Behind The Scenes

Image Credit:   As ever, unless stated, most of the images were from Pixabay or Pexels. A big thank you to The Chameleon Theatre Group for their images. Also thanks to Richard Hardie for supplying images related to his and Francesca Tyer’s events for World Book Day.  (And yes it has been a busy few days!).

Facebook – General – and Chandler’s Ford Today x 2!

Yes, count them, not one but two CFT posts this week.

First up, the start of a new mini-series.

I’m delighted to share a new mini-series on Chandler’s Ford Today. The #ChameleonTheatreGroupChandlerFord share interviews showing what life is like behind the stage. They share some fabulous insights into directing amongst other things in Part 1 (see link).

This series will run at intervals over the next few weeks. Many thanks to The Chameleons for wonderful material and the photos, as ever.

I’m looking forward to their next production, Spring Quartet, in April.

 

I’m always interested in behind the scenes looks at life, whether it is to do with creative writing or amateur theatre. So it is a joy to share a new mini-series on Chandler’s Ford Today where The Chameleon Theatre share their insights into life behind the stage.

Why the interest on my part? Well, partly it IS because I’m nosey (!) but that’s a good thing. Why? Writers have to be interested in what makes people tick. Knowing that helps us to develop convincing motivations for our characters and make their portrayal that much more believeable.

I’m also interested in behind the scenes looks because it opens up worlds that are new to me. That’s a good thing for increasing knowledge and understanding, I think. Understanding is also crucial in creative writing. You also get to understand yourself better I think.

And now for my second CFT post this week!

Am pleased to share a bonus CFT post this week. Every so often CFT has Local Author News slots. The last one was for me when I appeared on #WendyHJones‘s excellent podcast, The Writing and Marketing Show talking about all things related to flash fiction.

https://www.stitcher.com/podcast/the-writing-and-marketing-show/e/67280384

Up tonight is a piece with news from local YA author, #RichardHardie, and debut Authors Reach novelist #FrancescaTyer. They share news of their World Book Day eventsrecently. Francesca’s debut novel The Firestone was recently published.

Hope you enjoy. (Oh and remember the best things you can do to support local authors you know are to go to their events where possible and review their books in the usual places).

(My normal CFT post link will be up tomorrow where I start the first of a mini series from #ChameleonTheatreCompany-Chandler’s Ford. They share insights from life behind the stage. More tomorrow).

 

My CFT post this week is Part 1 of a mini series which will be spread out over a few weeks. As you know, I often review plays put on by our excellent local amateur theatre company, Chameleon Theatre Company.

They have recently been putting together some mini interviews which give a fascinating insight into life behind the stage. With their blessing (obviously!), I have compiled some of these interviews and Part 1 will be up on Friday.

Many thanks to the Chameleons for their wonderful material and photos and I look forward to sharing this post and the others to come.

Facebook – From Light to Dark and Back Again

What fascinates you most about a character?

For me, it has to be their motivation. I’ve got to know why my character thinks it is okay to act the way they are, especially when they’re the villain! It doesn’t mean I have to agree with them though…

The LEAST important thing for me is knowing what they look like, funnily enough. I find once I can hear their voice and know their motivations, physical appearance comes to me then. Mind, I’m not motivated by physical appearance myself. After all the best con men often wear a suit!

I love stories and books that “just” entertain. Yes, sure, I like those that give good messages too but there is a lot to be said for sheer escapism value, especially when life is more challenging than usual.

Let’s just say I probably won’t be reading much in the way of dystopian stories for a while. (It is definitely not a good sign when you can get your requirements there by tuning into the news…).😕

So how to go about being “just” entertaining? As ever, for me, it is all in the characters. I do enjoy setting up a character knowing I’m going to be throwing all manner of things at them to knock them right back down again (and ideally to make me and potential readers laugh). Okay, okay, nobody said a writer had to be nice to their characters. Indeed, it is better when we’re not as any crime or horror writer would also tell you!

I love those characters who deserve being knocked back a bit too. You know the kind of pompous character who needs bringing down a peg or several. The ultimate fall guy in many ways! (Well, they are for me).

