Christmas Stories

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My last CFT post before Christmas is all about Christmas stories. I look at the Nativity, Hogfather, and A Christmas Carol amongst others. I also discuss the role of books and stories. I hope you find many a book related present under your Christmas tree this year!

Also in the post are links to some of my Christmas related Cafelit stories. Hope you enjoy.

And however you celebrate the festivities, I do hope you have a lovely Christmas.

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My last CFT post before Christmas looks at Christmas stories appropriately enough. I look at some of my favourites, share a few of my Cafelit pieces with a Christmas theme, and look at why we need stories. Link up tomorrow.

Hope there are plenty of books on your Christmas wish list and that you get them!

Very pleased to say my first non-fiction piece was published in Christian Writer today. It is a 500-word piece about the telling details which help bring stories to life (though there is no reason why this can’t apply to articles as well).

What is lovely about writing is the joy of being published never diminishes. Yes, the first time you hear someone else loves your work enough to print it or put it online is very special but so are the others that follow! It also encourages you to keep going.

Am working away on my novel plus what I plan to be my third flash fiction collection in due course. Would like to write more non-fiction too. Now if only there was a way to stretch time… Still there is no chance whatsoever of boredeom setting in and that has to be a good thing.

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Flash fiction is the ideal vehicle for capturing those story thoughts that are illuminating in themselves but would not stretch to a standard length short story. I find this makes the focus sharper and sometimes for a tale that’s what you need. Short, sharp focus and then that’s it.

Flash fiction is also a great vehicle for showing the thoughts and actions of a character in detail. You are focusing on this one character alone. What drives them? What are they hoping to achieve? What do their thoughts and actions reveal about them? (The great thing here is the character does NOT have to be aware that they are showing themselves up as, say, greedy, when they think they’re not).

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What is the important thing about any story? Figuring out what makes it work as a story and that is usually down to outstanding characterisation.

So how can you make characters count especially when you’ve got a limited word count as you have with flash fiction?

1. Show the character’s attitude. This can be done in thoughts, actions, or direct speech. Attitude reveals a lot about a character. A character that is sarcastic will show that in what they say without you needing to spell it out. In the case of actions, if we see a character setting something out “just so”, you can imply this character is fussy (and I’d want to know the reasons behind that). A character that moves a doily half a centimetre to the left is going to be far more fussy than someone who slaps said doily down on the arm of a chair!

2. Show how others react to the character. This can be very revealing. Do they all react in the same way or is there an awkward one who treats the lead character differently to everyone else? What are the reasons behind that? Is the awkward one justified in their stance?

3. Focus on the MOST important aspect of your character as that will determine how your story will go. If your character is stubborn, show how that plays out and the consequences (there will be some!).

Names are important of course and the more often they are used in a story, the more important the character is (even if they never appear in the tale itself).

My They Don’t Understand has my narrator refer to his wife, Joan, throughout. That will give some indication in itself of how important she is to him as well as what he actually tells you as the tale goes on. He only names his carer the once!

So how can you make names work for you in a story? Well, the name itself can give a good indication of the age of the person. How many people are called Gertrude these days? If the name can be abbreviated, IS it or does your character insist on the name being used in full? Equally are they known by one name in one situation and by something else in another? (Good potential for double life stories there).

Fairytales With Bite – Stories, Lovely Stories!

My Chandler’s Ford Today post talks about Christmas Stories (and I share some links to some of mine on this too).    One of the great things about this time of year, when the nights draw in so early, is that it is a fantastic time for reading more!

One of my highlights at Christmas is at the end of Christmas Day itself when I’ve put my feet up on the sofa and I’m curled up with a book given to me as a present.  It is very easy to please the writer in your life by the way – just ask them what books they’d like and Christmas present shopping problems are resolved!

So what stories do you hope to enjoy over the Christmas period?  I like a mix of fiction and non-fiction books plus, of course, there is the chance to enjoy stories as films.  (Watched The Muppet Christmas Carol earlier tonight, which is one of my favourites).

As for writing stories, I tend to take a short break over Christmas and then resume but I come back eager to write again and find the respite incredibly useful for recharging the imaginative batteries.

However you spend Christmas, do have a lovely time, and I hope you get to enjoy stories old and new!

This World and Others – What Defines a Good Story

What defines a good story for you?  What I look for in a good story includes:-

1.  Strong, memorable characters.
2.  An intriguing plot.
3.  The story makes me laugh, or think, or react in some way.  (That’s how you know a story has had impact).
4.  An ending that delivers on the promise of the opening lines.
5.  Where there is a twist ending, for this to genuinely take me by surprise.  I like to look back at a story and then spot the clues I missed first time around! (The great thing about doing that is you can learn so much from doing this and, of course, apply it to your own writing).
6.  It is a story you are keen to read again and again and again. A Christmas Carol is a classic example of this for me.
7.  It is a story you remember well.  This doesn’t stop you wanting to read it again because you will not recall all the details but you DO recall the pleasure this tale gave you and THAT is what you want to experience again.
8.  You can easily envisage the story being a film.  (This is a great test of how memorable the characters are and how strong the plot is).
9.  It is a story that adds something to the language.  Shakespeare takes top honours here.
10.  It is a story that defines its genre or expands it.  I’m thinking of Hans Christen Andersen here who added so many wonderful fairytales to that genre.

