Seasonal Stories and Songs

Image Credit:   Unless otherwise stated, all images come from Pixabay

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I’ll be looking at what makes a good story for the next CFT post. I promise to make it a reasonable length as I know I could write chapter and verse, quite literally, on this topic! I know, I know – the irony, given I write flash fiction and I’m duty bound there to keep it short!

I’ve mentioned before I have “patches” of reading one specific thing – e.g. crime stories – before moving on to the next thing I fancy. At the moment I’m particularly into short story collections. Hope to be reviewing a couple on Amazon before too long.

Stories coming up that I always enjoy at this time of year are Terry Pratchett’s Hogfather (probably going to watch the DVD), A Christmas Carol (have watched the Muppet one which is brilliant but I also like the Patrick Stewart version), and possibly The Polar Express. (I like that as it is not twee. I loathe twee).

I love the carols as so many of them are stories in themselves and/or encourage strong imagery. My favourite there is probably In the Bleak Midwinter. Fabulous poem by Christina Rossetti. I love both tunes to the carol but for me the Holst one is THE one to sing along to.

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Part 1 of Hogfather watched tonight. Cracking story and the film adaptation is wonderful. Fantastic music to it too. Do check it out. I’ll be watching the final part on Friday I hope.

Am feeling virtuous as have given my desk the pre-Christmas tidy up. Yes, it did take a while. It doesn’t take long for clutter to gather. I freely admit to not being the tidiest writer in the world but I do know where everything is so there!

What must I have on my desk? Well, aside from the usual pens, PC, printer etc., there have to be the family photos, notebooks, my dictionary, Writers and Artists’ Yearbook, the Mslexia Indie Press Guide, and Scrivener for Dummies.

I also have my writing diary and the projects I’m working on and a lovely doggy calendar (which is one of those will do for any year types. Each date has a picture of a dog and a suitable quote to go with it). Incidentally, Lady takes no interest in my writing whatsoever. She’d rather curl up on the sofa with my other half!

I deliberately keep reading material well away from my desk. The temptation to read rather than write is far too obvious! (And not that easy to resist!).

Murphy’s Law For Writers (an occasional series!):-

1. Your printer will run out of paper and/or ink at the most inconvenient time.

2. You will either have loads of ideas for stories/articles or none at all.

3. Your favourite writing conferences will always have several talks/workshops to go to but they’re all on at the same day and time. (I know. I don’t envy those who put the timetables together. Anyone who prepares timetables come to that…).

4. You will never find a new notebook when you want one, though you know you’ve got loads. There’s nothing for it, of course, but to go out and choose another!

5. You will find that notebook you were looking for when you get back with your purchase. Never mind.

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Have just got back from a lovely evening at our church’s Carols by Candlelight Sing-Along. The church goers used to go around the village singing carols. Now the village comes to the church and frankly it is warmer, more comfortable, we can have tea, coffee, mince pies etc., and a lovely time is had by all. In between the carols were Christmas cracker jokes and poems!

Why did one of Santa’s helpers need to go to the doctor?
Because they had low elf-esteem.

Not sure the writer of that one is going to get any prizes but I am very happy to claim I DIDN’T write it! Mind you, a good cracker joke is one that can make you laugh or groan so I guess you can’t lose here!

All of the carols tell the Christmas story in different ways. Now there is inspiration for writers. There may be only a few basic plots but it is what we do with them that gives a story its uniqueness.

Oh and we did sing my favourite carol, In the Bleak Midwinter (and it was tonight too – very foggy!) and to the tune I love – the Gustav Holst one.

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A good flash fiction story should have:-

1. Impact (whether it is to make a reader laugh or cry or to surprise them).

2. A strong lead character.

3. Not many characters. Many of my stories are single characters only (though they often refer to others and that can tell you quite a bit about the “off stage” people and my lead’s attitude towards them. It’s not always nice!).

4. Leave the reader feeling as if nothing more could be added to the story.

5. Have a good pace to it (and funnily enough that goes for reflective pieces too. The pace must be suitable for the kind of story you’re telling).

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Is it worth analysing flash fiction given its brevity? Oh yes!

Coming across flash tales you love still gives you the opportunity to work out what it is you DID love about them. You can still look at why the story worked for you. You can also think about how you would have approached the theme in the story you’ve read and why you would take the approach you would.

Also if you come across flash fiction tales that don’t grip you for whatever reason, again take the opportunity to look at why. Then look at your own work and see if any of the points you noted might apply to your stories.

Taking time to figure out what works or doesn’t work in a story always pays off, regardless of the word count.

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Another form of writing prompt that can prove useful is to list ten words associated with something and get all of those into a story. For Christmas as a topic you could have:-

Elves
Tree
Tinsel
Reindeer
Cards
Presents
Cooking
Music
Stories
Post

The clever bit will be to ensure you use the words in a way that makes sense but doesn’t seem too obvious. (Mind you, the idea of the elves doing the Christmas Day cooking while the reindeer look on horrified at the mess the elves are making is one that quite appeals to me!).

It’s also useful to think of connections but to then go beyond the obvious ones. For example, we associate the elves helping Santa get the presents ready but what if the elves decided they’d had enough for one year and went on strike? How would that story resolve? (Who would mediate between Santa and the elves? I have images of someone like Cinderella’s fairy godmother being called in but then I have an imagination like that! What could yours come up with?).

So if you’re stuck for story ideas try listing some words and using some or all of them in a tale. Make the story as ridiculous or otherwise as you want. Have fun with this. The idea is to help you “relax” into writing (which I always find increases creativity).

