Tried and Tested – and Book Offers!

A very busy night tonight and a special post about book offers too and I will start with those I think!  Also included this week is a link to my guest spot on crime writer Val Penny’s wonderful Book Review blog.  Many thanks to her for hosting me.

BOOK OFFERS!  ONE WEEK ONLY.  ENDS 18TH JANUARY 2019

Book news! I’m Bridge House Publishing/Chapeltown’s author of the week and there are free books up for grabs AND special offers on others. What’s not to like?

I’ve had the great pleasure of being published by BHP/CB in various anthologies as well as with From Light To Dark and Back Again. These form the basis of the package below.

BOOK PACKAGE: There are SIX, count them SIX, publications where I have work on offer for £4.00, all as mobi-files. This includes To Be…To Become (the Waterloo Festival competition, anthology), Baubles (BH anthology), The Best of Cafelit 4, 5 AND 6 and From Light to Dark and Back Again, my first flash fiction collection.

And for those of you who would like print paperbacks there’s an offer for you too.

PAPERBACK OFFER: My first published story was A Helping Hand in Bridge House Publishing’s Alternative Renditions. That isn’t available on Kindle BUT is in paperback and that along with From Light to Dark and Back Again is on offer at a mere £7.00 for the two!

FREE BOOKS! BUT YOU HAVE TO BE QUICK.

I’m giving away one signed copy of:-

From Light to Dark and Back Again AND
Alternative Renditions OR
Baubles OR
One of the Best of Cafelit books I’m in.

First come, first served, naturally. Also one book per customer.

If you’re interested email my lovely editor, Gill James, at editor@bridgehousepublishing.co.uk with your contact details. Also let her know which of the books you would like and Gill and I will take things from there. I’m looking forward to getting some books off in the post next week!

So two lucky people can be in for a free read! What are you waiting for? Gill is waiting to hear from you!

All of the above books are available on Amazon.

And if you would like to try some of my work out first, head over to Cafelit at http://cafelitcreativecafe.blogspot.com/…/l…/Allison%20Symes

Do check out the other wonderful stories here. You’re in for a great read, I promise.

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Facebook – General – and Chandler’s Ford Today

Busy night tonight but fun! Hope you saw the book offer posts earlier. Meanwhile back to CFT and I’m glad to share my Tried and Tested Writing Tips this week. Hope you find it useful.

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Will be a busy day tomorrow. As well as my usual CFT post (all about tried and tested writing tips), I’m Bridge House Publishing/Chapeltown Books author of the week and will have news of book offers so stay tuned.

Re my CFT post: I’ve picked those tips I use most often and go into detail as to why they are useful.

Absolutely delighted to have been guest blogger on Val Penny‘s Book Reviews blog. Many thanks to her – it’s been a good week writing wise when it comes to getting the word out there!

And talking of words, the ones I’ve found most helpful are the ones that encourage when all that seem to come in are rejections etc. This is why you need writing friends. We know what it is like – both the joys and the down sides. It is a roller coaster ride but nobody says you have to be alone on the thing!

Am delighted to share the link to the great blog from crime writer Val Penny. The fact that I am her guest on it tonight is not at all coincidental!

Many thanks, Val, for the invite. The questions were great fun to answer. Val and I met at Swanwick Writers’ Summer School (or more accurately just outside Derby Railway Station just ahead of us both going to Swanwick!) and we’ve been great friends ever since.

It is also lovely being on the receiving end of questions too!

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I’m due to be Bridge House Publishing/Chapeltown Books author of the week. News of book offers tomorrow.

Getting the balance right between writing new material, revising and improving material that has not yet found a home, and marketing has never been easy to get right. Has there ever been a writer who doesn’t feel there is always something they could be doing better in any of these departments? I don’t think so!

One advantage to flash fiction of course is it can be a great way of getting work done and “out there” while working on longer projects. (And if said work is published, you’re building up your writing CV too).

What questions would you put to your characters to get the best out of them before you write their story?

One of my favourites here is “what drives you?” I use it to dig deep into a character because there will be an answer that is something nobody would mind revealing – the public face, if you like.

