Merry Christmas, Everyone

Image Credit:  Pixabay, unless otherwise stated.

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Merry Christmas, everyone. I hope you have lots of lovely books as presents and plenty of time in which to read them. Now if that’s not a good wish, I don’t know what is!

Hang on, I can think of another. If you’re a writer, may you be inspired by plenty of excellent ideas and have lovely stationery as gifts to jot down those thoughts, which will surely become works of genius in years to come.

Yes, I think that counts as a good wish too. Not quite sure how Santa can deliver that one exactly but I am sure the great man will think of something!

Have a wonderful time. Will be back online in a few days.  NB:  I don’t know if I’ll be posting on Friday as, if I do, it will only be a link to my CFT post and I may save that until next Tuesday.

 

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I hope you have a wonderful Christmas and New Year. Whether you write books or read them or ideally do both, I hope you find plenty of fascinating new material to be enjoying in 2020.

Not sure what my plans writing wise are for the rest of this week but I am planning a CFT post which will be a review of my writing year. I will also be sharing a few timeless wishes. Link up later in the week.

There is a surge of reading at this time of year for obvious reasons but I do hope that leads to a surge of reviews in the usual places in the New Year! As a certain supermarket would say, every little bit helps!

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I was reminded of the power of words and music to move the human spirit at the Carols by Candlelight Service I went to this evening.

Firstly, I heard the most beautiful rendition of O Holy Night I’ve ever heard (well done to the two ladies concerned) and it was one of the loveliest things I’ve heard EVER regardless of musical style etc. The congregation was deeply moved by it. I was close to tears (of the good variety).

Secondly, even without the familiar tunes, the carols are great poetry in and of themselves (and they all tell a story too so I’d love them for that reason alone).

I also read the poem Shepherd by Lisa Debney which was a great pleasure to do. It takes an unusual angle on the Christmas story – that of someone coming to terms with Jesus as a baby – and the words are so moving.

Words – and music – are wonderful things. Any of us working with either or both are so privileged. Enjoy!

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I’ve created a book trailers page on my website. As well as the one for From Light to Dark and Back Again, there are trailers for Nativity and Transforming Being, both of which I have stories in. A big thank you to #GillJames for her wonderful work in creating these three.

I’ve also included a short video I created for Job Satisfaction which is in FLTDBA. I hope to add more trailers (and things I creat too) on this page every so often.

Meanwhile I hope you enjoy the new page!

Nativity Medium

FromLightToDark_medium-2

Image from Chapeltown Books

Transforming Being

Transforming Being. Image by Bridge House Publishing.

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Merry Christmas, everyone. I’ll be offline for a few days. I hope you all have a lovely break – and enjoy plenty of flash fiction, whether you’re reading or writing it (or both), of course.

To finish here are some of my micro Christmas stories. Hope you enjoy!

1. Scrooge grimaced as he walked home, having heard some youngster tell a snippet of a ghost story. Ghosts! Whatever next?

2. In the bleak midwinter, they could have done with a snow plough.

3. Rudolph the red-nosed reindeer found that telling everyone he was suffering from a nasty cold stopped the awkward jokes about what he was adding to his water trough to generate said red nose.

4. Frosty the Snowman was the first to admit he really could not appreciate the benefits of central heating.

Allison Symes – 2019

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Thought I’d share one of my flash fiction stories. Hope you enjoy it.

ENOUGH IS ENOUGH

She knew she had to stop it. It wasn’t doing her any good and any comfort she derived from it had vanished long ago.

She put on her huge black coat, it made her look slim, grabbed her cavernous bag and shook out the massive pork pie she stored in there. She grimaced at it, picked it up and, as she left her flat and walked out of the roadway, she dumped the pie in the community bin.

Today she would start again. Enough was enough. She took a deep breath and headed to where she knew the slimming group met. She’d put off going for ages. But today was different.

She was NOT going to be mistaken for a giant tomato on legs again by anyone. She would show the world she could do it.

And when she had she would get the most rotten tomatoes she could find, hide and hurl the things at those people who’d humiliated her tonight. She knew where they were. They did not know where she was. And it would stay that way.

A year later, the local papers appealed for help in tracking a mystery assailant going around pelting rotten veg at people coming off the 28 bus at different times.

She laughed.

ENDS

Have a wonderful, story filled Christmas and New Year!

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There are certain things about the Christmas story I particularly love – and those are the telling details (which is highly appropriate for a flash fiction writer as only the most important nuggets of information are included in our stories. We have no room for anything else and readers have to fill in the gaps though, for me, that is the joy of flash. I love having to work things through like that and picking up on the implications etc).

One such nugget is the Bible story says Mary was perplexed by the angel’s greeting to her and wondered what kind of greeting this could be. Firstly, I can just picture that (!), and secondly, it makes Mary so real. It would’ve been very odd NOT to react that way I think.

When it comes to our own stories, our characters’ reactions MUST be realistic to the situations we’ve put them in. Readers should be able to think yes, I’d react like that or yes, I could see why they would react this way but I would have…

So when reviewing your stories look at how your characters react to something. Is that reaction reasonable? If a character goes “over the top”, can a reader understand why they might do that?

Happy writing!

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I love the poem The Night Before Christmas. It’s a wonderful story told in rhyme. As is The Gruffalo. I admire hugely anyone who can tell a story in rhyme like that. It’s such a challenge NOT to go for slightly awkward phrasing just so you get the rhyme you want.

Flash fiction can be told in poetic form and I occasionally experiment with this. It’s an interesting challenge but not something I’d want to do regularly. If there’s an award for most difficult category of writing ever invented, I think it would have to go to poetry. So hats off to all poets out there!

But flash fiction writers can learn a lot from poets. DON’T go for awkward phrasing just so you can achieve a desired word count. Your phrasing has to read naturally. You don’t want anything to jar with a reader. You do pick up on “duff” notes in the rhythm of your prose and I know when I’ve come across it in something I’ve read, it throws me. The writing will have to be pretty special to make me keep reading after that.

I write a flash fiction piece, edit it until I’m happy with it, and THEN select the competition or market it is best suited for. When a competition comes up for, say, a 250 word piece, but my story works better at 300, I won’t crop it. I’ll save it for another competition.

Incidentally unless a competition or market specifically says otherwise, it is okay to come in UNDER the required word count. I’ve found though my work tends to come in at 20 or so words below whatever the limit is and that is deliberate on my part. It means I’ve got a little bit of room to manoeuvre if I need it and allows for those places where the title IS part of the word count. You’re never going to have a 20 word title, are you?!!

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Goodreads Author Blog – 

Why Everyone Needs a Writer in their Life

If you’re not a writer yourself, you definitely need one in your life somewhere. Why? Well for one thing, you’ll have an easy present buy for said writer.

If we don’t give you a list of books we’d like to find under the Christmas tree, we’ll always appreciate nice pens and notebooks!

But the chances of us NOT asking for books, in whatever format, are extremely remote. Nor will we ever moan about a book shaped present waiting for us! We don’t care we know it’s a book in there. We just want to find out which one you picked out for us!

And this is why I loved receiving book tokens as presents too. I relished the thought of going to pick up my own present after the Christmas holidays – the thought of all that choice…oh good!

I don’t know about you but I always find it a joy buying presents for people where I know they’re going to like said present. And writers as a rule fit that category very well.

I can’t think of any writer who would pass on the option to have books bought for them!

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What Books Mean To Me Part 3

Image Credit:  Unless otherwise stated, all images are from Pixabay. A big thank you to my guests on the Chandler’s Ford Today Series What Books Mean to Me for supplying photos.

