A Busy Week and Relishing Flash Fiction

Publication News

Delighted to say my short story, Three Wishes, now out on Cafelit. Hope you enjoy it.

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Am on the train again today so out comes Evernote and my trusty stylus! Lovely early morning sun over Hampshire countryside too.

I use my writing sessions on the move as free writing ones. The only thing I like to get done for sure is to draft my blogs for a Saturday. I post them later on the way home when I’d like to do some writing work but am too tired to do much. The creative work I’ll do shortly after my drafting while the old brainbox is relatively fresh!

So will it be flash fiction, a longer story, or a brainstorming session for future stories and posts? Right now as I draft this at 7.36 am, I don’t know but I will have fun finding out!

Am posting this now at 7.58 pm (on Saturday 21st September). Have drafted a fair amount towards a new CFT post for future use. Well pleased.

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Looking forward to sharing a new short story tomorrow when it goes live on Cafelit (done – see above link!). One of my favourite things about writing (and I think it always will be) is not losing the “buzz” of excitement when you know work of yours is going to be published. It also spurs you on to greater efforts and that’s never a bad thing either.

On the flip side, there’s a couple of competitions I haven’t heard back from (which by now I should have done had my stories got anywhere). Still, I can and will look those stories up, edit as necessary and re-submit elsewhere.

I’ve found writing is rarely wasted and that’s true even when I decide not to re-submit a story for some reason. Nearly always the latter decision is due to timing. There has been a spate of stories on Subject X in Magazine Y so they’re not going to need another one on a similar theme from me! But I can “park” my story and see if I can do something with it later on.

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Delighted to find out my posts have been liked 1000 times. Let’s see if we can get that up to at least…. oh I don’t know… 1001!!

Am thrilled to share my latest short story on Cafelit called Three Wishes. See above link. Hope you enjoy. Definitely not a flash piece this one but I am very fond of my two lead characters here. Hope you will be too.

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A big thank you to fellow Swanwicker, Jennifer C Wilson, of the Kindred Spirits series (and The Last Plantagenet and The Raided Heart) for hosting me on her blog today. Good fun!

(Am looking forward to having to update the picture in December when The Best of Cafelit 8 and Nativity (Bridge House Publishing 2019 anthology) are due out!).

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One nice thing about train travel is you can get snapshots of scenes and characters by simply looking out of the window and observing, discreetly, your fellow passengers.

Naturally there are times you hear their conversations when you would really rather not! Even there though, you can use how that makes you feel to inspire creating a character who feels the same way.

Do they suppress how they feel or tell people to shut up? What are the consequences? Where is your character going and why? Do they need peace to be able to focus on what they’ve got to do at journey’s end? What is that, do they succeed, and does the journey affect the outcome?

Food for thought there, I think.

 

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My favourite form of flash tale is the one where not a word could be added or taken out without tipping the balance of it. That can sometimes mean my story has ended up becoming a 25-word tale or, more often for me at least, a 100-worder or more.

It’s also the way I judge a story of mine. I ask myself IS any more needed for this? You CAN over-egg the pudding, to use that wonderful phrase. When I’m pondering, I ask if the details I’m thinking of adding in really will make any difference to the story. If the answer is no, then they stay out. Well, they really would be no point in adding them, would there?

If ever there was a form of fiction where you don’t write a single word more than you have to, it is flash fiction!

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It’s an evening for sharing stories I think. I was pleased to share my latest short story on Cafelit, Three Wishes earlier on. Now for a flash fiction piece. Complete opposite end of the scale when it comes to word count!

EATING OUT
The gull enjoyed the look of astonishment on the day tripper’s face, almost as much as the bird loved the stolen battered cod. Dessert was sorted – the gull went back and pinched the same tourist’s mint choc chip icecream.

Ends

Allison Symes 2019

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Very pleased to be guest blogger on Jennifer C Wilson’s blog today.

I will be starting a new series on Chandler’s Ford Today soon about What Books Mean to Me and I’m glad to say Jennifer will be taking part in that. I asked a number of writer friends three questions and I look forward to sharing their responses soon. I answer the questions myself right at the end of the series. I didn’t make them easy ones, honest!

It has been a good week with Three Wishes out on Cafelit yesterday and it’s only Tuesday. Hmm… time to press on then.

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Goodreads Author Blog –

Why are your Favourite Books your Favourites?

I don’t have just one favourite book. Do any of us, come to that?!

The reasons for my favourite books being so favoured vary enormously and can depend on how I’m feeling at any one time. What links the favourites is one solid fact – I couldn’t part with any of them!

So I have favourite books because:-

1. They’re classic childhood stories.

2. They were given to me by loved ones, now passed on.

3. They were given to me by friends and family whom I cherish.

4. They first introduced me to irony and humour in fiction. (Wodehouse, Austen, Pratchett).

5. Sherlock and Poirot are just brilliant, albeit in different ways.

6. The Lord of the Rings – no need to say more!

7. Discworld – likewise!

8. The books are written by me or are anthologies with my flash fiction and short stories in them.

9. The books are written by friends!

10. Some are photo books of my dogs with apt captons for my first two collies and now Lady too.

So why are your favourites your favourites then?

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The Power of Language

Image Credit:  Unless otherwise stated, images are from Pixabay

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I think I may have found my favourite image for this week’s CFT post. There is so much truth in it, don’t you think?!

I look at the Power of Language and discuss rhetoric, the role of swearing, putting words INTO the language, and how flash fiction has affected how I use language. I also feel we should celebrate language, its richness and its origins. English of course notably borrows, sorry steals, from other languages and is the richer for it.

I also find proof of someone cheating at Scrabble…

Hope you enjoy! Captions over on CFT.

 

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If you ask most writers what every new writer needs, I think the answers would be something like:-

1. Comfortable working environment with good support for your back given you can be at your desk for some time.

2. A willingness to commit what time you can to writing and to accept you are in for the long haul.

3. The ability to develop a thick skin when rejections/critical feedback/bad reviews come in, as they do.

4. Pens, paper, laptop, printer, and all requisites.

5. Tea/coffee/other drink of choice which will keep you going.

6. The ability to focus.

7. Accepting rewrites (often many) are a necessary part of the process.

8. A love of books in a wide range of genres and a good reading habit.

9. A willingness to learn and improve your craft.

All of these are vital BUT I would add in:-

10. An appreciation of language and what you can do with it. Play with words, have fun with them.

(It’s not just because I talk about the Power of Language on my CFT post tonight, though it helps!).

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Questions to ask as you outline a story:-

1. What is its mood?

2. Why is it the right mood for the story?

3. What makes the lead character tick?

4. Are they the right lead character for this story? (It doesn’t always work out the way you think it will. I’ve rewritten a story from another viewpoint which proved to be far better than the one I’d originally chosen. If something doesn’t seem to be working, it may be worth looking at whether you are telling the story from the right character’s viewpoint).

5. What does the lead character want?

6. Why does it matter? (This one is crucial. The motivation has got to be strong enough to convince a reader a character would do X, Y, Z etc to obtain it).

7. What gets in the lead character’s way?

8. How are they going to overcome the obstacles? (At outlining, you may only have the vaguest idea but there should be something within the personality of your character that will make all the difference to the resolution of the story).

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I’ll be looking at the Power of Language in my CFT post later this week. I share my thoughts on rhetoric and swearing amongst other things (and there’s a good mix!). Post up on Friday.

It’s one of those topics I should have had a look at before given flash fiction writing has meant I have to concentrate on the impact of the words I use given I can’t use as many as a short story writer (1500+) or a novelist (80K or so).

I’m also looking forward to sharing a new series, What Books Mean to Me, where guest writers share their answers to three specific questions. I finish the series by answering them myself. I didn’t pick easy questions, honestly. One of them is a question all writers would want to “modify” but more on that when the series starts in October.

 

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Facebook – From Light to Dark and Back Again

Glad to report I will have a short story called Three Wishes up on Cafelit on Monday. Will share the link then. Yes, I’ve been flirting with the longer form of fiction but have also written new flash work this week. So a very good week then!

But I will always have a very soft spot for the flash fiction with fantasy at its heart. This is a relatively new one of mine which I hope will make it into a future collection.

And it solves a mystery too.. what DID happen to Humpty Dumpty?

