy. It was good fun to write!
Facebook – General – and Chandler’s Ford Today
My CFT post this week was a real labour of love. (They all are but this one is particularly so). I get to talk about Swanwick Writers’ Summer School! I also look at why seeking to develop and feeding your mind is so important to a writer.
The lovely thing is you feed your mind through fabulous things like reading and interacting with your fellow writers! The best forms of development should be fun (otherwise you won’t stick with them, will you?).
Image Credit: All Swanwick images taken by Allison Symes, except those of me reading at the Prose Open Mic Night. A huge thank you to Penny Blackburn for those. Captions as ever on the CFT post. (Also it was great to include here a photo of Jennifer C Wilson of the Kindred Spirits series at her Social Media for Writers talk at Swanwick, which rightly was very well received).
Tough questions to answer:-
1. Why does time drag when doing anything boring yet flies by when you’re enjoying your writing and/or reading? The latter is when I want time to slow down, thank you. I wish there was a way we could control these things.
2. Why do you run out of paper and/or printer ink half way through printing a MSS you want to work on? Why can it never be at a convenient moment? I’ve lost count of the times I’ve had to re-run a significant portion of a MSS because I went and did something else during the printing, only to come back and go “argh” (or swear, much depends on my mood!), as I discover the last 30% or so is not readable.
3. Why are there either loads of writing competitions you want to go in for because you know you can meet the brief or none at all when you could do with them? You either have the dilemma of working out what you can do in the time and miss out on entering some because you know you can’t do them all, or have nothing to submit to, and neither is good!
Special moments for writers:-
1. Finishing first story/article/book. Just getting to the end is a huge achievement. Well done! (Many say they will write, many will start, not all will see it through and complete the work).
2. First rejection. I know it sounds odd but it is proof you are getting work out there. Also, all writers get them. You’re not going to avoid this (so it’s best to face up to this and remember it is never, ever personal). This is where it can be helpful to have a couple of pieces of work out there at any one time. There is always something then that might do better.
3. First publication.
4. First writing conference (and knowing you fit right in!).
5. First acceptance of a previously rejected piece of work. You’ve looked at the piece again, edited it again, and send it to another competition or market. They take it. I believe no writing is ever wasted. So what might be rejected now might, with more work, be accepted somewhere else later.
6. Discovering new competitions/markets to submit to – this is fun!
7. First review of something you’ve written (on the assumption it is a good one).
8. First shortlisting in a competition.
9. First book signing.
10. First taking part in a book fair etc with other writers. (Okay, getting sales is another matter but it is good experience and usually fun too. They can be great opportunities to engage with readers. I’ve nearly always found, after an event, my Kindle sales have gone up even if I didn’t sell many paperbacks).
Can you think of others to add to this list? I’ve treasured all of the above (and still do).
Facebook – From Light to Dark and Back Again
Delighted to have my story, The Delivery, up on Cafelit today. Hope you enjoy.
Will be out and about over the weekend so hope to get more work drafted while travelling. It’s a great use of time!
Which writing exercise do you find the most difficult?
For me, I think it is where you have to put a certain line in the middle of a story. I have written these but not often as I much prefer an opening line or a closing one.
With closing lines, I will “outline backwards” before writing the story up to make sure I get to the required line in a way that makes sense. Once I’ve got my outline I will look to see if I can improve on my initial thoughts. I nearly always can and then when happy with the outline, I write the story up.
But with a middle line, I’ve found the temptation is to cut the story into two halves. The problem with that is it may well come across to the reader as a story of two halves, which is not what you really want. So the trick there is to ensure you can’t see the join, as the wonderful Eric Morecambe so often said to the equally wonderful Ernie Wise!
What is your favourite writing exercise?
I love them all but I think for me it has to be the opening line. Why? Because a promising opening line can take you in all kinds of directions and that’s very addictive!
Usually with this I jot down a few thoughts as to where the story could go and then pick the one I like most and away I write. I do look at the ones I discarded again later and occasionally pick up on another one or two on the list. Why only occasionally?
Because inevitably those at the top of my list are the “obvious” ideas and while there is nothing wrong with them, a competition judge will have seen them all before. You want your own take on the theme that has been set which still meets that theme. You have to dig deep to find the gold.
One wonderful idea that came from Swanwick was to write down your first ten ideas. Having to come up with ten forces you to think more deeply (and laterally) about the topic and that is never a bad thing. And this can be applied to whatever kind of writing exercise or prompt you use too.
Fairytales with Bite –
Top Tips for the Aspiring Character
You are a character who wants to come to life on your creator’s page but they’re umming and ahhing about whether you are really the character they want to lead what they laughingly call their story. It is your story, naturally. They just haven’t realised it yet. So what can be done to make your writer give you your proper place in the tale? Top tips include:-
1. Ensure your personality is strong enough. Don’t be a doormat. Doormats not only get trodden on but, far worse, they’re forgotten. That must not happen to you.
2. You must have good turns of phrase so your conversation is unforgettable too. If you can be witty and come out with appropriate one-liners, so much the better. Readers remember those. Your writer should remember that.
3. Are you prepared for adventure? Are you happy for your writer to drop you right in it, several times if need be and usually from a great height? Yes? Good! They can do what they like with you then and they will like that.
Good luck! (And tell your writer to get a move on and get you in the story).
This World and Others – Back to Earth
I had a wonderful week at the Swanwick Writers’ Summer School and now it is back down to earth once more. I share a little of what it is like at Swanwick on my Chandler’s Ford Today post this week. I do think you need at least a week to get over a holiday, wonderful writing school or what have you.
How do your characters react when they have to come back to reality after their adventures? Most of the time we don’t find out of course because the story stops when the adventure does. One thing I love about The Lord of the Rings is it does show that things are never the same again, particularly for Frodo, when he finally returns to Middle Earth. I won’t say more than that but I thought this part of the story is realistically done. Frodo would be affected by all that he has gone through.
All stories should show that your characters (especially your main one) have changed in some way, otherwise there is no story. Changes can be positive or negative. Now I must admit I generally prefer positive changes but there is a place for the opposite. What would work best for your character and story?