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I’m delighted to share the final, bumper edition of my What Books Mean To Me series for Chandler’s Ford Today. A big thank you to all of fantastic guests for sharing their insights here. It has been a superb series to put together and great fun!

This time Gail Aldwin, Paula Readman, Jim Bates, Wendy H. Jones, Val Penny and yours truly answer the three questions I set.

I asked which ONE book would you save in the event of a disaster, what does reading mean to you, and what do you think reading has done for you as a writer.

As ever, do share your thoughts on the books you’d save over on the CFT page.

A HUGE thank you to all of my guests appearing in the What Books Mean to Me series on Chandler’s Ford Today.

The series was great fun to put together. The wide variety of books chosen to save was amazing (as were the reasons why).

There is plenty to learn from also when my guests discussed what reading had done for them as writers (and of course continues to do).

If you were ever in doubt about the importance of reading for writers, do check this series out. My guests’ comments will leave you in no doubt that the best thing any writer can do to help them improve their craft – read and read widely and read lots. But, hey, don’t just take our word for it. Get on and read and discover how true this is for yourself (and the great thing is you can include reading the posts as part of that!).

Incidentally one of the joys of my CFT posts is choosing a Feature Image (nearly always from those magnificent people at Pixabay). Isn’t the library image for this week’s post just gorgeous?! See the slideshow!

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W = Welcome into a new world (sometimes it’s this one but seen from a new angle).

R = Real characters you can identify with come to life before your eyes as you read and you root for them all the way to the finish.

I = Imagination. The writer has clearly shared theirs with you. Does your imagination picture the world the writer has created clearly enough? Does the story spark your imagination and maybe inspire you to write your own stories or, even if that is not the case, can you think how the characters might live on after the book is finished? The latter shows the characters really are “live”.

T = Tension. There should be plenty of that, even in the funniest of books. Characters have to strive for something important. Other characters should get in their way for good reasons of their own. No tension/conflict = no story.

I = Intensity. Does the story grip you with its intensity? Do you feel the emotions the characters are being made to feel? (You should. No cardboard cut out characters here, thank you).

N = Narrative should be lively and speed the story along. The information given here should be crucial to your enjoyment of the tale.

G = Genre. Read widely in many! Think how many worlds you can explore through book covers if you do that!

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Looking forward to sharing Part 3 of What Books Mean to Me on Chandler’s Ford Today later this week. It has been great fun putting this series together and there have been some fabulous insights and books selected to be saved. More to come on Friday!

My guests this week are #GailAldwin, #JimBates, #PaulaCReadman, #WendyHJones, #ValPenny and…. er… Allison Symes. Well I thought I should answer the three questions I set! Never ask other writers questions you’re not prepared to answer yourself!

(And if the series gives you a marvellous Wish List for a certain season due in a couple of months’ time, even better!).

Second image in was taken on my phone at the pub just before the Waterloo Arts Festival in the summer. Here are three happy flash fiction writers – Paula Readman, Gail Aldwin, oh and me.

Many thanks to Wendy Jones and Jim Bates for supplying their pictures. Val Penny and I were having a selfie moment at the Winchester Writers’ Festival earlier this year.

Do check out everyone’s thoughts on what books mean to them on Friday. Meanwhile, there are Parts 1 and 2 to catch up on over at CFT.

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Glad to say I will be having more stories on Cafelit later this month and into November. Two of them are linked. I’ve experimented with linked flash fiction stories this year and have found these to be good fun. I think the trick, if there is one, to them, is to ensure the link is strong enough and don’t keep it going for too long. Will keep you posted.

Tying in with my post on my author page, here is another acrostic which I hope shares some good tips.

F = Flesh out your character who is going to be the focus of your flash fiction story. Why are they the star of your story? What is special about them? Some of that needs to come through so your reader picks up on their special qualities and will want to read on. (Not necessarily all by the way. Readers won’t need the full biography! Just give the readers what they need to know.).

L = Lively pace. Well nobody wants a dull read, do they?

A = Animated character(s). They’ve got to be the type of people who readers will want to root for and, in the case of villains, are perhaps a little sorry when they lose (assuming they do).

S = Setting(s) to be places readers could picture, even if the setting is a fantastical world beyond any known galaxy. What is there readers can identify with? (That even on Planet QZog, the females of the species have trouble getting their men to put the bins out?).

H = History – character and setting. There won’t be a lot of room in a flash fiction tale of course, so imply what you can when you can. A character’s thoughts can be a useful device here as they consider what action they will take based on the circumstances you’ve put them in. They will decide what to do based on their past experience and also based on any known history of their country etc, as indeed we do.

What do I want my flash fiction to be?

1. Entertaining. (Never despite the value of the escapism value of a book or story. The ability to escape into a good story is invaluable and I’m convinced has health benefits too).
2. To have the impact on a reader I hoped it would, whether it be to make them laugh, scream, or, where appropriate, both.
3. To be something I can be proud of – not just now but years on when I can look back at it and think, yes I loved writing that story/book and I still enjoy reading it.
4. A good character study, even if my character is a rotten piece of work. (Marvellous fun to write up though!).
5. To sometimes, and where appropriate, give a reader (and me) pause for thought.

Fairytales with Bite – What Books Mean to Me

I’ve thoroughly enjoyed interviewing my guests for the Chandler’s Ford Today series for the past three weeks. But linking that into fiction writing, I’ve got to ask what do books mean to your characters? Are your characters set in a world where they can read and books are easily available? Or are their stories preserved in other ways?

When you think about it, we have not had the printed word for that long compared with how long we have had the oral storytelling tradition. I love both “formats” and long may they reign but what would your characters know best? What is their technological equivalent to the Kindle if they have it? What fictional books would they read?

You can also ask that last question as you create your characters. Their choices may well tell you a great deal about them (and do query why the choices are the ones they are. Do they love, as I do, Jane Austen’s Pride and Prejudice because they appreciate irony? How do they express their own irony and is it appreciated? Does it land them in trouble?).

Thoughts to ponder!

This World and Others – Goalposts

When you create a setting for your characters, do you set up goalposts for yourself? What do I mean by that? Simply, do you set limits for the setting that you absolutely have to know about before you write?

For example, you may decide you need to know the history of the town your lead character lives in but not of the neighbouring villages. There’s one limit set (one goalpost if you like that you won’t cross!).

Look at what you decide you need to know and examine why you need that. You should have no problems justifying those choices. What does pay is if thoughts occur to you about your setting that do not appear to be relevant, do jot them down anyway. You may find they come in useful later on in the story draft.

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Post-Swanwick and Reading Time

Publication News

Another story, The Delivery, will be on Cafelit very soon. Will share more details and the link next time. One thing I absolutely love about writing is the thrill of being published never diminishes.

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I expect the post-Swanwick blues to hit me on Monday when up to neck in the daily chores once again. What will keep me going is (a) looking forward to next year’s event (can’t start that too early, can you?) and (b) cracking on with my writing goals.

There was a four letter acronym at one of the courses which I’m not going to forget in a hurry and which I won’t repeat on here. (Get On With It is a politer version!). Let’s just say it’s all the motivation I need when the blues strike!

And one of the things I love about writing is the fact it DOES take you away from the world for a bit. I always feel better after writing, whether it is a short session or longer one, and that, for me, will always be reason enough to write at all.

 

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Catching up with some reading now I’m back home again. It does seem odd NOT to be talking writing and books all the time (but for the sake of my family and friends, it is just as well!).

