Books On The Radio

Image Credit:  As ever, images are from Pixabay or Pexels unless otherwise stated.

Facebook – General – and Chandler’s Ford Today

My CFT post this week is all about the links between books and radio. I also share the radio interview links for YA author #RichardHardie and myself when we were on #ChatandSpin radio recently.

(I also share the link with Wendy H. Jones‘ marvellous podcast The Writing and Marketing Show where I discussed, well what else, flash fiction!). This is a post you can read AND listen to! Hope you enjoy.

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It was good fun to take part in the Chat and Spin radio interview, as well as being a guest on Wendy H Jones’ The Writing and Marketing Show.

(For more see my CFT post this week called Books on the Radio – https://chandlersfordtoday.co.uk/books-on-the-radio-local-a…).

Now I’ve mentioned before that preparation is key and it is. I prepared too much material for both shows but (a) I know I can use that material at some point and (b) it settled my nerves a bit knowing I had material to hand. I can’t overstate the importance of (b) there!

I hope to put some of that material on my website at some point (but you can still check out my website anyway meantime!!). See https://allisonsymescollectedworks.com/

I also hope after the Waterloo Arts Festival event I’ll be involved in on 12th June to put the video I made for that on my website too.

And yes preparing material for future website usage is also a good idea and helps to keep that fresh and keep followers interested.

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Am at the very happy stage of the second edit on my Tripping the Flash Fantastic, which is due out later this year. Also planning my blurb and cover material. All good fun to do!

(Will be following my own advice on a recent CFT post in that I hope to have a cyberlaunch in due course and I will be preparing material for that too. It is always better to have too much material and not use all of it than be in a panic on the night because you haven’t got enough!).

Have also selected another writing competition to have a crack at. Deadline is not until July but that gives me plenty of thinking time. (I will set my own deadline for this to be the end of June so I make sure the story is in well ahead of time and I have time for that extra polish which can make all the difference beween a piece being accepted or not).

When I don’t have a lot of time to write, I draft blog pieces and build up a stock of these. It means I’ve got something ready to edit and send off where appropriate as I blog for the Association of Christian Writers and sometimes have pieces appear in their journal, Christian Writer.

I also like to have pieces to hand that I can adjust and turn into articles for Chandler’s Ford Today.

So always something to do then and that’s just how I like it!

 

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How do you feel when you get to the end of a first draft?

Relieved that part is over?
Sorry that part is over?
Dreading the edit(s) (especially as you know there’ll be more than one!)?
Wishing it hadn’t taken so long?

For me, it is a combination of the first and last ones! So over to you then. What is your reaction the moment you write The End for the first time?

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Facebook – General – and

Association of Christian Writers – More than Writers –

Honest Writing

A busy night for me this evening as it is my turn on the More than Writers blog spot. This is the Association of Christian Writers’ blog and my piece this time is called Honest Writing. Hope you enjoy.

 

Twitter News – @AllisonSymes1

I’m slowly learning to use Twitter more and I thought I’d share something here which is also a good piece of marketing (and great fun to take part in!).

The only book I couldn’t get into the above tweet was Magnetism where I have a short story. This book was produced by Gill James and features the work of Cafelit and Bridge House authors.  It is very much meant to give a flavour of what we do. To get a FREE COPY of this book, you just need to sign up to Books, Books, Books.

Magnetism Small

 

Facebook – From Light to Dark and Back Again

The “oomph” moment in a flash fiction story can take different forms and be in varying places in the tale.

The whole mood of my story Calling the Doctor (see book trailer below!) changes on the very last word. This is why it is one of my own favourite pieces.

One of the challenges of flash is to find the right “oomph” moment for your character and to place it in exactly the right place in the story.

In this case, had I placed that particular word earlier in the story, the impact of the story would have been severely diluted.

But sometimes I start a story with a powerful moment where you know from that point onwards, something has got to change and quickly. The fun of those stories is in finding out what that change is and what its consequences are – and there are always some! – and it is just as much fun finding that out when you’re writing the tales!

My CFT post this week is about Books on the Radio and I’ll be sharing links to radio interviews on Chat and Spin Radio which YA author, #RichardHardie, and I took part in recently. I’ll also be looking at the general role of books on the airwaves. Link up on Friday.