I’M BORED
‘It’s up to you, I really don’t mind,’ Joe said, swinging his legs idly against the brick wall.
‘Grrr… all I asked was what would you like to do today, as a considerate friend does and as I ask every bloody day, and you still come up with that rot. Are you incapable of giving me a straight answer? I get so bored trying to come up with different things for us at least to try. It is boring sitting on this wall all the time.’
‘Then stop asking me such a stupid question then,’ and with that Joe pushed Humpty Dumpty off the wall.
The mess on the pavement was impressive. Humpty had been a huge egg.
‘Not going to be bored any more, are you, Hump?’

Ends
Allison Symes – September 2019

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Do you ever use photos as writing prompts? I do occasionally (and usually use the ones in my writing diary) but there are some pictures I just know I couldn’t write about. Why?

Because I know I can’t have enough distance from the subject in the photos. Therefore I wouldn’t be able to write objectively. Without that objectivity, the story fails. I’ve got to be able to see the characters IN the picture as exactly that.

Landscapes are easier to do but if they are of places I know well or have special memories attached to them, then they’re out, again due to the lack of objectivity.

See what you can do with the ones below then. Pixabay as ever are the image suppliers here (except the ones of sunlight around a Scottish loch. I took that while on holiday earlier this year and was amazed at how the light worked on this one).

As I use first person a lot in my flash stories, I don’t use many names. When I do though, I look for something that will indicate age, class/background, their level of formality they’re likely to countenance etc. It saves on the word count too!

My parents named me thinking you couldn’t abbreviate Allison. Wrong! I never minded being called Ali (and still don’t). I deliberately gave my son a name where all the abbreviations of it we liked as much as the full name. Win-win there.

So what can you do your characters here? An Abigail is likely to be more formal than an Abby. What would you make of a George as opposed to a Georgie (and that can apply to male or female characters)?

Think of how you want your characters to come across to your reader. That should be the benchmark for you to decide on the appropriate names for your people.

Fairytales with Bite – Character Motivation

Character motivations can cover a wide spectrum. There are the “obvious” ones of love, revenge, seeking justice etc but motivations can be more subtle than that – for example the wish to prove someone wrong.

What matters is whatever the motivation is, it is the be all and end all to your character, even if it seems to everyone else they’re making a fuss about very little.

A motivated character will do whatever it takes to get what they want and the important thing is to ensure your people are driven enough.

It’s not enough for a character to just want to stay out of trouble. But if your character goes to extraordinary lengths to stay out of trouble then  a great deal of humour or tragedy can result from that.

What could be behind that? Maybe they’ve got a bet on with a friend to stay out of trouble for six days, say, and the friend has always been right in the past but this time our hero wants to prove them wrong and is determined to do so. They’re fed up with their friend being right all the time and finally want something to go their way.

There, the motivation is powerful enough and understandable. Your readers have to get behind your character to carry on reading their adventures after all. Naturally your character’s friend will know or be able to guess at their friend’s motivation here and will do all they can to scupper any chances of success. Voila! Instant clashes and tension as you work out how your hero does or does not prove the friend wrong.

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This World and Others – The Power of Language

My CFT post this week looks at The Power of Language.  I look at this from a variety of angles, including how flash fiction has affected how I use language.  But let’s turn to this topic from the viewpoint of our stories and created worlds.

Is your created world one where everyone speaks formally? Is it one where you have to know the right language to use to be able to get anywhere in life and only certain people have that knowledge?

Is the power of language suppressed in any way? For example, does your setting allow for free speech, good access to different literature etc. How are journalists and other writers treated? With respect or are they considered threats? (Sadly, they too often are for real of course).

Where magic comes into your stories, does it have a special language all of its own? Is it widely accessible to beings of all backgrounds or again do only certain people have the knowledge? How are they stopped from controlling everything?

Some story ideas there I think!

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Back to Earth, Special Moments for Writers, and Publication News

Publication News

My story, The Delivery, is now up on Cafelit. It looks at what can happen when you fall foul of the old boss and not just any old boss, come to that. Hope you enjoy. It was good fun to write!

brown envelopes in mail box

The Delivery! Photo by rawpixel.com on Pexels.com

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My CFT post this week was a real labour of love. (They all are but this one is particularly so). I get to talk about Swanwick Writers’ Summer School! I also look at why seeking to develop and feeding your mind is so important to a writer.

The lovely thing is you feed your mind through fabulous things like reading and interacting with your fellow writers! The best forms of development should be fun (otherwise you won’t stick with them, will you?).

Image Credit:  All Swanwick images taken by Allison Symes, except those of me reading at the Prose Open Mic Night. A huge thank you to Penny Blackburn for those. Captions as ever on the CFT post. (Also it was great to include here a photo of Jennifer C Wilson of the Kindred Spirits series at her Social Media for Writers talk at Swanwick, which rightly was very well received).

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Tough questions to answer:-

1. Why does time drag when doing anything boring yet flies by when you’re enjoying your writing and/or reading? The latter is when I want time to slow down, thank you. I wish there was a way we could control these things.

2. Why do you run out of paper and/or printer ink half way through printing a MSS you want to work on? Why can it never be at a convenient moment? I’ve lost count of the times I’ve had to re-run a significant portion of a MSS because I went and did something else during the printing, only to come back and go “argh” (or swear, much depends on my mood!), as I discover the last 30% or so is not readable.

3. Why are there either loads of writing competitions you want to go in for because you know you can meet the brief or none at all when you could do with them? You either have the dilemma of working out what you can do in the time and miss out on entering some because you know you can’t do them all, or have nothing to submit to, and neither is good!

Special moments for writers:-

1. Finishing first story/article/book. Just getting to the end is a huge achievement. Well done! (Many say they will write, many will start, not all will see it through and complete the work).

2. First rejection. I know it sounds odd but it is proof you are getting work out there. Also, all writers get them. You’re not going to avoid this (so it’s best to face up to this and remember it is never, ever personal). This is where it can be helpful to have a couple of pieces of work out there at any one time. There is always something then that might do better.

3. First publication.

4. First writing conference (and knowing you fit right in!).

5. First acceptance of a previously rejected piece of work. You’ve looked at the piece again, edited it again, and send it to another competition or market. They take it. I believe no writing is ever wasted. So what might be rejected now might, with more work, be accepted somewhere else later.

6. Discovering new competitions/markets to submit to – this is fun!

7. First review of something you’ve written (on the assumption it is a good one).

8. First shortlisting in a competition.

9. First book signing.

10. First taking part in a book fair etc with other writers. (Okay, getting sales is another matter but it is good experience and usually fun too. They can be great opportunities to engage with readers. I’ve nearly always found, after an event, my Kindle sales have gone up even if I didn’t sell many paperbacks).

Can you think of others to add to this list? I’ve treasured all of the above (and still do).

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Delighted to have my story, The Delivery, up on Cafelit today. Hope you enjoy.

Will be out and about over the weekend so hope to get more work drafted while travelling. It’s a great use of time!

 

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See the link to post in The Delivery. Photo by Lisa Fotios on Pexels.com

 

Which writing exercise do you find the most difficult?

For me, I think it is where you have to put a certain line in the middle of a story. I have written these but not often as I much prefer an opening line or a closing one.

With closing lines, I will “outline backwards” before writing the story up to make sure I get to the required line in a way that makes sense. Once I’ve got my outline I will look to see if I can improve on my initial thoughts. I nearly always can and then when happy with the outline, I write the story up.

But with a middle line, I’ve found the temptation is to cut the story into two halves. The problem with that is it may well come across to the reader as a story of two halves, which is not what you really want. So the trick there is to ensure you can’t see the join, as the wonderful Eric Morecambe so often said to the equally wonderful Ernie Wise!

What is your favourite writing exercise?

I love them all but I think for me it has to be the opening line. Why? Because a promising opening line can take you in all kinds of directions and that’s very addictive!

Usually with this I jot down a few thoughts as to where the story could go and then pick the one I like most and away I write. I do look at the ones I discarded again later and occasionally pick up on another one or two on the list. Why only occasionally?

Because inevitably those at the top of my list are the “obvious” ideas and while there is nothing wrong with them, a competition judge will have seen them all before. You want your own take on the theme that has been set which still meets that theme. You have to dig deep to find the gold.

One wonderful idea that came from Swanwick was to write down your first ten ideas. Having to come up with ten forces you to think more deeply (and laterally) about the topic and that is never a bad thing. And this can be applied to whatever kind of writing exercise or prompt you use too.

Fairytales with Bite –

Top Tips for the Aspiring Character

You are a character who wants to come to life on your creator’s page but they’re umming and ahhing about whether you are really the character they want to lead what they laughingly call their story. It is your story, naturally. They just haven’t realised it yet. So what can be done to make your writer give you your proper place in the tale?  Top tips include:-

1.  Ensure your personality is strong enough. Don’t be a doormat. Doormats not only get trodden on but, far worse, they’re forgotten. That must not happen to you.

