At The Scottish Association of Writers Conference


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. I also took the photos from the Scottish Association of Writers (SAW) Conference. It was a joy to be north of the border for the SAW event. I had a wonderful time and the journey to/from by train was a wonderful chance to relax and get plenty of writing done so win-win there too!

The journey home

Facebook – General – and Chandler’s Ford Today

Am pleased to share my latest Chander’s Ford Today post, At the Scottish Association of Writers Conference. It’s a real pleasure to report back from last weekend’s fabulous event. I also take the chance to have a look at the art of judging since, as well as running my flash fiction workshop there, I had the pleasure and privilege of judging one of their competitions, the Margaret McConnell Woman’s Short Story competition. I must admit I wouldn’t have minded winning the beautiful trophy myself!

And it was so nice meeting people in person whom I’ve previously only met thanks to Zoom as well as catch up with fellow Swanwickers (attendees of the Swanwick Writers’ Summer School – we get everywhere!).

At The Scottish Association of Writers Conference

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Nice to get back to a good old swim today – perfect day to do it too! No flash fiction on Friday Flash Fiction from me for this week, hope to resume that next time, but do check out the fabulous stories on there. There’s bound to be something you’ll love (and for flash fiction writers, it is a great way to showcase what can be done with the form).

Will be sending out my author newsletter next week so if you’d like to sign up for tips, prompts, news etc., do head over to the landing page of my website at https://allisonsymescollectedworks.com for more. I’ll resume my In Fiction series for Chandler’s Ford Today after this week’s post, which is a report on my recent time in Scotland.

I’ll be off on my travels again in June to run a flash fiction workshop for the Worth Our Weight in Gold celebration weekend the Association of Christian Writers are putting on to celebrate their Golden Jubilee. Looking forward to that especially since it will be at The Hayes, Swanwick, where I “swan” off every August for the Swanwick Writers’ Summer School.

Plenty to look forward to then – and now on with the writing!

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Many thanks for the great birthday messages yesterday (22nd March). Much appreciated and it was a lovely day.

Something I found out just before I headed to Scotland for the weekend was that I will be having a story of mine out in The Best of CafeLit 11 later in the year. Very pleased about that (and delighted friends of mine will be in there too).

My Chandler’s Ford Today post this week will be called At the Scottish Association of Writers Conference and I report back on my time there. Looking forward to sharing the link on Friday.

Facebook – From Light to Dark and Back Again

Nothing from me on Friday Flash Fiction this week (I hope to make up for that next time) but don’t forget to check the website out. There are wonderful stories on here and it is a joy to scroll through and have a good read. It is important to read well as well as write well and sites like this have a very useful purpose to serve in providing contemporary material for you to read. Enjoy!

I make a point of reading flash and short stories as well as writing them. I think it is vital to read in the field you’re in as well as reading widely outside of it. Inspiration for ideas comes from all manner of places including what you like to read so it makes sense to have a broad pool from which to fish, so to speak. Sometimes an odd line will strike you and ideas for stories of your own will begin to develop from the thoughts that have occurred to you as a result of reading that story.

So don’t let anyone tell you that you’re “just reading”. You are, in fact, carrying out vital market research and it is a lovely way to do it too, so there!

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How do you make the most of a workshop? Notebook and pen or laptop or app where you can take notes is essential. I note down any markets suggested by the speaker (to check them out later and see if they suit me). I also listen out for specific tips – it is the detail I am after. I can then work out how to apply that to my own writing. And if there is anything like a checklist or template I can make use of, I make a note of all that too.

But best of all is the fact if a speaker sets a writing exercise, as many do, there’s nothing to stop you polishing that piece up and sending it out as a flash fiction piece later on. I’ve done that and had work published as a result. Always see any writing exercise you have a go at as a rough first draft and do give them a go.

The idea is for you to produce a piece of work you can work on again later. Even if you get to read it out at the time, don’t worry about how it will come across. Nobody’s expecting perfection. What they’ll be after is seeing how you took the brief because that can confirm to them they’re on the right lines.

If your exercise is to write a 100 word story set in any world, it won’t matter if you set your tale in Fairyland and someone else sets theirs on a rodeo. What matters is getting a story down any old how. They’ve seen/heard how you’ve done it. They know they’ve got something in their notebooks which could be read out. They’ll be reassured and maybe encouraged to read their work out too. You also get instant feedback from those around you here and you can use that to help you polish your story later on.