For humorous prose especially I do need to get a sense that the writer enjoyed creating their characters. I believe something of that fun does come through in the writing.

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How difficult do you find coming up with a suitable title for your story?

I know I need a “peg” from which to hang my story so I always have a working title. Most of them don’t change and suit my purposes just fine. Sometimes though a better title idea will occur as I draft my tale and that’s fine too. I just swap to the better idea.

I’ve mentioned using phrases and proverbs before and I often use them as themes, but don’t overlook them for use as potential titles. I’ve used a few that way.

You can also see them as a way to get started on a story if, like me, you need some kind of peg to help you get on your way with a draft. I think I have a bit of a mental block over any story that doesn’t have a title to it! There’s some unconscious thought at play here which associates no title with no story. I can’t be having with that so I put in a title to get me started. Nothing is set in stone after all but that is a great thing about a draft. You know it’s not going to be the final version. I’ve found it helpful to take that attitude with titles too.

Fairytales With Bite – Wishes

One of my favourite things about fairytales is when wishes are granted. The greedy never get away with theirs precisely because they always ask for the wrong things for the wrong reasons.

I love that aspect of things. I was very conscious even as a kid there was so much unfairness and cruelty in the world. The idea of a fairy godmother turning up to put things right for their ill-treated goddaughter always appealed (though I still wonder why Cinderella’s one turned up so late in the day. Come on, she could’ve helped Cinders a lot sooner. There is only so much domestic drudgery that could be claimed to be good for the soul and Cinders had gone well past that point when her fairy godmother deigned to make an appearance).

So in the grand scheme of things, what would your characters wish for and why? You are their fairy godmother as you bring them to life on the page. So what attributes would you grace them with and why? What would your characters strive for and why?

Do you think your characters are worthy of achieving their objectives? They don’t have to be. Villains are never worthy but should have understandable reasons for being what they are. What do you want your characters to be and why?

If your characters are allowed wishes, how will these turn the story and in what direction? Wishes being granted but proving to not be all that the character wanted could make a good story too.

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This World and Others – World Essentials

For me, what I want to see in a created fictional world would be:-

1. A system of government (even if it is not the point of the story. There should be some sort of reference. For one thing, a reader would want to know if the main character was one of the governing or one of the governed).

2. What characters eat and drink and how those things are produced. A line or two is usually enough to convey that. When a character is on a journey, what food do they take with them? Where did they get it?

3. A sense of where the world is going. In The Lord of the Rings there is no doubt the world there is in turmoil and every part of that world is affected by it.

4. What your characters make of the world they’re in. They don’t have to like it!

5. How is transport organised? Does everyone have access to the same kind of transport? Is there a “them and us” situation here?

 

 

 

 

 

 

 

 

Submissions, Reviews, and Publication News

Image Credit:  Thanks as ever to Pixabay for the images here.

Facebook – General

Good evening so far. Submitted a flash piece, pitched a couple of non-fiction ideas. Nothing ventured, nothing gained and all that.

Also sorted out my bedside cabinet and organised my reading piles (one for books, one for magazines before you ask!). Feel both productive AND virtuous and, trust me, that doesn’t happen often!

Hope the weather isn’t causing too much havoc where you are. Mainly tree debris where I am. Always sad to see trees down (though Lady will end up having more sticks to play with than she ever thought possible so there is that to it).

The other thing to be said about the weather is if you needed encouragement to stay cosy and warm and get on with writing at your desk, you’ve got it. Well, you’re not going to want to go out now, are you?

It WAS a dark and stormy night – and writers everywhere took one glimpse at the horrible weather, got on with their latest epics, only too glad to do so!😀😀

Happy writing, everyone!❤️⭐️

I’m looking forward to sharing two separate items of publication news later on in the week. It has been a good few days. I wish they were always like that but there you go!

Am almost there on a standard length short story I want to submit for a competition. I hope to get that submitted by the end of this week. And I’ve picked out the next competition I want to have a crack at so need to start thinking out some ideas for that.

I’m also going to be working on the edits for my second flash fiction collection, Tripping the Flash Fantastic, so have plenty in the pipeline.