Singing carols tonight reminds me that stories can be shared in many formats. Each carol tells its own tale though for me Ding Dong Merrily On High is not so much a carol as a challenge. I’m asthmatic and have to take a breath halfway through the long “Gloria” so I sing it as “Glor….or…..or TAKE IN BREATH…. or….ia”! Hmm…. very much a case of taking a run at it and giving it my best shot and that will have to do!

I guess carols could be considered a form of flash fiction. I can’t think of any of them that would be above 1000 words!

 

Goodreads Author Blog –Weighty Tomes

I guess the reason Santa’s sleigh is as big as it is must be to take the weight of all of the books that are given as Christmas presents. (He must’ve loved the invention of the Kindle. Think of all the weight and space saved!).

On the assumption you have made it on to Santa’s nice list, how many books have you asked for this year?

I don’t ask for as many as I used to funnily enough. I download many to my Kindle. I almost always pick up books to read at book events such as the Bridge House Publishing I was so pleased to be part of last weekend. (Still saving Santa time and effort here. That’s got to put me on the good list alone, surely!).

The heaviest hardback I own is The Collected Works of Sherlock Holmes by Sir Arthur Conan Doyle. Wonderful book. Beautifully illustrated too but not something you have on your lap for a quick read.

The heaviest paperbacks I own are The Lord of the Rings trilogy and The Seven Basic Plots. Neither are books you’d want to drop on your foot!

But I love all my books, whether they’re ebooks or print, whether Santa brings them or I pick them up.

Of all the joys in life, books, music and chocolate are my top three.

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Murphy’s Law

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I always enjoy writing my CFT posts but ones like tonight’s Murphy’s Law are really fun to do. I list some Murphy’s Laws for writers (naturally there isn’t just one. That would make the writer’s life far too easy!). Can you add any to the list?

The best thing to do with Murphy’s Law is laugh at it.

I will add some of the laws I’ve listed have directly affected me, others have not, though I suspect that is merely a matter of time, Murphy’s Law being what it is!

Hope you enjoy.

Image Credit:  As ever the marvellous Pixabay. Captions on the CFT post.

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Have had a lovely time this evening looking back at some of my earlier short stories. Let’s just say I hope to do something positive with them! Waste not, want not, though there will be editing… there always will be editing!

But then, over time, you do get better at working out what will suit which market best and you hone your stories accordingly. That in turn gives you your best shot at increasing your acceptance rate.

Top three tips:-

1. A story rejected in one place may find acceptance elsewhere. I’ve had this happen a few times and I know it happens to others. So don’t give up on a piece. Put it away for a while. Look at it as if you were reading it for the first time. Can you find anything to improve? Fine, do so. If not, test another market with it. What have you got to lose?

2. Write, write, write – and accept the fact that to get better at anything takes time. You have got to put the work in but enjoy the process (and when positive results come in, enjoy those even more – you really will have earned it!).

3. Know who you are submitting your work to and why you are sending it there. Sounds obvious but from various publisher talks I’ve been to over the years, I know publishers who only publish romance novels, for example, get sent things that are NOT romance. I’ve never understood why people do that. You do have to target your work well.

I love writing all of my CFT posts but this week’s one was really fun to do. I discuss Murphy’s Law!

And the lovely thing about it? It will always be timeless! No matter what your profession or hobby, Murphy’s Law will come into it at some point. At several points if you’re really unlucky.

I will be sharing some of Murphy’s Law for writers and I’m sure you’ll be able to share some of your own. Link up on Friday.

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I’ve talked about Murphy’s Law for Writers in my CFT post tonight but to be more specific for flash fiction scribes:-

1. You’ve got a gem of an idea for a 100-word story and a place to send it which only wants 100 words. Try as you will, your word count remains stubbornly at 101 words. Take anything out and your story loses its sparkle (and therefore any chance of it doing well). Technically this is known as YASSTE – You Are Stuffed Send Tale Elsewhere.

2. You’ve got a great story at the right word count with a spectacular twist ending that suits the theme. You send your story off to the competition concerned and later, knowing your story wasn’t shortlisted, look at the judge’s comments on the website or in the magazine. The first thing you read is something like “there were lots of stories in with XXXX as the theme”. Your heart sinks. And you had thought you were the only one to come up with the idea. Err… apparently not.

Chin up and keep writing anyway! Best thing to do with old Murphy’s Law is laugh at it.

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Flash Fiction “rules”:-

F – Find the word count limit that suits you.

L – Lines to be crisp and still convey information.

A – Animated characters you love to root for or hope desperately for their downfall. Either is good. You’ve got the reaction to your creations there for good or bad!

S – Story to flow at a good pace. (Reflective stories are obviously slower but there must be something about the characters that grips us enough to keep reading).

H – History of characters to be implied but only where crucial to our understanding of them and/or the plot hinges on it.

F – Fantastic and Fun – regardless of your settings, you should be enjoying what you write. Readers do subsconsciously pick up on that. And, yes, you can have a fab time writing a gruesome crime or horror flash fiction piece. I have!

I – Imagination. It’s odd I know but I’ve found the restricted word count in flash makes me flex my imagination more, not less. I have to be more creative in NOT wasting words to get the real story across to a reader.

C – Chat. Not a lot of room for this in flash so ensure conversation is vital to the story and moves it on. Best kept to two characters only. You haven’t the room for conversational ping pong (though I’ve always thought, in other circumstances, that might be fun!).

T – Tension. I know I’ve mentioned this in my recent A to Z but I think it bears repeating. One huge advantage of flash is the shorter word count increases the tension in your story. It is like shining a spotlight on one particular area. Use that to your story’s advantage.

