Fun With Words

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Facebook – General – and Chandler’s Ford Today

I share another lighthearted post on CFT this week called Fun With Words. Here are some fun word games to have a go at, all involving book titles (but you could easily adapt these games to film and song titles etc).

The games are very inspired by I’m Sorry I Haven’t a Clue and other radio shows but I do sometimes use things like this to wind down with if a writing session has been particularly intense.

Have fun! Have a laugh! Sometimes it is just great to be silly for a bit…!

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Very much a lighthearted day for me today which has been lovely. As well as my CFT post on word games, which was huge fun to write, I’ve just completed my movie education by finally getting around to watching The Blues Brothers in full. Loved it. (Had always seen snippets before and yes I know. I should have done this years ago but better late than never!).

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Well done, everybody, in my neck of the woods for the great support shown at 8 tonight (Thursday, 23rd April) for key workers. Lady came out with us tonight but was bemused by it all. 😊

I’m looking forward to sharing my CFT post tomorrow. I share some wonderfully silly word games based on books and give some examples. Hopefully they’ll raise a smile and the games can be adapted for use with song titles, film titles etc. The sillier the answers the better!

I sometimes use word games like this to help me wind down a bit if the old writing session has been intense, as it can be at times. Having a laugh with the language is good fun to do! It also makes a useful reminder that writing should be fun, it doesn’t always have to be deadly serious. The moment the joy goes out of writing for me will be the time for me to hang up my pen but I can’t see that happening. The world of stories is just a fabulous place to be, reading them, writing them or ideally doing both but it is important to have fun with it too.

There are some things which really are better now. Cut and pasting work is so much easier. When I was a mere lass, cut and pasting involved a pair of scissors and a Pritt stick.

For my secretarial career, I used everything from a manual typewriter to a 486 PC. (My mobile phone has almost certainly got more go in it now than that old 486). That was in the space of about 10 years too.

Neither do I miss carbon paper or having to change typewriter ribbons. I know there has been a resurgence of affection for the typewriter. I understand that. I loved my old Olympia. (You just didn’t want to drop it on your foot, else broken foot!). The typewriter was never the problem, it was all the stuff that came with it.

The past really is a different country. Best visit only I think. As for being able to submit work by email now… woo hoo! I used to spend ages in Post Office queues getting stories sent out. Much as I love the Post Office, I’ll save queuing there for when I need to send parcels out.

So why the nostalgia fest tonight? Partly because this period of reflection is making us reflect more and this has come out of that. Partly because I really am glad to see the back of the typewriter ribbon and the Pritt stick (especially with the amount of chopping and changing I do to my stories at times).

Oh on a lighter note. My CFT post this week will share some thoughts on word games for you to try. All very silly and good fun. Link up on Friday.

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Facebook – From Light to Dark and Back Again

My theme for tonight has been fun with words but playing around with the language is useful for all writers. Not only does it stretch your vocabulary (and knowledge of meanings), I think it strengthens your ability to write precisely. It really is a case of the mot juste!

For flash fiction writers, especially when we use humorous endings to a story, then knowledge of how puns work is crucial. And good fun to find out too so win-win!

 

I don’t often get story ideas when I’m out walking the dog. What I do get are interesting snippets that might become part of a flash tale later. These can vary from seeing a wonderful shade of red on a plant that might become the colour of my villain’s coat to hearing a noise I can’t quite place. I then work out what it could be and perhaps twist it to give it an other worldly feel for a story.

Sometimes I see a house I like the look of and wonder what kind of fictional characters could live there. What are they up to? What if they loathe the house and why would they do so?

Triggers for story ideas can come from all sorts of things. Over time I’ve learned to recognise these for what they are and then it’s a case of filtering so I use the strongest ideas only. Often it can be a case of combining two or three trigger thoughts and that’s when I’ll start getting ideas for a character. That’s when the story process really takes off for me.

But being observant and taking in little details to store away for future use is a good idea. You can have fun with it too.

