Tag: Crime Fiction

Author Interview: Introducing Joan Livingston and the Isabel Long Mystery Series – Finding The Source

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Image Credits:- All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
A huge thank you to Joan Livingston, Lynsey Adams of Reading Between the Lines Book Vlog, and Sarah Holbrook for author, book cover and poster pictures for this week’s Chandler’s Ford Today post. I interviewed Joan as part of a blog tour. It is a cracking interview. Do check it out below.
Hope the week has gone well. Lady has had a lovely time with some of her chums, we’ve managed to avoid some of the rain, and the writing is going well. So all good here.

Facebook – General and Chandler’s Ford Today

I’m delighted to welcome Joan Livingston, author of the Isabel Long Mystery Series, to Chandler’s Ford Today for an in-depth interview regarding her latest book in the series, Finding The Source.

The interview is part of a blog tour organised by Lynsey Adams of Reading Between the Lines Book Vlog.

In a cracking interview, Joan shares insights as to how she developed her series and lead character, Isabel Long. In a nice link, given I live in Hampshire, Joan explains how her background as a journalist, including writing for the Daily Hampshire Gazette, influenced her writing.

She also shares how she manages to get the right amount of back story into a novel, given not everyone will come to her work with the first book in the series. Plus she shares three wonderful tips on writing and another three on marketing, which will help any writer. And there is much more too. Do check the interview out.

Introducing Joan Livingston and the Isabel Long Mystery Series – Finding The Source

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Lady was overjoyed to see her Rhodesian Ridgeback chum today. They’ve been best friends for a long time and we haven’t seen her for a while so the two dogs were overjoyed to see each other again. This is one thing I love about dogs like these two – the friendship is always there. Humans could learn a lot from dogs at times.

Writing wise, don’t forget to look out for my author interview with Joan Livingston on Chandler’s Ford Today tomorrow. It’s a fabulous one but don’t just take my word for it. See above.

This evening (11th September 2025), I’m supporting a friend’s book launch on Zoom. That’ll be fun. It was and interesting with it.

Will have news to share concerning the next edition of Writers’ Narrative but in the meantime why not check out the current issue, which is packed full of wonderful advice about publishing.

 

Lady and I didn’t manage to avoid the rain altogether though she did get to see her Hungarian Vizler pal and played with Coco, the lovely Labradoodle. Neither Lady nor Coco cared about the rain. Both had a super run around. Thankfully, both dry off easily enough, which is more than can be said for their owners!

Writing wise, I’ll be talking with Joan Livingston, author of the Isabel Long Mystery Series, about her latest book, Finding The Source, for Chandler’s Ford Today on Friday. This is part of the Reading Between the Lines Book Vlog book blog tour. The interview is packed full of cracking information and insights. Be sure not to miss it. See above. Plenty of interest to readers and writers of crime fiction here too.

Facebook – From Light to Dark and Back Again

It’s a delight to be back on Friday Flash Fiction with my latest 100-worder, The Green Pin. Katie discovers the green pin slipped under her door by someone unknown has huge significance for her. Find out what that is and how Katie reacts here. Hope you enjoy the tale.

I’ve made no secret of my love of writing prompts and use many kinds to trigger ideas for my own writing. They’ve all paid off. But the lovely thing as a flash fiction writer is the fact I can use each prompt and get different stories out of it.

For one thing, I can write my prompt to 100 words, 250 words, 500 words, etc.

I’d have the choice of using the same character for each story or making up different ones.

If I use one character throughout, I can show more of their story with the increasing word counts.

If I use different characters, I could use the prompt itself as a common link and so have some linked flash written.

Either way I have options which I always like.

Though flash is necessarily on the short side, it doesn’t mean there are any limitations to the themes it can tackle. Indeed by focusing on the character, flash fiction can show the reader the big themes and the impact on those characters. As the word count is limited, the impact isn’t diluted.

One of my tales from From Light to Dark and Back Again is called They Don’t Understand and is what I call a slice of life tale where my character looks back on his life. You can see the impact losing his wife is having on him as he relates their joint story together. He doesn’t have to spell everything out.

The joy and strength of flash is inference and it is a powerful tool here. For this kind of story, I think it is the best way to go. The character’s voice grabs your attention, there are no boring bits, he focuses on what you need to know, and it doesn’t go on for too long.

Neither does he tell you the theme – he shows it.

Fairytales with Bite – Something Spectacular

The trouble with any magical setting is what would count as something spectacular? Mind you, do your characters see magic as something ordinary and would see something like our science as being something spectacular?

