Books On The Radio

Image Credit:  As ever, images are from Pixabay or Pexels unless otherwise stated.

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My CFT post this week is all about the links between books and radio. I also share the radio interview links for YA author #RichardHardie and myself when we were on #ChatandSpin radio recently.

(I also share the link with Wendy H. Jones‘ marvellous podcast The Writing and Marketing Show where I discussed, well what else, flash fiction!). This is a post you can read AND listen to! Hope you enjoy.

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It was good fun to take part in the Chat and Spin radio interview, as well as being a guest on Wendy H Jones’ The Writing and Marketing Show.

(For more see my CFT post this week called Books on the Radio – https://chandlersfordtoday.co.uk/books-on-the-radio-local-a…).

Now I’ve mentioned before that preparation is key and it is. I prepared too much material for both shows but (a) I know I can use that material at some point and (b) it settled my nerves a bit knowing I had material to hand. I can’t overstate the importance of (b) there!

I hope to put some of that material on my website at some point (but you can still check out my website anyway meantime!!). See https://allisonsymescollectedworks.com/

I also hope after the Waterloo Arts Festival event I’ll be involved in on 12th June to put the video I made for that on my website too.

And yes preparing material for future website usage is also a good idea and helps to keep that fresh and keep followers interested.

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Am at the very happy stage of the second edit on my Tripping the Flash Fantastic, which is due out later this year. Also planning my blurb and cover material. All good fun to do!

(Will be following my own advice on a recent CFT post in that I hope to have a cyberlaunch in due course and I will be preparing material for that too. It is always better to have too much material and not use all of it than be in a panic on the night because you haven’t got enough!).

Have also selected another writing competition to have a crack at. Deadline is not until July but that gives me plenty of thinking time. (I will set my own deadline for this to be the end of June so I make sure the story is in well ahead of time and I have time for that extra polish which can make all the difference beween a piece being accepted or not).

When I don’t have a lot of time to write, I draft blog pieces and build up a stock of these. It means I’ve got something ready to edit and send off where appropriate as I blog for the Association of Christian Writers and sometimes have pieces appear in their journal, Christian Writer.

I also like to have pieces to hand that I can adjust and turn into articles for Chandler’s Ford Today.

So always something to do then and that’s just how I like it!

 

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How do you feel when you get to the end of a first draft?

Relieved that part is over?
Sorry that part is over?
Dreading the edit(s) (especially as you know there’ll be more than one!)?
Wishing it hadn’t taken so long?

For me, it is a combination of the first and last ones! So over to you then. What is your reaction the moment you write The End for the first time?

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Association of Christian Writers – More than Writers –

Honest Writing

A busy night for me this evening as it is my turn on the More than Writers blog spot. This is the Association of Christian Writers’ blog and my piece this time is called Honest Writing. Hope you enjoy.

 

Twitter News – @AllisonSymes1

I’m slowly learning to use Twitter more and I thought I’d share something here which is also a good piece of marketing (and great fun to take part in!).

The only book I couldn’t get into the above tweet was Magnetism where I have a short story. This book was produced by Gill James and features the work of Cafelit and Bridge House authors.  It is very much meant to give a flavour of what we do. To get a FREE COPY of this book, you just need to sign up to Books, Books, Books.

Magnetism Small

 

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The “oomph” moment in a flash fiction story can take different forms and be in varying places in the tale.

The whole mood of my story Calling the Doctor (see book trailer below!) changes on the very last word. This is why it is one of my own favourite pieces.

One of the challenges of flash is to find the right “oomph” moment for your character and to place it in exactly the right place in the story.

In this case, had I placed that particular word earlier in the story, the impact of the story would have been severely diluted.

But sometimes I start a story with a powerful moment where you know from that point onwards, something has got to change and quickly. The fun of those stories is in finding out what that change is and what its consequences are – and there are always some! – and it is just as much fun finding that out when you’re writing the tales!

My CFT post this week is about Books on the Radio and I’ll be sharing links to radio interviews on Chat and Spin Radio which YA author, #RichardHardie, and I took part in recently. I’ll also be looking at the general role of books on the airwaves. Link up on Friday.

Naturally for the radio interview I was waving the flag for flash fiction and books being a perfect form of escapism. And whether you write them or read them or do both, that escapism is so welcome right now!

My favourite flash stories are the ones that make me smile or laugh though. I do like the emotional ones where you really want the character to do well and they can’t/don’t but, for me, you can’t beat a good laugh.

Flash lends itself well to humorous stories because they often work so well when kept short. Flash helps a lot there!

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Fairytales With Bite – Making Space

I believe fairytales and fantasy fills the spaces between reality and chaos. Why? Because so many tales in these genres reflect what we can be like, while others give strong moral messages. Why do we need such things?

  • To guide us as to what our behaviour should/should not be;
  • To show us what life could be like without kindness, gratitude etc. Would you really not want things to come right for Cinderella, for example?

As writers, we also need to give our characters space to develop in themselves and as part of the plot development. A character who doesn’t change will be of little interest to readers.

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This World and Others –

How Do You Know When A World Is Going To Work?

I would say that a fictional world has worked for me when I can:-

  • Spot connections between the fictional world and the real one we know here.
  • See what is better on the fictional world and wish we had it here. (Flying carpets anyone? No emissions but I’ve always thought the landing on those things must be on the rough side and there is definitely no in flight entertainment. You’d be hanging on for grim life, yes?).
  • See what is worse on the fictional world and be glad it’s not coming here.
  • Can understand what the lead character has to contend with and how the setting helps/hinders them.
  • Can see further stories being set in that world, even if it is not with the same characters. That is always a good sign. For me, the Discworld series by Terry Pratchett really took off when it could “host” the Rincewind stories, the Vimes ones, the witches ones and so on. I also liked looking for the connections between the different series. For example a character would refer to another one not appearing in the story. It wouldn’t matter if you hadn’t read the other story. Referring to other characters like that implies a life above and beyond the immediate world of the story you are reading and that is great.

 

 

 

 

 

 

 

Behind The Scenes

Image Credit:   As ever, unless stated, most of the images were from Pixabay or Pexels. A big thank you to The Chameleon Theatre Group for their images. Also thanks to Richard Hardie for supplying images related to his and Francesca Tyer’s events for World Book Day.  (And yes it has been a busy few days!).

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Yes, count them, not one but two CFT posts this week.

First up, the start of a new mini-series.

I’m delighted to share a new mini-series on Chandler’s Ford Today. The #ChameleonTheatreGroupChandlerFord share interviews showing what life is like behind the stage. They share some fabulous insights into directing amongst other things in Part 1 (see link).

This series will run at intervals over the next few weeks. Many thanks to The Chameleons for wonderful material and the photos, as ever.

I’m looking forward to their next production, Spring Quartet, in April.

 

I’m always interested in behind the scenes looks at life, whether it is to do with creative writing or amateur theatre. So it is a joy to share a new mini-series on Chandler’s Ford Today where The Chameleon Theatre share their insights into life behind the stage.