Have written down some goals and a rough timescale in which to achieve them. When outlining my stories, I do actually then get on and write them so am hoping the same will happen with the goals I’ve set myself. (It does seem more real putting them down on paper, which is vital).

Have some blog posts to prepare so time to get on but I’ll leave some mottoes for genre writers to consider!

Fantasy Writers – Off In a World of Our Own

Crime Writers – Desperately Seeking Someone Annoying to Kill for Next Book

Horror Writers – It is Always Fright Night

Historical Fiction – The Past IS my present (career!).

Delighted to say another story of mine will be up on Cafelit soon. More details later in the week.

I’ll also be sharing a few thoughts on why I love Swanwick Writers’ Summer School for CFT on Friday. I will also be looking at why writers should keep developing and honing their craft (which is only one good reason to love Swanwick as you have plenty of opportunities to do this there!).

Whether you go to conferences or not, getting out and about every now and then is a good thing for a writer. Trips out are splendid opportunities for people watching and you never know what you will come across on a visit.

One of the issues I have, given I write fairytales with bite, is it does make it difficult to find a place of direct relevance to my storytelling! I’ve yet to come across Fairyland…!😀😀 (And I am NOT the right age for Disney!).

But what I do is look for points of interest that may help feed the background of my stories later.

I went to Carisbrooke Castle on the Isle of Wight a couple of years ago and came across a psaltery there. You were allowed to play its strings and the sound was beautiful. Have not used this recollection in a story yet (note the yet!). It is funny what images and sounds stick in the memory though. What I do know is those images and sounds will come in useful for stories at some point.

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Well I’ve had my Slimming World weigh in. Only half a pound on, which is my best ever result after a week at Swanwick Writers’ Summer School! Now if I could only manage that at Christmas…

One downside to writing is it that it is not conducive to exercise! Exercising the little grey cells to come up with the next blog post or story doesn’t exactly shed the calories. My main exercise is walking Lady at least three times a day (though one of those walks is her sprinting after her ball. She’s been playing lately with an 8.5 year old collie called Mobi and it has been great hearing a thundering collie gallop in perfect stereo!).

My other exercise is swimming. I did thnk when I first started swimming, I would be bound to come up with story ideas etc during it. Not a bean! Aside from ensuring I’m not in anyone’s way and getting round those who may be in mine (!), I tend not to think of much at all. But that I guess is where the relaxing side to swimming comes in. Freeing the mind for a while frees it up later to be creative again.

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I was “mugged” by the dog on my return from Swanwick so I was in no doubt she WAS pleased to see me back!😃😃 Dogs are very in your face about how they feel – literally so at times. There is no pretence about them, which is one of their great strengths.

Humans… well that’s another story. We have to work out how people are feeling (or guess at it) when there are no obvious clues to work with.

How do your characters show emotion? (Not in quite the same way as my dog I presume!). Are they “open” emotionally or is it hard work to get any reaction out of them?

In a flash story, there isn’t much room for detailed emotional relationships. I tend to focus on one main character and love to show what their emotional state is via their thoughts. It is direct, saves a lot on the word count, and you as a reader see what the character really thinks (even if the character is kidding themselves).

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F = Fun to write
L = Lively character(s)
A = Action immediately
S = Stories great for ending with a twist
H = Heroes/heroines are dropped right in it from the start

F = Finite story length but you do have some choice
I = Imagination intense to make an intense story work
C = Character(s) has/have to grip you immediately.
T = Tension, yes there’s plenty of that and not a lot of space to resolve it.
I = Intensity can vary. Reflective pieces can work well but the character has to be compelling to make that successful.
O = Oh my… what is your flash tale’s “oh my” moment?
N = Narrative take? I often favour first person.

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Sparks for flash fiction ideas have come to me from:-

1. A scene in classic Ealing comedy, The Ladykillers.
2. Pride and Prejudice.
3. Historical events.
4. Fairytales including narrating from the fairy godmother’s POV
5. Frankenstein
6. The Sorcerer’s Apprentice
7. St. George and the Dragon (though my take on this is not the usual one!).
8. Crime stories
9. Nursery rhymes
10. Owning a dog!

The more you can mix up where you get your sparks from, the better. The more you read and take in from different genres including non-fiction, the better. Yes, watching film can help too. (When all is said and done, you are taking in a story this way. It’s just in a visual format).

Happy ideas sparking!

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Unless I’m writing for a specific competition or market, I don’t always know what word count my flash fiction will end up being. I’ve learned not to worry about this.

I write my idea up and then see what I have to work with. I then edit it and polish it, and check the word count then. If it is close to a standard format (e.g. 110, 40, 230 etc), I will edit it to get to that point (e.g. 100, 50, 250). This makes finding a home for the piece easier to do.

If I really can’t polish the story any more, then I submit it to a market or competition which is open on word count. It really is a case of finding the right home for your story and sometimes that takes a little longer than I’d like but it is the only way I know of to increase my chances of story acceptances.

 

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Goodreads Author Blog – Reading Time

I’ve not long got back from the fabulous Swanwick Writers’ Summer School and, naturally, I picked up some wonderful books from the Book Room here.

What I didn’t get while I was there was any time to do any reading! After a full day of courses, workshops, catching up with old friends, and making new ones, I was far too tired to do much in the way of reading.

I managed to read two magazine articles while I was there! Hmm… not much at all in six days.

Of course, this has meant my TBR pile has increased but there are worse problems in life than that one!

Having said all of that, I was taking in plenty of great material via the course presentations etc and that was the important reading I did want to focus on.

Catching up with my reading will cheer me up immensely as the post-Swanwick and back to the real world blues hit home.

There is much to be grateful for when it comes to reading!

My usual routine is to give myself enough time to read before sleeping and I will often dip into a magazine at lunchtime, say. That was out of the question while I was away but being immersed in a world totally dedicated to reading and writing stories, books, scripts, non-fiction etc. was fantastic.

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Triggers and the Dreaded Lurgy

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On my desk is a calendar with pictures of dogs and a motto alongside them. Today’s one shows a puppy (who looks as if it has just been told off for something!) and the motto is “Even a puppy will endure the unendurable out of love”. And it is true. Dogs are so fantastically loyal and loving. But the motto led me to think about using that for character creation.

In the words of the Meatloaf track “I’ll do anything for love but I won’t do that“, well… just what WILL your characters put up with or go through for love? What WON’T they do? How did they develop the love they have? Is anything putting that love under strain? What would make them snap?

It’s not just romantic love either that can be the focus here. It can be the love of country, the love for an ideal or what have you. How would your characters react if that love was betrayed or spoilt in some way?

Hmm… good stories to be found there I think!

Looking forward to going to the Chameleons’ latest production during the week.

With a title of “They Came from Mars and Landed Outside the Farndale Avenue Church Hall in Time for the Townswomen’s Guild’s Coffee Morning”, I think it’s a safe bet I’m in for a good laugh or several!

I’ll be reviewing the production in due course but will be looking at the importance of good titles in my next CFT post. This one though I admit is a great example of a title which tells you its genre – sci-fi spoof, a genre of which I’m very fond. (I do miss Red Dwarf!).

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Delighted to say I’ll have more publication news next week. Heard today so a great start to this week! The story concerned is a longer one than normal from me but one which has great personal meaning. So that will give you something to ponder! Can’t wait to share the link in due course.

Am currently preparing another story for submission and have a few very short pieces to submit elsewhere too. Making good progress on the novel too, though these things always take longer than you initially think. And that is still true even when you’ve been writing for years and know to allow LOADS more time than your initial estimate!