But that’s how I like it – a nice mix of non-fiction writing (CFT particularly), sending stories out to hopefully good homes (!), and editing.

Reading wise, I’ve recently started London: The Biography. It’s an interesting concept for a historical book – a biography of a city – and I anticipate an enjoyable read. I love history – fiction and non-fiction. I won’t be sorry if story ideas spark from reading this book. (I’d be disappointed if I don’t get something. Non-fiction can be a great source of sparks for stories).

Hope the weather rapidly improves where you are. It is calmer here in Hampshire though there is some flooding. Lady gets a bit skittish in high winds (a bit like some young children can do) so it’ll be fun walking her tomorrow when said high winds are back. Still, at least it’s going to be dry.

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What do you love writing the most? I love getting inside my characters’ heads and sharing their thoughts. Sometimes said thoughts surprise me and I think where did that come from but it’s a wonderful feeling when that happens. It confirms to me the character has backbone, is taking on a life of their own, and is going to resonate with readers. All good things to aim for!

But the danger here is to only focus on the things you like writing most. I do enjoy writing narrative but I’ve come across too many books in the past where the narrative has gone on for too long and is keeping me away from the character whose story I want to follow.

For narrative writing, I’ve learned to focus only on what a reader needs to know for the character and/or story to make sense and there are absolutely no massive descriptions of setting etc. That I feel belonged to a bygone era.

I got into conversation with someone (and I apologise now because I’ve forgotten the name) who felt that the long descriptions of setting particularly in classic novels were necessary then – no TV or film back then. I think that’s a valid point. Now, of course, books are just one form of entertainment amongst many. Everyone knows the kind of setting that would be in, say, an ancestral home thanks to things like Downton Abbey, TV adaptations of stories such as Pride and Prejudice, etc., so do you now need to write every aspect of that down? I think not. You just want enough to conjure up the appropriate images in a reader’s mind and leave it there. Less is more and all that.

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PUBLICATION NEWS

Delighted to share not 1, or 2, but 3 of my linked flash fiction stories called Story by Number published on Cafelit. Many thanks to #DawnKentishKnox for her excellent prompt idea in the Chapeltown Books Prompts Book. My stories here are directly inspired by that.

Prompts 2020 by [James, Gill] Image by Gill James

The titles all reflect the number of words in each story. Hope you enjoy.

Will I write more of this kind of story again? I hope so. It is great for the old imagination muscle to mix up how you write a story. It keeps things fresh for you and will do for a reader too.

(The image I’ve added to the link below comes from a recent Chandler’s Ford Today post of mine called Numbers into Writing Will Go. It seemed appropriate! Link to article below.).

Facebook – From Light to Dark and Back Again

Firstly, a big thank you to Val Penny for her lovely comment on the book on Twitter earlier today (18th February). Much appreciated, Val!

 https://twitter.com/valeriepenny/status/1229794879544479745

If you’re a reader and know some writers, I bet they’ll have asked for reviews of their books etc in the usual places. (My friends know I’ve asked them!).

If you think well hmm… I wouldn’t know where to start etc., I’ll just add that reviews on Amazon, Goodreads etc., don’t have to be lengthy write-ups. A line or two would do and whatever your tastes in reading, the author will appreciate those reviews. They’ve got to be honest ones though!

(Oh and a good place to start is what YOU liked about the book and yes what you disliked too. Reviews have to be honest to have any meaning and writers will learn a lot from feedback they receive this way).

Making writing friends online is great but meeting them in person is even better

I’ve mentioned before that I like to use character traits to help me “get going” with creating a new person to either write about or to be my narrator for my next flash fiction story.

I also talked about this in my interview with #WendyHJones which went out on Wednesday this week. Naturally that gives me a golden opportunity to share the link again! (Shameless plug and all that….! 😊❤️).

Episode 4 – How To Write Flash Fiction

Feature Image - Local Author News - Allison Symes - Podcast by Wendy H Jones

It was lovely being able to write a bonus CFT post for this. Image by Pixabay

But going on from there, one question could be “could you run out of character traits?”. Surely there are only so many.