Why the interest on my part? Well, partly it IS because I’m nosey (!) but that’s a good thing. Why? Writers have to be interested in what makes people tick. Knowing that helps us to develop convincing motivations for our characters and make their portrayal that much more believeable.

I’m also interested in behind the scenes looks because it opens up worlds that are new to me. That’s a good thing for increasing knowledge and understanding, I think. Understanding is also crucial in creative writing. You also get to understand yourself better I think.

And now for my second CFT post this week!

Am pleased to share a bonus CFT post this week. Every so often CFT has Local Author News slots. The last one was for me when I appeared on #WendyHJones‘s excellent podcast, The Writing and Marketing Show talking about all things related to flash fiction.

https://www.stitcher.com/podcast/the-writing-and-marketing-show/e/67280384

Up tonight is a piece with news from local YA author, #RichardHardie, and debut Authors Reach novelist #FrancescaTyer. They share news of their World Book Day eventsrecently. Francesca’s debut novel The Firestone was recently published.

Hope you enjoy. (Oh and remember the best things you can do to support local authors you know are to go to their events where possible and review their books in the usual places).

(My normal CFT post link will be up tomorrow where I start the first of a mini series from #ChameleonTheatreCompany-Chandler’s Ford. They share insights from life behind the stage. More tomorrow).

 

My CFT post this week is Part 1 of a mini series which will be spread out over a few weeks. As you know, I often review plays put on by our excellent local amateur theatre company, Chameleon Theatre Company.

They have recently been putting together some mini interviews which give a fascinating insight into life behind the stage. With their blessing (obviously!), I have compiled some of these interviews and Part 1 will be up on Friday.

Many thanks to the Chameleons for their wonderful material and photos and I look forward to sharing this post and the others to come.

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What fascinates you most about a character?

For me, it has to be their motivation. I’ve got to know why my character thinks it is okay to act the way they are, especially when they’re the villain! It doesn’t mean I have to agree with them though…

The LEAST important thing for me is knowing what they look like, funnily enough. I find once I can hear their voice and know their motivations, physical appearance comes to me then. Mind, I’m not motivated by physical appearance myself. After all the best con men often wear a suit!

I love stories and books that “just” entertain. Yes, sure, I like those that give good messages too but there is a lot to be said for sheer escapism value, especially when life is more challenging than usual.

Let’s just say I probably won’t be reading much in the way of dystopian stories for a while. (It is definitely not a good sign when you can get your requirements there by tuning into the news…).😕

So how to go about being “just” entertaining? As ever, for me, it is all in the characters. I do enjoy setting up a character knowing I’m going to be throwing all manner of things at them to knock them right back down again (and ideally to make me and potential readers laugh). Okay, okay, nobody said a writer had to be nice to their characters. Indeed, it is better when we’re not as any crime or horror writer would also tell you!

I love those characters who deserve being knocked back a bit too. You know the kind of pompous character who needs bringing down a peg or several. The ultimate fall guy in many ways! (Well, they are for me).

For humorous prose especially I do need to get a sense that the writer enjoyed creating their characters. I believe something of that fun does come through in the writing.

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How difficult do you find coming up with a suitable title for your story?

I know I need a “peg” from which to hang my story so I always have a working title. Most of them don’t change and suit my purposes just fine. Sometimes though a better title idea will occur as I draft my tale and that’s fine too. I just swap to the better idea.

I’ve mentioned using phrases and proverbs before and I often use them as themes, but don’t overlook them for use as potential titles. I’ve used a few that way.

You can also see them as a way to get started on a story if, like me, you need some kind of peg to help you get on your way with a draft. I think I have a bit of a mental block over any story that doesn’t have a title to it! There’s some unconscious thought at play here which associates no title with no story. I can’t be having with that so I put in a title to get me started. Nothing is set in stone after all but that is a great thing about a draft. You know it’s not going to be the final version. I’ve found it helpful to take that attitude with titles too.

Fairytales With Bite – Wishes

One of my favourite things about fairytales is when wishes are granted. The greedy never get away with theirs precisely because they always ask for the wrong things for the wrong reasons.

I love that aspect of things. I was very conscious even as a kid there was so much unfairness and cruelty in the world. The idea of a fairy godmother turning up to put things right for their ill-treated goddaughter always appealed (though I still wonder why Cinderella’s one turned up so late in the day. Come on, she could’ve helped Cinders a lot sooner. There is only so much domestic drudgery that could be claimed to be good for the soul and Cinders had gone well past that point when her fairy godmother deigned to make an appearance).

So in the grand scheme of things, what would your characters wish for and why? You are their fairy godmother as you bring them to life on the page. So what attributes would you grace them with and why? What would your characters strive for and why?

Do you think your characters are worthy of achieving their objectives? They don’t have to be. Villains are never worthy but should have understandable reasons for being what they are. What do you want your characters to be and why?

If your characters are allowed wishes, how will these turn the story and in what direction? Wishes being granted but proving to not be all that the character wanted could make a good story too.

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This World and Others – World Essentials

For me, what I want to see in a created fictional world would be:-

1. A system of government (even if it is not the point of the story. There should be some sort of reference. For one thing, a reader would want to know if the main character was one of the governing or one of the governed).

2. What characters eat and drink and how those things are produced. A line or two is usually enough to convey that. When a character is on a journey, what food do they take with them? Where did they get it?

3. A sense of where the world is going. In The Lord of the Rings there is no doubt the world there is in turmoil and every part of that world is affected by it.

4. What your characters make of the world they’re in. They don’t have to like it!

5. How is transport organised? Does everyone have access to the same kind of transport? Is there a “them and us” situation here?

 

 

 

 

 

 

 

 

When Authors Talk and Publication News

Image Credits:

The photos of the author event at the Hiltonbury Farmhouse were taken by me, Allison Symes. Many thanks to Antony M Brown (Cold Case Juries series) and Richard Hardie (Temporal Detective Agency) for supplying other photos, especially their book covers. The other images are from those fantastic people at Pixabay.

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This week’s CFT post When Authors Talk is a look back at an author event held by YA author Richard Hardie (Temporal Detective Agency) and Antony Brown (Cold Case Juries series) recently.

Both authors talked about how they got into writing (and in Richard’s case publishing too) and the ups and downs of the writing life.

I also look at the benefits of author events like this from the viewpoint of a reader. Hope you enjoy. (And do support author events!).

The joy of author events, from a writer’s viewpoint, is they give us a chance to engage with readers (actual and potential). From a reader’s viewpoint, you can quiz the author about what inspired them and find out their latest news. So do support author events you know of (the support is always appreciated).

My favourite remains, I think, the signing at my local railway station. It was a great venue, I hope to do it again at some point, and flash fiction is great to demonstrate to curious passengers! It also doesn’t take up too much time (which is one of its selling points to the reluctant reader).

My next event should be the Bridge House celebration event in December, all being well. It’s a great opportunity to catch up with writer friends I don’t see the rest of the year too.