I guess this is a matter of perspective but what perspective would your characters have? Do they agree with the overall consensus here or do they think differently?

What would your world consider as a spectacular development for them? Would it be a case of being able to do more with the magic or other powers they have or to develop something which is different to that so they have alternative sources of power to use?

And what would the general public make of it all? Who would be behind the spectacular development? What drove them to do it? What obstacles do they have to overcome?

Definite story ideas there.

This World and Others – What Passes For Normal Around Here?

Now I think this would be a great title for a novel or short story. If your setting is a magical world, just would be considered normal? It would be different from what we would think here.

There are always those who think outside of the box so their definition of normal is likely to be different from that held by the majority. How would the “misfit” get on given this? Or would they be encouraged given your setting’s great inventions tend to come from those who do dare to be different?

Also did your world’s definition of “normal” change over time (and maybe partly due to different inventions coming along changing life and attitudes?). If your world interacts with other species/planets, how has that changed their definition of normal?

Plenty of food for thought for stories there, I think.


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As I’ve shared September’s issue above, I thought I’d share a back issue of this fabulous magazine here.

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Val Penny – Author Interview and News Update

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Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. Many thanks to a kind colleague from Swanwick for taking the picture of me book signing there on my phone. Always tricky to do that kind of thing yourself!
Gorgeous, sunny week and Lady has seen many of her pals so a good week for her. Following on from my last round-up, am pleased to report more poppies emerging in my garden. I love those splashes of red. Writing wise, it is lovely to share a wonderful interview with Scottish crime writer, Val Penny, for Chandler’s Ford Today this week. See below for more. And a huge thank you to Val for supplying author and book pics and some great shots of Edinburgh.
There will be further author interviews to come soon too. I love sharing these as I always learn from them and I find it endlessly fascinating finding out what other writers are getting up to! Mind you, it does add to my To Be Read pile considerably…

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Facebook – General and Chandler’s Ford Today

Am delighted to welcome Scottish crime writer, Val Penny, back to Chandler’s Ford Today.

We discuss The Writers’ Summer School, Swanwick, Val’s two series of wonderful crime fiction, scheduling your work, and much more besides. I hope you enjoy a fabulous in depth interview with her as much as I enjoyed conducting it. (Am also looking forward to when Val brings out her collection of short stories – we talk about that too).

Val Penny – Author Interview and News Update

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Lady got to see a couple of pals unexpectedly while out on walks today and she loved that. Mind you, she loves seeing people. Most affectionate dog. Delighted more poppies coming out in my garden – love those splashes of red.

Talking of colour, I do use it sometimes to add to my flash pieces and short stories. It can make something easier to visualise. But I try not to just use vision when adding senses to a story. It is the obvious one to go for but I must admit I find it difficult at times to add in taste.

Well, for one thing, my flash pieces can be so short, my characters are in and out of the story again before they’ve had chance to eat or drink anything!

I never add anything in for the sake of it. I will bring senses in to a story, regardless of length, when it is apt to do so. But I must admit I do tend to fall back on vision and sound as the two basic building blocks here. I think many writers do.

Mind you, maybe my characters would be grateful for the chance to hear music, grab a bite or two to eat etc. I came across a lovely story in The Oxford Book of Humorous Prose compiled by the much missed Frank Muir where an author’s characters come to life and berate him for giving them such a hard time. Hmm… something to think about then!

May be an image of text that says "Creative writing is fun and good for the brain τσσ."

Another lovely day in the park for Lady and her girlfriends. Three happy but tired dogs went home (and long before it got hot in my part of the world too).

Looking forward to sharing a smashing interview with Scottish crime writer, Val Penny, this week on Chandler’s Ford Today. Val shares her latest news, why she is now a member of the Committee for The Writers’ Summer School, Swanwick, and looks ahead to her forthcoming collection of short stories. Plus there’s more. Link up on Friday. See above (and a great photo below of the two of us taken at Swanwick on my phone by a kind colleague!).

Reading/listening to author interviews is a useful tool for other writers because not only can you learn from them, you can use the questions to work out how you would answer them if an interviewer put them to you.

This in turn gives you the chance to really think about what your book/stories are about. That’s a good thing. Being able to talk concisely about your work stands you in good stead for pitching to publishers/agents (and for chatting to other writers at events).