Well that’s true but I like to combine them with something else.

For example if I have a character who is feisty, I’ll give them a vice such as greed. There could be a crime story there. There could be a comic story too if their greed dropped them right in it. The reactions from a reader here could range from horror and disgust at my character to laughter as my character makes a complete fool of themselves.

The trick will be making readers care enough to read about a character like that. There will be a certain amount of wanting to see if that character either gets their comeuppance (I love stories like that!) or somehow redeems themselves. Either way there is going to be a significant change in that character or their situation by the end of the tale and I hope I can make a reader curious enough to find out what that is.

Another character who is feisty I may well make charitable but their big mouth lands them in it from time to time. So there I would hope a reader would want to find out if the character can carry on doing their good works and their loudmouth has not ruined things completely. Or perhaps the being outspoken ends up bringing in much needed changes and my character is a catalyst for positive change.

Yes, there’s that word again – change. The single most important thing about any story of any length. There has to be change. Your character has to be different in some way by the end of the story whether it’s 50 words long or 50,000. The challenge is to have a character your reader HAS to follow to find out what happens to them.

Image supplied by Wendy H. Jones

Will have flash fiction publication news to share later in the week so am looking forward to putting the relevant links up.

Will be starting work soon on the edits for Book 2 – Tripping the Flash Fantastic. Looking forward to that. I do enjoy editing. Sure there are some tasks associated with that which ARE less interesting (yet another misplaced comma to remove etc etc!) BUT I keep in mind the overall goal is to improve my work and to get it to the best I can make it. That helps a lot.

I’ll be talking about short and long form fiction in my CFT post later this week and will share more on that on Wednesday. No prizes for guessing which is my big love here!

 

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How do you handle those times when you know your story hasn’t got anywhere with a market or competition?

My practice here is to look at my story again. If I spot anything that could do with strengthening, I do that but I then get the story back out again to another, suitable market or competition.

Another way of using a story that doesn’t seem to be going anywhere is to look at why you wrote it in the first place and analyse it as if it had been written by someone else.

If this story had been in a magazine, would it have appealed to you? If there were bits that didn’t seem to gel with you, ask yourself why?

This is a good editing technique and by putting your reader’s hat on, you might find something about the tale that could do with working on and which, once done, will give it more of a chance in the big, bad world out there.

The one thing I’ve found is you have to be totally honest about what you think works in the story and what doesn’t work so well. The trick of course is to improve those latter sections so there are no bits which don’t work so well!

And be persistent too. One market or competition may feel it is not right for them (they may have taken something similar to your story recently, you will never know), but it doesn’t mean others will feel the same way.

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Just a quick reminder for Writing Magazine subscribers that you can advertise your book on their Subscribers’ Showcase. Proof of the pudding? See this link!

FromLightToDark_medium-2

Image from Chapeltown Books

I hope later in the year when Tripping the Flash Fantastic comes out to put that on here (probably with a link back to From Light to Dark and Back Again).

Meanwhile over on Cafelit, do check out my latest three flash fiction stories. Yes, three of them. They are linked though. Linked flash fiction is relatively new for me and this set was inspired by a prompt in the Chapeltown Books Prompts Book. (Thanks to #DawnKentishKnox for her cracking idea which inspired me here).

 

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Goodreads Author BlogReading Piles

How many reading piles do you have? Mine include:-

1. My book pile.
2. My magazine pile.
3. Everything on my Kindle!

It’s probably enough to be going on with though I suppose I could split my book pile into two categories: novels and short story/flash fiction collections.

Note I said probably just now. I’ve just seen a lovely post on Facebook where someone has come up with a new idea for an escape room – you have an hour to get out of a well stocked book shop!

I don’t know about you but that’s me well and truly stuck then. One hour would just about give me enough time to have a good look around and work out what was where. I might get to decide where I would be starting first if I was efficient with my time!

I’ve mentioned before I like to mix up my reading. There are some evenings where I just HAVE to read magazines, rather than books, and the other way round. I don’t really know why that is but I love reading both overall so that’s okay. So therefore it is absolutely necessary for me to have reading piles that suit all my reading moods.