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When you go to author events, what do you like best about them?

For me, it’s always hearing how the writer concerned got the “itch” to write in the first place and how they kept going despite all the rejections etc that happen. I’ll be reporting on the joint author event held by Richard Hardie and Antony Browne tomorrow for Chandler’s Ford Today. I’ll also be looking at what readers can get out of events like this. It is very much a two-way thing.

I loved the old James Garner films Support Your Local Gunfighter and Support Your Local Sheriff. There ought to be something for Support Your Local Writer!😀

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Had a lovely evening at a local author event held by YA writer, Richard Hardie, and Cold Case Jury writer, Antony M Browne at the Hiltonbury Farmhouse yesterday. Write up to follow for CFT later in the week including why author events are important for the READER as well as the writer.

Publication News

It’s a nice feeling to get to Wednesday and to already have had publication news with the “advent” of Nativity by Bridge House Publishing yesterday. I make no apology for the pun. (Am shameless like that but that’s what being a fan of I’m Sorry I Haven’t a Clue can do for you).

Nativity Full

Am catching up with some fantastic reading on my Kindle. Hope to post some reviews soon.

It’s also nice to get to the stage where Writing Magazine hits the doormat and the first thing I check is if there is anyone I know in there! Usually there is…

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Some ways to trigger ideas:-

1. Random generators – I’ve used random word, phrase, and even number ones to trigger ideas. It also pays to mix up the parameters you set for these things too.

2. Play the What If game. Ask that question of potential characters. Think about the setting and play What If on that. Can the setting have an effect on what your character can and cannot do? Are there stories there about how your character overcomes this?

3. Think attitude. What kind of attitude does your lead character have and how does that land them in it? What do they do to overcome the issues that throws up?

4. Is your character a rebel or a conformist? If the former what are they rebelling against? (That can be anything from a corrupt power to expectations they or their famiies have). If a conformist, what has led them to take that view? Is it a case of fear for their own safety to be otherwise? Look at the story behind that fear.

Have fun!

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I received a lovely message from FB that the FLTDBA page is now up to 50 followers. A big thank you to everybody (and to all who follow this blog!). Just for that, I think the appropriate response is a flash fiction story for you! Hope you enjoy.

JUST A MINUTE

The big mistakes don’t take long to make.
Stranbarb chose the wrong shortcut in no time and faced a witch.
Her glower told him his life could be measured in seconds. Her wand was raised and she looked as if she wanted blood. It didn’t matter whose.
‘Dwarf, why are you here?’ She paused. ‘Did you see two children go by?’
‘I got lost. No.’ The dwarf looked at the confectionery cottage behind the witch. Understanding dawned. He’d just stopped her having dinner.
He looked at her again. She was smiling. She’d already selected an alternative main course.

Ends.
Allison Symes – 14th November 2019

SEASONS IN WRITING - But setting your own deadline can be helpful for writing competitions

One thing flash fiction is brilliant for is that it is so easy to demonstrate what it is at signings etc. Nor does it take long! (Mind you, I make a point of sticking to ONLY reading out a couple of my 100 word stories. The longer ones in the flash word count range can be saved for when people read the book!).

I was asked at a local author event I went to yesterday if I used adverbs. Generally I don’t. It’s an easy save on the word count. The exception is if I think the use of an adverb adds something to the characterisation or the plot of the story. That doesn’t happen often.

For example:-

The witch wickedly put the kids in the oven.

You really don’t need the wickedly for that, do you? I think wickedness is definitely implied by the action!

BUT:-

The kids put the witch in the oven forcefully.

It makes more sense to use forcefully here (though I would say forcefully can still be implied. Well, you’re not going to put a witch in an oven gently now, are you?). I would prefer to write a sentence like this as:-

The kids shoved the witch in the oven.

You’ve got all the force you need in the word “shoved” and you save a word on the old word count. Those saved words mount up over the course of a story which in turn can make all the difference to which competitions/markets you can use. (Paragraph Planet, for example, is 75 words INCLUDING title so for something like that you are really looking to pare things back).

Oh and no kids or witches were harmed in the making of this post.😀

 

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Fairytales With Bite – Adverts

Okay so adverts get everywhere so why not in the magical realm? How about some slogans then?

The porridge so good thieving girls will love it – won’t commend itself to the Three Bears but Goldilocks might go for it.

For comfortable shoes, don’t go to the fairy godmother, come to us – Cinderella would concur with this one.

Need a long sleep? Be sure to get a comfortable mattress! – One for Sleeping Beauty. Possibly Snow White too.

Looking for the perfect apple? Don’t go to the old crone, come to us. Definitely one for Snow White.

Worried about your looks? Come to us at Swan Beauty. One for The Ugly Duckling.

Hope you enjoy!

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This World and Others – Working Out Your Characters

I’ve mentioned before that I start by working out what my characters’ major traits are and, from there, what kind of scrapes said traits are likely to get them into! If a character is stubborn, you can have a lot of fun with that. But with most traits there is a flip side to that. Stubborness can also mean grit and determination and courage to keep going when nobody else will. How can you use that aspect in your stories? That’s only naming one trait too.

Another way in to knowing your character(s) is to interview them. Work out what their tastes would be and why.  You can also ask yourself why you want to write about these characters. Why are they special enough to be written up into a story? If they’re not special enough, then why even consider putting them into a tale? The first person that has to be convinced by your characteristion is you!

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Music and Stories

Facebook – General – and Chandler’s Ford Today

One of the joys of writing my Chandler’s Ford Today posts is when I have a topic where I can go to town on finding music clips! The topic of books is one of them.

Many thanks to my wonderful panel – #JenniferCWilson, #ValPenny, #AnneWan, #WendyHJones, and #RichardHardie – for taking part in my mini-series The Joys and Challenges of Writing Series Novels. Hope you enjoy their fantastic insights AND the music I’ve used to go with these!

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Had a great night out watching the Chameleon Theatre Group perform three episodes from Blackadder Goes Forth, including Goodbyeee. Review to follow on Chandler’s Ford Today in due course but I will say now it was superbly done and the set, made by the company themselves, was brilliant. Looking forward to sharing more on that.

Adaptations I’m generally happy with if they are faithful to the book/series etc. This is why I loved the Miss Marple series with Joan Hickson – they were faithful to the Christie canon – but the Marple series. No. Didn’t watch it. Just couldn’t bring myself to do so when it emerged they were altering the stories and bringing in characters that didn’t belong in the originals. Really don’t like that.

My CFT post this week will be the final part of my series on the joys and challenges of writing the series novel. As ever, my thanks to to #JenniferCWilson, #ValPenny, #AnneWan, #WendyHJones, and #RichardHardie. Nice range of genres between them too – from children’s to crime (and Wendy writes both!) to fantasy to historical crossed with ghost stories. Link up on Friday.

Glad to report I’ll be having more work on Cafelit later this week and again in November. Will share links as and when.