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A huge thank you for the birthday messages yesterday (22nd March).

I’ve mentioned before that one thing I love about flash is the ability to set characters anywhere and everywhere. I was able to prove that point during my workshop at the Scottish Association of Writers conference last weekend. And it is something to make full use of – I love reading across many genres, so why shouldn’t I write across them too? You can do exactly that with flash with only the 1000 words beings the upper limit as your main restriction and even there, you can write across the spectrum. Some of my stories genuinely work better at 500 words or less so I leave them at that word count. Others need a little bit more “room” so I give them 750 or the full 1000 words treatment.

Flash has to be character led. I never liked reading lots of description. I always want to find out what the characters get up to and with flash you pretty much have to do that from the start. So win-win there as far as I’m concerned.

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Fairytales with Bite – Character Traits in Fairytales

I use character traits as my major way in to finding out about my “people” and writing their stories up. I have to know what they are made of in terms of those traits to work out what their stories could be. #

Positive traits can fail at moments of stress (and those can make interesting stories as the character comes to terms with their failure – or not). Negative traits can be overcome especially with the help of other characters and the story is all about how that “overcoming” is done (and why).

Traits are a major feature in fairytales. The arrogant are punished and usually need some act of love/kindness to be redeemed from whatever spell they’ve had cast on them as punishment. Powerful magical beings often disguise themselves humbly to work out who is worthy of their support and who definitely isn’t and here kindness is definitely rewarded eventually. It is a trait that counts for something in fairytales.

So think about what character traits you want to see in your people. What matters to you here? If honesty is important, would you show that through a character who is honest or one who isn’t and they get their comeuppance for that? In your fairytales, how would you like to see magic used? To benefit the kind in some way? When those who are not kind somehow get magical benefits, will there be a price to pay for “bucking the system”?

In working out what matters to you, you can work out what matters to your characters and that will help you set up a good story structure. If your character has to be honest, your story structure will show how that honesty lands them in it, say, and how they get out of that.

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This World and Others – Differences

Differences take many forms, of course. Differences in culture, language, what we find funny and so on. Most people have no trouble accepting others are different. But how does that work out in your fictional world? Are your characters tolerant or not? What would your fictional world count as “normal” or “different”? And does it react well to differences?

Fear can be a major motivator in the unkind treatment of others. If you dislike a particular trait, how would you act towards a character who has that trait in abundance? Would your character’s fear lead them to prejudiced treatment of others, for example?

If your fictional world is a monocultural one, how did that evolve? Was there ever a time when that wasn’t the case and, if so, what led to the removal or suppression of the other culture(s)?

How we handle differences can reveal a lot about us whether that is conscious or not. We can use that for our characters too.

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Getting Into Character

Facebook – General

I’ve been catching up with some concerts recorded a while back and I finished watching the John Williams Prom today.

Fab music and what is so telling is that in everything he has ever composed, it is clear he has entered the head of the character he has chosen to focus on and come up with the music that would suit them. This is especially true for Indiana Jones and Jaws!

Much as I adore the music, story wise, I’m very fond of only one of those… I leave it to you to guess which one!

But there is an object lesson here: know your characters, REALLY know your characters, if you want to write “for” them well.

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Many thanks, once again, to all the fab writers who shared their thoughts on my recent Why I Blog posts for Chandler’s Ford Today. I find blogging, including on posts like this, wonderful for getting me “into” my writing sessions.

I love the freedom blogging gives but have found it helps to have one major topic. In my case that’s writing of course, but all sorts of things can come off that – such as the importance of reading, editing tips and so on.

The rules I generally follow for blogging include:-

1. Keep it simple. Not in terms of content but in terms of expression. Bullet points for headlines, expand later in the text.

2. Stick to a word count. For CFT I stick to 1500 words absolute max (and it’s usually nearer 1200). More than that, such as the Why I Blog pieces, I split into two or more parts. For the monthly ACW blog, it’s up to 500 words. (I love the discipline of writing to different word counts like this. It makes me “up my game”. It is far easier to write “long” than short).

3. Think of who you are writing for and go for topics which people will find useful, interesting, or would be happy to comment on. The best topics of course combine all of those!

And now on to my other blogs before I turn to fiction for this evening…

The start of another sweltering week in deepest, darkest Hampshire sees me cracking on with more flash fiction for my current WIP. Am happy with how that is going but would like to submit more work as well, so that’s my next mini target.