However, it is the answer the character (and we as individuals) try to keep to ourselves that is the really interesting one to work with! It can also reveal things about our characters that make us realise we can do so much more with them. It IS worth digging that bit deeper to get to these points.

Your stories will be deeper and have more impact as a result – even the shortest of flash fiction stories will benefit. If I know my character thinks they’re capable of, say, robbery, but I dig deeper and find in certain situations, they could kill, guess which story I’m going with!

You DO want to dump your characters right in the mire and put them under as much stress as possible and really see what they’re made of. Let the drama play out. Have fun with this, I do! (Oh and nobody said writers have to be nice to their characters, often it’s the opposite in fact!).

 

Many thanks to #ValPenny for hosting me on her Book Reviews blog. It was great fun answering the questions.

Questions like these are really useful for making you evaluate why you write and whether the “how” could be improved. (The answer is almost certainly “yes” to that by the way!).

Fairytales with Bite – Storytelling

Storytelling is one of our oldest traditions of course. You can understand the appeal of fairytales especially when it comes to the oral storytelling tradition. A simple plot, a structure that works, a clear goodie and baddie, and a happy ever after ending. Perfect way to end the day!

Now, of course, we expect our characters to be more nuanced. There is no such thing as the perfect hero. Villains have to have good (and understandable) reasons for acting the way they are (and that can include the fact they simply enjoy being evil. To them, that is reason enough!).

What I love about stories is that there is no one perfect format. I love books in all their forms but totally understand why audiobooks work for some, whereas the print format doesn’t. Our focus as writers is to come up with stories that can work in several formats. Our focus is to entertain. I’ve never understood why some look down on escapism. The world is sad and bad enough to make a wish to escape understandable. After all why did our cavemen ancestors tell stories? To remember what was important. To bring the community closer together. To escape the cares of their day and the ones to come for a while.

So as a writer then I want my characters to appeal to readers. I also want to drop my characters right in it whenever I can. I want my books to engage people. It’s a good thing to aim for: to improve your storytelling as much as possible. You discover better ways of expressing things, learn what works and what doesn’t. Enjoy your storytelling and relish every moment of it.

 

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This World and Others – Tried and Tested

My latest CFT post is Tried and Tested Writing Tips, which I hope you find useful.

How are your characters tried and tested?  Do they pass the tests you set them?  In almost any story you can think of, it is only when the characters are put right through the emotional wringer, do you see what they are capable of and where their limits are.  That is also where sidekick characters are useful – to help see your leads through to the bitter end and to get them through that “about to give it all up” moment.

Testing doesn’t need to to be overly dramatic either.  It can be as simple as a character having their patience tested by a relative who is trying to goad them (deliberately or otherwise, it’s not always consciously done).  Your character is very patient to begin with, then they become slightly less patient as time and the goading continues, and so on before they snap or do something they would not ordinarily have done.  Your character may be aware of this process so what do they do to try and fight it?  To not give in to that urge to snap no matter what the provocation?

Think about what would stress your characters out.  Think about their coping mechanisms.  What would happen if they failed or weren’t available when needed?

Have fun finding out!

Writing Wish List, Why Write Flash Fiction, and Special Offers

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If you could make a writing related list for Santa, what would be on it? I’d ask for:-

1. The ability to stretch time so I can get all the writing I’d like to do in and done! Naturally I would not feel any side effects from this.

2. The ability to spot ALL typos etc before submitting work anywhere ALL the time. (If it is any comfort, most writers spot errors in work later on. We just don’t admit to it! We do feel annoyed at ourselves over them though – very much the “why didn’t I spot that one?” school of thought.

3. To never run out of pens, notebooks, ink cartridges, paper etc and also to arrange for the printer toner NOT to run out half way through a print run ever again. (You do get sick of this happening when it occurs more than once. Trust me on this).

4. To never miss a writing competition that might suit you ever again. (It is difficult to keep on top of them all so help from Santa here would be useful).

5. To never run out of inspiration and ideas and to always follow them through thoroughly.

6. Extra stamina would also come in handy. You need it when the umpteenth rejection comes in during the week.

7. More reviews of my book!

8. For the charlatans in the publishing industry to disappear from it for good so nobody is ever taken in by false promises again. Meanwhile, do check out the Society of Authors and/or ALLI, the Alliance of Independent Authors websites for sound advice on what to look for in publishing contracts, self publishing services etc.

