Image Credits:-

All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. Image of me at the 2022 Bridge House Publishing event taken, I believe, by Lynn Clements on my phone. Many thanks! Also thanks to Julia Pattison for taking the image of me at the editing workshop at The Writers’ Summer School, Swanwick, back in August which I use in my CFT post. Always great having writing friends helping you out here!

Hope you have had a good week. Turning cold here. Time for thick jumpers, hot chocolate, and, when necessary, the heating goes on! Am making good progress on the Flash NANO challenges. So looking forward to the Bridge House Publishing celebration event (for the launches of Gifted and The Best of CafeLit 12) which is on 2nd December. Not long now! Will be so lovely to meet up with people face to face.

Facebook – General and Chandler’s Ford Today

Am pleased to share Editing Tips as my Chandler’s Ford Today post this week. Hope you find it useful. I learned to stop fearing editing when I realised, on getting better at it, I was receiving more publication acceptances. There definitely is a link here!

I discuss editing on screen as well as on paper as part of this post and share what I think the purposes of editing are. It’s not about telling someone off for a typo, honest! Find out more here.

Editing Tips

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Am sharing my thoughts on editing in Editing Tips for Chandler’s Ford Today tomorrow. I take a broad overview at what I cover in my workshops on this topic which is one of those subjects which is always timely and useful. See above.

Looking forward to the Bridge House Publishing celebration event coming up soon and, on Zoom, getting together with fellow members of the Association of Christian Writers’ Flash Fiction Group next week.

Have drafted some other flash tales which I hope to look at over the weekend. Have got ideas for homes for them too. But the break away from them is crucial for me to pick up on where I can do better. There is always room for improvement.

Sometimes it is a question of a phrase being fine but the odd tweak of a word here and there can make it better still. Is it as good as it can be? I also set myself a date when I will send a story off somewhere because I don’t want to procrastinate and at some point I need to test the market with it. You can over-edit. You can also not edit nearly enough. The battle is getting the happy medium right!

Hope you have had a good day. Getting colder (below freezing overnight at the weekend too. Still this is the joy of thick clothes and the lower calorie but still yummy Options hot chocolate!). Not that Lady minds the cold weather – she had a good run.

As you know, some of my stories have appeared in various anthologies over the years. The most recent is Gifted published by Bridge House Publishing. Now they have an excellent online bookshop called The Bridgetown Cafe Bookshop. Why not check it out and get some ideas for Christmas presents?

Facebook – From Light to Dark and Back Again

Am making good progress on Flash NANO 2023 and I plan to do today’s challenge later on. So far my word count is 6,908 excluding today. This averages out at 300 words a day.

I suspect by the end of the month I will probably end up with between 8000 and 9000 words written. That’s thirty new stories. Thirty stories I wouldn’t have written otherwise.

The nice thing with Flash NANO is even if you can’t do it all of it, you will still get some new stories drafted. And you can vary your word count for each day’s challenge as I’ve done. I’ve written the 100 worder right up to the 1000 maximum so far this time. Looking forward to having a go at the rest of the challenges too.

Hope you have had a good day.

One of the joys of a flash tale is ending on a “punchy” closing line. Love doing this. You can check out an example of mine in Reaching The End of the World in Tripping the Flash Fantastic. The title of the story intrigued me when it came to me and I just knew I had to do something with it. I also knew it called for a punchy ending so it got one!

The December issue of Writers’ Narrative will be out soon, as will my author newsletter. You can sign up for the latter at the landing page on my website at https://allisonsymescollectedworks.com

Am cracking on with Flash NANO 2023. Am enjoying the variety of prompts. I’ve had the odd one where I’ve needed the full 1000 words. Likewise, I’ve had the odd one which has come in at exactly 100 words. The rest have been between 200 and 500 words. It was the same last year but I have expected that given the latter is where I mainly write to, word count wise.

I hope to save some of the drafted stories for submissions. Others, I know, have got a lot of work still needed on them before I think of sending them anywhere but that is the nature of writing for you.