I’m a little ahead of the game when it comes to my CFT posts (and would like that happy state of affairs to continue). My next post will be a review of the recent Hursley Park Book Fair. More details later in the week.

I’m also drafting some non-time dependent blog posts that I can slot into different places as and when I need them. I must do this more often as it’s useful having material to hand for those on holiday times, down with the dreaded lurgy times, having too good a time at Swanwick Writers’ Summer School time etc etc. I love being able to schedule!

Somewhat cooler today, much pleasanter… Lady appreciated it too.

What is your chief reason for writing? For me, it is a mixture of wanting to share my stories and non-fiction AND wanting to do something positive with that wonderful treasure called literacy, which is so easy to take for granted.

I think most people have some sort of artistic “bent”. It is a question of whether they recognise it or not, and whether they try to develop it or not. Rejections are a pain, especially when there seems to be no “real” reason for them, but you are at least getting work out there. You are being creative.

And every time you try to develop your skills further, you (a) learn and (b) that in turn will help improve your chances of success. The great irony is that success can come after learning to deal with rejections.

The rejections do make you look at your work again and, especially after a gap between sending it out and getting the bad news, it is easier to take a fresher look at your story. Where you see room for improvement, do the necessary work and resubmit elsewhere. Where you really can’t see what you could do better, see if there are other markets which may be interested and submit there, following their guidelines.

Above all, keep writing. Be open to different forms of writing and enjoy what you do!

 

Facebook – From Light to Dark and Back Again

I like to give my characters a “matter of fact” tone to them. I think it makes their portrayal more realistic and, as a reader, I love to find out what characters like these end up doing.

Why? Because characters who are “matter of fact” can end up clashing with those who do not appreciate their honest approach to life. That is where the conflict is, and therefore where the story is too.

I also need to convince readers to stay with my characters so giving them a tone many will identify with is another way of encouraging people to read on.

I like to get into my stories “hitting the ground running” so to speak. One of the best ways I find of doing this is by getting into the lead character’s head quickly and showing their thoughts and attitudes.

The great thing with this is that it doesn’t necessarily mean the character has to be likeable and generate the readers’ sympathy. All any potential reader has to be able to do is see where the character is coming from. It doesn’t mean you have to like the journey this character is on!

Having said that, the truly great characters will spark a reaction in readers, whether it is a good reaction or not. Sometimes a character’s attitude will encourage the reader to keep reading to see if they can get away with said attitude or will the character be brought to earth crashing. I love reading stories like that.

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As well as writing flash fiction, I’m thoroughly enjoying reading it. It is a very simple way of ensuring I get to read contemporary fiction (and in my genre) and it is lovely to have my reader’s hat on and just enjoy the stories. It reminds me of why I wanted to write flash in the first place and you kind of end up falling in love with the genre all over again.

I think the biggest thing for me has to be the fact flash has to be character led but you can set that character in any time, place, or world you choose. There is so much freedom there despite the demands of the tight word count.

Sometimes I will start a flash fiction piece but realise, usually fairly quickly, that this character is going to “run” and the story will end up be standard competition length (1500 to 2000 words generally). That’s fine and it is a joy to write to that length of story too.

However, the reverse is true sometimes too. What I think would make a good competition entry story really is best written as a flash story. There is one pivotal moment, which is entertaining enough, but if you were to add more, it would (a) spoil it and (b) be obvious padding.

So when writing I’ve found it to keep an open mine and judge what the story needs (which is not always what I think it will be!).

The ever useful post it note - image via Pixabay

The ever useful post-it note. Image via Pixabay.

Part 5 - Keeping the language simple and above all clear

No room for gobbledygook here. Image via Pixabay.

The fantastic world of books must include non-fiction too - image via Pixabay

The wonderful world of writing should include non-fiction, which benefits from creative techniques too. Image via Pixabay.

Time to find a new place to call home perhaps - what stories could that lead to - image via Pixabay

Time to have another home perhaps? Good stories to be had here! Image via Pixabay

Feature Image - Facts and Fiction - image via Pixabay

What writing triggers will help you create your new worlds? Image via Pixabay

A familiar desk scene for writers - image via Pixabay

The familiar sight of the writing desk, regardless of genre! Image via Pixabay.

Good historical fiction will make it seem as if you had stepped back in time - image via Pixabay

Could this picture inspire stories? Good fiction will take you out of the world for a while. Image via Pixabay.