I – Illumination. All stories do shed some light on humanity. Why do you like the characters that you do? Do they reflect your values? What about the ones you love to hate? As well as asking what this might say about you (!), also ask how can the theme of your story shed light on values we hold in common? What do you WANT to shine through in your fiction?

O – One lead character only. Flash fiction makes you focus. Never a bad thing that.

N – Numbers Game. Don’t be fixated by the word count. If your story works better at 250 words, then leave it at that and find an appropriate market/competition for it.

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The only problem with A to Z series (much as I love writing them) is you know certain letters will need some creative thinking to find something for – Q, X and Z for a start! Numbers are so much easier…!

But one of the great things about flash fiction is you are challenged to think creatively all the time. Just how can you tell a story in X (that letter again!) number of words? Just what are the details you must give and the ones you can leave the reader to work out for themselves?

Challenging yourself is a great way to fire up your imagination. And great stories can come out of that. Mixing up the word counts you write to is good for your imagination too.

Fairytales with Bite – Murphy’s Law

My CFT post this week is on the topic of Murphy’s Law and how it can affect writers.
Image Credit:  As ever, the wonderful Pixabay. Captions on the CFT post.

Now we all know Murphy’s Law is no respecter of barriers. Whatever profession you’re in, whichever hobby you enjoy, it will strike at some point. So as to the actual creating of a story, what are the things to look for so you can avoid them?

  1. Naming Characters – For longer works of fiction, it is too easy to give characters names that are too similar to others (for example Stephanie and Stephan. Two different characters but the problem with names that are similar is they can make the characters forgettable or interchangeable, neither of which you want). I get around this by ensuring each of my characters has a name that starts with a different letter of the alphabet. It’s simple but it works. Murphy’s Law can kick in here by making you not spot this until after you’ve got your first draft down. (Yes, it can be fixed at that point but it can be frustrating when you’ve got two similar sounding characters. The last thing you want is anything that might cause confusion in a reader or a sense of “what is that character doing here? I don’t see the point of them” reaction).
  2. Outlining – The query here is how much to do? Will Murphy’s Law strike in that you either outline too much or not enough? How can you judge what is correct for the writing you’re working on? A rule of thumb I use is have I got enough to get started on the story? Have I got enough to get me to the middle of the story? Have I got enough to be able to conclude the story? You don’t necessarily need to outline everything. You just need enough to get you to the next stage in the story. Think of this as outlining the major markers. Get those right and it will help you get everything else in place. You just want to stop yourself going off at unproductive tangents and that is where Murphy’s Law will trip you up. Stop the unhelpful tangents and you save yourself valuable time too. Work out what you think you need to know.
  3. Settings – The trap here again is detail. How much do you need to know before you write the story? What impact will the setting have on your characters? Preparation is the key to beating Murphy’s Law hitting you here. Again work out what you think you need to know. And bear in mind the setting must have some kind of impact on your characters – they’re either going to love where they are (but it is under threat – which is where your story comes in) or loathe it and want to escape (which is where another type of story can come in).

 

 

This World and Others –

Putting a Fictional World Together

The basic building blocks for putting a fictional world together are, for me, as follows:-

  1. Species – Who will live in this fictional world? One species, a couple, many? If more than one, how do they interact with each other and if they don’t interact at all, what is the reason for that? If you have only one species, how are they sub-divided? Do you have the majority of the species living in an area and a minority live elsewhere? What are the reasons behind this?
  2. Government and Society – This ties in with 1. How are your species governed and by whom? Are they governed well or badly? Can governments be changed? How is society organised? What is expected of everyone and does that vary from species to species? If so, what are the differences and why do they exist? What happens to rebels? (You can pretty much guarantee there will be those who do not like the status quo and won’t accept it so what happens to those who do this?).
  3. Survival – How do the species survive? What do they eat/drink? Is their world an agricultural one and what shape does this take? Do they farm crops as we would know them or farm something very different? Climate and weather and their impact can come into this category too. How much do your readers need to know?

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What Writers Need/Would Like

Naturally, what writers need and what they would like are not necessarily the same!

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What do all writers need?

1. Stamina.

2. The ability to accept rejections happen.

3. Commitment (10 minutes a day IS commitment so don’t be put off if your time is limited. The time you can spend on writing mounts up and besides this is not a competition). It is a case of working out what you can do and then sticking to it.

4. Reliable PC/laptop and printer (for running out those stories you need to edit on paper).

5. The ability to accept feedback, especially when it is critical. (What you’re looking for here is feedback that is honest but also says why something didn’t work for the reader concerned. “I didn’t like it” is not exactly helpful! “I didn’t like it because I thought the character was weak” is better. You then need to look at the character carefully and see if they are weak. If they are, there is work to do. If you honestly feel they’re not, then this may be this reader’s perception but something didn’t come across well and that is something you could look at).

6. Willingness to allow enough time to feed your own imagination and that means reading widely and across genres, including non-fiction.

7. The ability to plan out what work you will do when. My shorter writing sessions I use for flash fiction. Longer ones I give over to the novel or longer short stories. Planning how to use the time you’ve got will help you get more done.

8. Pens and notebooks. Jotting down ideas has to happen somewhere so it may as well be in a nice notebook. (Do ask non-writer family and friends for notebooks and pens as presents. You can’t have too many…!).

This is by no means a comprehensive list but I didn’t want this rivalling War and Peace for length!!

 

I listed yesterday some of the things writers need including stamina, the ability to accept rejections happen and so. Tonight I thought I’d flip the coin, so to speak, and look at what writers would like to happen.