How do you organise YOUR reading?

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Podcasting, Flash Fiction, and Spring

Now there’s a right mix for you!

Image Credit:  As ever, unless stated, images are from Pixabay.

Facebook – General – and Chandler’s Ford Today x 2!

CFT – Part 1 –

The Writing and Marketing Show – Podcast by Wendy H. Jones

The post below is an amalgamation of the FB posts I shared on my author page and book page during the week.

I thought I’d start by sharing the link to my Local Author News page on Chandler’s Ford Today earlier this week where my news is the podcast interview of yours truly by Scottish crime writer, Wendy H Jones, on my favourite topic, flash fiction. I also share the link to the episode I appear in (and I repeat the link below too).

I was delighted to take part in The Writing and Marketing Show, which is Wendy’s new podcast. It does what it says on the tin, folks! I’m on Episode 4 – How to Write Flash Fiction. Well, I wasn’t going to turn down an opportunity to talk about my great writing love now, was I?

As well as discussing flash fiction, I share some tips, particularly on nailing those crucial opening lines. I also discuss what you can do with cliches – now, now… tune in the show and find out exactly what it is I DO do with them!

Every so often CFT puts up Local Author News posts when local writers have book events etc. It is lovely to put such a post up for myself! (And a huge thanks to Janet Williams, CFT’s very supportive editor who is great at encouraging sharing news like this. It is appreciated and not just by me).

I also want to say a big thank you to Wendy H. Jones for inviting me on to her show. It was huge fun to take part – and do check out the other episodes too. Episodes are released on a Wednesday. Well worth making a note in your diary for especially if you are keen to have insights into the wonderful world of writing.

Episode 4 – How to Write Flash Fiction

CFT – Part 2 – Spring Approaches

It’s always a pleasure to write posts like the above which celebrate something positive. Despite Storm Dennis being on its way, there are still signs of spring out there and I’ve already noted the daylight lasting that little bit longer each evening.

I also look at spring in the terms of new life/new developments. What new developments, as a writer, are you hoping for this year? (The podcast with #WendyHJones earlier this week was a new development for me and so much fun to do). Comments as ever welcome over on the CFT page.

Feature Image - Spring Approaches

As part of my Spring Approaches post for Chandler’s Ford Today this week, I look ahead to the Chameleon Theatre Group’s next production. This has the charming name of Spring Quartet. Love the sound of that. I am hoping throughout the next few months to put up additional posts featuring members of the Chameleons. More details as and when.

Do you find writing easier or harder to do when the weather gets better (it will eventually, honestly!)? I have no real preference here though I can understand the lure of getting out and about when perhaps I should be at my desk writing.

Mind you, when I do go out and about, there is always part of me which sees these trips as great opportunities for “research”.

Now that can be anything from picking up inspiration for characters (e.g. overhearing odd snippets of conversation I know I could use in totally different contexts for a tale or two) to going to a specific place and learning from it. What I learn then ends up in a story.

It’s a great excuse and I’m sticking to it!

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Many thanks, everyone, for the lovely feedback on the podcast interview for those of you who tuned in when the link was shared on Wednesday this week. For those of you who haven’t, do check out the episode via the link above. It was a joy to talk flash fiction with #WendyHJones. (And do check out the other episodes too. The link to all episodes is in the top left corner).

My usual CFT post will be up tomorrow and it is called Spring Approaches. Now I know Storm Dennis is due (named after Dennis the Menace, do you think?) but, hang on in there folks, spring really is on its way.

There are already signs of it out there. Tonight I managed to walk the dog with my better half and we only needed a torch for the last 15 minutes. That figure will reduce week on week too and I love that. Two weeks or so ago, we needed the torch for 25 to 30 minutes so those lighter evenings are slowly coming in! (On a personal note, I find the increased light helps with my writing productivity too and I bet I’m not the only one who finds that).

My post celebrates the approach of spring then but also looks at how, given we rightly associate spring with new life, what that can mean for us. A new life can mean new starts or developments. (Being interviewed for a podcast was a new and enjoyable development for me!).