Facebook – From Light to Dark and Back Again

Amazon made me laugh today. You know they send you emails recommending what they think you’ll like. Well, I had one of those today and what did they think I would like? A copy of From Light to Dark and Back Again! Can’t have noticed the name on the cover! Okay they’re not wrong but…

Pleased to say Getting the Point is now up on Friday Flash Fiction. Hope you enjoy it.

Screenshot 2023-06-09 at 11-45-24 Getting The Point by Allison Symes

Pleased to have got my story submitted for a competition last night (closing date is the end of this month, 800 words maximum word count so perfect flash territory). Have another story to work on for another competition later in the year plus interviews to get ready for Chandler’s Ford Today. It’s a lovely mix of writing work.

So looking forward to being at The Writers’ Summer School, Swanwick again in August. I’ll be running my one hour editing workshop there. I have another workshop to run on flash fiction in July. So busy, busy, busy which is how I like it but it is also why I need to plan out what I’m doing when. Having said that, it means I get more done including entering more flash and story competitions.

May be an image of diary and text that says "Planning out your writing does not have to kill spontaneity, far from it. don't plan to the "nth" degree. I plan enough to get me started and to ensure I get done in a week what I'd like to get done. TOBER NOVEMBER YEARLYPLANNER DECEMBER LANNER TUE MON ONS"

A writing exercise I’ve sometimes used is to take an old story of mine and see if I can cut it in half. I’ll take a 1500 words story, say, and see if I can get it down to 750/800 words without losing anything important.

Sometimes I really can’t but I will get the story down to, say, 1000 words. Sometimes I can though and it is an eye opener as to what can be discarded and how the story tightens up considerably. Asking yourself the old question does this story/character really need this is an amazing aid to editing!

Just give yourself time for this exercise. It does take longer than you think but the results can be amazing.

May be an image of studying

Fairytales with Bite – Fairytales and Proverbs

Don’t discard your old book of proverbs. They are so useful in providing themes for your stories and fairytales use these a lot. For example, the saying Don’t judge by appearances would apply to Puss In Boots who is far smarter than his master. It can also apply to any tale where a wizened old man or woman turns out to be a powerful magical being in disguise (Beauty and the Beast).

There is a strong sense of right/wrong/justice in the classic fairytales and that will often be based on proverbs, well known sayings, Biblical quotes etc.

I have sometimes used a proverb or well known saying to provide a title for my story and I do use these as themes a lot. Part of the reason for that is these things are timeless. There will always be room for stories based on, for example, truth will out. You could take that in many directions and show the consequences – for good or bad – here.

Also if your setting is a strange one, having a basic theme which people will identify with will help “anchor” your setting. People will take to it because, even if they can’t identify with your setting, they can do so with the theme. Your setting can of course have its own proverbs (but it will help if they are loosely based on what we have).

Another favourite of mine is beauty is in the eye of the beholder. Think about The Ugly Duckling. Didn’t consider themselves a “looker” at all. Thinks about what your characters believe about themselves. Are they right? If not, who or what can make them see themselves for who they really are?

Many wonderful stories can come from having themes based on the proverbs.

IDEA GENERATING - Proverbs are wonderful to source ideas but are not the only way

This World and Others – Wise Words

What would your fictional world consider to be wisdom? What would be their wise words? Is the constitution of your world based on these? Are there wise words nobody argues with (and is that because they don’t want to argue or they dare not?).

Who gives your fictional world their wise words? What great teachers/philosophers have your setting had? Have their words been proven to be true?

Now characters (as indeed we will) can argue about what defines wise words. What can seem like wise words to one can seem like foolishness to another. What could that lead to in your setting? War? (People have fought over far less a motive than words after all). How would your characters resolve it?

Think about whether you have a character who is especially wise (the Gandalf motif if you like). How could they share their wisdom with others without being too dominating?

And do wise words “win out” in the end ?Can the right wise words said at the right time (or discovered written down) change the course of the characters/story?

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

Always love signing my books for people at Swanwick

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Introducing Crime Writer, Val Penny

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Introducing Val Penny…

One of the lovely things about writing is getting to meet other writers at conferences and so on. You can share tales of woe, exciting publication news etc and know the other person will appreciate where you are coming from. Sometimes you can find out about markets and competitions you hadn’t heard of, but above all you have friends – and social media makes it so much easier to keep in touch.