1. Publication, obviously (and then to keep on being published).

2. Reviews (on Amazon and Goodreads particularly. They don’t have to be long reviews either).

3. Support from other writers and family/friends. It really does help especially for those times when your writing seems to be going nowhere.

4. An endless supply of pens/notebooks/toner cartridges/A4 etc etc.

5. An endless supply of tea/coffee etc while writing.

6. Always being able to go to your favourite writing events!

7. To never be short of things to write!

Again, this is by no means an exhaustive list!

What are the things I’ve found most useful as a writer? These are not in any particular order. All are invaluable.

1. Scrivener

2. Evernote

3. Smartphone (am a late convert to these but I get so much writing done when travelling by train thanks to this and it saves me lugging a laptop about. Biggest bugbear = my local train company, on taking over from the old one, blanking out all the recharging points on their trains. Why for goodness sake? This was a useful service to passengers. I can’t believe we’d have drained the train!!). Also incredibly useful for photos.

4. Notebooks and pens, naturally.

5. Good supplies of information on markets/competitions/writing conferences to go to (and this can be from something like Writing Magazine to informative Facebook groups to writing organisations).

6. Supportive writing friends/supportive friends and family who don’t write but root for me doing so!

7. The internet (it is useful for research. The clever bit is focusing on what you want to find out and not allow yourself to be distracted).

8. The indie press! (Take a bow Cafelit, Bridge House Publishing, Iron Press, Chapeltown Books etc).

9. The Society of Authors and ALCS.

10. My laptop and my printer aka Old Faithful. (Has seen off at least three “cleverer” colour printers with duplex printing. Old Faithful is strictly black and white and one side at a time and keeps going and going and going).

11. Liquid refreshments while writing (what I have here depends on time of year and my mood!).

12. My Slimming World Hi-fi bars for when the munchies strike while writing stories or blog posts.

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Murphy’s Laws for Writers – An Occasional Series…

1. You have lots of ideas for stories or none.

2. You have lots of time to enter competitions or very little.

3. A competition that would have suited you perfectly has just passed its closing date by the time you spot it.

4. You run out of pens yet know you have loads on your desk. They just vanish into thin air when you try to find them.

5. You’ve finally got around to picking up a copy of the Writers’ and Artists’ Yearbook but within a week the next year’s edition is out. You are not best pleased.

6. You are delighted to be able to support your friends’ writing and are thrilled when they’re published, you tell them you’re looking forward to their books coming out, plan to get to their launches etc. However, you don’t know what to do when you discover they’re holding book launches on the same day and at opposite ends of the country. Hmm…

Am not going to say which ones I’ve been guilty of!

 

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Facebook – From Light to Dark and Back Again

I’ve mentioned before that flash fiction works best with one character (at a pinch two), but it is also true said character should have only one goal to achieve/problem to overcome. There isn’t the room for more.

You want to keep things simple. Flash is direct. You are focusing on one character, one problem. Anything not to do with that is surplus to requirements and should be cut.

Simple is not the same as (a) easy (it really isn’t!) and (b) simplistic. You are looking for a prose style that flows and carries your readers along, keen to find how you get your character out of the horrible situation you’ve put them in. Do they sink or swim? Have they the right character traits to be able to swim? If they start to sink, how can they turn that around?

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It’s about time for some one-line stories again. Hope you like these.

1. When the red, red robin came bob, bob, bobbing along, the cat had a field day.

2. The problem with wishing on a star is, unless you have space equipment on and a decent supply of oxygen, you’re not going to be wishing for long.

3. The Magic Roundabout can carry on without me – I am currently stuck in Swindon’s version.

(For those not in the know, Swindon is renowned for its system of multiple roundabouts in one big one and The Magic Roundabout was a well known children’s TV programme back in the 1970s. Well, that was when I watched it! Oh and for the record, I’ve only been to Swindon by train to visit their excellent Steam railway museum!).

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It is often advised to keep a notebook handy so you can jot down story/blog post/novel ideas etc whenever they come to you. To be fair, this is very good advice.

However, it has never worked for me. Partly because when my head hits the pillow, I’m out like the proverbial light. No chance of me getting ideas during dreams.. I just sleep!

Secondly every other place where I have had ideas for stories has been too awkward for reach out and grab the notebook. It’s not unknown for ideas to come to me while showering or on the loo.

Why do ideas never come like that when you really COULD pause for a moment and jot them down the way you’re advised to? I refuse to believe this is just me!😀😀

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I relish that moment in fiction writing when the character takes off and I know I’ve got a good story in the offing as a result. I do believe a great story, regardless of its genre, is down to the great characters fuelling it. But up until that point, there is always that wondering “is this character going to work as well as I’d thought?”, “what if this falls flat?” etc.

Sometimes the character doesn’t work out and the story does fall flat. What I do here is, after some time away from it, I look at the story again and analyse what worked and what didn’t. It is nearly always a case for me that the character’s voice wasn’t strong enough. I can then look to see if I can improve that and rescue the story. If not, it’s a lesson for next time.

I’ve got to be able to hear a strong character voice coming through the narrative. Without that, I don’t think any story will work properly. To get that strong character, you have to know who they are, what they would risk everything for, and, in your story, are the stakes high enough for them to care about the outcome? If not, then the story will fall flat and no reader would care either.

Goodreads Author Blog – Settings in Books

Does the setting in a book matter to you?

I was always gripped by Kirrin Island in the Famous Five series by Enid Blyton. (I guess the nearest I got to visiting anything like it was when I went on a day trip to Brownsea Island, just off Poole! I lacked the lashings of ginger beer though… sighs…).