9. To never run out of bookmarks. When I don’t need them I seem to have loads. When I do, can I find any? What do you think?

10. For more independent book shops and for them to thrive and do well.

I’m not putting these in any order of importance though 10 should be very high up on any list to Santa, I think.

Am glad to share, via the link, details of some special offers on Chapeltown Books’ flash fiction collections, including From Light to Dark and Back Again by yours truly.

The offers are open until the end of the week. There are currently 8 books in the Chapeltown series and there is an offer on for all of those. Equally you can buy three or four of them and still have a special offer! This offer is on until 21st December.

Some last minute Christmas present ideas, everyone?

Hope that whatever else is amongst your presents this Christmas, some good books are amongst them!

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The YouTube below shows the books produced by Cafelit/Chapeltown/Bridge House during the year. A lovely selection.

I was in the To Be…To Become ebook produced by Bridge House. This contains the 16 winning entries to the Waterloo Arts Festival’s first writing competition. I hope they go on to have others!

What can be confirmed is there is a lovely variety of books and stories to suit all tastes here.

When do you know a story is really special? When you can’t forget the characters.

For me, story has always been about finding out what happens to the characters. I don’t necessarily need to like them (though most of the time I do) but I do need to be intrigued enough to find out what happens to them. So then there has to be something about the characters I can either identify with or which hits my “curiosity switch” and keeps that pressed down so I have to keep reading!

A good plot can be let down by characters that aren’t strong enough for it (and this means the writer hasn’t got to know his people well enough before writing about them). Great characters will lift any story they’re in. Great characters will generate plot. Imagine the chaos a devious character can cause when they set out to cause mischief deliberately. All sorts of stories can come from that, humorous and otherwise, but the character has to be well portrayed for that to work.

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Time for some micro Christmas stories then:-

1. The innkeeper smiled, having seen his guests to the last available room. Nobody else would be disturbing his sleep tonight then.

2. Scrooge grimaced as he walked home, having heard some youngster tell a snippet of a ghost story. Ghosts! Whatever next?

3. In the bleak midwinter, they could have done with a snow plough.4. Rudolph the red-nosed reindeer found that telling everyone he was suffering from a nasty cold stopped the awkward jokes about what he was adding to his water trough to generate said red nose.

5. Frosty the Snowman was the first to admit he really could not appreciate the benefits of central heating.

Allison Symes – 15th December 2018

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Never worry about overwriting a story. That overwriting can and should be cut later. Usually this is a case of sharpening up phrases etc. I like the creative aspect of that side of editing where you are happy with your characters and story but know you can express things better than you have done with your first draft.

For me, it is far more of a problem when, on odd occasions, my story is too short. Not a problem for my flash fiction but it can be for standard length short stories (usually 1500 words or so). This always means one thing in my book, pun intended (!), and that is my idea simply wasn’t strong enough. I needed to do far more outlining to see where the idea could take me before I committed to writing it and that process would have shown up inherent weaknesses in it.

So do outline. It can save you a lot of grief later.

Reasons to write flash fiction:-

1. You learn how to edit well.

2. You learn to be ruthless when cutting out anything that is not moving the story forward.

3. You really do watch your word count. (This pays off for other forms of writing competitions too).

4. Given flash fiction markets and competitions have different requirements (for example some include the title as part of the word count, others specificially do not), you learn to make sure you ARE following the right rules for the competitions you’re interested in.

5. It is a great way to get work out there while you are working on a longer project.

6. There ARE more competitions and markets out there now so there should be at least one to suit your style of writing.

7. You have to write character driven stories but there’s nothing to stop you setting that character in any time, genre, or setting of your choosing. You are definitely NOT stuck to one genre here.

8. Flash fiction can make a great warm up writing exercise ahead of a longer project. The great thing is you can now do something with what your produce from those writing exercises!

9. You learn to write precisely because you are looking for the maximum impact on your readers for the minimum word count . This is a fantastic discipline which can be transferred across to other forms of writing you enjoy.