 

There are different ways to trigger flash fiction stories. A few I’ve used include:-

1. Set a word count and stick to it. (I did this when responding to Cafelit’s 100 word challenge and still do!). You can also use the Twitter character count here for the same thing.

2. Set a theme and stick to it – and then decide whether the story works better at 50 words, 500 words, or what have you and pitch to the appropriate market/competition. (I’ve done this too and how the story works has got to be the only benchmark here. The nice thing with flash is all of its sub-divisions in terms of word count so you will find something to suit).

3. Take a well known phrase or proverb and see what you can do with it storywise. (A favourite of mine. Usually gives you the title too!).

4. Find a source of pictures, pick one to write about. Come back to the others at later dates. My writing diary has inspired me here, I’m glad to say. Guess who will be trying to get the same diary next year. It has proved very useful!

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Sorry for the no-show last night. Bad case of the dreaded lurgy hit me yesterday afternoon and that was it for me for the rest of the day. Good to be back at the desk now though. I actually feel human again!

Gave Lady her first ever Kibble ice “lolly” today. After initially looking at me as if to say “what’s this then, Mum?”, Lady soon got the hang of it and demolished it quickly. Mind, she demolishes most things quickly. I suspect she’ll be having more of these “lollies” tomorrow. Due to get to 31 degrees where I am. Hmm…

Do I find writing more difficult in the heat? Not really. As long as I’ve got plenty of ventilation, I just plough on. Have got to go to London on Saturday. Am hoping it’s a bit cooler by then. It rarely gets cold on the Tube!!

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What sparks a story idea for you? It’s never just one thing for me but the following are some of my story triggers.

1. A snippet of overheard conversation. It doesn’t have to be particularly “juicy” either. Something as mundane as “I told her the hat looked stupid” can stir up story ideas.

2. A phrase or proverb which I know will make a great title. It’s then a great challenge to find a story idea to suit it! But I like titles and challenges like that. I just have to write to the title.

3. Clothes/hats if they’re particularly striking will make me wonder what characters of mine would wear something similar and in what circumstances. Good start for a story that.

And a particular favourite of mine…

4. Taking the viewpoint of fairytale characters but not those of the main “stars” of said fairytales. My first story in print was A Helping Hand in the Bridge House anthology Alternative Renditions and tells the Cinderella story from the viewpoint of the youngest stepsister. Good fun to write and still a favourite of mine.

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What can a flash fiction story do better than a longer standard length competition kind of tale?

1. Level of intensity is stronger in flash fiction. When you want to make a huge emotional impact on your reader, the less said the better a lot of the time. This of course is where flash comes into its own.

2. One-liners can lose some of their impact in a longer story. They can work really well as the ending of a flash fiction piece. Leave your audience laughing etc.

3. Every story should create images and emotional reactions in their readers. Flash can get to the heart of all of this that much quicker.

4. Sometimes THE moment is THE story and flash with its word count restriction would serve this kind of tale well. It doesn’t work for everything. Hamlet can’t be less than it is for example but where you only want to show the impact of one action on one character, a flash story is almost certainly the best vehicle for this.

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The dreaded lurgy yesterday afternoon meant the only flash I was capable of was the quick dash to the bathroom, hence the no-show. Is it a bird, is it a plane, no it’s me and nothing but nothing is stopping me getting to the loo in time! Am so glad to be feeling much better today. Must admit the heat does not help. I prefer a much milder temperature, as does Lady, my border collie cross.

The worst bit of yesterday was the feeling I just couldn’t focus, no matter how much I wanted to, so in that situation, you’re better off giving in to the inevitable. Did I miss my writing yesterday? You bet. Did I resent being poorly and keeping me away from said writing? Oh yes…!

The nearest I’ve got to writing about poorly characters is my Calling the Doctor (which is in the book trailer on this page so please do check it out). I suppose one reason I don’t write on this angle much is because I really do enjoy dropping my characters right in it and see how they manage! (I know, I know – I’m all heart!). I guess if they were poorly, I don’t think I could do that to them (told you I was all heart) and therefore I think it scuppers my writing for them.

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Goodreads Author BlogI’m “Just” Reading

Do you ever feel guilty when you get to relax with a book? I must admit I do sometimes. There are always other things I could be getting on which would be more obviously useful.

However, that is the point. Those other things will always be there. And all writers know you need to read widely and well to feed and nurture your own imagination.

So I will continue to “just” read as and when I can though the majority of my reading time is at bedtime. It is the perfect way to wind down before sleeping (though this may be why it is just as well I’m not a huge fan of horror. I don’t want to be too scared to go to sleep!).

Flash fiction and short story collections are a great boon for people whose reading time is limited, given they make good books to dip into for those breaks in the day when you have a lovely ten minutes to relish a cup of something nice and get to “steal” some reading time to go with it. (So now you know what I do when I have a cuppa!).

I’ve never had time for those who look down on genre fiction as somehow being less worthy. Genre fiction – and reading for entertainment only – brings people into reading. Who knows what they will go on to read but it is vital that spark to read is ignited. Besides being able to entertain others with words you’ve written is something rather special.

The purpose of reading from a writer’s viewpoint is to engage with the reader whether you’re reading something serious or something light. Nobody says it has to be deadly dull and worthy. Let it be what it is – an entertaining read. It really is good enough (and more difficult to achieve than some people think).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Books, Books, Books!

Facebook – General

I suspect I’m preaching to the converted with the title for this post but never mind!

Books have been a vital part of my life since goodness knows when but I’ve only been writing since I turned 30…. X number of years ago!! Quite a considerable number of years in fact but not so many as when I first discovered the joys of reading and would spend many a happy hour in the local library.

Why did it take me so long to make the connection between “you really love books and stories” and “you really like writing your own stories” so you should become a writer? Goodness knows. Looking back on it, it is daft I didn’t start writing sooner but the main thing is I am writing now!

My advice to anyone pondering if they should write or not is to give it a go and have fun creating characters and stories. Whether you then try to get published is up to you. There’s nothing wrong with just writing for your own satisfaction. What matters is you’re writing and loving it.

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I loved watching the TV series of Black Beauty when I was a kid. That encouraged me to read the book by Anna Sewell. Southern TV, as it was back then, adapted some of the Enid Blyton Famous Five books and I loved those too. Pity they lost the franchise because that ended the series pronto!

So a good TV adaptation can encourage people to get back to the books, which is very much A Good Thing! This also happened with me with Oliver Twist. Alec Guinness and Oliver Reed were superb as Fagin and Bill Sykes. Had to read the book after watching the film.

With The Lord of the Rings, I had read the trilogy first. The magic of those films was bringing to life the images I had conjured up in my head of what Middle Earth looked like. (I still like the look of the hobbit holes. I’m about the right height to live in one too!).

I love it when creative media feeds off AND benefits other creativity like this.

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So terribly sad to see the news about Notre Dame. I hope the damage is as limited as possible. Also that restoration can take place as soon as possible too.

On to other things…

The only time I specifically write to a theme is when entering competitions. I’ve usually got a character in mind when I’m thinking about a new flash fiction story and work out, from their main characteristics, what theme would best suit them. I can’t say whether this is the right or wrong way to do things but I do know it works for me.

My other use of themes is to trigger ideas for a new story and then I spend some time working out which kind of character would best suit it. If I can’t work out a suitable character I don’t write the story.

For me it is all about the characters, always.

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I suppose my first introduction to short stories must have been the Reader’s Digest Collections of Fairytales, which I still have.