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A great selection of books. Image by Allison Symes

My book stand at the Discovery Centre

Enjoy what you write and read! Image by Allison Symes

Laptops - all have a global reach - image via Pixabay

Reviews can have global reach. Most impact I think can often be local to the writer.

Goodreads Author Programme – Blog – What Makes a Character Work for You?

In all of the best stories I’ve read, certain things have to be true about the characters.

1. They’ve got to be interesting in some way, whether it is by being so different to these around them it is bound to grab your attention, or they do something which goes against what is expected of them. You immediately want to know why and what the consequences are. Result! You read on…

2. They have to have flaws and virtues and, above all, understandable reasons for acting the way they are. It doesn’t mean you have to agree or like them.

3. Personal one here – I’m particularly fond of the underdog. I like to see if they can “win out”. Fairytales of course feature a lot of these (and they do win!) so that fuels my love of this one.

4. They have to overcome adversity in some way, whether that is a major one (or is only major to them).

5. They have to develop in some way over the course of the story or novel and by the end, even if not successful in their aim which is driving the story, have come to a better understanding of themselves and the world they live in. The reader can see they’ve changed for the better.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

READING/WRITING FLASH FICTION

Facebook – General – and Chandler’s Ford Today

My latest Chandler’s Ford Today post is Part 2 of my 101 Things to Put into Room 101. Amongst other things, I consign to eternal doom stilettos, bad grammar, confusing road signs and the 5 pence coin. What would you put in the vault?

As for the image below, are the dogs slow? Are the dogs and children slow? Or could it even be that the dogs’ children are slow?! Or are all the animals on this farm slow? (That is anything going faster than a slow walking pace is not kept on this farm?!).

If you ever doubted that the comma is important, then let this convince you it really is, it SO is!

PART 2 - Some commas here would be good - image via Pixabay

Oh for some commas here! Image via Pixabay

PART 2 - You know what it is meant here - image via Pixabay

Really?! Image via Pixabay

Facebook – From Light to Dark and Back Again

One thing that is important with flash fiction is you should be reading it as well as writing it (and not stop at just reading your own!). Not only does this give you a greater appreciation of what can be done with the form, you increase your reading of contemporary fiction.

I have no problems at all finding time to read older fiction (Wodehouse, Austen, Dickens etc) but a good reading “diet” must include what is out there now (or has been published fairly recently). Another advantage of reading widely like this is that it will open your eyes to publishers willing to take collections.

Also, I can’t think of any author who wouldn’t appreciate this kind of support. And you would too, wouldn’t you?

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Fairytales With Bite – Biting Comments

My new mini-series on Chandler’s Ford Today is a humorous look at what things I would put into Room 101, that famous creation of George Orwell.  Part 2 of 101 Things to Put into Room 101 includes items as diverse as stilettos, bad grammar and confusing road signs.

I think stilettos are one of the most stupid things ever invented because they’re not good for your feet or your spine.  When I did wear them, back in the day so to speak, I always dreaded getting them caught in some grating somewhere.  Now that comment is not that biting, I feel, but some of my characters do come out with very pointed remarks at time – and rightly so.  It is part of their personality to do so and the situations they face also justify pointed criticism.

So what kind of biting comments would your characters make?  What would drive them to be like that, or are they like this all the time anyway?  How do the other characters respond?  What kind of conflicts can you get out of this to drive the story along?

Have fun finding out!!

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This World and Others – Inventions

In my latest Chandler’s Ford Today post, which is Part 2 of 101 Things to Put into Room 101, I list, amongst other things, stilettos.  I describe these as one of the most stupid inventions ever.  They don’t do your feet or your spine any good and when I did wear them in my younger years, I always dreaded getting them caught in a drain cover etc.  There are lots of stupid inventions out there but this is my pet peeve.  They are stupid shoes.

In Terry Pratchett’s marvellous Discworld series, I loved his inventor, Bloody Stupid Johnson, whose ideas never seemed to quite work the way the inventor had envisaged!

So in your created world, who are your creative people, your inventors, your engineers etc?  It helps to bring a world to life if we the readers can see at least part of how your world works for those who live in it.  What are the technologies?  Are your societies developed or are people held back by the lack of progress?

Does your world have anyone whose inventions go wrong or whose ideas get pinched by someone else?  (There is a whole raft of stories there about how someone would cope with that/get their ideas back and so on).