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Facebook – From Light to Dark and Back Again

F = Fun to write
L = Length of story can vary but should not go over 1000 words.
A = Alliteration can be effective in titles but best to use sparingly (otherwise readers will tire of it. You don’t want anything to seem “faddy”).
S = Story should focus on ONE important point only as you won’t have room for more, particularly in a sub-500 words tale.
H = Have fun mixing up which genres you write your flash fiction in as the good news is you don’t have to stick to one!

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When you want to mix up your flash fiction writing, how do you go about that?

Some of my favourite ways to mix things up include:-

1. Work out an ending to a story and work backwards to the start instead of working linearly. (If you usually start this way, simply reverse the process and start at the beginning!).

2. Try writing a flash fiction story in a genre or format you’ve not tried before. If it doesn’t work out, why worry? You were playing with words. I would suspect also some of what you write you would probably be able to use elsewhere. Equally if you discover a new way of writing flash, even better. This is how I started writing historical flash fiction pieces. Until fairly recently, it wasn’t an area I had explored.

3. Write to different word counts. While my natural home is between the 100 to 250 word count limit, I do write much shorter than that. I also go up to the top end of the scale for flash at 1000 words.

And why mix things up at all?

Firstly it keeps things interesting for you. You really don’t want to become bored with what you do.

Secondly, a variety of stories, whether it’s in genre or word count or both, means you have a wider selection of markets and competitions to aim those tales at! Good luck.

Fairytales With Bite – 

When the Magic Wand Isn’t Enough

One of my favourite things about fantasy fiction is when magic is limited in some way. That is a character can only do so much with their powers and no more. Or if they go beyond that, then there is a dreadful price to pay.

What is fascinating there is finding out how the characters get around this. When you can’t or dare not use your special skills, what do you do?

Likewise if two magical characters have the same kind of powers, then you know they’re going to cancel each other out effectively. What does each of them do to try to get the upper hand on the other?

I believe more of the real personality of the characters comes out when they can’t just rely on magic to get them out of trouble (and even more when they know using it will exacerbate their problems).

I love stories which show the downside of using magic and where characters have to use their wit and intelligence to overcome problems. My favourite of all here has to be Hermione Granger from the Harry Potter series given, when in doubt, she goes to the library to look things up! What’s not to like about that?!

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This World and Others – 

What Do Your Characters Make Of Their World?

Asking yourself this as you outline your fictional world is useful as:-

(a) it will show you insights into what your characters really think revealing more of their attitudes which should prove useful later and;

(b) it will show you what your characters think is the most important aspect of their world. It might not be what you originally thought!

I would then probe further as to why that is. If you thought the most important thing was your created world’s fantastic lakes but your character thinks the best thing since sliced bread is the mountain behind their village, look at why. Have they got a fear of water, say? Have they got a famous ancestor who was the first to climb that mountain? Could that come into your story at some point?

How do your characters react to their world during the course of the story? What aspects of it get in their way on whatever their mission is? What aspects help them? Does the transportation make their mission easier to carry out or more difficult? How easy is it for them to get provisions? What do other characters think of their mission? What and/or whom gets in their way?

If your character is trying to save their world, are they doing so out of love for that world or knowing that whatever the world is facing is too dreadful to contemplate allowing to happen so has got to be stopped no matter what else they think? Is the world around them grateful for their efforts?

Above all, what changes have to happen in and to the characters to make them want to carry out their mission? It is not uncommon for the hero/heroine to be reluctant to take on their quest and they have to be persuaded into it. So who does the persuading? What makes the character “bite”?

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Interviews and Characters

Image Credit:  As ever, unless otherwise stated, all images are from Pixabay.

Facebook – General – and Chandler’s Ford Today

For my CFT post this week, I look at why writer interviews are so useful. I also share news of an interview I’ve taken part in, more details on that next week, and share memories of an interview that went wrong and another that involved an Emu! Anyone growing up in 1970s Britain will remember the latter!

I look at what I think makes for a good interview too and share my thoughts on interview etiquette. I also share a little of how I go about interviewing authors for Chandler’s Ford Today (and I hope there will be many more of those later this year).