One of the things I love about The Lord of the Rings is the way The Shire is conjured up as a lovely place to live. Mordor is anything but! The films did full justice to this too. (Not always true for film adaptations either).

A really good setting is almost a character in its own right and the authors treat them that way too. This is true for Narnia, Winnie the Pooh (I’ve just got to say 100 Acre Wood and that will conjure up the world of Pooh immediately – to me at least!), amongst many, many others.

Do I need intensive descriptions of settings? Not really.

What I look for is enough for me to be able to visualise that setting for myself. Also, the characters should fit the setting – Jeeves and Wooster are great examples of that. There shouldn’t be any feeling of anything of anyone being out of place. Even the villains in a story should fit (think of the weasels in The Wind in the Willows for example – they still fit in that world).

Which are your favourite settings and why?

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Aspects of the Writing Life

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This post comes almost live from the Winchester Writers’ Festival. What do you mean by almost, I hear you cry? Well I started drafting this on Evernote just after a fab lunch with the lovely Val Penny (writer of the Edinburgh Crime Mysteries starring DI Hunter Wilson). I swear we stuck to orange juice… whether you believe me is another matter!

So what do I find most useful about coming to Winchester? Difficult to know where to start but here goes.

Information from the courses. You find out information you knew you needed and equally things you hadn’t known you needed to know. Both are useful.

Networking with writer friends, old and new.

The opportunity to hear first hand from published authors, agents, editors, and publishers in keynote speeches and the like. These can be real eye openers.

Coming to events like this can be a confidence booster especially when starting your own writing journey. You start to feel as if you are a real writer. Rejections can knock you back. Events like this help pick you up again.

Already looking forward to next year’s Festival.

Val Penny and I having a selfie moment at Winchester last Saturday

Crime writer Val Penny and I having a selfie moment at the Winchester Writers’ Festival

Amongst the Murphy’s Laws that exist purely for writers must be the following:-

1. Time drags until it is time to write, then it flies by, leaving you wondering where on earth it went. Naturally you have not achieved as much as you would have liked either.

Incidentally that is okay. The big thing to ask yourself here is have you made progress on what you’re writing? Progress can include getting a certain number of words down, of course, but equally valid are things like changing scene orders, re-reading through, and being happy with how you’ve changed things. That all takes time but is as much writing as actual writing, if you see my meaning.

Don’t belittle yourself if “all” you managed to get done was some editing. As long as that editing is tightening up your work, improving it etc., it is a valid part of your writing and you are still making progress.

2. You may be a writer but you are still afflicted by the curse that says you can’t find a pen when you need one.

In public, this is embarrassing. Guess who, whenever she is due out at an event, makes absolutely sure she has pens in bags, pockets etc so she knows she has at least TWO on her person. It has to be two to prevent Murphy’s Law kicking in again by ensuring your solitary pen doesn’t work and if you only take one, it WILL fail on you.

3. Your toner cartridge runs out part way through a print run. It is never anywhere useful such as on the test print you do before you run out a lengthy story.

I use a laser jet so I have no indication of when it’s going to run out. Having said that, my lovely printer, which I call Old Faithful because I’ve had it for YEARS, has seen come and go at least three “cleverer” printers my better half has had, which DO say when their cartridges will run out, print in colour etc. On balance, I think I’ll stick with Old Faithful until it finally bites the dust.

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There are similarities to writing and trying to lose weight.

1. You can be guaranteed frustrations along the way but it is best to face up to that from the start so that when they do come, you’re not surprised/thrown by them. It is important to pick yourself up and dust yourself down and then see how far along the road you can get before the next one hits.
2. Success in either never comes as quickly as you’d like.
3. Persistence pays. The determination not to give up is crucial.
4. You can’t know for sure you will get to your end goal. You can only give it your best shot but your end goal may genuinely change. You may discover your writing skills suit short stories rather than novels, for example, and that’s fine.
5. You need to accept the rough with the smooth and take some comfort from the fact everyone has to come to terms with rejections (set backs on the weight loss) and you are definitely not alone on this.
6. When going well, both writing and losing weight sensibly and successfully make you feel good about yourself!
7. Keeping going is the only way to get to the end destination at all.

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Why does any writer need a decent amount of stamina?

1. The determination to keep going will help a lot when the rejections come in – and they will. Okay you may need to look at revamping what you’ve written or try other markets for it etc, but the important thing here is accepting rejections are par for the course. Everyone gets them. It’s how you react to them that matters. Sometimes you have to accept something isn’t working and move on to new work too. It can be tough to move on from a project you’ve loved but which just isn’t working.

2. There will be wonderful high moments such as when you receive your first acceptance, when you see your story or article in print etc., but the lows come too. All that comes into your inbox are rejections or you don’t hear anything at all. Stamina helps you accept all of this is the normal lot of the writer’s life, regardless of what you write.

3. Seeking out the markets and competitions that are right for what you write takes time and effort.

4. Submitting work to the appropriate outlet also takes time and effort.

5. Being aware there are charlatans out there who will happily take your money for precious little in return and researching who you can genuinely turn to for self publishing or other services which are legitimate etc again takes time and effort.

Spot the theme emerging!

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If anyone tells you writing short fiction has to be easier than writing longer works, don’t believe them! Both have their challenges and joys. Both forms should be celebrated and treasured.

What flash fiction writing has taught me is how to pick words and phrases which will have the maximum impact on readers. The great thing with that is it is a transferable skill, useful for any and every form of writing.

 

I’m on a theme tonight – Murphy’s Law for writers (see my Allison Symes author page for more) – but let’s look at some specifically for flash fiction writers.