From what I’ve seen of the set the Chameleons have produced for the stage version of Blackadder Goes Forth, I anticipate a packed house and a wonderful and thoughtful evening of entertainment. Will review for CFT in due course. Do check their FB page out.

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thank you text on black and brown board

Pexels image.  There are times when words are inadequate.

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So more on my alphabetical list then.

J = Juicy Storylines! Not just for soap operas, honestly, but something every character wants. Now “juicy” can be taken literally of course, but I see it as the storyline being appropriate for the character and taking them and stretching them to see what they are really made of. There’s nothing like a crisis for bringing out the best or worst in someone and that applies just as well to fiction!

K = Kicker. Must admit I needed to look this one up. (It’ll be interesting to find out what I can research for Q!). In journalism it apparently means a sudden unexpected change of events. In fiction we’d usually refer to it as a twist in the tale. I like kicker though. Has bite. And your stories must too, whether they have a twist/kicker in them or not.

L = Lines. Who is getting the best lines in your story? Your hero or your villain? A great story will have this split between the two to prevent either becoming a stereotype or, worse still, boring! Also a villain capable of humour etc means while your reader will not want them to win (possibly SHOULD not!), they will sympathise and identify with the villain to a certain extent. There should be something about each character a reader can identify with. (My inspiration here is Alan Rickman’s masterly portrayal of the Sheriff of Nottingham in Robin Hood: Prince of Thieves!).

About halfway through the alphabetical listing now. So then:-

M = Muse. The best way to feed said muse is to read widely and often (and do include non-fiction and poetry in this too. Different sources of writing are good for you and inspire your own thoughts and ideas in various ways). I’ve also found writing regularly feeds it too. Never worry about what you come out with at first being awful and needing work. That would’ve happened to Shakespeare too! It can and will be put right in the edits!

N = Narrative. Whose story is it? Whose viewpoint is going to dominate? What can that character see and know that the others cannot? Why have you chosen that character to lead the narrative? Answer those questions and your story will be off to a good start!

O = Originality. Reading widely feeds your originality. Partly this is due to what you read, but sometimes it can be because you read something you really don’t like or feel you can do better and that can be the trigger point for your own writing. Also, your voice is unique to you and will come through in your writing, especially if you write often. Regular writing (even if it is short bouts at a time) really does encourage your imaginative “muscle” to start working.

Pressing on with my alphabet topic then, we reach P, Q and R. (Great letters if you can get them out in Scrabble incidentally!).

P = Performance. Do your characters perform well in your stories? Do they live up to what you outlined them to be or have they gone beyond that? Read your stories out loud. Perhaps record them and play them back. Hear how your characters perform. Are they having the impact on you that you want them to have on your reader?

Q = Quizzing. I’ve found quizzing my characters to be a very useful part of my outlining. I don’t need to know the minute details. Nor do I put everything I outline in a story. However, I take my character’s basic traits and quiz them from there. If I decide a character is going to be brave, I will quiz them to find out if there are limits to that courage. I try to find out where that courage comes from. Does their “tribe” prize bravery? Or is it noticeably absent and your character is rebelling against that? What are the outcomes? (There WILL be some and that’s where the drama and your stories are to be found!).

R = Right Word Count for your Flash Fiction. I sometimes write a piece deliberately to a word count and that’s it. Sometimes I think a story will come to 100 words but discover it can be done in 75 or needs to run to 250, say. Be flexible on this. The story is the right length when the lead character has done and said all they have to do/say for the situation you’ve put them in. The great thing with flash fiction is there are so many different categories, that even if your treasured 100 word piece comes in at 500 words, there will be markets and competitions for that out there.

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Goodreads Author Programme – Blog –

After the End, What’s Next?

If you’ve enjoyed a really good book, what do you do when you finish it? Go on to read more books by the same author, or read more in the same genre, or do you go for something that is completely different in mood and style?

I have done all three of these (though obviously not at the same time!) and it very much depends on my mood at the end of the story. If I’ve loved a gory crime thriller, I may well want something humorous to show the lighter side of life, albeit a fictional one!

With short stories especially, I tend to read a few by the same author before moving on. With novels, if the book has really gripped me, I’ve got to check out what else the author has done, even if I decide I’ll come back to those later.

The important thing though is that whatever you read, you enjoy it so much, you keep on reading, no matter what author, genre, style etc you choose next. Happy reading!

Image Credit:  many thanks to the Hampshire Writers’ Society for taking the photo of me reading as guest speaker and for kind permission to use the photo.  Both much appreciated!

Fairytales with Bite – Signs of a Fairytale World

What are the signs of a fairytale world?  How can you know quite quickly you ARE in one (via fiction I’m presuming for the purposes of this post!  If you do find a portal to another world, however, be sure to report back with plenty of details, pictures if at all possible.  We will all want to know!!).

1.  Magic.  The biggest giveaway of course is the use of magic.  The interesting thing to work out when planning your stories though is whether everyone can use magic or just a select few.  If everyone can use it, what are the rules so anarchy doesn’t break out?  Boundaries increase the drama in your story.  If everyone can zap everyone else, that doesn’t make for much of a story.  If only a few can do that but the price they pay is their own lives are forfeit, now there’s a potential story.

2.  Inanimate Objects – The Use Of.  We all know from Disney (see Beauty and the Beast) a teapot, to name one example, is rarely just a teapot!  Sometimes they’re an enchanted victim.  Sometimes these things are portals (also see Harry Potter).  So what uses are the inanimate objects put to in your setting?  Does a particular object convey a particular meaning or power and, if so, what and why?  What are the limits to the use of objects?

3.  Creatures.  Ranging from domestic animals that can talk (hello, Puss in Boots!  Loved Puss in Shrek.  Thought they had the portrayal spot on) to odd creatures that are the stuff of legends to monsters of course.   Basically what you wouldn’t see here!  And there’s nothing to stop you inventing your own.  This is where some knowledge of natural history is invaluable.  Knowing what animals need to survive and how their bodies are designed to handle that should inspire some ideas for how the creatures in your stories will do this kind of thing.

Happy writing!

This World and Others – Music and Stories

In my latest CFT post, the final part of my mini-series on The Joys and Challenges of Writing Series Novels, I get to have some fun choosing music tracks to go with my fantastic panel’s insights.  Many thanks again to Jennifer C Wilson, Val Penny, Anne Wan, Wendy H Jones, and Richard Hardie for taking part in this three part series.  Hope you enjoy the insights and the music!

Music and stories have long been intertwined of course.  So many wonderful songs are stories set to music effectively.  Music can and does play a part in stories.  It can be used to show character.  Movies, of course, rely on music to help set mood.  Think of the Jaws theme by John Williams.  Every note of that puts pictures and therefore stories in your head (and possibly might put you off swimming in the open sea but that’s another matter!  There are advantages to just swimming in the local public baths!!).

I write with classical music playing.  (I often listen to Classic FM).  Unlike other styles of music, it hasn’t affected my mood (and therefore what I write!).  It does help me relax and I write more (and I hope better) when relaxed.  I’ve also found it helpful to think of the kind of music my characters would be fans of when I’m creating them.  It almost certainly won’t come into the story I write but it fills out my knowledge of the character I’m about to place before a reader.  That has to be a good thing.

