Author Interview: June Webber – Publication: Never Too Late

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush.Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes, as were photos of The Hayes, Swanwick as part of my CFT interview this week. Talking of which,  many thanks to June Webber for great author and book pictures for her interview with me on Chandler’s Ford Today.
Has been a cold week hre but Lady has got to have many “puppy parties” this week with her best friends over the local park so she’s happy at least.

BookBrushImage-2023-1-20-20-252

Facebook – General and Chandler’s Ford Today

I am thrilled to welcome dear friend and fellow Swanwicker, June Webber, to Chandler’s Ford Today, to share her writing journey in Publication – Never Too Late. Her writing story is an encouraging one. I very much hope you enjoy the post and find it encouraging too.

Author Interview: June Webber – Publication: Never Too Late

This slideshow requires JavaScript.

Hope you have had a good day. Another bitterly cold one here. Looking forward to chatting with June Webber on Chandler’s Ford Today – link up tomorrow. Her story is an inspiring one and I’m only too pleased to be sharing it. See above.

Where do you get your inspiration for writing from? As well as using the random generators to trigger ideas, the biggest inspiration comes from what I love reading.

I’ve always loved the classic fairytales so they are a huge influence on me. I love the humour of Austen, Pratchett, and Wodehouse, so those are huge influences on me.

This is why the more you read (in terms of numbers of books read and genres), the bigger and wider are the sources of inspiration for you to draw on. Other sources of inspiration can be topics on which you have strong feelings. I like to see justice done and the evil not to get away with it (again the fairytales have a definite influence on me there) so I will read crime stories which reflect this.

So having a broad reading diet then is a very good idea indeed!

BookBrushImage-2023-1-19-20-2231

It’s my turn on the Authors Electric blog and this time I’m talking about Flash NANO – A New Challenge In the Old Year. I look at what Flash NANO is and share what I found useful about it. It is good to be stretched, writing wise, every so often, and Flash NANO did that for me. Looking forward to the next one already.

Screenshot 2023-01-18 at 09-31-41 Flash NANO - A New Challenge in the Old Year by Allison Symes

Facebook – From Light to Dark and Back Again

Delighted to share Reasons, my latest Friday Flash Fiction story. Many thanks for the great comments coming in on this one already.

Screenshot 2023-01-20 at 09-27-41 Reasons by Allison Symes

Looking forward to giving my flash fiction workshop this weekend and also the Association of Christian Writers’ Flash Fiction Group meeting next week. I like a mixture of in person and Zoom events – both kinds of event have their bonuses.

If you’re thinking of putting a collection together, remember the independent press is a great avenue to explore as they are much more open to approaches from non-agented writers. And having short stories/flash fiction published online or shortlisted in competitions makes for great material to put in your query letter.

May be a cartoon of text that says "Creative writing is fun and good for the brain ίσσ."

Many thanks to #ValPenny for sharing Writing Pitfalls, a recent blog I wrote for Chandler’s Ford Today on her blog today. A great way to spread the word! One writing pitfall I didn’t mention either here or earlier on CFT is not realising just how many kinds of writing there are out there and therefore to take your time working out which suits you best. I am so glad I discovered flash fiction for instance though I’d never heard of it when I started out.

Writing Pitfalls by Allison Symes

Screenshot 2023-01-20 at 20-17-43 Writing Pitfalls by Allison Symes

Fairytales with Bite – Magical Seasons – Characters and Magic

How does your magical world have its seasons? Are they similar to Earth’s four and, if so, is magic more prominent in any one of them? If so, why? Does the winter, for example tend to dampen down magical activity? Does magic abound in the spring with longer days and brighter weather?

Do your characters have seasons in their life where their magical performances are significantly better or worse than others? Indeed, are waning powers a sign of illness/a character’s life coming to an end, again on the grounds everything has its season and it applies to characters too? Or does everyone experience a drop in performance at certain times and they’ve learned how to cope with that?

Do you have characters who cope with the down times better than others and how do they achieve this? Does the availability of light make a difference?

I also love characters who are older but with tonnes of useful magical experience behind them yet are still capable of “outgunning” those far younger than them because of that experience. How would their magical season progress?

BookBrushImage-2023-1-20-20-232

This World and Others – Climates

Does your world have one predominant climate or several? How does this/these affect the geography of your fictional world? Equally how does the geography affect the climate that can only exist because, for example, your world has a lot of water in it? Can your characters change the climate (for better or worse) and. If so, how?

Are there wars between different peoples because one has a better climate than the other? What pressures are there on food production etc which could lead to such conflicts and how are these things resolved?

What kind of climate do your characters prefer to be in? There will always be those who relish causing trouble so like a climate in which that is easily done. They would be bored senseless in a climate where peace prevails and nobody argues about anything. (Would make for a boring story too).