I have a lovely book of inspirational quotes for writers on my desk, all of which are short pithy paragraphs. It was a freebie from Writing Magazine a while ago and every so often I dip into it.

I usually find something to remind me of what I am supposed to be doing (!) and some form of encouragement that generally I AM doing the right thing. It’s also a great source of comfort that whatever writing problem you’re facing right now, others have faced it before you and overcame it.

How do I know? Well one lovely quote describes the bowel clenching terror of a novelist writing their first draft… You can apply that equally to any writer getting their first draft of anything down. I know I always feel better once I’ve got something down that I can then knock into shape. I love editing and see it as THE key to good story writing. Nobody gets it right on the first go, ever.

One usual reminder that is handy for all flash fiction writers is to remember NOT to overwrite and to be economical with your descriptions. This is where the restricted word count of flash is a blessing as it kind of forces you into doing this.

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Fairytales with Bite – Fairytales and Animals

It is a peculiarly appropriate link with Fairytales with Bite tonight given animals have some kind of bite! But animals often play more than a walk-on part in fairytales.

I’ve always had a soft spot for talking animals in fiction and, naturally, fairytales play an important part in this. The animals are often wiser than the humans around them. (I’ve always liked the Puss In Boots character and even more so as he is portrayed in Shrek!).

I’ve written stories where the Three Bears are easily far nicer than Goldilocks (well, she is a vandal and porridge thief when all is said and done).

Animals can be used to represent character types too. In The Three Little Pigs, you find one sensible pig and two foolish ones. The latter should have listened to the former. How often have we wished we’d listened to good advice given by family and friends? It is a strong lesson put across in a simple story but even as a kid I remember thinking I would definitely go and live with the pig that made his house out of brick!

I would like to know what happened to the rats when the spell wore off in Cinderella. Did they remember any of their unusual experience? Or did they just know if any woman came near them waving a stick with a star on it, the best thing to do would be to run for the hills?!

The other reason I like talking animals is they can be used to show intelligence, wisdom etc are not just qualities reserved for humans. We don’t know it all. The animal kingdom would have good cause to rise up and moan at us all, would they not?

In fairytales, they can at least put their side of the story and show their best qualities. It makes a refreshing change for humans/humanoids not to be the the heroes or villains of the story. Finest achievement here is probably George Orwell’s Animal Farm. Animals in that book definitely do get a powerful message across!

This World and Others – World Differences

What are the main differences between your fictional world and what we know here? Why have you gone for these? If, for you, the most important thing about your fictional world is there is no violence on it whatsoever, then your characters are going to have to find other, far more imaginative and interesting ways to resolve disputes. And there will be disputes. There is no story without conflict after all.

Also think in times of physical geography. What does your created world have that we don’t? What ideas from Earth have you put into your fiction? Water will have to come into it somewhere, given life is not possible without it, so how is that controlled? Does your world have enough water or is its chief problem is that it has too much of it?

When it comes to focusing on a particular place in your world, work out what it is about this place that makes it worth being singled out to write about! The Lord of the Rings brings The Shire into it because we need to know where the hobbits come from. We also need to know about Mordor and all that it signifies. So what does a reader need to know about the setting you’re putting before us?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Word Play

Facebook – General – and Chandler’s Ford Today

One joy of writing is the joy of reading. This is partly because it makes sense to read from (and therefore support) the industry you want to join! Also, you need to read widely to discover the range of writing out there and to find out from that what it is you want to write. There’s also the sheer pleasure of reading well crafted stories that inspire you to work harder on your own!

Playing with Words, as my CFT post this week discusses, is both a fun and invaluable thing for writers to do.  My post this week also pays tribute to Denis Norden and celebrates puns and playing with language.

 

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I like to “hit the ground running” when I write flash fiction and do so in a number of ways.

I can take you straight into the lead character’s thoughts, or show you an image of them doing or reacting to something. I also try to show you their general attitude within the first couple of lines. Attitude in itself can tell you so much about what a character is likely to be like (and whether you would like them or not!).