And I must admit I loved choosing the music for my book trailer for From Light to Dark and Back Again.   The track used is an adaptation of Camille Saint Saens Danse Macabre (used as the theme tune for the BBC detective series Jonathan Creek).

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Stand Alones, Flash Fiction and Fairytales

Facebook – General – and Chandler’s Ford Today

Many thanks again to Jennifer C Wilson, Val Penny, #AnneWan, Wendy Jones, and Richard Hardie for their further insights into the joys and challenges of writing series fiction. Amongst tonight’s topics is how to ensure each book in a series works as a stand-alone, given our series writers can never know which book a reader will actually start with. It isn’t necessarily book 1!

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What five things do I like to see in a character? Ideally they have all of the traits I list below but as long as a character has the majority of them, I’m likely to enjoy spending time in the company of that character as I read their story.

1. Courage.
2. Sense of Humour.
3. Loyalty.
4. They, at the very least, respect books; at best they have their own library!
5. Kindness.

Does that rule out the villains? No! Even villains can be kind to their pet cat, have a decent library etc.

Looking at that list, it’s what I like to see in myself and, before you ask, I’m working on the personal library bit! (It’s nowhere near as grand as the one in the pictures below though!).

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One of the things I love about going to writing conferences is that I always learn something pertinent to what I write. And it is not always an obvious link.

I’m off to the Association of Christian Writers’ Day on Saturday, the topic is Writing for Children and Young Adults, which is not directly what I do, but I just know I will pick up useful tips that I can apply directly.

And you never know – looking at what other writers do can help you re-examine whether you are working in the best way you can. It may also inspire a new direction of writing too! What I do know is it will be fun finding out if it does or not and what useful tips I’ll bring home with me.

The great thing with writing is you never stop learning how to improve what you do and that is so good for your brain!

(And networking is always fun!).

Facebook – From Light to Dark and Back Again

A = Alliteration. Can be useful for titles in flash fiction (though I don’t use it much) but as with any story, it can grab the attention and help set the mood. Best not overused I think. You want each title to set the tone for what it is to come and a variety of methods for doing that is best. Keeps it fresh for you as the writer too.

B = Backstory. Not a lot of room for that in flash fiction! Best to hint at it through one or two vital details the reader has to know and leave it at that.

C = Character. The kingpin of fiction I think. Get the character right and the plot will come from them. Know your character inside and out – I find it useful to know their chief trait (and I piece together a mental picture of what they are like from there). Find the appropriate starting point for you but it is worth taking the time to know your character well before you start. Your writing will flow better because you write with that knowledge. It does come through in what you write.

As ever, am planning to write flash fiction on the train journey to and from London on Saturday as I head off to a writing day run by the Association of Christian Writers. It’s amazing what you can get done on a smartphone with no interruptions! (Daren’t do this on the Tube though. Always worried I’ll miss my stop! I do think the Tube is a wonderful invention and you never get cold down there either…).

I also sometimes draft non-fiction articles and future blog posts when out and about. I just need a long enough train journey to draft a novel now. 😉😁Hmm….

 

When planning your story (you do, yes?), I find it useful to work out what the obvious ideas might be from a title I’ve thought of, and then work out what could come from those. I don’t plump for the first ideas that come to me. I try to make myself dig that bit deeper to come up with something that fits the theme, makes sense, but is also different precisely because I haven’t gone for the obvious ideas!

Spider diagrams or flowcharts can be useful here. I find I must have a title to kick start the process with, even if I do end up changing it for something better later. It is always a tad annoying that a better title idea crops up when you are writing the story and NOT before you get started, but that is one of those quirks of writing!

Picture of me reading was taken by the lovely #DawnKentishKnox at last year’s Bridge House event. Am very much looking forward to this year’s one too!

 

Gill talks with Dawn and I at the BH event, image taken by Paula Readman

Gill James talks with Dawn Knox and I at a networking event held by Bridge House Publishing last December. Am glad to report Dawn will also be in the Waterloo Festival Anthology. Image from Paula Readman and thanks to her for permission to use it.

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman - Copy

Paula Readman, Dawn Knox and I at the recent Bridge House celebration event. Many thanks to Paula for the image. Also Paula is another winning entry for the Waterloo Festival.

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Dawn Kentish Knox, fellow flash fiction writer, reads some work from her excellent book, The Great War. Image by Allison Symes

Lovely having an appreciative audience, pic taken by Dawn Kentish Knox

I read three stories from From Light to Dark and Back Again. Many thanks to Dawn Kentish Knox for the picture!

Book Buying News!

From Light to Dark and Back Again is available from The Book DepositoryDelivery time on the paperback is 1 to 3 business days.  As ever, reviews are always welcome in the usual places.  The great thing is reviews do not need to be long but they all help the writer, even the indifferent ones!

Fairytales with Bite – Flash Fiction and Fairytales

Flash fiction is an ideal vehicle for fairytales.  Why?  Because the best fairytales set up their world quickly, have a definite conclusion, and often pack a powerful punch.  Flash fiction does this too so to my mind flash and fairytales are a match made in writing heaven.

Flash fiction has to be character led due to its limited word count but you can set that character wherever and whenever you wish.  A few telling details can set up a magical world quickly.  For example from my George Changes His Mind (in From Light to Dark and Back Again), I set up a magical world with the opening line “He refused to kill the dragon.”  The telling detail there is in one word – dragon! The story goes on to show what happens and that is the important bit of the story after all.  I don’t need to use thousands of words setting up the magical world in which this is set.  This is not crucial to this story.  What matters is it IS in a magical world and what George goes on to do or not do.

A lot of my stories are either reflections of a fairytale world or set in it and they are great fun to write but I always focus on what the lead character is like.  That is the crucial point of any story I think but in flash where every word must work hard to earn its place to stay there, it is even more so.

This World and Others – Stand Alone

Part 2 of my CFT mini series on The Joys and Challenges of Writing Series Novels looks at, amongst other topics, how to ensure a book stands alone given no series novelist can know at which point a reader will discover their writing.  It is highly unlikely to be book 1.  Indeed I’ve discovered series at the mid point! Many thanks again to my marvellous panellists – Jennifer C Wilson, Val Penny, Anne Wan, Wendy H Jones, and Richard Hardie – for some great insights.  Very happy to recommend their books to you too.  Great reads one and all albeit for different audiences!

It is true that every writer stands alone, even those that collaborate as they have to go off to write “their bits” before coming back and swapping notes with the other one(s) in the project.  We have to judge whether our work is strong enough to submit and, if there is a choice of places to submit to, which is the best one.  We have to judge whether we have edited a piece enough or if it still needs work.  The call is with us and we are going to get it wrong.  The joy, of course, is when we get it right and a piece is published.