I was delighted to meet crime writer, Val Penny, at the Swanwick Writers’ Summer School a couple of years back. I’m looking forward to catching up with her again there this year. I am very pleased to have Val join me on my blog tonight and she shares an excerpt from her forthcoming book Hunter’s Revenge, the second in the Hunter Wilson/Edinburgh Mysteries series. (Good news for those of you who like crime writing, as I do, is there will be more to come).

I’m not arguing with this one! Image via Pixabay.
Part of the lovely grounds at Swanwick. Image by Allison Symes
From Swanwick Writers’ Summer School. Image by Allison Symes
The lake at The Hayes, home of the Swanwick Writers’ Summer School. Image taken by Val Penny.
Again from Swanwick. Literally a place to reflect! Image via Allison Symes
The arbour at Swanwick. Image by Allison Symes
More of the grounds at Swanwick. Image by Allison Symes
A writing conference room. Image via Pixabay.

Over to you, Val… (and I want to know the moment you DO achieve your childhood dream of owning a candy store. I shall be right over….!).

The Author Bio for Hunter’s Revenge

Val Penny is an American author living in SW Scotland. She has two adult daughters of whom she is justly proud and lives with her husband and two cats. She has a Law degree from Edinburgh University and her MSc from Napier University. She has had many jobs including hairdresser, waitress, lawyer, banker, azalea farmer and lecturer. However she has not yet achieved either of her childhood dreams of being a ballerina or owning a candy store. Until those dreams come true, she has turned her hand to writing poetry, short stories and novels. Her crime novels, Hunter’s Chase and Hunter’s Revenge are set in Edinburgh, Scotland, published by Crooked Cat Books.

author pic 2

And Val has very kindly shared the extract from her forthcoming book.  Enjoy!  I know I did!

 

Hunter’s Revenge
Prologue
East Germany, January 1968
The last thing Georg did on his eighteenth birthday was kill a man.
He really hadn’t meant to kill the Stasi officer in front of him, but it was him or Georg – and Georg did not want to die. It was the first time he’d seen a corpse. The streets were slick with ice. The man lost his balance and cracked his head on the pavement. Georg stared down at the body: there was blood and brains all over the pavement. He looked into the officer’s eyes. They stared blindly to heaven, but Georg knew there wasn’t a Stasi officer on earth who was going there. He looked away from death and towards his friends in horror, but when they saw what had happened, they scattered. Georg picked up the officer’s gun and began to run.
More Stasi officers appeared as the boys fled.
Georg was out of breath when he got home.
“What’s the rush, son?” his father asked.
“Shit, Dad! It’s bad.”
“You’re drunk! No language in this house, boy,” said his grandmother.
“Dad, the boys and me were leaving the bar to come home and we saw a Stasi officer”
“So?”
“We were laughing and having fun.”
“And?”
“For a laugh I knocked his hat off.”
“Idiot! You know Stasi have no sense of humour. Ever. So what next?”
“He pulled his gun and told us to stand silently against the wall.”
“And you apologised and complied, I hope.”
“I panicked and punched him. He slipped on the ice and fell over. He hit his head on the ground, and when I checked him, he wasn’t breathing. He was dead. I just took his gun and ran.”
The silence in the room was deafening.
“You did what? You fucking idiot! Did you really punch a Stasi officer? Are you mad? You know we don’t even have to openly engage in resistance to draw the attention of the Stasi and incur its retribution. Just failing to conform with mainstream society can be enough. Shit! I sired a fool.” Georg’s father’s red face reflected his rage.
“And now you are here,” his grandmother added. “You ran home, leading them straight to us. We will all die now. Thank you.”
“What is all the noise?” Georg’s mother came through from the kitchen, drying her hands on her apron. His twin sister Ingrid and younger brother Wilhelm followed her. They looked bewildered. Their father rarely raised his voice, especially not to Georg.
As his father explained the issues, Georg’s mother burst into tears.
“They will kill him,” she whispered.
“They’ll kill him?” his father shrieked “Fuck, the rest of us will be lucky if all they do is kill us too! Have you any idea the danger you have put this whole family in, you young imbecile?”
“God, that’s true!” his mother sobbed. “Georg has to leave. He must escape right away. Maybe, when they come and find him gone, they will believe we had no part of it.”
“You and I both know that is not going to happen,” his father said. “They know everybody in the town, and even if they don’t already know it was Georg, one of their informers will turn him in for reward or to save their own skin. They will soon find out where he lives.”
His wife nodded.
“Mum, where do I go?” Georg pleaded. “Dad, what will you do? I didn’t mean anything by it. I was just fooling around.”
“Then you are more of a fool than I ever thought,” his father said. “It’s a bit fucking late to worry about us. We will cope, but we must deny you and any knowledge of this atrocity. I love you always, but you must leave, son. Now. There is no choice, and you must be quick because they will be here all too soon. Make a start on your escape tonight. It’s your only hope, and ours.”
“Quick, Wilhelm, fetch him my savings and your grandfather Georg’s book,” said his grandmother. “Georg will need the money, and he can always sell the book.”
“I’ll pack a meal,” his mother said. She gathered up the family Bible, along with some bread, ham, cheese and apples.
“Don’t give him too much, it will slow him down,” said Ingrid.
“Pack everything in a rucksack. You can put it on your back, Georg, and still run,” said Wilhelm as he handed their grandmother’s meagre treasures to George.
“I am so sorry, Father. Where do I go? Where am I running to? What will happen to you?” Georg’s voice raised to a scream.
His mother held him and kissed his head, but his father grabbed his arm, pulled him from her and shook him.
“You got yourself into this; we will get you out of it. No point in worrying about us. Get out of this country. Don’t look back. Just run. Go west, go to Britain. Stay alive. Get out of this house, get out of my sight and never come back. Do you hear me, Georg?”