10. It’s fun! I’ve loved the challenge of writing to 100 words, to 75, to 50 etc. Flash fiction can be addictive!

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F = Fantastic Fiction
L = Lines that Hit Home
A = Amazing Characters
S = Stories with Impact
H = Humour and sometimes with a twist too.

F = Fairytales with Bite
I = Imagination is fired up!
C = Can cross genres
T = The word count is the main thing to watch
I = Insist on ruthless editing to cut all that is unnecessary
O = On the look out for markets and competitions
N = Never underestimate the time taken to craft your tales!

Allison Symes – 18th December 2018

Goodreads Author Programme Blog – Christmas Wish List

Naturally I’m assuming books are high up on your Christmas wish list. I would like to add to that though the following:-

1. More time to read!

2. More time to re-read old favourites. Does anyone else feel a pang of guilt sometimes when you really want to go back to a novel you’ve read a few times when you know there are so many other books you really should be getting on with and reading? That you actually want to read but the “clarion call” of the old favourite just can’t be resisted.

3. Being able to read “children’s” books without feeling guilty or embarrassed. Incidentally I understand the point of more grown up covers for certain books to get around this issue but for me this doesn’t really work. I like the original covers far better in the majority of cases and want to stick with those!

4. That all adaptations of stories and books do justice to their source materials. Too many don’t!

5. That I can always find a bookmark when I want one. (I either have LOADS when I don’t need them or none at all. Don’t ask… it is the way it is!).

Hope you have a book and story filled Christmas. The joy of the winter months is WANTING to stay indoors and curl up with a good book!

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Celebrations, Reading Work Out, and Framing Stories

A nice mixed bag tonight I think!

Facebook – General – and Chandler’s Ford Today

My CFT post this week is the review of the recent Bridge House event, Celebrations, Crackers, Chapeltown, and Cafelit, though I’m quite pleased I managed to come up with an alliterative title! I also look at how reading work out is useful to writers, as is listening to others reading their work out. For one thing, you literally hear a story’s rhythm and can apply that to your own stories.

Many thanks to Dawn Kentish Knox for kind permission to use some of the images in this piece. I’ve yet to find a way of reading work out and taking my own pictures of me doing this at the same time! (Oh and before you ask, I am really not keen on selfies!).

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My CFT post this week will be a look back at the Bridge House celebration event held on 1st December. I’ll also share some thoughts on the benefits of reading work out loud and on being read to, both of which are lovely!

One of the nicest things about this time of year is that it is very much a time for stories, which is a theme I will be looking at for CFT before too long. Naturally, I love the Christian Nativity story but I also love those wonderful tales associated with it. For example, how did the robin get his red breast? By burning himself on a fire he was fanning to keep a fire going to keep the Holy Family warm.

I also like to have a general review of the year (and also a specific writing review. How did things go? Did I achieve all the goals I set myself? What goals would I like to set for 2019 etc?). So that’s my CFT posts sorted until the year end! Just have to finish writing them now…

One of the great joys of stories (both writing and reading them) is their escapism value, especially if the news is particularly grim. That shouldn’t be underrated.

Whether you read or write humour, horror, sci-fi, or what have you, a story, of whatever length, should transport you into its world. You should be happy to stay there for the duration too! That, ultimately, I think is the biggest challenge to a writer. But it’s a great challenge to have a crack at!

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I like to choose themes which can be open ended. Love, for example, can obviously provide happy stories. It can also provide tragedies, something Shakespeare took good advantage of in Romeo and Juliet.

I’ve found that picking the theme I would like to use and then deciding on the mood of the story is so helpful in giving me a “frame” for my story. Then the title comes into play and again I try to choose one which is open, unless I specifically want to put a twist into the tale right at the beginning (my Punish the Innocent is a good example of that).

I find it useful to have my “frame” and then write. It helps me focus.

When drafting a story, what is the first thing you are keen to get right?

For me, it’s ensuring I know my character well enough to know how they would react/act regardless of what situation I drop them right in! (Dropping your characters right in it can be a great way of finding out just what they’re made of). I also like to know what would shake my character out of their sang-froid and what their general beliefs are. Naturally, there should then be something to challenge all of that!