Naturally for the radio interview I was waving the flag for flash fiction and books being a perfect form of escapism. And whether you write them or read them or do both, that escapism is so welcome right now!

My favourite flash stories are the ones that make me smile or laugh though. I do like the emotional ones where you really want the character to do well and they can’t/don’t but, for me, you can’t beat a good laugh.

Flash lends itself well to humorous stories because they often work so well when kept short. Flash helps a lot there!

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Fairytales With Bite – Making Space

I believe fairytales and fantasy fills the spaces between reality and chaos. Why? Because so many tales in these genres reflect what we can be like, while others give strong moral messages. Why do we need such things?

  • To guide us as to what our behaviour should/should not be;
  • To show us what life could be like without kindness, gratitude etc. Would you really not want things to come right for Cinderella, for example?

As writers, we also need to give our characters space to develop in themselves and as part of the plot development. A character who doesn’t change will be of little interest to readers.

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This World and Others –

How Do You Know When A World Is Going To Work?

I would say that a fictional world has worked for me when I can:-

  • Spot connections between the fictional world and the real one we know here.
  • See what is better on the fictional world and wish we had it here. (Flying carpets anyone? No emissions but I’ve always thought the landing on those things must be on the rough side and there is definitely no in flight entertainment. You’d be hanging on for grim life, yes?).
  • See what is worse on the fictional world and be glad it’s not coming here.
  • Can understand what the lead character has to contend with and how the setting helps/hinders them.
  • Can see further stories being set in that world, even if it is not with the same characters. That is always a good sign. For me, the Discworld series by Terry Pratchett really took off when it could “host” the Rincewind stories, the Vimes ones, the witches ones and so on. I also liked looking for the connections between the different series. For example a character would refer to another one not appearing in the story. It wouldn’t matter if you hadn’t read the other story. Referring to other characters like that implies a life above and beyond the immediate world of the story you are reading and that is great.

 

 

 

 

 

 

 

Radio News and Preparation

Image Credit:  As ever, images are from Pixabay or Pexels if I’ve not said otherwise.

RADIO NEWS

RADIO NEWS: I’m thrilled to say I’ll be on Chat and Spin Radio tonight at about 9.35 pm TONIGHT (UK time) – 19th May 2020 – talking about my great writing love – flash fiction. See www.chatandspinradio.com

AND if you like their Facebook page, www.facebook.com/chatandspin, you’re in with a chance of winning a £20 shopping voucher too.

I’ll be talking more about this later in the week, especially when I have a link to share!

Now for actors you say “break a leg” as a kind of good luck thing (though I know it sounds anything but!). What do you say for this? Don’t lose your voice, I guess!😀

I hope to share the link to the show in my next blog on Friday this week.

Image from Chat and Spin Radio

The above ties in with my next post too!

Facebook – General

Preparation is key for so much in writing. For my stories, as you know I outline my characters. It helps me work out whether the character I’ve planned really does suit the story I’ve got in the back of my head.

A feisty character needs the material to suit! A usually gentle character needs to show what she is made of when push comes to shove.

Preparation includes getting the story down and specifically allowing enough time away from it to be able to edit it properly. This is particularly relevant as I’ll shortly be working on final edits for Tripping the Flash Fantastic but the time away from it will help me take in and process my editor’s comments the way they need to be processed!

It also means allowing enough time for final polishing before still getting a story in ahead of a final deadline. I got into the habit of taking about a week off any official deadline for a competition and making MY date the day by which I’d get my tale off. This comes from the days of sending everything in by good old snail mail but it is still a good habit to develop now email submissions are the norm.

I’ve found it pays to plan ahead a bit. Knowing roughly what I’m doing when and why has helped me get more done.

Oh and the don’t give up advice below is something I’ve found useful though I do wish the picture came with an extra bit. It IS okay to change direction if you want to – after all that is how I discovered flash fiction!

 

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Always plenty of space to fill!  Pixabay

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Most of my dialogue writing is for my longer flash fiction tales (i.e. those over 750 words usually) and short stories (1500 to 1700 or thereabouts). I do enjoy writing dialogue. What I have to watch is not writing conversational “ping-pong” just because I can and I love doing it. It all has to be relevant to moving the story on. I always find editing dialogue the hardest to do but my golden rule is that it has to be so important the story can’t work without it.