2.  You must have good turns of phrase so your conversation is unforgettable too. If you can be witty and come out with appropriate one-liners, so much the better. Readers remember those. Your writer should remember that.

3.  Are you prepared for adventure? Are you happy for your writer to drop you right in it, several times if need be and usually from a great height? Yes? Good! They can do what they like with you then and they will like that.

Good luck! (And tell your writer to get a move on and get you in the story).

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This World and Others – Back to Earth

I had a wonderful week at the Swanwick Writers’ Summer School and now it is back down to earth once more. I share a little of what it is like at Swanwick on my Chandler’s Ford Today post this week. I do think you need at least a week to get over a holiday, wonderful writing school or what have you.

How do your characters react when they have to come back to reality after their adventures? Most of the time we don’t find out of course because the story stops when the adventure does. One thing I love about The Lord of the Rings is it does show that things are never the same again, particularly for Frodo, when he finally returns to Middle Earth. I won’t say more than that but I thought this part of the story is realistically done. Frodo would be affected by all that he has gone through.

All stories should show that your characters (especially your main one) have changed in some way, otherwise there is no story. Changes can be positive or negative. Now I must admit I generally prefer positive changes but there is a place for the opposite. What would work best for your character and story?

 

 

Post-Swanwick and Reading Time

Publication News

Another story, The Delivery, will be on Cafelit very soon. Will share more details and the link next time. One thing I absolutely love about writing is the thrill of being published never diminishes.

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I expect the post-Swanwick blues to hit me on Monday when up to neck in the daily chores once again. What will keep me going is (a) looking forward to next year’s event (can’t start that too early, can you?) and (b) cracking on with my writing goals.

There was a four letter acronym at one of the courses which I’m not going to forget in a hurry and which I won’t repeat on here. (Get On With It is a politer version!). Let’s just say it’s all the motivation I need when the blues strike!

And one of the things I love about writing is the fact it DOES take you away from the world for a bit. I always feel better after writing, whether it is a short session or longer one, and that, for me, will always be reason enough to write at all.

 

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Catching up with some reading now I’m back home again. It does seem odd NOT to be talking writing and books all the time (but for the sake of my family and friends, it is just as well!).

Have written down some goals and a rough timescale in which to achieve them. When outlining my stories, I do actually then get on and write them so am hoping the same will happen with the goals I’ve set myself. (It does seem more real putting them down on paper, which is vital).

Have some blog posts to prepare so time to get on but I’ll leave some mottoes for genre writers to consider!

Fantasy Writers – Off In a World of Our Own

Crime Writers – Desperately Seeking Someone Annoying to Kill for Next Book

Horror Writers – It is Always Fright Night

Historical Fiction – The Past IS my present (career!).

Delighted to say another story of mine will be up on Cafelit soon. More details later in the week.

I’ll also be sharing a few thoughts on why I love Swanwick Writers’ Summer School for CFT on Friday. I will also be looking at why writers should keep developing and honing their craft (which is only one good reason to love Swanwick as you have plenty of opportunities to do this there!).

Whether you go to conferences or not, getting out and about every now and then is a good thing for a writer. Trips out are splendid opportunities for people watching and you never know what you will come across on a visit.

One of the issues I have, given I write fairytales with bite, is it does make it difficult to find a place of direct relevance to my storytelling! I’ve yet to come across Fairyland…!😀😀 (And I am NOT the right age for Disney!).

But what I do is look for points of interest that may help feed the background of my stories later.

I went to Carisbrooke Castle on the Isle of Wight a couple of years ago and came across a psaltery there. You were allowed to play its strings and the sound was beautiful. Have not used this recollection in a story yet (note the yet!). It is funny what images and sounds stick in the memory though. What I do know is those images and sounds will come in useful for stories at some point.

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Well I’ve had my Slimming World weigh in. Only half a pound on, which is my best ever result after a week at Swanwick Writers’ Summer School! Now if I could only manage that at Christmas…

One downside to writing is it that it is not conducive to exercise! Exercising the little grey cells to come up with the next blog post or story doesn’t exactly shed the calories. My main exercise is walking Lady at least three times a day (though one of those walks is her sprinting after her ball. She’s been playing lately with an 8.5 year old collie called Mobi and it has been great hearing a thundering collie gallop in perfect stereo!).

My other exercise is swimming. I did thnk when I first started swimming, I would be bound to come up with story ideas etc during it. Not a bean! Aside from ensuring I’m not in anyone’s way and getting round those who may be in mine (!), I tend not to think of much at all. But that I guess is where the relaxing side to swimming comes in. Freeing the mind for a while frees it up later to be creative again.

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I was “mugged” by the dog on my return from Swanwick so I was in no doubt she WAS pleased to see me back!😃😃 Dogs are very in your face about how they feel – literally so at times. There is no pretence about them, which is one of their great strengths.

Humans… well that’s another story. We have to work out how people are feeling (or guess at it) when there are no obvious clues to work with.

How do your characters show emotion? (Not in quite the same way as my dog I presume!). Are they “open” emotionally or is it hard work to get any reaction out of them?

In a flash story, there isn’t much room for detailed emotional relationships. I tend to focus on one main character and love to show what their emotional state is via their thoughts. It is direct, saves a lot on the word count, and you as a reader see what the character really thinks (even if the character is kidding themselves).

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F = Fun to write
L = Lively character(s)
A = Action immediately
S = Stories great for ending with a twist
H = Heroes/heroines are dropped right in it from the start

F = Finite story length but you do have some choice
I = Imagination intense to make an intense story work
C = Character(s) has/have to grip you immediately.
T = Tension, yes there’s plenty of that and not a lot of space to resolve it.
I = Intensity can vary. Reflective pieces can work well but the character has to be compelling to make that successful.
O = Oh my… what is your flash tale’s “oh my” moment?
N = Narrative take? I often favour first person.

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Sparks for flash fiction ideas have come to me from:-

1. A scene in classic Ealing comedy, The Ladykillers.
2. Pride and Prejudice.
3. Historical events.
4. Fairytales including narrating from the fairy godmother’s POV
5. Frankenstein
6. The Sorcerer’s Apprentice
7. St. George and the Dragon (though my take on this is not the usual one!).
8. Crime stories
9. Nursery rhymes
10. Owning a dog!

The more you can mix up where you get your sparks from, the better. The more you read and take in from different genres including non-fiction, the better. Yes, watching film can help too. (When all is said and done, you are taking in a story this way. It’s just in a visual format).

Happy ideas sparking!

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Unless I’m writing for a specific competition or market, I don’t always know what word count my flash fiction will end up being. I’ve learned not to worry about this.

I write my idea up and then see what I have to work with. I then edit it and polish it, and check the word count then. If it is close to a standard format (e.g. 110, 40, 230 etc), I will edit it to get to that point (e.g. 100, 50, 250). This makes finding a home for the piece easier to do.

If I really can’t polish the story any more, then I submit it to a market or competition which is open on word count. It really is a case of finding the right home for your story and sometimes that takes a little longer than I’d like but it is the only way I know of to increase my chances of story acceptances.

 

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Goodreads Author Blog – Reading Time

I’ve not long got back from the fabulous Swanwick Writers’ Summer School and, naturally, I picked up some wonderful books from the Book Room here.

What I didn’t get while I was there was any time to do any reading! After a full day of courses, workshops, catching up with old friends, and making new ones, I was far too tired to do much in the way of reading.

I managed to read two magazine articles while I was there! Hmm… not much at all in six days.

Of course, this has meant my TBR pile has increased but there are worse problems in life than that one!

Having said all of that, I was taking in plenty of great material via the course presentations etc and that was the important reading I did want to focus on.

Catching up with my reading will cheer me up immensely as the post-Swanwick and back to the real world blues hit home.

There is much to be grateful for when it comes to reading!

My usual routine is to give myself enough time to read before sleeping and I will often dip into a magazine at lunchtime, say. That was out of the question while I was away but being immersed in a world totally dedicated to reading and writing stories, books, scripts, non-fiction etc. was fantastic.

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Swanwick Report 2 (This Time It’s Personal!)

Facebook – General – and Chandler’s Ford Today

I was on way home from Swanwick as I drafted this earlier this afternoon. Not sure I’m ready to face the real world yet but the weekend will help.