I like to use things that inspire me as a source of story ideas. The great thing with this method is what inspires me and how I combine these to create a new tale will help my writer’s voice to come through. Nobody’s tastes and inspirations are exactly the same. The way these are combined will also differ from writer to writer. So list what your inspirations are. Think about how you can use these. At the very least, you should find some great themes emerging. Good luck!

Fairytales With Bite – Why Fairytales with Bite?

It occurs to me I should have written this post long ago but never mind!

I use the phrase “fairytales with bite” as a lot of my flash fiction work, in particular, is set in a fantasy world and I use a lot of irony. There really is a bite to a lot of what I write. I like quirky writing – my own and that of others! I also use twist endings a lot and there can be a great deal of bite behind those. I am, after all, looking to make an impact with my stories.

My catchphrase is also a reaction against those who think fairytales are twee. I know I’ve touched on this topic before, here and on other blogs I’m involved in, but fairytales can show up human nature for what it is and are anything but twee as a result. Think of all the tales where kindness is rewarded and/or greed is punished. What happens to the villains in lot of fairytales is anything but twee!

Of course, with the Big Bad Wolf, you could argue the fairytale with bite is literal here!

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This World and Others – Reading Work Out Loud

This theme ties in with some thoughts I share on this as part of my Chandler’s Ford Today post this week called Celebrations, Crackers, Chapeltown, and Cafelit.  The latter is a look back at my publisher’s annual celebration event but one part of this is where some of the writers, including me, read some of our stories out to our audience.  Good fun whether you’re taking part or not, but for a writer it’s incredibly useful and here are some reasons why.

1.  You quickly realise if you stumble over words, so will your readers, so out comes the editing pen again.  Always better though that this happens before you submit the story anywhere.  By reading the work out to yourself before submission, this acts as another editing layer and can save your blushes!

2.  You literally hear the rhythm of the story.  There should be a natural ebb and flow to it.

3.  Especially if you write in a genre where you’re inventing names/place names etc, you can literally hear if what you’ve come up with is pronounceable!!  So no more Xxxrbtrzog (try saying that sober yet alone if you have had alcohol!) but something like Xerstone is “do-able” and still conveys to a reader they are in a setting NOT of this world.

4.  As you listen to someone else’s work, take note of what makes a real impact on you.  Is it the power of the dialogue?  Is the sentence structure hitting home well?  I usually find short, simple, and to the point works best.

5.  As you listen, watch out for where you are anticipating what comes next.  What MAKES you wonder what comes next?  Can you apply those thoughts to your own writing?

6.  We all love a story, it’s why we’re writers, and the oral tradition of storytelling is fantastic.  Without it we would have no stories at all so it is a joy to take part in and kind of “support it” ourselves.

Love your reading!

 

 

 

Celebrations and Acronyms

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Had a fabulous time at the Bridge House celebration event in London today. Great to meet up with friends and fellow writers once again.

In no particular order, I’d like to give a shout out to Paula Readman, Ana and Russell, Dawn Kentish Knox and her lovely mum, Pat, Gail Aldwin, and Amanda Huggins. Meeting for lunch in a pub before the event was a fantastic idea! It was nice that the venue was so easy to find from Southwark Tube Station too.

Lovely to hear some great stories read out. Lots of twists and surprise endings, several of the characters I would be very wary of were I meet them in life (!), and it is SO nice being read to!

I read Circle of Life from From Light to Dark and Back Again, Moving On and Time for a Change which were published on Cafelit fairly recently. Laughs and applause were much appreciated by me so thank you all.

Above all, thanks to Gill James and Debz Hobbs-Wyatt for all their hard work behind the scenes at Bridge House, Cafelit and Chapeltown. (I plan to write a Chandler’s Ford Today post on this event in the not too distance future and will share more photos there and then).

Below are just some of the authors who read works out during the celebrations.  All of the stories read were excellent and had the audience spell bound.  Many thanks to Dawn Kentish Knox for taking the photo of me and for kind permission to use it.  Also thanks to her for other images used further down in this post and for the one I’m using as the feature image for this post.

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Some signs of really good stories include:-

1. Promising opening line that MAKES you want to read on immediately.

2. You loved the story so much you feel disappointed when it ends.

3. You remember it (or in the case of novels, for example, you recall your favourite extracts).

4. You’ve read that opening line but CAN’T read on immediately and rush through everything else you’ve got to do so you CAN! OR If you can’t rush through, part of you is inwardly gnashing your metaphorical teeth, until you can sit down with a cuppa and get on and read the story!