I love the moment when I know I’ve got my characters right as it is then that I know instinctively the dialogue they’re coming out with is exactly what someone like them would say. It’s a good feeling. And when the words are really flowing it can feel a bit like taking dictation.

Now where’s my notepad?😆😆

 

 

Will have further publication news to share fairly soon so looking forward to that. Over the course of a week, I try to ensure I’ve got at least one story written, one resting, and I like to know what I’m going to be writing next too. I like to mix up the flash fiction and short story writing too.

My favourite part of writing? Difficult to say but I do love it when the characters come to life and the story just flows out. Mind you, I am always relieved to have a first draft done. It proves to me there WAS a story there. The editing refines and sharpens that story and I do like that element. I always overwrite but that’s okay. All unnecessary elements are ruthlessly struck out later.

But I learned a long time ago that, for me, I’ve got to write the story first and edit it later. I can’t edit as I go. I’ve got to know there is something there to edit first.

 

HONOURABLE MENTION!

Many thanks to Lance Greenfield, a fellow Swanwicker, for his honourable mention of yours truly on his blog, Write to Inspire. To find out more, follow the link and his post for 18th May 2020! All images of Swanwick were taken by me last year.

Facebook – From Light to Dark and Back Again

Am delighted to be talking about flash fiction on Chat and Spin Radio later this evening. Will talk more about this later in the week when I have a link back to share. If you can tune in live, I’m on at about 9.35 pm. Links up above and I hope to share the link for the show itself in my next post here on Friday.

And yes I am always pleased to wave the flag for flash fiction as a writing form!

Oh and I am preparing this with just under an hour to go before I’m on. Nervous and looking forward to it all at the same time!

 

It was fun writing yesterday’s post about one-liners for well known characters (see below and see this as a bit of a tease!), but it is not a bad idea to be able to sum up your people succinctly.

When I’m planning characters for new flash fiction, I know what their major trait is and how that is going to help them or, even more often, land them right in the proverbial mire.

So I will think of something like rebellious fairy, has soft spot for kittens, and that soft spot is exploited by her boss in an attempt to get said rebellious fairy to do as she is told for once. So that makes for a good one line summary of the story.

Character summary? Rebellious fairy, soft spot for kittens.

And away I go.

 

 

 

Just for some fun, how about some one-liners for well known characters?

Cinderella – I could really do with a trip to the shoe shop.

Dracula – I have the devil’s own job getting an appointment at the dentists, can’t imagine why.

Snow White – I’ve gone right off apples for some reason.

Hansel and Gretel – well, yes, okay, maybe we should have got a sat nav.

I love using one-liners in flash fiction and often end a story with them. They’re great for humorous tales and are a fab way of ending a story on an upbeat “oomph” moment.

 

I don’t use a lot of dialogue in my flash fiction. That’s partly due to word count but mainly because I tend to focus a lot on telling you one character’s story. For that, I prefer to show you their thoughts and attitudes as “they” narrate the story.

I do use dialogue more in the short story competitions (1500 words or so) as there is more room and it is lovely being able to have more characters in the tale.

But I do love the pithy, precise nature of flash fiction writing. For me it is apt that my characters are direct to the reader in “their” commentary.

 

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Goodreads Author Blog –

What I Look For In A Good Book

Regardless of genre, what I look for first in a good book is a gripping lead character. I don’t necessarily have to like them (!) but I do need to be intrigued by them enough to make me want to read their story.

This applies to non-fiction too if you accept the “narrative voice” of the text is a kind of character too. Does that voice grip me enough to keep on reading or does it send me to sleep? (Never a good sign that!).

Once I’ve finished the book, is it going to be one of those I enjoyed reading but won’t read again? Or will it reach the dizzy heights of being one of those absolute favourites I happily turn to time and again when I need them back in my life for a bit?

I don’t know about you but I do like light reading anyway and I especially like it now. I am not going to be reading the doom and gloom merchants (I can get that from watching the news).

I know the reality of what is out there but it doesn’t mean I have to read about it.

My reading is about entertainment and escapism and those things shouldn’t be despised.

So my criteria for what is a good book does boil down to its entertainment value and that is down to the character portrayal.

Oh and many thanks to #JimBates for a great conversation on this post! See the Goodreads link itself for that.