Mind, it was lovely getting home to the family again, and I was mugged by Lady in a totally good way as well! One happy dog…

My CFT post this week is Making Space Part 2 and here I share thoughts and tips on this for writers. Hope you find at least some of them helpful.

Planning is key to my getting writing done at all and it pays to make space for that planning. It really does help you be more productive. Try it and see!

Image Credit:  Pixabay.  Captions on CFT.

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Publication News:  Cafelit

Busy night for me! I forgot to share this earlier this week but better late than never…

Am pleased to say my story, Life is What You Make It, went up on Cafelit on 12th August. Hope you enjoy.

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Why does Swanwick week always speed by? Glad to see sun come out in time for the Dregs Party held on the main lawn though.

Really encouraged on the non-fiction front and have written flash fiction stories too. Plenty to be getting on with when I get back home (and not just my laundry!).

The joy of writing is in being creative and discovering and enjoying new forms in which to write.

The joy of Swanwick is you know there are close to 300 people there with you who totally understand that.

Image Credit:  Swanwick pictures taken by me but a huge thank  you to Penny Blackburn for the one of me reading at the Open Prose Mic Night.

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I picked Getting Lost, Mirrored, and Test Pilot to read at the Swanwick Prose Open Mic night. Many thanks to Penny Blackburn for the pic (above).

Another full day of inspiring courses and workshops. It takes a while after you get home to process all you know will be useful to you but that’s fine. Knowing what you want to do is key and coming to Swanwick can and has been helping me hone in on that.

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Have three flash stories drafted as a result of Swanwick. All need polishing though. I never get as much writing done as I think I will at Swanwick, because your head (and notebooks) are full of ideas to follow up when you get back.

I also want to cherish time spent with other writers, most of whom I won’t see for another year. This is where social media is such a blessing in that it makes you able to stay in touch that way.

What was great was coming across a number of other flash fiction writers. The form is growing and that will lead to more fantastic stories. Win-win there!

The nice thing with writing for competitions is if a place doesn’t get placed, you have a story you can look at again and rework and submit elsewhere.

Most of the time you won’t be placed. Does that sound depressing? Perhaps but on the assumption there’s nothing wrong with your story, other factors happen such as:-

  1. The judge has already read a story very similar to yours and, for whatever reason, the other has the edge. There’s not much you can do here other than make your work as polished as possible and try not to go for the too obvious interpretation of a theme.

  2. For open competitions especially, judges may genuinely have a preference for a particular story type or genre and yours doesn’t float their boat. Just get the work out somewhere else appropriate.

Good luck!

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I love it when flashes of inspiration strike though nobody says they have to come at convenient times, unfortunately.

My awkward-to-get-to-a-pen moments include:-

Being in the shower when a real cracker of an idea turns up.

Being on the loo when etc etc.

Being stuck in traffic and I’m driving.

Longing to write when on a train but you’re packed in so tight even an exceptionally skinny ant would have trouble finding space. {Anyone come across an obese ant? Just thought I’d ask!).

Oh well…

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Fairytales with Bite – Making Space

My CFT post this week discusses why Making Space is a great idea for writers. See http://chandlersfordtoday.co.uk/making-space-part-2-the-writing-view/

I believe fairytales and fantasy fills the spaces between reality and chaos. Why? Because so many tales in these genres reflect what we can be like, while others give strong moral messages. Why do we need such things?

  1. To guide us as to what our behaviour should/should not be;
  2. To show us what life could be like without kindness, gratitude etc. Would you really not want things to come right for Cinderella, for example?

As writers, we also need to give our characters space to develop in themselves and as part of the plot development. A character who doesn’t change will be of little interest to readers.

This World and Others – Entering Another World

You do feel as if you enter another world when you go to Swanwick Writers’ Summer School. For a week, I do! Coming out of that world again can be a wrench too.

Image Credit:  Photos of Swanwick taken by me with the exception of my reading at the Open Prose Mic Night. Many thanks to Penny Blackburn for that. ALREADY SHARED ABOVE.

But going home with ideas to work on will take me back into the fantastic world of the imagination in no time. So that’s all right then!😀 The really nice thing about this?

It applies whether you write flash or other fiction and non-fiction.

When you want to escape this world for a bit, write!

Your title needs to make an impact quickly and especially if writing flash fiction as it can set mood and save you word count - PixabayThe first title idea you have may need to change later but that's okay - PixabayAnd the first thing people will want to know is the title - Pixabay918521_S.jpg

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Still room for pen and paper drafts. Pixabay

 

 

Making Space and Variety

Publication News

Another story, Life Is What You Make It, will be up on Cafelit on 12th August. Am sharing link to my author page here but do check out the other writers on here too. There is a wonderful range of writing here.

Facebook – General – and Chandler’s Ford Today

My CFT post this week on Making Space is a two-parter and was inspired by a recent visit to the Sky Gardens in London. I had great fun spotting so many landmarks from a literally great height!

Making space to write is fundamental and, for me, this involves planning out my writing slots and how I’ll use them. I know that without the planning, I would get far less done, far less stories sent out (and less chance of acceptances too) etc.

I’ll share some tips I’ve found useful here in Part 2 of this post which will be be up on 16th August. And, yes, I’ve scheduled it! I should schedule posts more often but my problem is finding time/making the space to draft several blog posts in one go. I also do like writing posts like this “live” as it keeps me on my toes, which is never a bad thing.

The happy answer of course is to do a mixture of both but I find that I do most of my scheduling ahead of things like Swanwick or my holidays. I suspect that may be true for many of us!

Image Credit:  The images of London from the Sky Gardens were taken by Allison Symes on 27th July 2019. The other images, as ever, are from the marvellous Pixabay. Captions are on the CFT post.

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Have set up a list of tasks on Evernote for me to start drafting while on the train to Derbyshire on Saturday for the Swanwick Writers’ Summer School. (Hit the ground running so to speak!).

Discovered recently the Slimming World HQ is near where I’ll be going too. Have no plans to call in (especially towards the end of next week. They do look after you very well at Swanwick!).

Will be taking a couple of projects to work on as well. How much time I get to spend on them remains to be seen but I always like to have something to work on. (I usually do get more done than I might have done at home).

Have I made up my mind about what courses/workshops I’ll go to? Of course not! Yes, I’ve a rough idea, but I know I’ll change my mind yet again before getting there! But that’s the fun of it….

Anticipate meeting up with old friends, making new ones, learning loads, and ending up with a head and notebook crammed full of ideas to work on. Now what’s NOT to like about that?

Image Credit:  Images from Swanwick taken by me. It is such a lovely place to be. A big thank you to Geoff Parkes for taking the image of me reading at the Swanwick Prose Open Mic night last year.  All other images are from Pixabay.

 

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My CFT post this week is a two-parter on Making Space. Part 1 focuses on making space in cities, making space in packing (apt given I’m about to go to Swanwick Writers’ Summer School!), and I also discuss decluttering and books.

Mind, you can probably guess what stance I take on decluttering when it comes to books.

I also share my thoughts on white space and share my favourite quote about packing/going away which always makes me laugh out loud when I re-read it. Hope it does the same for you!

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Transformation stories can work well in flash fiction. My Getting It Right is an example of this. It is written from the viewpoint of Snow White’s evil stepmother as she transforms into the old crone. I ONLY show that moment and her thoughts on what has led to it and that’s all. It’s all that’s needed.

Flash is brilliant at making you focus on the core of the story, which is another reason I love it. I like to think of it as precision writing given every word must punch its weight to justify staying in the story.

 

Key ingredients for a good flash fiction story:-

1. Strong leading character.
2. A focused incident/point of change. Less IS more here.
3. Dialogue (if used) or internal thoughts to be to the point.
4. Promising opening line (which can keep a reader guessing).
5. No sagging middles!
6. A powerful ending that fulfil the promise of the opening line.

Last but not least:-

7. An intriguing title which can be open to interpretation.

Why put that one last especially as I have to a title to get me started on any piece of work?

Because an intriguing title is fab but without the other six ingredients being in place, said title will fall flat.

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What makes a good flash fiction story become a great one? My thoughts on that are:-

1. The story has to make me react – a story that is meant to be funny DOES amuse me, a scary one DOES make my blood run cold etc.

2. A powerful beginning which is backed up all the way to an equally powerful ending. No “sagging bits”.

3. Unforgettable characters (whether I love to love them or loathe them).

4. I am a sucker for a good punchline, I admit, or a twist ending that I didn’t see coming. What I love with those is then going back through the story again and spotting the clues the author did put in. On first reading, I am always keen just to see how the story pans out so it easy to miss something enroute. A really great story will withstand repeated readings and will give you something new with each read too. (Sometimes that can just be an increased sense of admiration for wonderful characterisation. I love that – and of course it inspires me to “up my own game”, which is never a bad thing).