I was never conscious of this when reading these books (over and over and over and over again etc!) though I do recall being stunned at how long The Little Mermaid was and that it really didn’t have a happy ending. That was an eye opener for me. I didn’t know stories could be like that!

I also loved The Snow Queen with Gerda being the “action lead”. That was an eye opener too. Here was a girl off having all kinds of adventures to rescue her neighbour from said Snow Queen (and the splinter of the evil mirror in his heart). Loved that on first reading.

Here is where you meet ideas for future characters of your own – by reading widely and discovering them in other stories, then wondering what YOU could do with a character like that. You then wonder what setting YOU would put them in and what adventures/problems YOU set them. YOU wonder how your characters would sound and act and react and all of this comes together, creating a story that is uniquely yours. Writing and reading are truly wonderful things.

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Facebook – From Light to Dark and Back Again

The Book Depository UK has FLTDBA listed as available within 2-3 business days. Amazon currently has it available as one month plus! I don’t know why this happens but it does pay to check out online retailers for availability, whether it is in books or anything else!

And I will put in another word about reviews. They really do help authors. Amazon sit up and take notice if you have 50 reviews. If you’re not sure what to write, one line saying what you liked (or loathed) about the book is sufficient. It is a great irony that even a review where someone didn’t like s book still helps the author of that book when it comes to the “numbers game”.

My own policy for reviews, whether it is for groceries or books, is to have a good look through what people have said. Usually there is a consensus and I can then go with that or not as I see fit but I find reviews a useful guide when I’m on the other side of the fence. So please do review! Thanks!

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I sometimes use alliteration in my flash fiction titles (Pen Portrait, Telling The Time etc) but I haven’t deliberately done this. In each case the title has been the right one for the story and the alliteration is a nice side effect!

I also think it is better to have things that way round rather than try to think of a clever title and try to make the story fit it. I can never see how that would work. Something would feel artificial about it.

I have to have a title to work to when writing a story (of any length) but I will change it if something better pops into my head as I’m working on the first draft. I use my titles to help me set the mood for a story. I sometimes use titles which can have a secondary meaning that the story makes clear.

The important thing is that the title suits the story.

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Once I’ve got a flash fiction collection written and edited, I spend some time working out what would be the best “running order” for the stories. This can take some time but it’s worth it.

From Light to Dark and Back Again lives up to its name (!) but the big plus with that was it helped me group stories beautifully!

The reason for all of this? I don’t just want my individual stories to make an impact on a reader. I want the book as a whole to do so too so taking a step back and planning what stories goes where helps enormously with that.

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What is the worst aspect of writing flash fiction?

For me, it’s coming up with a character with a strong enough voice. Once I’ve got that (after some outlining), I can set that character wherever I want and away they go!

It’s not enough for a character to be pushy or what have you. There has got be strong enough reason for them to be like that. Give them this and you will take the reader with you even though the reading journey for flash fiction is necessarily a short one!

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Goodreads Author Blog – Playing with Genre

With my flash fiction, I like to play with genre a lot. As flash fiction has to be character led due to the strict word count, I can have great fun putting that character wherever and whenever I want. I’ve written fantasy flash fiction, historical flash fiction, crime flash fiction etc as a result.

I’ve read excellent collections by other authors too. Some focus on one genre. The Great War by Dawn Kentish Knox is a great example of a themed historical flash fiction collection. Do check it out. The characterisation is very moving.

But it is not just in the flash and short story form that genre can be played with, far from it.

I love the crossover novel. It blends the best of the two (usually) genres it is mixing and gives something unique to the reader as a result. A good example to check out here is Jennifer C Wilson’s Kindred Spirits series which crosses ghost stories with historical fiction. Great mix!

I think readers are much more flexible over this than writers/publishers realise at times. I know what I like when I read it even if I can’t categorise it! And while categories ARE important, I don’t think they’re meant to be straitjackets either.

Have fun with your reading/writing and mix those genres!

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Reading Journeys and the Role of Stories

Facebook – General – and Chandler’s Ford Today

I look at how what I’ve read has changed over the years in my CFT post about Reading Journeys this week. I also look at how the Kindle has impacted on my reading life too (and boy has it! My suitcase is a lot lighter thanks to it!).

I can’t remember what the first book I read all by myself was but wouldn’t be surprised if it was a picture book. I am still very fond of The Reader’s Digest Collection of Fairytales which is beautifully illustrated. I’m also a sucker for a good map (see The Lord of the Rings!).

I’ve said it before, and will no doubt say it again, but adult fiction writers owe a huge debt to those who write for youngsters. So many readers of fiction for adults come from a background of having always read books/had books read to them. It is just a case of tastes changing over time. It is difficult to understate how important it is to create that wish to read spark off in the first place.

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My favourite moment when writing a story or a CFT post is when the piece “takes off”.

For a story, this is when the character hits their stride and there’s no holding them back. You, as the writer, are keen to find out what happens next (which is always a good sign!). And yes I outline but I deliberately don’t put down every detail. I need signposts but what happens between them is the really fun bit!

For a post, it is when one idea leads to another and that leads to more and before you know it, an article is written.

The scary moment? When you’ve outlined an idea and you begin writing and at that point you don’t know whether it is going to “go the distance”. There’s always a certain amount of relief when things “take off” and you realise the post or story will be fine (after editing later, naturally).

Image Credit:  The picture of From Light to Dark and Back Again was taken by my cousin, Raewyn Berry.  My book is on display at her guest house in New Zealand.  It is easily the furthest my book has travelled!

My CFT post this week will take a look at reading journeys and how they change and develop over time (as they should). Good excuse to put lots of pictures of lovely books up too! Win-win! I also look at how methods of reading have developed. Who would have predicted the Kindle when I was growing up in the 1970s?

Do you have a reading list of books you simply must read (in whatever format suits best) before the Grim Library Keeper tells you that you are way overdue and it is time to go?

One of my favourite cartoons is the one of a woman in bed ringing to tell someone her other half has been crushed by his To Be Read pile. I have a nasty feeling life could imitate art for many of us here on that front! So don’t pile them too high, eh?

And I really must go and reduce the height of mine!

Facebook – From Light to Dark and Back Again

The spark for a new flash fiction story comes from a variety of sources for me. These include:-

1. Hearing a turn of phrase which catches my fancy.

2. A well known saying or proverb. (I can often twist these too so double whammy as far as I’m concerned).

3. I sometimes use a question as the story title. The story of course is then found in answering that question!

4. Writing prompts – picture based, theme set or what have you, I find all of these useful. (My writing diary is a boon for these. I should have 52 new stories by the end of the year at least given there is a prompt set every week!).

5. What is lovely is when a character I’ve created sparks off an idea for a follow-on story but the character and the follow-on idea both have to be strong enough for this to work.

6. I will sometimes put a character name into my title (for example George Changes His Mind). The idea here is to provoke curiosity as to find out who the character is and, in this example, what he changed his mind about! The implication also is that it has to be something reasonably important otherwise there would be no story.

F is for Fun which writing should be
L is for Lines for your characters to say
A is for Action without which a story is dead
S is for Story, the “must know how it ends” reaction
H is for Heroes, of all kinds, caped or not.

F is for Flashbacks which should be kept brief
I is for Imagination – feed yours by reading well
C is for Characters we all want to root for
T is for Truthful Narrators or ARE they? Make us guess!
I is for Illumination, that lightbulb creative moment
O is for Original – you have a unique writing voice
N is for Names – what do they reveal about your “people”?