I discuss the art of interviews as part of my Interviews post on Chandler’s Ford Today this week. Good preparation for an interview is important for both parties to it, of course. But it is just as important for writers, as well as interviewers and interviewees, to think of good questions. (In the latter’s case, anticipating questions that are likely to come up gives you time to prepare your answers).

For fiction writers, you may well want to interview your characters to find out more about them and what makes them tick before you write their stories. (I do this as part of my outlining process. I have to ask what the character thinks makes them tick. They don’t have to be right! Other characters may have completely different ideas as to how Character A really ticks!).

For non-fiction writers, it’s a question of working out what research you need to do for your project and there you ask yourself what you think you need to know. As you start working on your project, other questions will inevitably crop up but, having already decided where and how you will research and found answers to those initial questions, you will know where to look to deal with the other ones as they come up!

I often find this to be the case for my CFT posts. I know a thread I need to look into initially to help me write on my topic. Inevitably there will be threads from those initial ones I need to check out to see if they are relevant to what I want to write about. Sometimes they are. Not always. It is important not to be sidetracked but this is where asking yourself what you really need to know first can help. It helps to keep you focussed.

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How well do you know your characters before you start writing your stories?

Particularly for flash fiction, I outline what I need to know about my character before I work out what their story is.

A character who is a loud mouth is going to need a tale that will show this trait in action and the resultant consequences. This could easily be a funny story or a tragic one.

A quiet mouse of a character is going to need a tale that will either show when that trait saves the day or they get so fed up of being treated as a doormat, they rebel. Then you can go into the consequences…

I’m a great believer in getting the character right. Then it is a question of deciding what kind of story they WOULD naturally be at home in and whether that shows them at their best or their worst. Either can be a great deal of fun!

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My CFT post this week will be about interviews and what I think constitutes a good one. It’s a timely post for me as you’ll see when I put the link up on Friday! (I also hope to be sharing more interviews later in the year on CFT too).

Moving on, let’s think of a wish list for writers. My top three wishes would be:-

1. Time expands so you can do all the writing you want and the boring things of life (e.g. housework) somehow magically go away. I do see that as one wish, so there!

2. There are never any tech issues. Computer batteries won’t go too flat. You’ll never get a power cut at any awkward moment (if only!). You’ll always be able to connect to the net. I’m sure you can think of loads to add to that one!

3. Never running out of ideas and enthuasism for writing (again I see that as one wish on the grounds the first bit is no good whatsoever without the second part as well).

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Facebook – From Light to Dark and Back Again

I see a novel as akin to seeing a beautiful tapestry on a wall. You step back and literally see the whole thing. You are rightly taken in by its scale and how much it covers. There are so many wonderful threads to follow and your breath is taken away wondering at the mastery in putting such a thing together. You are immersed in the whole world portrayed.

A novella is like seeing one half of the tapestry, complete in and of itself, with plenty of stunning details to take in but simply not as much as the full novel, which is fair enough. But there is more than enough to capture your interest, plenty of threads to follow, again just not so many as the novel, but exactly the right amount for what you want to take in and enjoy. (I’m very pleased to see the form is back. Why? Well, people have all kinds of tastes in reading, not just in genre, but in length of story that they want too. There is plenty of scope for the novella).

A short story is like seeing one quarter of the tapestry. There is still plenty of detail. There are interesting threads to follow but obviously not so many as for a novella or a novel. You are taking in a world in minature and that’s fine. Maybe you want to enjoy some of these before taking in the whole of the tapestry again. (I often read flash fiction and/or short story collections in between reading novels).

Flash fiction is like focusing on one section of that quarter of the tapestry. You can’t see the whole picture. You are literally too close to it. Everything else around that section is blocked from your view. What you DO do is find those wonderful moments of sheer detail that those looking for the bigger picture will overlook as they have so much to take in and follow. They are standing too far back to spot what you are looking at. You are focusing on the ONE most important thing and can tease out every vital detail from that. You will pick up on things missed by the longer forms of creative writing.

And I love them all! (Whatever your preference is here enjoy! Writing and reading are two of the most wonderful things in life).