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Fairytales with Bite – Variety is the Spice of Life

Variety is the spice of the writing life. Last week’s CFT post was a review of a wonderful spoof staged by The Chameleon Theatre Group and this week I discuss Making Space.

I love variety in reading and writing. The former inspire ideas for posts and stories (and the wider you cast your net here the more opportunities you have for being inspired. Literally keep an open mind and feed your mind well with wonderful material from other writers!).  The latter keeps me on my toes. I love meeting the challenges of flash fiction and short story writing. I love meeting the challenges of non-fiction writing too.

But there’s nothing wrong with sticking to one genre if that is what you prefer to do. So how can you bring variety in here? The crucial point is to enjoy what you write, whatever it is you go in for. If you’re bored, that will show through in your writing (and I think will eventually lead you to stop writing altogether). For story writers, it is all down to characters as you can come up with so many combinations of characters and situations to write about. For me, a story is all about the character. It’s then fun to find out what happens to them.

For non-fiction, I look at themes that interest me and write articles and posts around those. One obvious theme is writing. I love reading and writing about writing (and I enjoy sharing tips I’ve found useful. I am grateful to authors who have likewise inspired and helped me here. One of the loveliest things about the writing world is, with few exceptions, it is a supportive one. You learn something, share it, someone else learns, their writing benefits and overall literature benefits too. We will always need a supply of writers across the genres and age ranges).

This World and Others – Making Space

I start a two-part series on Chandler’s Ford Today this week on Making Space and next week’s part will share some thoughts on this from a writing perspective. Meanwhile, where does making space come into your creation of characters?

I think the best way to answer that is to list what I think a truly great character needs to have. Also, it really does pay to take time out (make space) to think about your characters in advance and plan them out. It doesn’t mean you have to plan everything but you do need to know about your people in enough detail to be able to write about and for them with utter conviction. You need to decide what you need to know first!

I am convinced that when a writer writes with conviction something of that does show through in your writing and readers subconciously pick up on that. I also think they pick up when a character really doesn’t work and I know, for me, when that has happened, it is nearly always due to my not taking the time to flesh my character out properly in the first place.

So a truly great character should:-

  1. Be Memorable (and that usually means having distinctive traits a reader will love to love or love to hate. Both work but not usually in the same character!).
  2. Be someone a reader would want to identify with or be happy they’re nothing like them!
  3. Be put in situations a reader has to find out whether the character resolves or not (and how.  Failure to resolve something can ironically be a resolution of sorts. For example, a character wants to achieve a goal, they find they can’t do it, but they do achieve something positive they had not done before despite the overall “failure”. Readers will pick up on something being achieved, a positive point of change for the character, and everyone accepts not all endings are happy ones necessarily. Endings do have to be appropriate).

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PERSPECTIVE AND PUBLICATION NEWS

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Hope it has cooled down where you are. I prefer a temperate climate, as does the dog. I also find it easier to focus.

Does the time of year affect what you write? I can’t say it does for me as I write a mixture of light and darker pieces throughout the year.

If the seasons do affect what you write, how can you play to the strengths of this? I would’ve thought it is probably better to work with it rather than to try to fight it, if only because you’ll feel less frustrated that way.

Analysing how you work is a good idea, whether you’re affected by the seasons or not. For me, the amount of time I have per writing session is more important and I aim to make the most of each slot. My goal is to be able to look back and feel it was a good writing session, regardless of whether I had ten minutes or three hours.

Happy writing!😊

 

Image Credit:  Generally Pixabay as usual but the Scottish beach and loch pictures were taken by me earlier this year.

Glad to be home from a very busy day in London yesterday. Loved visiting the Sky Gardens. They were great and the views incredible. I’d never seen the Tower of London look like it was a Lego sized kit before! I guess it just goes to show perspective is everything.

Perspective is everything for your characters too and indeed for you as you write the story. Just who is your lead and why have you chosen them? Why does it matter to show their perspective and not another character‘s view of the world instead?

What is fun is to write from the perspective of a character you know you wouldn’t sympathise with in any kind of life yet alone the real one. The challenge here is to write about them convincingly despite your own antipathy to them.

Working out how to get into their head to show their reasons for being the way they are will push you into exploring how they got to be at this point in the first place. That will make for interesting characterisation for one thing. It will almost certainly increase the drama in your story too.

Images below taken by me as at 27th July 2019. It isn’t often I get to take a shot with the caption already on it! Also have fun spotting the landmarks.

Publication News

A busy day on the writing front. Glad to share the links for my ACW More Than Writers’ blog which discusses whether or not it is easier to write during the summer.

Also glad to share the link to Stolen, my latest story on Cafelit. This is the nearest I’ve got to an autobiographical story (and probably the nearest I will get I think. I identify with Sarah in this one).

The nature of this story meant I knew it wasn’t going to be a flash piece but that’s fine. The story has to be what it is. If it’s over 1000 words then so be it.

 

Am sharing an extract from both More than Writers and Stolen here as a taster. Hope you enjoy.

Summertime and the Writing Is Easy…

Or not maybe… Apologies to George Gershwin for misquoting his classic (though I still prefer Rhapsody in Blue).

Do you find writing in summer easier than during the winter? The jury’s out for me here. I try to keep a consistent writing level up for most of the year because, regardless of season, there are always distractions. But there are times when I write less and I’ve learned to come to terms with that…..

Stolen

by Allison Symes

cranberry juice


I’m not going to the bloody doctors.  I couldn’t tell you how often Sarah goes on about it.  When will she take the hint?  I do know my own mind.  I swear she thinks I’m going loopy.  She says not but why else would she want me to go to the doctors when there’s nothing wrong with me?

It’s perfectly normal for older people to forget things sometimes.  Hell, she’s done so herself.  She forgot my birthday last week.  I was really hurt by that.  I was bloody annoyed when she told me my birthday is next month.  I should know my own birthday.

Oh my cup of tea has gone cold.  Did I forget to drink it?  Did I forget to put the kettle on at all and just poured cold water into my mug?  I did do that last Wednesday but I’d had a stressful time of it arguing with Sarah again and well that kind of thing is bound to make you forget odd things, isn’t it?  I didn’t tell Sarah I did this.  She’d have seen it as proof I do need to go and see Dr. Page.

Sarah keeps telling me I shouldn’t be afraid to go to the doctors.  Dr. Page is sympathetic, is bound to have treated patients with memory loss before and there is more awareness now of “mind” issues.  Sarah says this covers everything from depression to dementia.  Sarah is right on all of this but how it applies to me I couldn’t tell you.  I am perfectly healthy.  Sarah says I’m in denial.  There is something wrong when your own daughter tries to tell you what to do.

And I’m simply not having that.  Sarah ought to be pleased.  If ever there was proof I do know my own mind, this is it, surely……

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The challenge of writing stories like Stolen, when they pack an emotional punch, is keeping your own emotions out of it while you’re writing it. You have to put some distance between yourself and the voice of your lead character(s) so it is THEIR story coming through and not yours as the author. You also want the emotion to be authentic and not spill over into melodrama.

This is why it is crucial to put a story aside for a while before revisiting it to edit it. I’ve found it is the only way to get the necessary distance so I can judge what I’ve still got to do on the story objectively (and there is always something!).

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Facebook – From Light to Dark and Back Again

What is your favourite form of flash fiction? The 100-worder? The 500-worder? Funny? Darker? I love them all of course but if there is one kind that sneaks its way to the top of my list, it is the 100-worder with a humorous twist. So here goes…

Late Running

The ghost train ran straight through the station. It must make up time.

If you thought fines issued to late running train companies on earth were inadequate, you wouldn’t be disappointed here.

Miscreants were treated according to species. Ghosts were obliterated. Vampires were drained down. The rumours tonight were not good.The controllers were more foul than usual. The Boss was due to visit to check all was well…or as bad as this service was meant to be. He wouldn’t be let down by sloppy staff.

Bonemeal was mentioned.

After all, the train was run by a skeleton crew.

Ends.

Allison Symes – 27th July 2019

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Image may contain: night

If there’s anything odd going on tonight, the cat will not spill the beans.  Pixabay

Image may contain: outdoor

Speeding restrictions apply to all but there are always some who ignore the rules. Pixabay

Must ‘fess up and say I’ve got a few writing prompts to catch up with in my diary but all have the potential to make promising flash fiction stories. Will probably have a go at some of these later in the week. (I tend to get my CFT post sorted first, then resume work on fiction).