Allison Symes – 14th February 2019

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Flash fiction can be great for giving little insights into a character and/or their setting which would not be enough for a standard length short story. You can imply their world without going into lots of description.

My Every Little Detail doesn’t spell out who the reader mentioned in the story is until literally the last word but so much is implied in the run-up to that, my closing word acts as a confirming punchline in many ways.

I relish writing stories like that. The fun comes from working out what clues to put in and how best to do so. The reader needs to work things out without you spelling everything out but the clues must enable them to do that.

Fairytales With Bite – Character Traits

I like to look for a major trait in a character and use that to help “round them out”.  For example, if I decide a character is a coward, I dig deeper and look for what has led to the character being like that.  I can also look at whether they’re ashamed of this or not.  Not everything I outline here will make it into my story but I know that if I know what the answers are here, I will write my character with more confidence (and therefore conviction as well) and I believe THAT comes through to the reader.

So useful character traits to consider then could include:-

  1. Cowardice/Heroism;
  2. Being a Liar/Being Honest (the latter could cause as much trouble as the former and the potential for comedy is here too);
  3. Stubbornness/Being Flexible;
  4. Being Unfriendly/Being Sociable;
  5. Being Prejudiced/Being Open.

There are of course many more traits than these and practically every trait has its opposite flaw/virtue which could also be used.

Questions to ask yourself when using these:-

 

  1. How did the character develop this flaw/virtue?
  2. Do they see it as a flaw or virtue?  Are they right about this?
  3. How do others around the character react to them and their flaw/virtue?
  4. What are their society’s expectations?
  5. Does the character change – for better or worse?

Have fun!

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This World and Others – The Role of Stories

We all know how important stories are to us personally and to our society but when creating your own world, what thought have you given to the role of tales there? Does your world have its own legends? What are these? How are these legends shared?

Was/is there an oral storytelling tradition? Are only certain stories allowed (and who chose these and why)? Are books easily available to all (or the technological equivalent)? Is reading encouraged? Are there libraries?

How does your world decide whether something it is civilised or not? You’ll guess from the questions I list above I consider the ready availability of books, libraries, stories being generally available etc to be major considerations as to whether I think something is civilised!

How do the characters in your stories treat books and stories? Do their views agree with those held by their society or not?

The role of stories is important (they’re a great way of getting a message across without preaching and are a wonderful form of entertainment. Does your fictional world treat them in the same way? If not, why not?).

Publication News:  Cafelit

I will have two new stories up on Cafelit on 16th February and 16th March.  Will share links as and when.  I am also pleased to say two stories of mine are being voted on for consideration for the Best of Cafelit 8 print anthology due out later this year.  Will keep you posted on how I do but do check out the Best of books as there are wonderful stories in here from a lovely variety of writers.  (How do I know they’re lovely?  I’ve met them!).

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Collaboration, Picture Books, and Characters

Facebook – General – and Chandler’s Ford Today

My latest CFT post is an interview with local children’s writer, Anne Wan. For her latest book, Manners Fit for the Queen, she teams up with local illustrator, Sally Goodden.

The interview looks at the colloborative process needed to produce a picture book and why picture books matter.

For most of us, one of our first introductions to the wonderful world of stories would have been through a picture book. I still love a well illustrated book. (The maps in the Lord of the Rings are fab!).

NB.  I love it when a title for a post just “comes” to me and I particularly like this week’s one.  Picture Books and Other Hooks has a good rhythm to it!

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Looking forward to having a go at the writing prompt for this week from my diary. The prompt is to show the groundhog’s point of view as it prepares to meet his/her public for Groundhog Day (great film incidentally)!

Will have a crack at that challenge over the weekend. Should be fun! I can categorically state I’ve never created a groundhog character before! Am probably unlikely to do so again but it will be fun to find out what comes from this.

Later in the year, there‘s another prompt asking me to list 10 words associated with a train journey. People could have a lot of fun with that depending on which train operator they use regularly! (I think there should have been a comment in the prompt to “keep it clean” but that’s just me!).

As you will have gathered, I love this writing diary!

 

My CFT post this week will be an interview with children’s writer, Anne Wan, and illustrator, Sally Goodden. They recently had a story and craft event at Chandler’s Ford Library based on Anne’s most recent book, Manners Fit for the Queen, which is a picture book.

The ladies discuss how they worked collaboratively and how they met. Picture books look “easy” but are notoriously difficult to get right. The pictures need to convey enough of the story but without giving it all away. The text needs to be pitched right for the age range.

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Facebook – From Light to Dark and Back Again

When did you first come across flash fiction? I ask as my latest CFT post looks at picture books and interviews Anne Wan/Sally Goodden on their colloborative work here. It made me realise that my way into reading, as it would have been for many of us, was via well cherished picture books. So on to my great love now – flash fiction – how did I get into that?

For me, it was via the 100-word challenge issued by Cafelit. Prior to that, I’d not heard of the form, yet alone had a go at it! I think part of the “not hearing” about it was due to the term used. I HAD heard about micro fiction but had not been clear about what that meant. I know now!

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A good story will always make you react in some way. I’ve read (and written) stories that are meant to make you laugh or chill you to the bone.

So if a story isn’t working for you as you draft and edit it, look at what impact it is making on you as you read it. Is there an impact at all? If not, there is where the problem is! So think about what impact do you want it to have? How can the characters generate that impact?

If a character isn’t strong enough, ask why. Are they the right character for this story? Do you need to outline them in more depth to get right into their soul and really find out what makes them tick and react?

I’ve found a good way to get started is think of an extreme situation and look at how your character responds to it. For example, a fire breaks out in the character’s house so what do they do? What do they HAVE to save before they get out and why?

One of the nice sides to writing is you never lose the joy of hearing when something has been accepted! One huge advantage to writing flash fiction and short stories is being able to produce work and, hopefully, get it out there, building up publication credits, while working on a longer project.

Everyone knows how difficult it can be to get a novel out there but that doesn’t mean flash fiction and short stories should be considered “easy”. They’re not! You still need to craft the stories very well in order for them to have a chance of being accepted. You still need to pitch them to the right competitions/markets. They should also be recognised as a joy to write in their own right.

Ironically, it can be harder to write short than it is to write long. I always overwrite my stories but the advantage to that is I get off to a flying start with my editing pen! I find it a good acid test of whether a story is strong enough that I need to cut it back. If I’m having to pad (and I’ve only done this rarely), then the story idea isn’t strong enough in the first place (and I’ve always ended up either abandoning the idea altogether or finding ways of improving it. It never stays as it was).

Fairytales With Bite – What Matters to Your Characters?

What matters most to your characters and why? Get your characters to face losing what matters to them most and that will increase the tensions in your story considerably.

The nice things with this is whatever it is that matters most can vary considerably. For one character, it could be a life or death situation. Another character could be terribly worked up because they’re late back with their library book. The potential for humour is here too.

The one proviso is that your characters have to have very good reasons for why these things matter. A life or death scenario has an obvious “why it matters” inherent in it. In the case of the library book scenario, could it be that your character has never been late in their life for anything and fears losing control over their neat little life if they ARE late at all? Maybe they worry about what the librarian will think – other people’s opinions matter to this character. You get the idea.

Have fun and play with this. Work out what could make your character lose what matters most. For someone with a controlled life, what on earth has happened to make the possibility of being late back with their library book happen at all? Something catastrophic (to them) must have occurred. Hopefully it will be very entertaining for a reader!

This World and Others – Collaboration

Collaboration is vital when producing picture books, as discussed by local writer, Anne Wan, and illustrator, Sally Goodden in this week’s CFT post. (I must admit I was pleased with the title for this one – Picture Books and Other Hooks!).