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Christmas

I hope you have a wonderful Christmas and New Year.  My next post would usually be due on Tuesday but, surprise, surprise, not next week!  I will resume here on Friday, 28th December.  See you then!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A BUNCH OF AMATEURS, THE MAGIC OF THEATRE, AND NON-FICTION

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It’s a joy to review the plays performed by The Chameleon Theatre Group as there is always a good mix of shows put on during the course of a year. I’ve watched pantos, tragedies, and comedies. Each review I do for CFT on these means having a look at the background of the play and/or the writers of it and I always learn something.

It’s a great way of taking in stories that are new to you: go and see them acted on stage!

A Bunch of Amateurs is written by Ian Hislop and Nick Newman.  The plot hinges on a local theatre company, the Stratford Players, desperately trying to save their theatre so bringing in a fading American star, Jefferson Steel, to get sponsorship and bring in the punters seems such a good idea….   You know the phrase “famous last words”?  Well, that applies here!

Image Credit:  All images below are kindly supplied by Lionel Elliott and the Chameleon Theatre Group and used with permission.  Many thanks to them.

 

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I was watching a Dr Who episode tonight (Peter Capaldi) and a phrase “stories are where memories go” caught my attention. Mind, it many ways it should do!

What memories of a character could you turn into a flash fiction piece (or longer)? Can you write a story where a character is led astray by mistaken or deliberately falsified memories (and why would someone do that)? Have you got another character who uses memories as weapons against others and how do they do this? What do they gain? How are they stopped, assuming that they are?

There are some good stories to be written out of memories, that’s for sure! (And the great thing is you can create the memories to write about in first place. The lovely thing about fiction is it should be rooted in truth to ring true to your readers, but it doesn’t actually have to be true, otherwise we’d have little in the way of sci-fi or fantasy!).

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Fairytales with Bite – The Magic of the Theatre

My latest CFT post is a review of A Bunch of Amateurs (written by Ian Hislop and Nick Newman), which was recently performed by the Chameleon Theatre Group.  It was a great play, brilliantly performed.  But it led me to thinking:-

1.  Going to the theatre is a great way of taking in stories!

2.  In your fictional world(s), how do your characters take in stories?  Do they read?  Do they have theatres/cinemas etc?  What would they watch/read?

3.  When you go to a performance like this, you go in knowing you are seeing a “pretence” but being willing to suspend disbelief.  You focus on wanting to see how the story ends and enjoy the performances taking you to that point.  The challenge for writers is hooking our readers quickly enough at the start of the story to achieve the same effect for the length of the tale, whether it is a flash piece or a trilogy of novels!  So face the challenge!  The key is in creating characters readers will want to follow through anything.

Happy writing!

This World and Others – Why Non-Fiction Matters to Fiction Writers

I’ve written about this in a post for Chandler’s Ford Today (Fiction -v- Non-Fiction? No Contest!) a while ago, but it is a topic close to my pen so thought I’d bring it up again here.  Why does reading non-fiction matter to fiction writers then?

1.  If you are writing material which means you need to world build, finding out how this world works/has worked/has made blunderingly colossial historical mistakes/created some fascinating engineering etc can directly inspire you for how your fictional world carries out these things.  (Sometimes it can be the direct opposite of how we’ve done it but you need to know how we did it first to be able to do that!).

2.  Ideas spark off other ideas and non-fiction is full of them.  What did make an inventor come up with their revolutionary new designs?  What made them come up with a new system for, say, transport when nobody else had realised a need for it?  There are ideas for characters here too…

3.  When anyone comes up with something new, there will be opposition.  Sometimes it’s justified, sometimes not.  How does your hero/heroine overcome that?  Or if they are the ones behind the opposition, do they achieve their objective?

Plenty of story triggers there!

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READING AND WRITING PREFERENCES

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What do I like to write best – my flash fiction or non-fiction such as my Chandler’s Ford Today posts? No contest. Love them both. Wish I had more time for both. Also means I never, ever get bored.

I find it helpful to spend some time writing, say, flash fiction and then I switch over to CFT posts. It is just great to be inspired by writing something different to what I had just been working on. I have to take different approaches to what I write and going from one to the other and back again keeps me on my toes.

I am going to try this year to prepare more of my CFT posts (the non-time dependent ones) in advance as I have done this before and find it a great way to free up time overall for other writing work. Didn’t get to do much of this in 2017. I like being able to schedule posts in advance and it is a facility I could do with making more use of.

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Am having a lot of fun writing my 101 Things to be put into Room 101 mini-series for Chandler’s Ford Today. Part 1 went up on Friday and I’ve already drafted Part 2. Am not having any trouble at all coming up with things for this! Grumpy old woman, moi? Surely not!