This is where meeting other writers, whether at conferences, online, at courses etc., is invaluable.  There is nobody like another writer to know exactly how it feels when you’re struggling to get the words out or who knows the joy of the words pouring out and work going well.  You do have to share this sometimes for the sake of your own sanity!

I learned a long time ago no writer is a competitor to me.  I write as I write.  I cannot write as you would.  We all bring our unique perspectives to what we write – and that is the great thing about it!

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Co-Operative Marketing and What Defines a Good Book

Facebook – General – and Chandler’s Ford Today

My CFT post shares an update from Richard Hardie with regard to his Authors Reach group. More writers than ever are banding up together to hold events they would not go to alone or to assist in marketing.

A great example of this is last year’s Book Fair where a number of local writers got together to sell our books in the area. (We succeeded too!). A good group will cross-pollinate each others’ works. Sometimes it can be easier to promote others’s works than your own. But in this day of print on demand, smartphone, and other technologies, offering to assist can be crucial. It is appreciated by readers too. Having an event with a wider range of authors taking part gives readers more choice (and makes it more likely they’ll turn up to the event!).

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Facebook – General

I’m glad to share the first part of a series for Chandler’s Ford Today on which I am series editor. Graham MacLean on Art will run for the next three weeks. Tonight’s article features Graham discussing the purpose of art.

Next week Graham will talk about the different media used in painting and share some of his fantastic artworks using the different forms. He’ll finish the series with a look at his favourite artists.

It was a real pleasure to help Graham put this series together. His paintings are wonderful. Hope you enjoy.  The images below are just three of Graham’s wonderful pictures.  Many thanks, Graham, for these.  There are more in all three articles.  The other two parts to this will appear on 14th and 21st June respectively.

Facebook – From Light to Dark and Back Again

One great thing about writing is that each writer brings their own perspective to a story. So even if several writers had the same theme, word count etc, our stories would be different. (Yes, there would be bound to be some writers coming out with similar ideas as to how to treat the topic but even there, the way characters are portrayed, the use of language, style etc all show the individual author’s voice).

This is why reading work by other writers is such a pleasure as I love seeing how others treat a theme etc, especially when it is a world away from the way I’d treat it. I like the contrast. I like other writers surprising me with what they come up (and hope sometimes at least I can return the compliment with my writing!).

Got plenty of reading to catch up on when I’m on holiday before long. Very much looking forward to it!

(Am glad to say the books in the slideshow below are some of those I’ve read as a result of interviewing the authors! Am more than happy to recommend them all – and naturally I’m starting with mine!!).

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Facebook – From Light to Dark and Back Again

Good luck to all of the authors taking part in the Waterloo Arts Festival next week. A special hello goes to my fellow Bridge House and Cafelit authors, Paula Readman, Christopher Bowles, Gail Aldwin, and Dawn Knox, who, like me, have work included in the anthology that ties in with the Festival.

I’m only sorry I can’t be there but hope the readings go well and that the ebook sells really well! (Not that I’m biased or anything… much!).

The stories in this anthology are all flash ones so if you are looking to add to your flash fiction collection, do look out for the release of this ebook from 14th June. I will share more details towards the end of next week.

It is heartening to see flash fiction in such fine form!

Goodreads Author Programme – Blog – What Defines a Good Book?

A good book, as far as I’m concerned, has to:-

1. Have characters I care about (though I don’t mind if some are “slow burn” characters so I grow to care about them. I am prepared to give them time but I feel cheated if by the end of the book, I haven’t been made to care about the characters.).

2. Have characters I can get behind and either “root” for their success or, usually if a villain, hope they get their comeuppance. (I do love finding out how they do!).

3. Give you a sense that the author has said all that has needed to be said but oh how you wish there was more of the story because you enjoyed it so much.

4. Give you a sense of a wonderfully created world, leaving the way for prequels or sequels, whether or not the writer actually does write these.

5. Have a gripping plot, obviously.

6. Have an easy to remember blurb. It makes it easier to recommend the book to others because it gives you the main point, which drew you to reading the book in the first place.

7. Have a title that intrigues or you can see a few different directions in which the title could take you. That opens up all sorts of possibilities for the story itself and makes me want to crack on and read it!

8. If within a really popular genre, such as crime or fantasy, being able to offer something different to the “mix” so the book stands out.

9. You could see a decent film being made out of the plot as long as the movie people stick to the plot of the book, given it is so good.

10. You want to re-read it at least once a year. Always a good sign that.

Fairytales With Bite – Time to Wonder, Time to Reflect

Do your characters ever wonder or take some time out to reflect? Wonder can be at the physical beauty of the world they’re on, of course, (or if in a really bad place at just how ugly it is!), or they are aware of just how small they are in comparison to their surroundings.

Characters, like us, need periods of reflection, especially if they are on any kind of quest. So how do they find the time to reflect or is it forced upon them? (They’ve got to hide out for a while, so have got plenty of time to do some thinking etc).

What do your characters make of the world you’ve put them in? Are they observant? Do they treat their natural world with contempt or are they conservationists? Do they ever reflect on their own behaviour and attitudes?

Are your characters thoughtful or thoughtless ones? If you have characters where one is a reflective type and the other would far rather watch paint dry, (a) you can see the potential for clashes here (though they could be humorous ones) and (b) how do you resolve matters if the two absolutely have to work together? (Again potential for comedy or tragedy here).

I’ll leave you to wonder how to write that! Good luck!

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This World and Others – Purposes

I’ve recently been the series editor for a series on art by Graham MacLean on Chandler’s Ford Today.  (The other two parts of this series will be going live on 14th and 21st June.  I’d highly recommend having a look – Graham is a superb artist).  Part 1 of this series talks about the purpose of art.  (We could have gone on at length about that rather than just write and edit one post about it!).  Part 2 will see Graham discussing the different media used in painting and he shares some fantastic examples of his own work in most of the forms discussed.  Part 3 will be his thoughts on his favourite artists.

So this led me to think about what purposes your characters (a) have, (b) consider worthy, (c) would not go a million miles near no matter how much you paid them, or (d) intend to carry out, no matter how or of who tries to get in their way.  How did they discover these purposes?  What is behind their attitude towards them?  Are societal/tribal pressures influencing them on how they should react/which purposes they should carry out or avoid?

A purpose will have a clearly stated aim so will automatically give your character something to either strive for or get away from, as the case may be.  It will be the conflicts caused by that striving or avoiding which give you your story.  The purpose has to be strong enough and definite.  So a purpose of, say, killing the dragon terrifying the village is fine.  A purpose of sitting down to think about what should be done about the dragon is not – far too wishy washy!

And talking of dragons, I’m glad to share a recently published flash fiction piece, Time for a Change, which has recently appeared on Cafelit.  Hope you enjoy.

And now I’m off for a few days break.  I will be back on here during the week beginning Monday 18th June.  Hope you all have wonderful holidays this summer.  I have, meantime, scheduled short Facebook posts on my author page and also on my From Light to Dark and Back Again page for the next few days.  I will be back here with a big round-up of those on my return.  Happy summer, everyone!