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Story time again. Hope you enjoy.

Putting My Face On

If I can fake this, I’ve got it made.

I’ve only got to go and meet John at 3. I don’t want to go but it will be the acid test. If I can keep my act together when I meet him, I can keep it together for anyone. Anyone, I tell you.

So if a bit of lippy and rouge are what I need to cover how I feel, so be it.

Well, I say I’ll meet him. It’s really a question of seeing him.

John’s in the Chapel of Rest at the local undertakers.

I put him there.

ENDS

Allison Symes – 6th February 2020

Now this is one of those tales where I knew my lead wasn’t looking forward to meeting John but I then had to work out why. So I did! Could’ve taken this in all sorts of directions but that is the joy of flash. It is open to genre and I fancied this one being a crime tale.

The irony is I can change the mood of the story completely by adding a few words to the ending.

If I added “I put him there – and so wished I hadn’t” – the mood of the story completely changes. Yes, there could still be a crime element but tragedy becomes the lead genre here instead.

So have fun with your flash fiction. Think about what impact you want your character and story to have on a reader.

 

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The story I shared yesterday, Putting My Face On, was something I came up with while out on a walk with my dog, Lady. I mentioned yesterday I could’ve changed the mood of the story by adding a few words. That is one of the arts of flash fiction if you like. You can change mood with a judiciously placed word here and there. The fun bit for you as the writer is working out what mood it is you want to go with!

The story on the book trailer for FLTDBA is one of my favourites. Part of the reason for that is the whole mood of the story turns on the very last word of Calling The Doctor. Do check the trailer out and you’ll see what I mean.

One thing I make sure of is that whenever the twist of moods comes in the story, it IS something that could reasonably be expected from the rest of the tale based on the information given.

Calling The Doctor does this because the conversational style of my narrator here is (a) consistent and (b) ties in with the mental image you will form of the character especially their age and such a conversational style would be appropriate for them and their age. The story leads up to … but that would be telling now, wouldn’t it! But the denouement is appropriate given the facts already stated by my narrator.

And very conveniently here is the book trailer with Calling the Doctor for you to check out!

Fairytales with Bite – Favourite Character Types

We all have our favourite kinds of characters, the ones we instantly gel with when we come across them on the page/on audio/on video etc. Some of mine include:-

  1.  The underdog. I always look out for the character who is bullied, despised, overlooked etc. I am never surprised when this character beats all the odds and has transformed their life by the end of the story. I adore stories like that.
  2. The fairy godmother. I love these. They are the agents through which cruelty and neglect will be put right. (Think Cinderella especially). Sadly we only know cruelty and neglect are so often not put right and even as a kid I remember being aware of that. Fairytales are comforting in that in those you know things will be rectified. I think we all need that comfort sometimes.
  3. The one who sees the error of their ways. Firstly, they too can be used to transform the story. Secondly, I like anyone who can see the error of their ways in life as well as in fiction! I am also very fond of redemption stories. I like to see characters being redeemed (it gives hope for us all!) but it has to be done in a way that makes sense. This is why I think gradual realisation of said errors is far more realistic.

Whatever your favourite kinds of characters, happy reading!

This World and Others – 

What I Like to See in Created Worlds

  1. I like to get a picture of the overall world. This is partly because I’m nosey (!) and partly because I like to be convinced the writer really has thought it through.
  2. I like to see a system of government, even if it is a basic one. A world does have to have someone leading it after all. (Best one here: Terry Pratchett’s wonderful Lord Vetinari from the Discworld series).
  3. I like to know how people live. I love the Middle Earth/Shire scenes in The Lord of the Rings. Okay, I could probably make myself very cosy and comfortable living in a hobbit hole as I’m not tall (that’s my example of understatement for this week!). More importantly, again it convinces me the author has thought this through and recognised different species will have different kinds of home and so on.
  4. A sense of how the different species get on, assuming they do. Where there are conflicts, and I would expect some, I want to see how these originated. Both sides in the conflict should have good reasons for holding the views they do, even if they are only good to them and their people. It should be something a reader can understand.