1. You’ve set your heart on entering a story for a 100-word comp. No matter what you do, your story stubbornly persists in coming in at 101 words.

Take out the additional word, I hear you say? Ha! It’ll either muck up your grammar (so spoiling your chances in the competition anyway) or it takes out something that adds depth to your character and is a crucial point in the story. Yes, one word can make a huge difference here. For example:-

She was dressed in velvet.
She was dressed in moth-eaten velvet.

2. You love writing flash fiction on a particular theme or in a certain genre say. Murphy’s Law will dictate the perfect competition with a short deadline will crop up when you’re away or ill. You will discover this when you are back at your desk. You will also discover you have missed that deadline or have a snowflake’s chances in hell of meeting it. You will not be a happy bunny. You will be a distinctly irritated bunny. No prizes for guessing how I know…

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There is something about writing that transforms writers. You can be the sweetest soul imaginable to all around you, but at the drop of a pen, be utterly ruthless as you dump your characters into absolute hell and see how they get out of it, if they do at all. And that’s how it should be!

Your characters sink or swim and it is the hook of finding out which way your characters go that will keep your readers with you. So go on, you know you want to, drop your characters right in the mire and see what happens!

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Flash fiction writers are living proof that great stories do not have to run to thousands of words and pages. A great story is one that keeps a reader gripped, whether it is a 50-word tale, or an epic saga like The Lord of the Rings.

Short writing takes effort. It is so easy to fill your writing with words you don’t really need – and really is one of those words that usually gets the automatic red pen through it when I write it. I wish I could stop myself writing words I know will only be cut later but the next best thing is to know what your weak words are and DO cut them later.

Can there be a genuine use for words such as really? Yes. The only time I use it is is in dialogue when I might want a character to be sarcastic. You can get a lot of emphasis into “really”!

Really!

Goodreads Author Blog – Planning Your Reading

Do you plan your reading time? Over a week, I like to make sure I’ve had a good balance of magazine, short story, flash fiction, non-fiction, and novel reading. I like to mix Kindle and paper reading too.

Whether it is better to read one thing before moving on to the next, or reading slices of different forms is best, is down to personal preference, of course. What is good is changing what you read whether you do this sequentially or not.

I’ve gone for the “slices” approach because some evenings I really do just want to read a novel. The next evening I’ll want to read short stories. I don’t want to feel obliged to finish one thing first.

Having said that, a fantastic book will keep me gripped as a reader so I have to complete it. The challenge for a writer is to produce that effect!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SHORT STORIES

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When editing a story, I tend to check if my main characters are coming “through” well enough. I love using thoughts as a way of showing what my “people” are really made of (and it’s even more fun when they’re deliberately hiding this from the other characters in the story. You’re left wondering whether the others will find out the truth or not and this can be a great source of conflict if they do!).

If, by the end of the tale, I’ve got a clear picture of who my characters are, what drives them, and they engage me, then hopefully other readers will feel the same way and like them too. (Or in the case of villains love to hate them, which is also good).

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A great short story has to have:-

Strong, memorable characters

An intriguing start

A middle that wants to make you keep reading to see what
happens next (definitely no saggy middles)

A powerful and appropriate ending (and I do love twist endings as they end the story with a “punch”. Sometimes I’m pleased when I see the ending coming and basically, my guess turned out to be right, but I’m even more pleased when the writer wrongfoots me).

The right word count for the type of story it is. I like short stories to be 1500 words or so. Flash fiction is 1000 or under but I must admit I feel a bit short-changed if a short story comes in at 1200 words or so. It feels to me like the story hasn’t quite got the “legs” to go the proper distance.

(Many thanks to Dawn Kentish Knox for the picture of me reading from From Light to Dark and Back Again at the Bridge House event in December. Huge fun!).

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Some more Murphy’s Laws for writers:-

1. Your old PC will always play up when you’re trying to save the latest version of your MSS, especially something of novel length – and you have to save several times to make sure you HAVE saved it. (No longer the case for me I’m glad to say!).

2. You’re waiting eagerly for news of how you did in a writing competition. You check your inbox as often as possible at the relevant time. Nothing. You leave the PC for two minutes to go to to the loo, hear the unmistakable sound of more email coming in, get back to your desk as quickly as possible, only to find the new mail is selling you something you didn’t want, or offering you a date with a “hot” babe, which you also don’t want. The latter offers incidentally don’t seem to mind which gender they target.

3. You’re waiting for the author copy of your book to arrive. The days you stay in – guess what? Nothing turns up even though you know it is due. You pop round to see a neighbour or go to the local shops and come back to find… the “Sorry we missed you card” on your mat. Your vocabulary tends to veer into the brusque at this point!

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About a week ago, I set up a quick poll as to what was the most important part of a story, regardless of word count. Many thanks to all who voted.

I asked whether an intriguing start or a twist ending was the most important component. And the results are:- (Ta da… imaginary drum roll here!)

83% An intriguing start
17% A twist ending

I’m not surprised by that. After all, if the start of a story doesn’t grip you, the chances of you getting to the twist ending are slim indeed!

Having said that, an intriguing start still has to be well supported by what follows. There has to be “follow through”. If the ending disappoints, would someone read another story from that author even though the start seems very promising? I think there could be a case of “once bitten, twice shy” here.

So my view? I am a little torn on this one as I sometimes write the ending to a piece of flash fiction first and then work backwards. One great thing about doing things that way is you definitely have the twist ending and you can then work out the intriguing start that led to it.