I can also show you a character’s observations such as in my Circle of Life. That opens with “People throw kittens in the river here. I hate that.” Immediately shows a conflict. Immediately shows an attitude at odds with the view held by others around the character. You also know they’re going to do something about it. It is a question of what and will they get away with it?

With all of these different kinds of opening, I am aiming to provoke curiosity in the reader to make them want to find out more.

My CFT post this week looks at Playing With Words. I also pay tribute to the late Denis Norden, who along with Frank Muir, was a wonderful wordsmith. Link up on Friday. I also take a look at puns. (Muir was wonderful on Call My Bluff years ago and Norden – well, I loved his dry wit and manner – and Take It From Here, written by them both, was a forerunner for modern radio comedy).

Two of my favourite ways to end a flash fiction story are a twist in the tale finish or a punchline. Both of course can revolve around puns. I love playing with language but one of the great joys of loving books is coming across others who are masters at this sort of thing. Their work is a joy to read and/or listen to and if you haven’t come across a copy of Muir and Norden’s My Word Ultimate Collection, do yourself a favour and dig out a copy from somewhere. If you like tall tales and puns, as I do, this is a fabulous book.

Facebook – From Light to Dark and Back Again

Flash fiction can be a great vehicle for (a) puns (as part of a punchline to finish with) and (b) short, sharp humorous moments. A good funny flash fiction will not only make you laugh but you should be able to spot other potential for humour had the story been a longer one.

The lovely thing is you can combine humour with other things such as poetic justice to create a great story. Characters being annoyed at the situation they’re in may well make you smile in recognition of their predicament. The situation is rarely funny for the characters themselves. Shouldn’t stop us smiling though!

My late mum always believed in being short and to the point. Think she’d be pleased I take the same approach by writing flash fiction!

You lose any fear of killing adverbs or cutting whatever isn’t necessary for your story when you write flash and, of course, you can carry that over into whatever other writing you do. There’s no chance of getting confused over your characters either given, realistically, you only have the room for 1, maybe 2, main people.

I admit I do miss the fact you can’t have subplots in flash fiction, that really is the privilege of a short story or a novel, but I do love being able to cut to the chase with the very short tale. Definitely a case of you pays your money, you take your choice here.

Time for some autumnal flash fiction one-liners, I think. Hope you enjoy.

1. There were some things brought down by the autumn winds that would have been best left undisturbed.

2. The mouse scoffed the loaf that was meant for the church’s Harvest Festival display, much to the vicar’s chagrin.

(A case of For what we have received, we are truly grateful, I think!).

3. Would the leaves come down deeply enough to cover a body, she wondered?

4. With the nights drawing in, there was more scope for planning and executing the perfect crime.

5. It would be easy enough to do, he thought, given she always has soup at lunchtime on these cold days.

Hmm…. it looks like I’m in a criminal frame of mind this evening!

 

Is it harder to write longer fiction where you have to keep the readers enchanted enough with your writing to follow the story through to the end or more difficult to write short, sharp stories?

I wouldn’t like to judge on that one as both have their challenges and their joys. Both are vital for ensuring literature has a wide range of styles and lengths of story to suit all tastes.

One problem I face when editing flash fiction is ensuring I keep the important details in as it can be easy to cut far too much out to keep to a set word count and the story is the poorer for it. In those situations, I let the story go what is its natural length whether it’s 50 words or 500 or 1500!

The acid test for me is the editing is done when I cannot add to the story or take away from it. It is a question of not overegging the pudding or cutting back so harshly you have a limited story left. Anything that dilutes the impact of the story on a reader, and that can include harsh editing, is out.

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Goodreads Author Programme – Blog – Playing with Language

One of the joys of reading across a wide range of genres, including non-fiction, is discovering the different ways authors play with language.

For me the late Denis Norden and Frank Muir were great exponents of this and one of my favourite paperbacks is their My Word The Ultimate Collection. This is full of puns and tall tales galore! Bliss and an addictive read.