Writing Likes – and a Dragon Story

Facebook – General

Who do you like to write about most – the heroes or the villains?

I think there is some truth in the saying that villains are more fun to write (and indeed act out) but the challenge for writing for the “good guys” is to ensure they’re not worthy but boring.

This is where the device of the character flaw(s) for the heroes and where the villain(s) being shown to have understandable reasons for being the way they are comes in.

However, this can become cliched in itself so the challenge then is to create characters, bad or good, where the reader can “root for them”. They’ve got to grab the reader’s attention and hold it (even if it is a case of the reader really wanting the character to get their comeuppance).

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Facebook – General – and Cafelit

My latest flash fiction story, Time For A Change, is now up on Cafelit. If you like dragons, you’ll like this one.

Also pleased to say another flash fiction story, Progressing, will soon be part of the Waterloo Arts Festival Writing Competition anthology. This will be an ebook. I’ll share further details when I have them.


Facebook – General

My CFT post for this week features an update from Richard Hardie, author of YA novels, Leap of Faith and Trouble With Swords, regarding his Authors Reach group.

I’ve discussed the importance of networking in previous CFT posts. Groups like Authors Reach will become increasingly important given writers are banding together more to support one another in marketing, holding events no one author could do alone and so on.

The post also shows you shouldn’t underestimate the time and effort needed to get your work “out there” regardless of whether you are in a group or are on your own. Writing the book really is the beginning…

Facebook – From Light to Dark and Back Again

I’ve talked before about having to have a title to work to when I’m writing a story. However, this doesn’t mean the title I initially come up with is set in stone.

Quite often a better title becomes apparent as I’m drafting the tale so I change things to suit. I don’t know quite what it is about having “something” to start with – perhaps it it is the literary equivalent of giving myself a head start!

All I know is it works!

 

Facebook – From Light to Dark and Back Again

I love story titles which can take you in all sorts of directions. My latest story on Cafelit, Time For A Change, is a good example of that. A title like that can mean your setting is on Earth, in any time or place, or out there in the depths of the known and unknown universes. The only limit is your imagination.

I love this Pixabay image of a dragon. There’s something about those eyes… (mind if you did get so close to such a magnificent beast, I doubt if you’d have chance to study the eyes much!).

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Facebook – From Light to Dark and Back Again

Well, I hope you might look at dragons in a different light if you read my Time for a Change story on Cafelit yesterday! (Will share the link again shortly).

One thing I love writing is taking an often maligned character – say a dragon! – and show a story from their angle. I like to look in general terms as to why a character might act the way they are and, a lot of the time, you can end up feeling some sympathy towards a kind of character you might otherwise have felt nothing but antipathy towards!

I also believe knights in shining armour aren’t necessarily all they’re cracked up to be either! Some knights don’t need armour in which to shine either..

 

Goodreads Author Programme – Blog – What Defines a Good Book for You?

A good book, as far as I’m concerned, has to:-

1. Have characters I care about (though I don’t mind if some are “slow burn” characters so I grow to care about them. I am prepared to give them time but I feel cheated if by the end of the book, I haven’t been made to care about the characters.).

2. Have characters I can get behind and either “root” for their success or, usually if a villain, hope they get their comeuppance. (I do love finding out how they do!).

3. Give you a sense that the author has said all that has needed to be said but oh how you wish there was more of the story because you enjoyed it so much.

4. Give you a sense of a wonderfully created world, leaving the way for prequels or sequels, whether or not the writer actually does write these.

5. Have a gripping plot, obviously.

6. Have an easy to remember blurb. It makes it easier to recommend the book to others because it gives you the main point, which drew you to reading the book in the first place.

7. Have a title that intrigues or you can see a few different directions in which the title could take you. That opens up all sorts of possibilities for the story itself and makes me want to crack on and read it!

8. If within a really popular genre, such as crime or fantasy, being able to offer something different to the “mix” so the book stands out.

9. You could see a decent film being made out of the plot as long as the movie people stick to the plot of the book, given it is so good.

10. You want to re-read it at least once a year. Always a good sign that.

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STORY ENDINGS

A definite theme emerged tonight.  Which do you find most difficult to write – the ending of a story or its beginning?  I share some thoughts on both my Fairytales with Bite and This World and Others posts.  Comments very welcome.  And I would welcome questions coming in via the Goodreads Author Programme Q&A too.

Firstly, though:-

FACEBOOK – GENERAL AND CHANDLER’S FORD TODAY

This week’s Chandler’s Ford Today post looks back at YA author, Richard Hardie, and his book signing at Eastleigh Library last weekend. This was part of Cub/Brownie Uniform Day and, overall, part of the Love Your Library Week.

The post looks at what libraries can do (Richard’s report) and I share my thoughts on how writers and libraries need each other, as well as give a summary of the book signing event itself.

If you missed Richard at Eastleigh, then he will be at the Chandler’s Ford Book Fair on Saturday 28th October from 10 am to 12 noon, along with many other regional writers, including me. We hope we can see some of you there.

There will be a good range of books on offer from Richard’s YA fantasy books (Leap of Faith and Trouble with Swords) to my flash fiction (From Light to Dark and Back Again) to short story collections (Secret Lives and More Secret Lives of Chandler’s Ford) and many books and genres besides. Far too many to list here but that’s a very good thing!

Eastleigh Library - Richard at work

Richard at work in Eastleigh Library,  Image by Allison Symes

Allison Symes, Richard Hardie, Daniel

Richard, his dog, Oscar and my son, Daniel, were amongst my supporters at my signing earlier in the year. Image by Janet Williams, Chandler’s Ford Today’s lovely editor.

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Richard and I will be two of the authors at the local Book Fair soon.  Image via fellow Chandler’s Ford Writer’s Hub member, Cahterine Griffin.

Facebook – From Light to Dark and Back Again

One of the dilemmas I sometimes face when writing my flash fiction is knowing where to stop!

Sometimes I bypass this dilemma by writing a short piece (usually 100 words) and then, separately, extending the story out to a standard 1500 to 2000 word count later on if I feel the idea is strong enough to take this. (I then use those stories for standard short story competition entries).

I don’t do this too often as I’m usually well engrossed in the next story idea and I also think this solution is one best done sparingly anyway. You want generally to move on to the next idea, the next story etc. However, for a really strong idea, there is no reason why you can’t do this and have two stories based on a strong central premise. Waste not, want not!

The other way around this dilemma, which I use more often, is to work out which ending would have the most impact on the reader and at what point. I then leave the story at that point. You can’t go wrong with that method, I’ve found, but this is where putting work aside for a while pays dividends. You can then look at the piece with fresh eyes and read it as a reader would. It is only by reading it like that you can work out what that best impact point is in the first place!

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My latest story is in The Best of Cafelit 6, recently published.  The rest of the books shown here are where I’ve been published by Bridge House Publishing, Cafelit and, of course, Chapeltown Books.  Image by Allison Symes

Love the cover for this. Image supplied by Bridge House Publishing.