The joy of writing non-fiction like this is I can have fun with my writing in a different way to my fiction. With that, I love inventing my characters and the situations I put them in but with articles like this, I put my imagination to work and bring facts in to back it up! Well, sometimes anyway. Features like this one are, of course, opinion pieces but it is great to have fun coming up with something you hope will entertain others as well as being able to express views.

And I still want wasps booted into Room 101!

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An interesting point came up in the comments box on my latest CFT post which referred to characters “knowing” they were about to die and later it turned out they hadn’t!

My response was that stories, of whatever length, do have to be logical and make sense. In this case, I would have written the character as genuinely believing they were about to die (and I would also have shown some of her bodily reactions to this – shaking, racing heart etc).

Equally later in the story, if the character had just been plain grateful to have been wrong about her earlier assumption, that would have modified things. But this comment reminded me my characters can only believe things. Their knowledge has to be based on what they CAN know or honestly believe to be true.

This comment also acts as a reminder when editing a story to go back and check that everything does make sense. Otherwise, you will lose your readers as they will see straight through anything illogical like this.

Let creativity spill out - image via Pixabay

Let the creative process flow! Image via Pixabay

The fantastic world of books must include non-fiction too - image via Pixabay

The wonderful world of stories. Image via Pixabay

Books illuminate and fiction is made stronger by using non-fiction to support it - image via Pixabay

Fiction is strengthened when backed by fact. Image via Pixabay

Historical records can be an invaluable source of inspiration - image via Pixabay

Historical records can be an invaluable source of inspiration. Image via Pixabay,

Good books should bring illumination to a situation, make you see things as you haven't before - image via Pixabay

Aiming for more “magic” from my stories this year! Image via Pixabay.

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What is your preferred form of reading? The paper/hardback or Kindle?

I love both but must admit the Kindle is a boon for when I’m away and has saved so much room in my suitcase! It is also nice to know I will definitely not run out of things to read. Also, I find the battery life is reasonable and I do like being able to go to weblinks etc from within an ebook.

However, you can’t beat a good browse in a bookshop and a leisurely half hour with a paperback and a cup of tea, My only complaint here? I wish I could do it more often!

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Benefits of writing flash fiction:-

1. You really do learn to write to a tight word count!

2. Your editing skills improve as you use the more powerful words to conjure up images in your reader’s minds. No room for waffle here!

3. It can act as really good practice for writing a blurb etc.

4. You focus on what is the nub of the story and get to the point quicker.

5. You can now enter all the flash fiction competitions!

 

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Am enjoying drafting some opening lines I plan to write up as flash fiction stories.

I like coming up with the bizarre, the other-worldly and the simple statement which I sometimes twist into something less simple!

For example, in from Light to Dark and Back Again in Health and Safety, the story starts with my character wondering why people are moaning. The tale then reveals the character is Goldilocks and she is sharing her version of events, but that opening line could have been ANY character in ANY setting at ANY time. It did not have to necessarily be a fairytale character.

I do like lines like that which offer so many possibilities.

I write batches of flash fiction at a time, polish them, submit them (and hopefully they then end up in a collection!).

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What is the special something about your characters that mean you absolutely HAVE to write their stories?

I often use the major trait of a character as a starting point (and find it easier to write characters whose traits I like. With the ones where I hate the traits, I have to get inside the head of the character to see how they justify their attitude. That can be disturbing at times when you realise how easily they can justify their stance!).

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Part of the role of fiction is to show up truths that can’t necessarily be proven by pure fact. Truths about the human condition, truths about what love is and so on.

Flash fiction does this too but in fewer words! I like to think of flash fiction as shining a spotlight on a theme and, of course, the shorter the piece, the greater the intensity of that spotlight!

The challenge can be where you direct that beam or sometimes even knowing where you’ve aimed it! Sometimes you write a piece and the theme can take even you by surprise.

I always write to a character. I know who my leading people are and why they are in that role. I don’t always write to a specific theme and sometimes the theme just leaps out at me AFTER I’ve drafted the story.

When I was editing From Light to Dark and Back Again, it struck me then just how many of my stories dealt with some kind of poetic justice. I never set out to write to that theme (though I guess the things you feel strongly about are bound to come out in your writing somewhere along the line!).

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What I Like in a Book Review

This applies to reviews for my From Light to Dark and Back Again as well as those I give for other books!

A good review has:-

1. No spoilers but enough information so the reader knows what they will be reading in terms of genre etc.

2. What the reviewer likes – good characterisation, twist in the tale endings etc.

3. No waffle.

4. No negativity. (The way to criticize a book is to say what you liked, what you thought didn’t work so well etc as the writer will be expecting this. Your thoughts on what didn’t work so well can be very useful to them. What you don’t write is a “hatchet job” on the book or the author).

5. A rough idea of book length and time taken to read it (though I must admit I don’t always remember this one! I DO stress when reviewing flash fiction collections the great thing about this genre is you can read it one sitting but it is also great for dipping in and out of).

6. What you would like to see from the author next time (i.e. next book in the series, continued great characterisation, less of the blood and gore, if appropriate etc).

7. Total honesty from the reviewer.

What would you add to this list?