Hunter's Revenge Banner

Wow!  Plenty to get your teeth into there!  Well done, Val.
Hunter’s Revenge Blurb
Hunter by name – Hunter by nature: DI Hunter Wilson will not rest until his friend’s death is revenged.

DI Hunter Wilson is called to the scene of a murder. He is shocked to find the victim is his friend and colleague, George Reinbold. Who would want to harm the quiet, old man? Why was a book worth £23,000 delivered to him that morning? Why is the security in George’s home so intense?

Hunter must investigate his friend’s past as well as the present to identify the killer and identify George’s killer. Hunter also finds a new supply of cocaine from Peru flooding HMP Edinburgh and the city. The courier leads Hunter to the criminal gang but Hunter requires the help of his nemesis, the former Chief Constable, Sir Peter Myerscough and local gangster Ian Thomson to make his case. Hunter’s perseverance and patience are put to the test time after time in this taught crime thriller.

Hunter's Revenge Cover
Many thanks, Val, for sharing such an intriguing extract! I look forward to reading more!

I think one of the appeals of crime fiction is following the development of characters like Hunter Wilson over a series of books. Crime fiction reveals a lot about the human condition and I think there will always be a fascination with what makes criminals tick, what got them into crime in the first place, could anything have been done to prevent it, and so on.

It’s not a new fascination either. I’ve recently been watching a series of programmes on BBC Four about Highwaymen, Outlaws and Robbers and the old printed sheets detailing someone’s crimes (usually just before they went to the gallows) sold like the proverbial hot cakes in London. We’re talking 17th and 18th centuries here. And going further back, there is fascination now about what happened to the Princes in the Tower, but that fascination started at pretty much the moment it was known the boys were missing.

So crime writers are very much tapping into something fundamental here – the need to know why someone would act in a way at odds with what is seen to be right.

Happy writing, Val.  Very much looking forward to this.

CHARACTER RESEMBLING - Just what is your story then

Find out more about Hunter Wilson’s story in September! Image via Pixabay

Crime Fiction and Writing Triggers

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Facebook – and Chandler’s Ford Today

My latest Chandler’s Ford Today post is Part 1 of a great interview with crime writer, Val Penny. Her new book, Hunter’s Chase, is now out in paperback and ebook and is the first of her Edinburgh Crime Series. We discuss what drove Val to crime (!) and why she thinks crime fiction is so popular. She also shares some top tips for writers. Part 2 next week.

My latest CFT post. Image by Val Penny.
Val’s latest crime novel. Image supplied by Val Penny.
Lakeside at Swanwick Writers’ Summer School where Val and I first met. Image by Allison Symes
Part of the lovely grounds at Swanwick. Image by Allison Symes
More of the grounds at Swanwick. Image by Allison Symes

Facebook – From Light to Dark and Back Again

I have a very soft spot for stories told from alternative viewpoints, especially fairy tales. My first published story was A Helping Hand in Bridge House Publishing’s Alternative Renditions anthology (many moons ago now) and tells the Cinderella tale from the viewpoint of the youngest stepsister.

In From Light to Dark and Back Again, I take Goldilocks’ viewpoint as my angle in the tale, Health and Safety, (though between you and me, I still think she comes across as the kind of character you wouldn’t want to take into a posh giftware shop given the chaos she caused with one chair and one bed in the Three Bears’ house!).