Working in partnership matters even when you write on your own!  How and why?

For me, this means seeing writing as two distinct processes.  One is the fun creative side of getting everything down on paper or on screen.  The second is the editing process where you tighten your story up and really give it muscle by getting rid of anything and everything that does not contribute to moving your tale onwards and upwards to its conclusion.  I love editing.  I love the sense of the story improving as I spot repetitions etc I didn’t see in the giddy delight of creating new characters etc.  I love the sense of getting rid of what isn’t helping the story.

So where does the collaboration come in?  By accepting these are two distinct processes and not trying to do both at the same time.

Give your creative side free rein and enjoy the ride. Don’t let your inner editor spoil that.  It’s not time for them to come in yet.  Once that side is finished, then recognise the fact that all stories are improved (and therefore stand a better chance of publication) by good editing.

See editing as what gives your stories the wings to fly!  I do and find this side of things fun as a result.  Nothing is going to beat the heady thrill of creating something new but it helps enormously to know nobody has ever produced a truly terrific story in one go!  Everyone needs at least a second draft!  Good luck.

 

 

 

 

 

 

 

 

 

 

 

 

 

Getting Started and Moving On

Facebook – General

I often think the hardest part of writing is getting started! Once I’m away on a piece, whether it is a FB post like this, a flash fiction or longer short story, I get the “bit between the teeth” and get on with it until I’ve got that first draft down.

I’m not deliberately procrastinating incidentally. I set myself down to write at pretty much the same time every night and get on with it. It’s just finding those first few words to get the ball rolling…

Ah well, time to get on with the next piece!

Does music help you with your creativity?

I write usually with classical music on in the background (courtesy of #ClassicFM most of the time). It doesn’t matter whether it’s Beethoven’s 5th or his Moonlight Sonata, I find that just having the music on relaxes me and I just get on and write more effectively.

I am very fond of the Saturday Night at the Movies show on Classic and it is amazing how the right music can make a film. I bet you can name at least four John Williams’ themes for a start. Think of the films you’ve thought of WITHOUT that music. Almost impossible, isn’t it?

Sometimes when I create characters, I think of what music would best suit them. It never makes it into the story itself but it does help me to picture them better so I write about/for them with more depth and that DOES show in a story.

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Enjoying the new series of I’m Sorry I Haven’t A Clue on Radio 4. Always love the word play on here. You can’t keep a bad pun down, no matter how much you might want to!

Playing with the language, inventing puns etc, is something I occasionally do as a writing exercise. Always good fun. Makes you think in a different way. (Just how excruciating can I get with a pun?!). Sometimes that has triggered story ideas precisely because I’ve allowed my brain to go off on a tangent for a bit. Try it and see what you come up with. If nothing else, you should have fun with some mental word games here!

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Delighted to share more publication news. My flash fiction piece, Moving On, is now live on Cafelit. Hope you enjoy, especially if you’re considering a career change!

Facebook – From Light to Dark and Back Again

When do you know if a flash fiction piece has had impact?

If you’re really lucky, a reader will tell you so but for me generally it has been when I can recall most, if not all, of the story days later and it still makes me feel the way I did on first reading it. And that applies whether I’ve written the piece or not. There is a kind of “hits you between the eyes” feeling to stories like this.

 

Looking forward to sharing more publication news next week. Also looking forward to the Bridge House event in London next Saturday and seeing old friends and meeting new ones there!

Plus, as ever, am planning to do plenty of writing on the train journeys. All hail, Evernote, I get so much done!! I find I either write several flash fiction stories or draft one or two CFT posts in an average train journey. So at some point I ought to go on a long train journey – hmm… what could I get drafted on the sleeper train to Scotland I wonder? If I ever find out, I will report back.😀😉

Will be reading some flash fiction pieces at the Bridge House event on Saturday. Looking forward to that. Looking forward to hearing all the other wonderful stories from my fellow authors there as well. I love sitting back entranced. And how often, as adults, do we get to be read TO? Not often enough I suspect.

To love writing you have GOT to love reading (though taking in stories via other forms such as audio is fine but nothing for me will beat a book). I owe a huge debt to my late mum for instilling a love of stories and reading in me at a very young age. She got to see my first published story – A Helping Hand in the Bridge House Alternative Renditions anthology – and my dad got to see my first book, From Light to Dark and Back Again, published. There’s a pleasing symmetry to that.

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My latest flash story, Moving On, which is now on Cafelit, was one of those tales where I started with the opening line and based the story around it. I wanted something different to the normal meaning associated with “learning to let go”. I like taking phrases like that and putting my own take on them. Give it a go, it is good fun!

http://cafelitcreativecafe.blogspot.com/20…/…/moving-on.html

 

Goodreads Author Programme BlogImpact of Writing

The impact of writing on the world in general cannot be underestimated.

As well as the Bible, Shakespeare, Dickens etc., all of which have contributed so much to our language and whose stories have been the inspiration for so many others, there are things like the Domesday Book and Magna Carta.

Historical documents which colour so much else in life and law. Nobody could have foreseen at the time of writing just how much impact these would have (though there would have been many hopes about the Magna Carta. Not least that King John was hoping to get rid of it again as soon as he possibly could! An early recognition of dangerous writing perhaps?).

What makes us love our favourite books and stories the way we do? It is also down to impact. The impact of them stays with us. We want to be like the heroic lead characters perhaps. We feel fear for the characters we love as they face dangers. We feel relief, joy etc when our favourites survive.

So do writers’ play with their readers’ emotions then? Yes but it is always best done subtly. The reader has to be willing to go along with the writer here. The writer has to deliver on the promise of his/her opening lines. We have got to be able to identify with those in the story to want to find out whether they make it through to the end or not.

So the impact of writing is everything then. As readers then we need to decide what impact we want to experience.

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All About Time

Facebook – General – and Chandler’s Ford Today

My latest CFT post looks at time management (and oh I would love to be better at that!) and at time travel. Naturally a certain Doctor makes an appearance in the post and I also look at if time travel were to become possible, where would you go and why? What would you do while there? Comments as ever welcome on the CFT page.

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I discuss the art of time management and time travel in this week’s CFT post. (I suppose thinking about it further, you could say one of the earliest forms of time management in the UK was when the railways standardised time for us all).

On the assumption time travel ever becomes possible (and I’m not counting the gags that say something like travelling on XXX railway makes you feel as if you’ve gone back to the 1860s!), where would go and why?

Thinking heads on. Link goes up tomorrow. Comments welcome in the CFT comments box when post goes live. (If you’re really keen it goes live at just after midnight but you may have to wait to get a reply from me! Unlike Cinderella, I know where I’m going to be at midnight and it won’t be at my keyboard… ah the joys of middle age!).

One good thing about the dark nights coming in earlier is it does encourage reading and writing!

I don’t need much of an excuse to curl up with a good book or get on with various writing projects as it is but the lighter evenings during the summer months can make me feel a bit guilty about not getting more gardening done etc. Note the “a bit”. Easy enough to squash so I can get on with reading and writing! I just wish I could stop feeling the slightly guilty feeling at all!

I often prefer lighter reading and writing during the darker months too. Contrast in mood perhaps? Whatever, it’s definitely time to get on with some writing once again!

Facebook – From Light to Dark and Back Again

I often use lightning flashes in my photos for posts like this, given I think they reflect accurately how a flash fiction story illuminates and impacts on the reader. Very briefly and then over, but you don’t forget the impact.