I like crisp, punchy styles of writing but every so often you come across a line or two that are just so engrossing, they almost take your breath away. P.G. Wodehouse was a master at creating worlds within what would be considered now very long sentences, but you simply have to read to the end.

I suppose the real test of a good story is does it provoke your curiosity enough so you read it through regardless of the style or genre in which it was written?

Fairytales with Bite – Fairytales A to Z Part 8

Since the alphabet doesn’t divide neatly into three, I will conclude this mini series tonight with the final five letters – V through to Z.  Hmm… going to have fun here I think!

V = Variation
Whatever genre you write in, there should be variation in the types of character you portray.  A story with all heroes is no story at all!  There has to be a villain somewhere (even if the characters concerned don’t think they’re villainous at all).  Also, in a magical setting, there should be variation in how much magical ability characters have.  If they all have unlimited powers, where is the conflict? You’d have a stalemate situation.  The characters know they can’t better each other, at least not with their powers.  So vary things, mix things up, deliberately drop your characters in it, and see what happens!  This is very much the fun side of writing.  You will soon find out who your strong characters are.

W = World
The world you set your stories in can almost be a character in itself.  It needs to be believable, no matter how fantastical its powers or setting.  There must be things about that world we can identify with here.  For example, every world has to be governed somehow so politics has to rear its (at times) very ugly head.

X = Xeno (meaning strange!  Confession time: did have to look it up.  I could have gone for X-rated for this but felt it was too obvious.  I also want to remember this word next time I play Scrabble!).
So word of the week for me is this one then!  Seriously, though, no matter how strange the world you’ve created is, there still has to be something about it that fascinates a reader.  If it is too odd, you risk alienating the reader.  Does that mean your world has to be a sensible one?  Not necessarily.  There has to be a point to what the world does.  If it mines balloons for example, it would make sense to do that if is that world’s chief export to its nearest neighbour.  I did like Monsters Inc for showing why the monsters had to get the children’s screams (they needed it as it was their power source) and I liked it even more when the monster world discovered making the children laugh was a greater source of power.

Y = You
The first fan of your writing should be you.  Your fairytale, whoever it is aimed at, must first convince you.  Is the magic a vital part of the story?  It should be for a fairytale. Do your characters have to get themselves out of trouble without magic?  Even better!  You should enjoy what you write and at the same time be open to where it can be improved.  Not an easy balance to strike which is why it is such a good idea to put work aside for a while and then re-read it.  You will come back to the story with a more open mind, having had the break from it.

Z = Zippy
There will be many in the UK especially who will remember Zippy as a character from children’s TV show, Rainbow!  However for this, I mean zippy in terms of lively.  Your fairytale should be a lively read from start to finish.  Your characters should be lively and engage with your reader.  (This is why if you enjoy your writing, there is every chance others will too.  As for the feeling after reading something you’ve written “this is rubbish”, bear in mind every writer goes through that.  This is another reason for putting work away for a while before coming back to it).

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This World and Others – Playing with Words

Playing with Words is not just the title of my latest CFT post but the theme for this week for me.  I also take a look at this topic on my latest Goodreads blog.

So how do I like to play with words then?

1.   I like twist endings to a lot of my stories so there is a lot of playing with words to be had there in coming up with a twist that works.

2.    I sometimes end stories with a punchline which often revolves around a pun.  Puns are the very definition of playing with language!

3.     I like to take known phrases and play with them to come up with something that has “echoes” but which is also unique to my story.  For example, we usually talk about punishing the guilty for crime etc but my story in From Light to Dark and Back Again is deliberately called Punish the Innocent.  The idea is to get you wondering (a) why would someone want to punish the innocent, (b) do they do so, (c) were the innocent that guiltless after all?

I sometimes use spider diagrams to help me work out in which directions I could take a story idea and then I pick the one that I like the best.  Playing with words here helps me come up with thoughts deeper than my initial “obvious” ideas and therefore I hope a more original story line.