Feedback has been tremendous where I have shared either the draft story or a brief post about what I’ve done with the prompt. I’m enjoying reading the drafts by other authors on the Flash NANO Facebook page too. The sense of community is good and is the thing to keep you going with your own drafts or, at least, I’m finding that to be the case.

Support your fellow writers. It is (a) nice and (b) you will find support come back to you too. What goes around comes around and all that.

Fairytales With Bite – Supplies

Does your magical world create/supply everything by magic or are there items it needs to create/manufacture/import another way?

My own thoughts here are that the use of magic is bound to drain the energy of those using it and there are disadvantages, as a result, to using it all the time. I also think naturally produced food would be bound to taste better than artificially produced food (and I would see magically produced food as artificial. I like the thought of things being grown organically. I am with Sam Gamgee from The Lord of the Rings when it comes to “taters”, for example!).

So what does your setting do to get in supplies of what it needs to manufacture anything the “old school” way? Who would it trade with? What would it trade in exchange for those supplies?

Equally are other worlds around yours wary because of your world’s use of magic. To get any supplies in at all, does your world have to limit its use of magic to keep everyone else happy? How would the politics of this play out?

Who organises supplies? Who organises the suppliers? Is corruption a problem? Are certain sections of your society denied access to certain supplies or only get shoddier items? Again a political story could come into play here as characters seek to challenge that and change society for the better.

We all need the basic necessities of life. That goes for characters too and the supply issue could throw up some interesting story ideas.

This World and Others – How Much Do You Need to Know?

When it comes to setting up your world, you clearly need to know much more than the reader will. The reader only needs to know what is vital to making sense of your story and setting. But what is it you do need to know? Only you can know for sure.

I need to know character traits and what has led to my people (and other beings!) having these. There often is a cause and effect going on here. If your character hates poverty because that is how they spent their childhood, it would explain their attitudes towards being driven to gain money and it is then for you to decide if they work honestly to earn enough or they turn to less honest means to make ends meet.

But you will always need to know what makes your characters tick and why. It will have an impact on every aspect of your story because it will impact your characters’ attitudes and resulting actions. Those in turn will lead to consequences and increase the drama and tension in your tale.

But when it comes to how your world looks, what do you need to know? You need to know what kind of landscape your character is going to face if they’re going on any kind of journey. You need to know what the transport system is because that will dictate to your characters how they do get from A to B. You may not need to know every single bit of your world, just the area where your characters are and where they are likely to head.

You may not need to know the political system in great detail but your characters will be affected by whom is in charge overall because they could make life difficult or not for them. So who is in charge and what are their prevailing attitudes?

It really does pay for you to figure out what you need to know first. Once you’ve sorted that out, it makes an outline for your characters and plot easier to do because you have a rough idea at this stage of what your characters are likely to face.

You can then work out how they either overcome the challenges or find other ways of “getting around” them. If they’re likely to face, say, a hostile local government official, can they avoid having to deal with them by going another way if they’re on a journey, say? What impact would having to take a detour have on them and the story outcome? Or can they bypass the official by going above their head to someone more sympathetic?

I don’t outline every single thing because I want to give my imagination what I call manoeuvre room. I do plan the start and likely ending and major staging posts in between. Something has to happen at X before Y can happen. I then work out what that something is. I also know my characters well. I then have fun drafting the story knowing I have a rough road map. I find it reassuring. It also means I have a rough structure in place which will also help the story.

WRITERS NARRATIVE SUBSCRIBER LINK

AMAZON AUTHOR CENTRAL – ALLISON SYMES

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Editing Tips https://t.co/qnmfsrwKde Am pleased to share Editing Tips for CFT this week. I stopped fearing editing when I realised, on getting better at it, I was receiving acceptances. I discuss editing on screen and paper and share what I think the purposes of editing are.

— Allison Symes (@AllisonSymes1) November 24, 2023