And how do shyer characters cope in a climate where people/other beings of choice are expected to be upfront and dominant? My thinking here is climate can be about social context and prevailing attitudes, as well as the geographic kind.

BookBrushImage-2023-1-20-20-3013

 

Twitter Corner

https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js https://platform.twitter.com/widgets.js

Processing…
Success! You're on the list.

ALLISON SYMES – BOOK BRUSH READER HUB

MOM’S FAVORITE READS – CHECK OUT THE MAGAZINE INCLUDING MY FLASH FICTION COLUMN HERE

Memories and Collections

Facebook – General

What memories are special for your characters and why? Are they shared memories with other family/tribe members or individual ones or both? Does your created world have special events where certain memories are officially recalled? Is the past a good place for your characters to visit or do they block out all memories to avoid inflicting more pain on themselves?

This post came about because I was showing some lovely photos of my maternal grandparents’ wedding (set in the grounds of Chiswick House) to other members of my family today. I only came across these photos after I cleared out my late parents’ house. My only regret is had I known of their existence before, I would have quizzed my mother in particular over one photo where she and her younger sister were bridesmaids. There were people in this photo I didn’t know and the family and I took intelligent guesses at who they were.

I guess this shows the importance of maintaining memories and cherishing what is vital from the past, your past. So how do your characters do that?

When you read a book outside of the genre you write in, what are you looking for?

I’m looking for a world I can identify with (though almost inevitably I wouldn’t want to live there!) and characters whose motivations I understand (and usually sympathise with).

I like a fast pace to the story and other background information to help me make sense of the setting. I also want there to be gaps that I have to fill in with my imagination. I want the dialogue to hook me so that I have to read on and not notice the “he said/she said” tags. Well written dialogue does make me skip over these tags as if they weren’t there.

And when I’ve finished the story, I want to feel as if not one word could be added. I also want to regret coming to the end of the story because I enjoyed it so much.

And the challenge here is to write this way myself so hopefully people will feel the same way about MY stories!

I have collections by several of my favourite authors on my shelves – Agatha Christie, P.G. Wodehouse, Terry Pratchett to name a few. Love all that they wrote. Tremendously difficult to pick a favourite book by any of them.

What I especially adore though is when they take their major characters and put them into situations they would never have anticipated encountering. For example, Murder on the Orient Express gives Poirot a moral dilemma (and I won’t say more than that – no spoilers here). It’s not the kind of moral dilemma he would have anticipated facing. And it is how he handles that which, for me, makes this story fascinating. (The TV version with David Suchet is particularly good on this aspect).

So can you take the usual situations your lead characters would reasonably expect to face and subvert them? That what has worked for your lead characters before cannot possibly work in this new situation so they are forced to come out of their comfort zone and “go for broke” because they have to solve this new condundrum, no matter what?

One thing is for sure: do this and there will be no lack of drama/conflict in your story!

Facebook – From Light to Dark and Back Again

One of the biggest issues facing writers is getting their book out there and, once that has been achieved, how to market it without annoying everyone! One simple thing is just to let people know where it can be found and leave it at that. So taking my own advice then…!

FLTDBA in the Swanwick Book Room

FLTDBA for sale in the Swanwick Book Room. Image by Allison Symes

cropped-cropped-version-of-my-reading-at-railway-station

FromLightToDark_medium-2

Chapeltown Books have a distinctive central image in a frame such as with mine. Image by Allison Symes

FromLightToDark_back_medium

Back cover of FLTDBA. Image by Allison Symes

I was enjoying an old Doctor Who episode earlier this evening when Catherine Tate came in as companion, Donna Noble, to David Tennant’s Doctor. Great episode. What I liked about the character of Donna was her feistiness, her abilty to think on her feet, and the fact she wasn’t letting the Doctor get away with ANYTHING. Her character claimed that the Doctor needed someone to stop him sometimes. I think it’s a fair assessment too.

But this highlighted for me the fact well written characters shine through whatever story they’re in and make themselves and the tale memorable. Something to always aspire to when writing my own characters I think.

The joy of coming up with one line stories is you can either leave them like that and perhaps enter them into 25-word flash fiction competitions OR you can expand them.

From there of course, you can either have a longer flash fiction story or go to 1500-2000 words (standard short story competition word count). I think if you were to go much beyond that, you would be changing your initial idea as you would need more characters, at least one decent subplot and so on for the story to be able to “stand up” over that greater “distance” and still make sense.

I don’t revisit my one-liners that often but it did occur to me perhaps I should do so more regularly! A case of double whammy for the writer here I think!

This slideshow requires JavaScript.