Was pleased with my Late Running story I wrote on the train yesterday. Hope you enjoyed it. I am partial to puns and they can be used in flash fiction effectively. You can’t go on at length in flash as you’d defeat the whole object of it so a short pun as a twist ending or as part of a character’s thoughts can work well.

I love writing as well as reading these but, as with most things I guess, puns etc work best when not overdone.

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My latest story on Cafelit, Stolen, isn’t a flash fiction piece, far from it. The nature of the story meant it had to go well over 1000 words but that’s fine. Not only do I keep my hand in writing a mixture of fiction, it kind of proves the point the story has to be what it has to be.

It never pays to try to cut a story so you can get it to count as flash somewhere.

The stories that work best as flash fiction are those where you want to focus on one intense moment in a character’s life and nothing else. Where there is more than one, you are better off writing a longer story to begin with, otherwise you will sell it short (and reduce your publication chances too).

Time can be an awkward thing to write into flash fiction stories. Most will consist of one vital moment to a character and so the span of time where the action takes place is very short. I’ve found I’ve needed stories towards the upper limit of flash (1000 words) to be able to show action taking place across a longer time span.

For example my Rewards has a time span of one evening and the next morning while my Expecting refers to time as a character realises they haven’t heard from someone for a while.

Flash I think does work best when it is for the moment. Even when I write historical flash, I’m looking at one incident in one character’s life. Time comes into the setting I’ve chosen to use and acts as a backdrop.

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Goodreads Author Blog –

What a Good Book Can Lead To

Have you known a good book to change you?

For me, The Daughter of Time by Josephine Tey has led to a huge interest in Richard III and conviction he is not guilty of the murder of The Princes in the Tower, assuming they were killed.

There is no evidence they were killed and my own view is at least one was smuggled out of the country. Richard himself was smuggled out as a boy so it would’ve been known it could be done and Henry Tudor was never able to prove where the boys were, else he would’ve done. That really would have damned Richard.

That aside, good books have expanded my view of how irony works thanks to Austen, Wodehouse, and Pratchett. Now there’s a trio for you!

Good books have expanded my ideas of what can be done in fiction, especially in fantasy. There’s a reason The Lord of the Rings is considered an epic. It is! The sheer scale and scope of the trilogy will always amaze me.

Good books open your mind and imagination.

Happy reading!

 

 

 

 

Controlling the Weather and Writing Prompts

Facebook – General – and Chandler’s Ford Today

In my CFT post Controlling the Weather I share a flash fiction story of mine which is shorter than Edward Bulwer-Lytton’s “it was a dark and stormy night”. Do see the post for the full sentence (and take a deep breath before you start too!).

I now know why Snoopy only ever quotes “it was a dark and stormy night” but no more as there wouldn’t be enough room in the caption bubble!

I rarely use the weather in flash fiction as the word count means I have to show you the pertinent detail(s) about the characters. The weather rarely comes into that!

So what would count as pertinent details then? For me these are:-

1. Something of their attitude/outlook on life (I show this via internal thought as well as dialogue).

2. Something of their setting. Setting can change the outcome of the story or have a huge influence on it, for good or bad.

3. Sometimes a brief physical description where it matters to the story. In my Pen Portrait I show Mary as a character who brushes her hair once a day whether she needed it or not. I mention her clothes and shoes would see her through a battlefield but DON’T specify what they are. I don’t think I need to do so either. Those two lines should conjure up an image of Mary well enough! It also shows something of her attitude (double whammy here!).

I’d say 1 is the most important and “where it matters to the story” is THE golden rule of fiction writing, regardless of whether you write flash stories or longer works.

Image Credit:  The magnificient Pixabay. Captions via the CFT post! Also this post was shared on From Light to Dark and Back Again as well as I thought the pertinent details relevant to that page too!

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Managed to catch up with a couple of writing prompt exercises, both of which will become flash fiction stories later. Complete contrast in moods for the exercises too but I like that. It keeps me on my toes, which of course is the idea behind said prompts.

I tend to write up these prompts in batches but that’s fine. It’s a little like not being able to stop at one crisp or what have you once you get started on them!

The nice thing about free writing like this is I know the stories aren’t perfect but that doesn’t matter at this stage. I’ve now got two more stories to work on for submission somewhere in due course and that’s great.

My CFT post this week will be looking at Controlling the Weather. You can tell my other writing hat is fantasy, yes?!

I look at why controlling the weather isn’t a good idea, even if we could do it.

Also I discuss why “it was a dark and stormy night” has gone down as one of the most renowned writing cliches. (Possibly to only be beaten by “and it was all a dream”? Thoughts on that would be welcome when the link goes up on Friday).

I have to say I’ve written flash fiction stories shorter than that infamous opening line from Bulwer-Lytton and I go on to prove it in this post too! And if could control the weather for a day, what would you ask for and why? Thinking heads on in time for Friday’s post then (and those of you of a certain age will remember where that phrase comes from! Clue to those who are not: a former Doctor Who plays a scarecrow, yes really!).

PS Looks like no photos will upload tonight so apologies. Believe this is a FB issue. Hopefully normal service (and photos) will resume soon…  (NB  From Wednesday, 3rd July when FB and What’s App seemed to have an issue with photos. Glad it appears to have been resolved).

 

Facebook – From Light to Dark and Back Again

Occasionally a story idea proves to be a better match for a standard length short story (1500 words or so) than flash fiction, which is fine. I find a suitable competition/market for that longer story and don’t try to keep it sub1000. (How do I know incidentally? It is always the character’s voice and sometimes they have more to say than I originally thought they would!).

I sometimes deliberately make myself write longer stories as the discipline of working to very small word counts AND what would be considered an industry standard is very good for you as a writer. Shaping what I’ve written to fit the most appropriate market/competition is something that will always be needed and is a useful skill to develop.

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Looks like the photos will be unavailable for a bit though I understand this is a FB/What’s App issue. Hope it’s resolved soon. Don’t envy those trying to sort it out.

Meanwhile back to good old text only.

In researching my CFT post this week about Controlling the Weather (yes, really – more on Friday when the link goes up), I looked at a very famous opening line that has gone down in the annals of Cliche and Purple Prose, so much so even Snoopy quotes it regularly.

To my surprise, I found I’ve written flash fiction stories which come in at under the word count of that opening line!

So every word counts then in a flash story? Of course but the words have all got to pull their weight. You know when the story’s right (or as much as it can ever be) when you can’t change anything or remove a word without it spoiling the story somehow. One lovely thing about flash is you know you haven’t got the room for purple prose which is a huge encouragement not to write it at all!

Fairytales with Bite – Controlling the Weather and What Writers Should Control

My CFT post looks at why Controlling the Weather isn’t a good idea even if we could do it. I also look at why “it was a dark and stormy night” has gone down as one of the all time “great” writing cliches. But can the weather play a purpose in writing? Can writers control their use of it so it is effective, rather than something that can be mocked (as that infamous opening line so often is)? What should writers control in their writing?

The weather can play a role in writing as long as it matters to the story (in terms of outcome/character development etc).  Generally speaking, it matters to the story is the most important rule in all fiction writing! Weather can also be used to reflect or contrast mood. If someone is singing in the rain, we would generally want to know why!  Interest piqued… now follow through with interesting reasons why!

What writers should seek to control in their writing should be:-

1.  Everything that is in the story has to be in there. Something would be lost in terms of character and/or plot if anything was removed. If anything could be skipped, cut it out. It is what readers/editors will skip.

2.  Their characters. Characters should be well developed and should engage with the reader (even if it is to make the reader hate them!).

3.  Dialogue.  This should reveal information/move the story onwards. Any dialogue without a purpose shouldn’t be in there.

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This World and Others –

When You Know Your World Works

There are certain pointers which will indicate your created world is working and hopefully will encourage you to develop it further.

1.  You know how the world is run. (There has to be some sort of government).

2.  You know who are the powerful and who are the downtrodden (some things are just universal!).

3.  You know the immediate setting for your story intimately. You need to be able to portray this, almost as if it were a character in its own right.

4.  You know where your characters fit into your world (and whether they fit in well or not. Do they defy convention or follow it religiously?).

5.  You have some idea of how your people survive in terms of food/water/sanitation/employment provision. I can’t think of any created world where characters don’t have to eat, be able to resource themselves etc.

Not all of these details need to make it into your story. We don’t need to know everything about politics in your world but we do need to know what matters to the story (which I think is going to be a new mantra for me but it is a useful one!).