One great thing about using alternative viewpoints like this is you can explore why that character has behaved the way they have. You can explore their justifications for their actions. The great thing is they don’t have to be right! (It can be even more fun when they’re not but they really think they are. You really get to know what they are made of exploring this kind of avenue).

Fairytales with Bite – Writing Triggers

I mention this topic as part of my interview with crime writer, Val Penny, on Chandler’s Ford Today this week looked at what triggered her wish to write.  It is one of those questions I often ask writers I interview and the results are always fascinating.

Also, it is interesting to note that, while there can be similarities, I believe most writers have triggers to begin writing that are unique to them.  Mine were turning 30 and having given birth to my son, two major life changes that made me face up to the fact if I wanted to be a writer, I had better get on and write then!

I also love writing triggers in the form of opening lines, photos, closing lines etc that encourage you to write something around them.  They can make you really work your imagination.  The theme for competitions can also act as good triggers (and can be useful for writing practice even if you don’t enter the contest.  If you do and win it or are shortlisted, even better though!).

I find the ideal opening line writing trigger is one that can give you all kinds of possibilities to work with.  For example, I would find the line “He refused to cry again” a lot more interesting to work with than “The starship crashed into a crater”.  I could write stories on both and have fun doing so but the first one you could set in any time, any world come to that.  The second is an immediate sci-fi or fantasy story, which is fine, but you are getting your genre and setting in one go here.  (That can be useful when I want triggers for my flash fiction though and that is when I will want a line that does a lot of work for me!).

Let creativity spill out - image via Pixabay

Let the creative process flow! Image via Pixabay

The fantastic world of books must include non-fiction too - image via Pixabay

The wonderful world of writing should include non-fiction, which benefits from creative techniques too. Image via Pixabay.

Feature Image - Facts and Fiction - image via Pixabay

What writing triggers will help you create your new worlds? Image via Pixabay

The old fashioned notebook and pen still have major roles to play in interviewing - image via Pixabay

Can’t beat the notebook and pen for quick notes. Image via Pixabay,

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Some of the books I’ve appeared in and FLTDBA of course. Image by Allison Symes

This World and Others – Popular Fiction – Do You Just Write What You Know Will Sell?

The short answer is “no”!  This topic came about thanks to this week’s Chandler’s Ford Today post.  This is Part 1 of my interview with crime writer, Val Penny, and one thing we discussed was why crime fiction is so popular and what drove her to crime (!).

I think crime and horror are probably the two most popular genres in fiction.  There can be crossover and within each genre there is a wide range of sub-categories.  But does this mean you should just write to these two genres, say, because you know there is a proven market for them?  Absolutely not!

You have got to believe in what you write.  You have got to love what you write (at least most of the time!  I appreciate when you’ve been through the sixth rewrite, you may feel a tad tired about the whole thing!  We all do!).

You have got to love your characters, and love those you love to hate. I also believe that if you don’t write what is your “driving fictional instinct”, what you do come out with will be just a poor imitation of the markets you are trying go get into and that will show.  Whereas if you love what you write, that will also show.  It is where your writing voice will come through loud and clear.  Good luck!

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My Goodreads blog post this time is an expanded version of my Facebook post for From Light to Dark and Back Again.

Goodreads Author Programme – Blog

I have a very soft spot for stories told from alternative viewpoints, especially fairy tales. My first published story was A Helping Hand in Bridge House Publishing’s Alternative Renditions anthology (many moons ago now) and tells the Cinderella tale from the viewpoint of the youngest stepsister. It was great fun to write and, due it being the first thing I’d written that was accepted for publication (thank you, Bridge House!), it will always have a special place in my heart.

In my flash fiction collection, From Light to Dark and Back Again, I take Goldilocks’ viewpoint as my angle in the tale, Health and Safety, (though between you and me, I still think she comes across as the kind of character you wouldn’t want to take into a posh giftware shop given the chaos she caused with one chair and one bed in the Three Bears’ house!).

One great thing about using alternative viewpoints like this is you can explore why that character has behaved the way they have. You can explore their justifications for their actions.

The great thing is they don’t have to be right! (It can be even more fun when they’re not but they really think they are. You really get to know what they are made of exploring this kind of avenue).

You can also prove the truth of the old saying “there are two sides to every story” by exploring what the other characters think! They just have to be strong enough to carry their own story.