Overall though, I would go for the intriguing start (as I also love coming up with a strong opening line and seeing where it takes me).

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Am glad that flash fiction has really taken off as a format and that Chapeltown Books now has a good range of publications to its name.

I love the “frame” around the powerful central images (see link) and think this is a great form of branding. The stories are pretty good too… Now I know I’m bound to say that but I wasn’t just referring to From Light and Dark and Back Again, honestly. Go on, check them out. Available in paperback and Kindle.

The small independent presses are a lifeline for authors and Chapeltown has particularly encouraged quirky fiction. Fine by me! I am a quirky writer…

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When is a tale a piece of flash fiction as opposed to a shortened story? When it has a “proper” beginning, middle and end and doesn’t feel as if more could be added to it.

I try to leave my stories on either a twist or punch ending (they’re not quite the same thing) so there really is nothing left to be said. I like people to be able to feel that the ending was an appropriate one (which, of course, is not the same thing as a happy one necessarily!).

 

 

 

 

 

 

 

 

 

BEING CREATIVE

There’s a definite theme tonight!  (Sometimes I don’t plan that, a theme emerges from the different things I’m writing but this theme was planned and is inspired by my wondering if, when you’ve been creating works such as stories for some time, do you still appreciate the joy of doing so?  Anyway, more to follow).

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This week’s Chandler’s Ford Today post talks about creativity being good for you. It is too!

Being creative has proven health benefits (mentally and physically) and my post talks about that and why creativity is a wonderful thing.

I do sometimes wonder if we appreciate it enough at times (which is my inspiration for writing this post). Whether you bake cakes, write stories, play music or what have you, if you have been doing this for a long time, can you end up taking the joy of creating these things for granted?

I think so and I hope my post helps to give us all a renewed sense of enjoyment about what we do creatively.

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My CFT post this week will be on the theme of creativity being good for you. And it is – mentally and physically. I feel much better once I’ve completed something creative during the day – whether it is flash fiction, a Facebook post (😀), or baking a cake.

The nice thing about creativity is anyone can join in and you can find your own level where you want to be. For those wanting to develop creative skills further, there are courses, online as well as the traditional evening classes/OU etc. I’ve found that though my major creative interest is in writing, I have a greater appreciation of all of the arts, music especially.

I also think if you are involved in one art form, you have an appreciation of the hard work that goes unseen behind others. I learned years ago that if a piece of writing looks easy to read then you can bet that author worked their socks off to get it to that point. (Other hosiery accessories are available!).

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What is the most helpful aspect of a book review? To be fair, there is more than one! There is obviously the publicity aspect but when people have said what they liked, or what they felt didn’t work so well, that has been what I’ve found most useful to know.

Okay nobody is going to please all of the people all of the time and there are many sound reasons not to even try doing that, but a general consensus does mean you are on the right lines (or not, as the case may be!).

Incidentally I can vouch for the fact Dawn, Paula and I do all appreciate the reviews we have had for books where our stories have appeared!

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman - Copy

Paula Readman, Dawn Knox and I at the recent Bridge House celebration event. Many thanks to Paula for the image.

Such appropriate decor for the Bridge House event in a pub room

This was part of the pub decor at the place where Bridge House had their event. Very apt! Image by Allison Symes

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At the back are some of the other books I’ve appeared in. Image by Allison Symes

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Am currently listening to the wonderful Planet Suite by Gustav Holst on Classic FM. Each piece of music within the suite tells its own story. (My favourite piece is Jupiter, the bringer of jollity. It also contains what many will know as the hymn tune for I Vow To Thee, My Country).

Holst used music to convey his thoughts. Writers of course use words. But the way you put them together (and the order) makes a huge difference to meaning. So are your words having the impact you actually mean them to have? Of course, this aspect can be “sent up” for comedic effect (hence the pun, the innuendo etc) but it is true you do have to know the rules before you break them!

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Why does editing always take longer than you think it will? Answers on the back of a postcard… Seriously though, I do give myself plenty of time for this and it STILL takes longer than anticipated. I think there must be an unknown Murphy’s Law for Writers happening here. Talking of which:-

1. You tell people you’re a writer, they suddenly need a pen for something, and you cannot find one on you for love or money. Cue one embarrassed writer!

2. Your printer cartridge always runs out halfway through the printing of the story or book you are desperate to get out to your publisher.

3. You know you have more printer cartridges, you remember ordering them, but you filed them somewhere safe and now cannot remember where that place is!

4. You have a power cut just as you are getting to the end of your story and you forgot to back up so you lose what you’ve just written and have to start again from where you HAD last backed up. You discover you have words in your vocabulary you make a mental note NOT to use in front of the vicar when they next call in.

Guess which of these have happened to me!

Contributions to the Murphy’s Law List for Writers very welcome!

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What is your favourite way to start a story? I must admit I don’t have one single way. And so much depends on whether I’m writing flash fiction or a standard length short story.

I am very fond of being right inside my main character’s head from the start. I like to think of this as hitting the ground running.

I also like to start with a brief sentence or two scene setting. Using a time as part of this can be handy as if the opening line says it is 4 am in mid-summer, you’ve got an immediate image of light levels, whether it is likely to be warm or not and so on. Setting place names can be great too. Mid-summer in the UK is vastly different to mid-summer in Australia, say.

I always look for the words that give me the strongest images whichever way I start though. It saves on word count and has the greater impact on your reader.

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I sometimes use the opening line in a short story competition to inspire my flash fiction. (Sometimes I write up the short story and enter the competition!).

It can be an interesting challenge to see what you can do with an opening line meant to generate a 1500-words short story and see if you can make it work for a tale of under 1000 words (and in my case usually around the 100-words mark).