My last Bridge House story is in here. Naturally I hope there will be many more to come! Image supplied by Bridge House Publishing.

The links below take you to my Weebly websites with these posts but I have set up a slideshow on both not reproduced here.

FAIRYTALES WITH BITE

One of the joys of writing flash fiction is it doesn’t limit your possibilities with a very strong story idea.  I have written a short piece (usually one of my 100-word tales and then, separately, extended the story at a later date to the standard 1500 to 2000 words required by most writing competitions.  So I have two stories around one strong central premise.  I like this!

I must admit I do this sparingly because I have usually moved on to the next story idea etc. (I also think it is something best done sparingly anyway and for your very best ideas only, otherwise you dilute your own work too much).

This situation comes about when I realise I am having problems working out where exactly to end a story.  Do I leave it at the short punchy ending which suits flash fiction so well or do I extend the characters out (and the plot with them) and trust the right ending will emerge from that (it always does incidentally)?

My main method of working out the right story ending is to work out at which point the story has the most impact on the reader and that is where I leave the tale.  Nothing more, nothing less, job done.  For flash fiction, which aims to give short, sharp impressions on the reader, this is by far the best way of working out where to stop the story (I think).

Feature Image - Flash Fiction - Books are Gateway - image via Pixabay

One of my favourite stock images because it is so true.  Image via Pixabay.

THIS WORLD AND OTHERS

My theme tonight has been the right story endings – right for your story that is, as all endings have to be appropriate for the tale and that can have so much variety.  I can’t imagine Shakespeare’s Hamlet or Romeo and Juliet with happy endings (can you?!), but the way these plays finish is appropriate for the characters and the situations they are in as the Bard of Avon wrote them.  (He also went for maximum impact on his audience, which ties in with my post Finding the Right Story Ending on my Fairytales With Bite site tonight).

So happy ever afters then?  The classic ending for fairytales, usually but not always.  Hans Christen Andersen proved with this with The Little Mermaid and The Little Match Girl in particular, which I guess I could describe as two of my favourite “weepies”.  But, again, the endings are apt for the way he wrote the characters and the situations he put them in and I think this is what we should aim for with our own stories.  Sometimes a happy ending will be appropriate, sometimes it won’t, sometimes the possibility of a happy ending to come beyond the life of the story is an apt way to finish, and sometimes a tragic solution is the only way to end the story.

So you need to ask yourself what would be the most appropriate finish for your story?  Does it tie in with what we know of your characters?  Does it have the maximum impact on your reader?  The most important thing about endings is they have to be definite and definitive.  Something about the ending must bring to a satisfactory conclusion what you have revealed about what your characters – this is where the “ring of truth” to fiction comes in.

Do you find writing the endings to stories more difficult than the start?  Comments welcome!

 

Eastleigh Library 2017 - Richard gave his talk from here

Richard Hardie gave his talk from this wonderful rug at Eastleigh Library but I also thought it a good way to wrap up this post tonight.  While I have talked about story endings, story beginnings can be difficult too, but for fairytales, you can’t beat this one!  Image by Allison Symes

 

BOOK SIGNINGS, LIBRARIES AND TECHNOLOGY

Facebook – General

My Chandler’s Ford Today post this week is another one about book events. None for ages, then like buses, two on top of each other!

Following on from Anne Wan’s book launch report last week comes Richard Hardie’s news about his book signing at Eastleigh Library last Saturday. This signing was part of Uniform Day (encouraging Cubs and Brownies to complete their book reading badge) and the overall Love Your Library week. It was good to see a packed library. The event was great fun.

I talk about libraries and writers needing each other, Richard shares his thoughts on how the event went and what libraries really can do, and if you did miss Richard at last week’s event, he will be back with his books, Leap of Faith and Trouble With Swords, at the Chandler’s Ford Book Fair on 28th October from 10 am to 12 noon. More details in the post tomorrow.

Meanwhile, for my part, there is plenty of writing and editing work to do so best press on then! (Though I may have a sneaky read of The Best of Cafelit 6 first. Love what I’ve read so far – well done all contributors!).

Eastleigh Library 2017 - Richard gave his talk from here

The rather splendid rug at Eastleigh Library from which friend and fellow writer, Richard Hardie, talked about his Young Adult fantasy novels recently.  Image by me.

Eastleigh Library - Richard at work

Richard’s table at Eastleigh Library recently.  Image by me.

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Richard and I will be two of the authors taking part in the Book Fair coming up soon.  Image by Catherine Griffin of the Chandler’s Ford Writers’ Hub.

Facebook – From Light to Dark and Back Again

Flash fiction, I think, is the ultimate proof that less can be more when it comes to storytelling! I am convinced technology (particularly smartphones) helped the form to take off, which is a nice side benefit.

Often when technology brings about changes, there are always fears it will be the death of something else. For example, the monks who wrote out all books by hand (and beautifully done too) didn’t exactly welcome Guttenberg and Caxton!

But things do need to move on. I don’t miss having to use carbon paper when I needed more than one copy of a typewritten letter. I don’t miss literally cutting and pasting stories to get them in the right order for yet another re-typing later on.

I want to see technology getting more people reading, albeit in different ways than previously. I like the way libraries have embraced e-books and I know in Hampshire the Library Service holds regular “Get to Know Your I-Pod” sessions. (You can even borrow one for the duration of the course though you do have to register for these). My Chandler’s Ford Today post tomorrow also talks more about what libraries can do as Richard Hardie and I report on his most recent book signing at Eastleigh Library.

So however you read, enjoy! Ultimately, that is the most important thing.

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Traditional books will always have a place. My stories are in The Best of Cafelit 4, 5 and now 6 and also by Bridge House Publishing (Alternative Renditions). My first collection From Light to Dark and Back Again is published by Chapeltown Books.

 

The Kindle. I read from it at bedtime and have a wide variety of non-fiction and fiction books on it. Image via Pixabay.

The Kindle. I read from it at bedtime and have a wide variety of non-fiction and fiction books on it. Image via Pixabay.

 

SMASHING STORY STARTS

FAIRYTALES WITH BITE

Smashing Story Starts shares what I look for at the start of a story.  This includes intriguing opening lines to what I like to know by the end of the first paragraph.  I must admit I like to hit the ground running with my stories and get directly into the characters’ heads.  I like to flesh out more details later in the story.

THIS WORLD AND OTHERS

My Top 5 Reading Tips is a follow-on from yesterday’s post when I shared my top 5 writing tips.  I look at reading here from a writer’s viewpoint and discuss, amongst other things, the need to read widely and well.

CHANDLER’S FORD TODAY

Great to see good Facebook feedback on my article with Richard Hardie on his YA publication news.  Many thanks, all.

FACEBOOK PAGE

I discuss Christmas literature – the Nativity, the carols, the films, the spoofs…!

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And there was I thinking my milkman had a big round...!  Image via Pixabay

And there was I thinking my milkman had a big round…! Image via Pixabay