A short story (say 1500 words+) to me is like shining a torch around – more light for a greater period of time but the impact can be diluted.

Sometimes you want that – you want the story as a whole to impact on your reader and you can only know if it‘s done that by reading and re-reading the whole thing.

The novel is like having a great big light on constantly. When you switch it off (stop reading it), that’s when you think about the impact it has made on you. Or that is how it has always seemed to be to me. I didn’t really appreciate the greatness of The Lord of the Rings until I’d finished reading it. You then take a mental step back and realise the huge scale of the trilogy.

Flash fiction makes you focus on the little details but the great thing with that is you can take this and use it to sharpen your longer works of fiction. No dull bits ever, thank you! The sections that are necessary to link the action should still carry the reader with them. The reader should be as keen to read those sections as they are the main scenes. Flash makes you tighten up your writing and this is enormously useful for ensuring your longer stories flow as they should.

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Time is the theme of my CFT post this week (time management and time travel. If the latter ever becomes possible, you will have to be really good at the former to make said travelling work well for you!). I’ve used time as a theme for a few of my flash fiction pieces – Telling the Time (there’s a clue somewhere here!) and Time Waits for No Man (likewise!).

My main use of time though for flash fiction is deciding on when I’m setting the story. Am I going to tell it as it “happens” to the character or will I get the character to look back on an event? I use both regularly and usually it is clear which would work better. So much depends on the character A reflective type would be best suited to looking back at something that had happened (which I do in They Don’t Understand). An active “go get them” kind would probably be better off telling the story AS it happens, implying the passing of time as we go through the events with them.

What do I look for in an opening line for flash fiction? I don’t necessarily need to know who the lead character is funnily enough, but I DO need to know the setting, the attitude of the narrator (especially if this is a first person piece), and some indication of what the problem is. That problem and how it is overcome IS the story of course.

Something about the narrator/lead character has got to intrigue me enough to make me want to read on. A great piece of flash fiction will make you ponder whether YOU would have acted in the same way as the character you’ve just read about!

Fairytales with Bite – Favourite Times

What are your characters’ favourite times? Curling up with a good book? Lazing in the bath? Going for a good walk with the dog?

Use questions like this to help you establish your character. The answers may not appear in your story but knowing something about the character before you start writing about them will be enormously helpful. You don’t need to know each and every little detail. What you want is enough information that you can write clearly for them, knowing how they would react to a situation and why. The reader will pick up on the fact you really do know your character (even if they do this subconciously, in many ways it is better if they do pick up on this that way) and the writing will flow better as a result.

Of course, working out what your characters’ favourite times will tell you so much about them. Do they curl up with a good book because they can’t face what is their real life? Why can’t they face it? Dig deep. Maybe you will surprise yourself with what your characters show you about themselves. Use that.

This World and Others – Time

My Chandler’s Ford Today post this week talks about time management and time travel.  Guess which one I want to get better at!  Joking aside, this led me to think about how we use time in stories.

A lot of my flash fiction stories are set within a very short time period (appropriately) and are written in the first person, precisely because I want to achieve a sense of “immediacy”.  For other pieces I have the lead character looking back at their lives and being reflective so the time within stories like that is longer, “stretched” if you like, and the pace of the story is slower.  What grabs you with those kinds of tale is the character – something about them intrigues you enough to make you want to find out more.

Time in itself can make a useful theme for stories (too little of it, too much of it etc) but I’ve found it helpful to think about the kind of story I want to tell and then work out what the best time frame for that tale would be.  In my Pressing the Flesh the opening line is “It was 3 am”.  The impact of that is to make you wonder (a) why the time is important and (b) to assume the character concerned is unlikely to be up to any good at that time of night.  (Quite right too – see my From Light to Dark and Back Again for the whole story!).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Memories and Collections

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What memories are special for your characters and why? Are they shared memories with other family/tribe members or individual ones or both? Does your created world have special events where certain memories are officially recalled? Is the past a good place for your characters to visit or do they block out all memories to avoid inflicting more pain on themselves?

This post came about because I was showing some lovely photos of my maternal grandparents’ wedding (set in the grounds of Chiswick House) to other members of my family today. I only came across these photos after I cleared out my late parents’ house. My only regret is had I known of their existence before, I would have quizzed my mother in particular over one photo where she and her younger sister were bridesmaids. There were people in this photo I didn’t know and the family and I took intelligent guesses at who they were.

I guess this shows the importance of maintaining memories and cherishing what is vital from the past, your past. So how do your characters do that?

When you read a book outside of the genre you write in, what are you looking for?

I’m looking for a world I can identify with (though almost inevitably I wouldn’t want to live there!) and characters whose motivations I understand (and usually sympathise with).

I like a fast pace to the story and other background information to help me make sense of the setting. I also want there to be gaps that I have to fill in with my imagination. I want the dialogue to hook me so that I have to read on and not notice the “he said/she said” tags. Well written dialogue does make me skip over these tags as if they weren’t there.

And when I’ve finished the story, I want to feel as if not one word could be added. I also want to regret coming to the end of the story because I enjoyed it so much.

And the challenge here is to write this way myself so hopefully people will feel the same way about MY stories!

I have collections by several of my favourite authors on my shelves – Agatha Christie, P.G. Wodehouse, Terry Pratchett to name a few. Love all that they wrote. Tremendously difficult to pick a favourite book by any of them.

What I especially adore though is when they take their major characters and put them into situations they would never have anticipated encountering. For example, Murder on the Orient Express gives Poirot a moral dilemma (and I won’t say more than that – no spoilers here). It’s not the kind of moral dilemma he would have anticipated facing. And it is how he handles that which, for me, makes this story fascinating. (The TV version with David Suchet is particularly good on this aspect).

So can you take the usual situations your lead characters would reasonably expect to face and subvert them? That what has worked for your lead characters before cannot possibly work in this new situation so they are forced to come out of their comfort zone and “go for broke” because they have to solve this new condundrum, no matter what?

One thing is for sure: do this and there will be no lack of drama/conflict in your story!

Facebook – From Light to Dark and Back Again

One of the biggest issues facing writers is getting their book out there and, once that has been achieved, how to market it without annoying everyone! One simple thing is just to let people know where it can be found and leave it at that. So taking my own advice then…!

FLTDBA in the Swanwick Book Room

FLTDBA for sale in the Swanwick Book Room. Image by Allison Symes

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Chapeltown Books have a distinctive central image in a frame such as with mine. Image by Allison Symes

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Back cover of FLTDBA. Image by Allison Symes

I was enjoying an old Doctor Who episode earlier this evening when Catherine Tate came in as companion, Donna Noble, to David Tennant’s Doctor. Great episode. What I liked about the character of Donna was her feistiness, her abilty to think on her feet, and the fact she wasn’t letting the Doctor get away with ANYTHING. Her character claimed that the Doctor needed someone to stop him sometimes. I think it’s a fair assessment too.

But this highlighted for me the fact well written characters shine through whatever story they’re in and make themselves and the tale memorable. Something to always aspire to when writing my own characters I think.

The joy of coming up with one line stories is you can either leave them like that and perhaps enter them into 25-word flash fiction competitions OR you can expand them.

From there of course, you can either have a longer flash fiction story or go to 1500-2000 words (standard short story competition word count). I think if you were to go much beyond that, you would be changing your initial idea as you would need more characters, at least one decent subplot and so on for the story to be able to “stand up” over that greater “distance” and still make sense.

I don’t revisit my one-liners that often but it did occur to me perhaps I should do so more regularly! A case of double whammy for the writer here I think!

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