I must admit I much prefer opening lines competitions to those where you have to finish with a certain line. I think there is more freedom in taking an opening line and running with it rather than being told where you have to stop!

What competitions do you prefer?

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The challenge of writing a complete story in the shortest number of words is not a new one but it does make you increase your vocabulary. (As a flash fiction writer, you will always be on the lookout for those words that can convey stronger meanings than others or can convey more than one meaning. Saves on the word count (!) and the rightly chosen words will give your story a more powerful impact).

Does that mean you’ll never write longer fiction again? Not a bit of it but working to a tight word count helps develop your editing skills and that is always useful, regardless of what you write.

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I have too many favourite characters to name them individually, as I expect is the case with most of us, but I do like particular types.

My overall favourite is the unexpected hero. Think Bilbo and Frodo Baggins! I admit being on the short side myself, I probably was always going to favour the idea of a hobbit as a hero!

I also love those characters who suffer injustice but win through in the end. That covers everything from Cinderella to the Prisoner of Azkaban to The Man In the Iron Mask.

I don’t have a problem with talking animals in stories as long as they make sense! Ideally, I prefer it when the animals know more of what is going on in the story than the hero does. (Hello, Puss in Boots!).

Characters have got to be appropriate to the fictional world in which they’re set so hobbits could only be in a fantasy world. Mind, if I had to live anywhere in fiction, I can think of far worse places than The Shire. (Mordor, for one!).

So what are your favourite character types and why?

 

Fairytales with Bite – Appreciating What You Do

My Chandler’s Ford Today post this week looks at why creativity is good for you and it was inspired by my wondering whether when you’ve been creating, say, stories for some time, do you still appreciate what you do as much as perhaps you should?

I think it is easy to take the joy of creating anything for granted and I hope this post encourages all of us to take a fresh look at what we do creatively and almost, if you like, fall in love with it all over again.

I also think it is a good thing for writers to be open to trying different forms of writing.  It flexes your writing muscles, you may well discover a form you become addicted to (in my case, I found flash fiction or maybe it was a case of flash fiction finding me!), and you get to find out what you really want to write.

It also means when successes come your way, no matter how large or small, you appreciate those more too and that can never be a bad thing.  One way of appreciating what you do is read your work out.  If you are gripped by the tale, others will be too.  Images below were taken by me and are from the Bridge House celebration event.  The range of stories read out was great.  I took part too.

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Gill James reading from her January Stones collection. Image by Allison Symes

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Dawn Knox reading some of her flash fiction. Image by Allison Symes

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Margaret Bullyment read a wonderful justice story at the Bridge House event in December. Image by Allison Symes

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Robin Wrigley read a poignant, character driven story. Image by Allison Symes

Lovely having an appreciative audience, pic taken by Dawn Kentish Knox

I read three stories from From Light to Dark and Back Again. Many thanks to Dawn Kentish Knox for the picture!

This World and Others – Enjoying the Creative Process

My latest Chandler’s Ford Today post takes a look at why being creative is beneficial (and for science as well as the arts too).

I think it is vital to enjoy the creative process to get the most from it.  That doesn’t mean it won’t be difficult at times.  You will feel like swearing (and may do so!) when the words don’t seem to flow so easily as they usually do, but if, generally, you love what you do as you create your characters and stories, then you can know you’re on the right lines. That love will keep you going (along with support from other writers whether that’s online or in a good wriitng group) throughout those tougher times and the inevitable rejections we all collect as if they were going out of fashion.  The one great thing is I can’t think of any writer who hasn’t felt in need of that support at times.  You are definitely not the only one!

It is difficult to say what my favourite part of the creative process is but I do feel elated when I know I’ve got a character right.  I know then that what I get them to say or do is right for them, and their story will flow much more easily as I am writing from deep knowledge of who and what and why they are the characters they are. I also think that will come through in the writing itself and make for a better read for future readers.  I also feel elated when I’ve got a first draft down as I know I’ve got something to work with then (and it can only get better!  All first drafts need work, even Shakespeare’s would have done!).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The old way of writing a story! Image via Pixabay

WHEN IN DOUBT…

FAIRYTALES WITH BITE

In When In Doubt, I suggest some things you can do if you are in doubt about characters, your plot, and/or writing competitions.  Hope the tips help.  Re the writing competitions, I also give some pointers as to what to look for especially if the fee seems to be steep.  Sometimes this is genuine.  You would expect to pay more for a novel competition as you are paying the judges’ for their time in reading your book.  Golden Rule:  always check it out and if in doubt ask other writers, writing organizations like the Society of Authors and see what reports there are about the competition on the net.

THIS WORLD AND OTHERS

Murphy’s Law for Writers looks at how the infamous Law, which says if anything can go wrong it will, applies to writers.  I look at writing conferences, powercuts and deadlines amongst other things.  For example when it comes to powercuts, Murphy’s Law would be:-

Powercuts:  Never happen at a convenient time for anyone.  Yours will happen just as you were about to save a mammoth writing session.  You will lose it and have to redo it.  (This will only happen the once though as after that you will become paranoid about it happening again and will be selecting back up options every five minutes!).

Can you think of anything to add?

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I look at three letter acronyms for writers tonight.  For example, FBP = Forgot Backup, Powercut.  Yes, there’s a theme tonight!  Always back up work frequently.  I once lost a whole evening’s work when I forgot to do this and a power cut hit.  Never again (I can’t stop the power cuts but I can back up!).

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Don’t let power cuts take your ideas. Back up your work frequently.  Image via Pixabay