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Other News including Publication News

Am delighted to say my story What Goes Around will be in Bridge House Publishing’s Nativity anthology later this year. What with The Art Critic and Dignity and Injustice due to be published in The Best of Cafelit 8 in December, I will have three stories in two books then! I am also still thrilled of course that The Professional was in the ebook Transforming Being, the Bridge House published ebook of the winning entries for the Waterloo Arts Festival Writing Competition.

I have also set up an Amazon Authors Central page and these are set for the US, UK, France, Germany, and Japan. Here you can find out more about the anthologies my stories have appeared in as well as about From Light to Dark and Back Again of course.

It has been a good month!

 

 

 

 

 

 

A Good Writing Week

Facebook – General

Do you read or write (or both) outdoors? I don’t write outside. I much prefer being at a desk for that (and right now it is beautifully cool in the study so added reason to stay in! It also means I can turn up the volume when Beethoven’s 5th comes on and I avoid annoying the neighbours so win-win).

I read outdoors sometimes, there’s nothing to beat relaxing in a nice recliner with a book in hand unless it’s doing that, knowing you’ve got a long cold drink besides you too!

I cope with colder weather better than hot (as does Lady naturally). How do your characters react to their environment and weather conditions? Do they cope with anything that can be thrown at them weather wise or do they curl up at the sight of anything more than a fine drizzle?! If you’re writing fantasy or anything other worldly, what would be standard weather conditions in your setting? How does it impact on your characters?

Hopefully you’ll find some ways to deepen your characterisation answering questions like that.

A good writing week is when I can look back and see:-

1. CFT post written, images sourced, and appears on the Friday. (Only times it hasn’t appeared have been either because I’ve been away or ill and once there was a technical issue, which meant I had to post a day late).

2. Progress made on my projects, especially the novel.

3. I have either submitted work to competitions/markets or am drafting work to be sent in the near future.

4. My WordPress website round-ups have appeared on the Tuesday and Friday. I enjoy preparing these as they look like a mini magazine. I hope you enjoy them too!

It has been a good week! Do I get bored? No! Do I wish I had more writing time? Always.

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Asking questions is a great way to generate story ideas. The classic one is “What If?” of course, but Kipling’s honest serving men of What and Why and When and How and Where and Who are invaluable for outlining a story of any length.

For example:-

What are the stakes for your lead character?

Why have they got to go for the goal you’ve set?

When do they have to achieve their goal by? (The shorter the time frame the better as it means more pressure for your character).

How will they achieve their objective?

Where does your character live and what bearing does the setting have on their trying to achieve their goal?

Who opposes them and who helps?

You can adjust the above questions to suit your needs, of course, but answering these will give you an outline you can add to or change as you require.

 

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Thrilled to announce my humorous fairytale, What Goes Around, will be in the Bridge House anthology, Nativity, later this year. You can rely on me to share the link as and when I can!

Many congratulations to all of the 24 authors in the latest Bridge House book and a particular shout out to #AlysonRhodes, #PaulaRCReadman, #DawnKnox, #LindaFlynn, and #JamesBates.

I can’t wait to read all of your stories. They will be a wonderful ecletic mix!

Image below taken at a previous Bridge House event (and supplied by Paula Readman, who is on the right. Dawn Knox is in the middle).

It has been a busy few weeks with news of stories in The Best of Cafelit 8 and Transforming Being. I like weeks like this!

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman

Paula Readman, Dawn Kentish Knox and I celebrate where our stories have appeared! Many thanks to Paula Readman for the picture.!

Facebook – From Light to Dark and Back Again

Am currently listening to the theme from The Incredibles on Classic FM (well I was at the time I wrote this on Facebook!). Loved the film and the music is so appropriate for it. A really good film score always stands out and hooks the watcher into the movie.

Favourite film theme? Hmm… Love The Lord of the Rings soundtrack, no surprises there. Favourite John Williams’ piece is Raiders March (though Schindler’s List is so moving). Very hard to pick out an outright favourite.

For flash fiction writing, it is the title that has to be our big hook in for readers. The title has to be appropriate and to serve the story well, just as film music must serve its movie well. So it is worth taking extra time to get it right but it’s absolutely fine to start off with something and replace it later. I often do that when a better idea occurs as I’m writing the story.

 

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Flash fiction, due to its word count restriction, works best with one character, possibly two (and there I would say that would work better with the longer forms of flash). You are looking for your character to have the strongest impact possible on the reader and having too many characters in such a short space dilutes the effect.

It’s another reason why I use first person a lot. I can get into the head of that character and they can reveal other characters for me/the reader. A good example of this is my Calling the Doctor where my character knows she is dying but it is not until the end she reveals who her doctor is. I don’t need to bring the doctor into the story at all. Do have a look at the book trailer as this is the story I chose to use on this and you’ll see why!

 

Flash fiction may be short, sorry it IS short, but it still takes time to edit and ensure the words you’ve chosen are exactly the right ones to make the maximum impact on a reader.

I usually get a first draft down pretty quickly. What takes the time is re-reading (often several times) and realising this phrase here could be sharpened up if I change one word here. Equally I need to look for those phrases where if I were to cut, something of the flow of the story would be lost. I always judge whether something should stay in on its impact on me (and therefore hopefully readers) and never just on the word count alone.

I see the word count as a guide. If something works better at 200 words rather than 100, then fine, the tale stays at 200! I’ll submit it for a different competition or market. You CAN over-edit. Mixing up what you write in terms of word count is not a bad thing to do anyway and gives you plenty of practice at writing across the range flash fiction offers. Nothing to lose there then!

Good news on the story front as my humorous fairytale What Goes Around is due to be published in the Bridge House Nativity anthology later this year.

It is wonderful when acceptances come in but behind them is a lot of hard work, even more rejections to get stories up to standards where they are in real contention for publication etc.

Even when that is the case, you cannot know whether your Story A or someone else’s Story B will fit the theme of the chosen anthology better.

So if a story is turned down somewhere, look at it again. Is there another market/anthology it could fit? All story writing is useful experience. What you learn as you write a tale (even if it is never published) is what you build on for the next story etc. You do learn, over time, to judge that a story of yours would suit Market X over Market Y. You learn to tailor your submissions too. That increases your chances of acceptance. Note I said increases!

There are no guarantees in writing and I guess that IS guaranteed!

 

Association of Christian Writers – More than Writers –

Legacies in Writing

Do you ever think about what your writing legacy is and, as importantly, should you?

I was recently at the Winchester Writers’ Festival and at the end of the Saturday courses, there was a lovely celebration held in the University of Winchester’s chapel for the late Barbara Large, MBE, who founded the event.

Not only was that a direct support to writers across all genres, she always found time to speak to writers of all levels, when she must have had a million and one things to do. She is remembered with much love, as you can imagine.

Easier said than done but encouraging others in their writing journey benefits them and you. Pixabay

None of us can ever know where our writing journey is going to take us when we first start. As with any road, there will be cul-de-sacs, the literary equivalent of potholes tripping us up, what we thought was a helpful road sign taking us in the wrong direction with our work and so on. (I’m not aware of any literary traffic wardens though!).

The writing journey is not always straightforward.  Pixabay

So we go into the writing life with our eyes wide open and seek to encourage other writers along the way as we ourselves receive encouragement from them.  We all know the heartaches of rejections after all, but we also know publication is possible. We also know writing for your own pleasure is as valid a thing to do but I also believe we can all leave a positive legacy behind. I think it is part of our calling as writers.

None of this can come all at once but are so worth striving for. Pixabay

The writing legacy we should leave then can be summed up as follows.

1.  Aim to write to the highest standard you can manage.

Improvement is always possible. It is always desirable too. Accept your first draft will not be great. My favourite quote on this comes from Terry Pratchett who saw first drafts as “you telling yourself the story”.

It’s then a question of extracting the gold from the dross – and there will be dross and more than you’d like. Shakespeare and Dickens faced the same. We will not be exempt!

Equally true for your writing but looking for continued improvement IS good to aim for.  Pixabay

2.  Be proud of your work. Ensure you enjoy it.

You are your first audience. Once published, you will want to keep on producing work to be “out there”. You must be able to enjoy what you write over and over again. Do mix up what you write.

I love writing short stories and blog posts as well as flash fiction, but whether you write one type of material or loads, you must enjoy it all.  That enjoyment comes through in what you write. Prose the writer has loved writing has an energy all of its own. I believe readers pick up on that instinctively.

It’s a pity we can’t award ourselves these every so often for our writing but look back and see how far you’ve come. Hopefully you will find encouragement there.  Pixabay.

3.  For you to be able to look back and see how your work has improved.

Working at the craft takes time. There are no shortcuts.

Determination to keep going is important too. Stamina is needed.  Pixabay

 

This has always struck me as sensible advice but the writing journey will have its ups and downs. The ride is rarely a straightforward and smooth one but it does help to know that!  Pixabay.

Writing challenges and stretches me and is so much fun.  It is also hard work. The two go together. Wherever your writing journey takes you, enjoy the ride!

Goodreads Author Blog – Changing Books

Which books stay with you as firm favourites throughout and which only last for a specific period in your life?

I wouldn’t give you a thank you for the old Peter and Jane books again (!) but would probably still enjoy the Famous Five.

The Lord of the Rings and the Chronicles of Narnia, along with the classic fairytales, will always be favourites.

But the joy of reading is discovering new genres and authors. It has only been comparatively recently I’ve discovered the joys of non-fiction reading. It wasn’t as if I was particularly against it, I just hadn’t tried any.

Now it’s a regular part of my reading routine. (I like the Ben Macintyre books especially. Loved Agent Zigzag in particular). The best non-fiction uses great fictional storytelling techniques and should keep you as gripped as an epic novel.

Which books from your reading past would you change now? Which would you change them for?

 

 

 

Behind the Scenes – and Publication News

Facebook – General – and Chandler’s Ford Today

My CFT post this week takes a look Behind the Scenes from the viewpoints of volunteering and writing. Volunteers make such a huge difference in so many ways and what they do often goes unseen. So time for some plaudits and encouragement then.

Writers can feel all the hard work they put in as they submit stories, articles etc goes unseen too. Yes, it does, but it helps you to develop as a writer. You can’t learn from your mistakes unless you make some!

It really is how you develop but the great thing with being involved with writing groups/writing communities online is generally these are very supportive and there are ways of finding out what you need to know so you do NOT make ALL the mistakes ever known to writing kind!

Going to good writing events helps enormously here too.

Does the behind the scenes work pay off? Nobody can guarantee publication or a foolproof way to always earn from your writing but you are much more likely to achieve success (however you define it) by putting the groundwork in. As with so much in life, there are no shortcuts. The encouraging thing here is EVERY writer goes through this.

Image Credit:  The images are from the magnificent Pixabay. I particularly like the grouchy looking face in the comments box. Rumours that this resembles me when another rejection has come in are totally true.  Captions on the CFT page.

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Absolutely delighted to share the cover for Transforming Beings and the link to it on Amazon. My story, The Professional, is one of the sixteen winners of the Waterloo Arts Festival Writing competition.

Every writer all had to write to the same word count and on the same theme. This is proof you can have at least sixteen different writers produce sixteen different takes on the topic!

Am so looking forward to being at the Festival on Saturday and to taking part in the readings. Good luck to everyone who is also taking part. It will be great to catch up with you all.

Transforming Being Medium

My CFT post this week will look at what behind the scenes means in terms of volunteering, but also what it means for writers. It gives me a chance to say thanks to all those who give up their time to help others and, I hope, to encourage writers who feel they may be slogging away for years without their being any visible benefits. Link up on Friday.

In other news, as they say, work continues well on the novel and I’m fleshing out other ideas, fiction and non-fiction, for development later in the year. Want to get some more submissions out before long too.

The joy of writing? One of them is never being short of things to do!

Facebook – From Light to Dark and Back Again

Reading work out loud is a great way to hear how your story flows, whether your dialogue works properly, and so on. Once your work is out there, and you get the chance to read before an audience at events such as the Waterloo Arts Festival, Open Mic nights etc, give it a go.

You are getting to engage directly with people who love stories so your audience will be broadly sympathetic to begin with. But what is really lovely is when a part of your story which made you laugh as you wrote it generates the same response in your audience. It is a fantastic feeling.

Equally if your story generates any other response which is appropriate to that tale, then you are receiving invaluable feedback that this worked!

Writers need things like that for all the times work gets turned down. There should be an “up” side!

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Following on from my other post tonight, themes work best when open to interpretation. For example:-

Revenge is a dish best served cold – well you could come up with all sorts of ways to show whether that is true or not.

But something like Dreams, while you can get stories from that, for me this is a bit TOO open-ended.

It helps to narrow your focus on something specific so for me Fallen Dreams would be much better. There are stories to be told about how a dream could be fallen.

The other thing that comes to mind would be at least one story on how a fallen dream is overcome and doesn’t blight your character’s life. Equally, how it isn’t and it DOES blight your character (depends on whether you like sad stories I suppose!).

Have fun and play around with your themes but hone them so you have something useful to focus on and work with.

It’s always a thrill when a story of yours is published and I’m delighted to say Transforming Beings, the ebook of the winning entries in the Waterloo Arts Festival Writing Competition, is now available.

My The Professional is in here and my character is one I would not like to meet in life! Naturally no spoilers here…!

If you like a good mix of stories, do give this a try (and if you can review that would be fab, thanks!).

Each story had to be 1000 words max so this is at the upper end of the flash fiction spectrum but there is a great variety here.

Books like this are also a reminder you can take a topic and come up with so many themes on it. Why not try it for your own flash fiction stories?

Link and cover image further up this post. If you do read the book, please review! Thank you!

For a flash fiction story to work well, you have to be totally convinced by your lead (and usually only) character. If you’re not convinced by them, nobody else will be.

That doesn’t mean you always love said characters. I can think of some of mine I loathe and/or would dread meeting in real life were that to become possible. The important point is I DO understand and get why they are the way they are and the story wouldn’t work at all without that.

Also, I think your characters have got to make you feel something for you to be able to write their stories with conviction. Nobody fell in love or hated a cardboard cutout (well at least I haven’t!).

The advantage of a character you hate is the effect they generate on a reader. It should be that your reader will want to read on to see if said character gets the comeuppance they so richly deserve and, if so, how. All good fun to write!

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Fairytales with Bite – Behind the Scenes

Behind the Scenes is the topic for my Chandler’s Ford Today post this week and I look at it in terms of volunteering and writing. Plaudits and encouragement needed in both I think!

For a piece of work, what would behind the scenes mean? Well, even in fiction, research can sometimes be necessary. This is especially true for any fiction which weaves real life events or people into the narrative. Facts have to be facts. (If it’s an alternative reality or history, that should be made clear at the outset). Just watch how much research you do. Research is fun but can also turn into procrastination when you should be writing. We’ve all done it…

Sometimes research can be as simple as drawing on what you know from life about likely human behaviours. You know humans can be like this in these circumstances so your characters should reflect that too.  Good fiction does reflect our humanity. Nobody said it had to flatter though!

Behind the scenes obviously includes your drafts and edits but also things like ensuring you meet the submission requirements for wherever you are sending work to, as no two places have quite the same needs here. Yes, there will be a lot in common – double line spacing, font size etc – but I take a week off any deadline for a competition to make absolutely sure I’ve got those details right as I don’t want mistakes there to disqualify my story.  (It’s not really fair when you have two equally good pieces come in to allow one that didn’t follow all the rules properly to win over one that DID).

Perseverance and patience are invaluable qualities for a writer though!

This World and Others – When Life Throws You Lemons

… make lemonade, as the old saying goes, but how can a writer do this? Are lemons such a bad thing anyway?

From the viewpoint of developing characters, the more lemons you throw at them the better.  Well, you do want to find out what your characters are made out of, yes? You want to find out their hidden depths, yes?  Chuck them in the deep end and have fun finding out how they get themselves out of it. If they need to resort to the help of friends to get out of said horrible deep end, what did they try to do first before calling for back up? Is the back up reliable? You want plenty of tension and drama and writing these scenes should easily produce that. You can work out later on what  you want to keep for your story and what might prove to be useful background knowledge to you only.

As a writer, when all that seems to come your way are rejections, firstly bear in mind nothing worthwhile was ever easy and, secondly, most writers go through this. Even after publication in one avenue, rejections still come in. I find it useful to look at work that has been turned down and see if I can revamp it and send it out elsewhere. Usually I can and I have had work accepted by another outlet after doing this. The important thing is not to give up but it is perfectly okay to change direction with your writing. If you decide flash fiction isn’t for you but the longer short story form is, then that’s fine. Play to your writing strengths. It is also fine to pause from writing. I generally only do this when on holiday or ill and I use the time to catch up on reading (I always have reading to catch up on!) and that helps feed the imagination beautifully.

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