5. The real classics become a tradition. The best example of this, of course, is Dickens’ A Christmas Carol.

6. In the case of twist stories, you really didn’t see the surprise coming. It is only when you re-read the tale, you spot the clues. Roald Dahl was the past master of this in his Tales of the Unexpected.

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Time for some more writing acronyms. I expect some of these will ring a bell or several.

OFD – On First Draft
SOFD – STILL on First Draft
DAASD – Don’t ask about Second Draft
EWE – Editing, What Editing?
PDHRN – Printer Died Halfway (through) Running (out) Novel
WCINFAP – Why Can I Never Find A Pen (when I call myself a writer)?
RFOMN – Room For One More Notebook
DWD – Deadline, What Deadline? (Theme emerging here I fear!).
PWP – Procrastination, What Procrastination?
WSWPS – Will Start Writing Properly Shortly – linked to PWP inevitably.

If there is one thing I don’t miss from the “good old days”, it is having to cut and paste literally! I also don’t miss carbon paper.

Has the PC spoiled us all? Perhaps but it is a boon knowing I can correct material easily and can move passages of writing around as I want to and without having to then photocopy the new sheet with the amended bit on (as the copy wouldn’t look as if it HAD had anything added to it!).

I suppose the one thing I really DO miss from said good old days is that reading lots of stories and books was something, if you will pardon the pun, that WAS taken as read. Now we have to encourage reading as much as possible. That isn’t a bad thing obviously but it strikes me we are detecting a “reluctance” that has to be overcome somehow. Why is reading seen as a poor relation to other forms of entertainment?

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There were some great flash fiction pieces read out at the Bridge House/Chapeltown/Cafelit celebration event in London today. Many congratulations to all.

I’ve found the biggest benefit from writing flash fiction is it teaches you quickly how to REALLY edit! You learn to write with precision and that skill can be transferred to whatever other writing you do.

Must confess I am feeling somewhat tired and I swear I was only on tea and orange juice today!! (More pics to come in a future Chandler’s Ford Today post in a couple of weeks time).

(I don’t know when they got the Christmas tree up at Waterloo but it looked nice, as always).

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Questions to ask yourself when writing flash fiction:-

1. What do I want the impact to be on the reader?

2. What mood is the story? (Some titles could take you in several directions so I find it helpful to work out whether it is going to a sad tale, a funny piece, or what have you and then think about a title).

3. Would this story work best as a short, sharp piece (say 25 to 75 words) or expanded a little so there is more depth (say 100 to 500)?

4. Which market/competition am I aiming at? Always have your audience in mind! It directly affects how you write the piece.

5. If writing to a familiar theme, think about the unique take you can bring to it. For example, if you’re writing a love story, what will make that stand out? Dig deep for ideas. The first ones you come up with will inevitably be the “obvious” ones. So search a bit more and a bit more…

It is ironic cliches are usually avoided in fiction (and is that in itself a cliche I wonder?!). However, they can have their uses in flash fiction. Why? Because they can be a useful short cut to conjuring up images you want your readers to conjure up. Because they can tell you a lot about your characters. Because they can save a lot of words!

However, the trick here is to not use the cliche directly. I sometimes use a cliche as a title but in the story itself I twist it. One example was a story I drafted a year or so ago at Swanwick where instead of using “take the biscuit” I came up with “take the Garibaldi”. That made people smile when I read my piece out but it should put a picture in your mind as to what kind of character would think automatically of a Garibaldi as THE biscuit to go to! Equally had I said “take the cheap Rich Tea”, that would, I think, create in a reader’s mind an image of a very different character.

The idea here then is to use the cliche but don’t let it use you. Do something different with it. I know I get tired of reading cliches when I come across a lot of them in a story (and it does happen) but the odd one or two, ideally with a twist to them, is fine.

Advantages to writing flash fiction include learning how to REALLY edit, keeping to word counts, and writing precisely. (That is the only way to keep the word count to where it should be). You have to think of the strongest word to convey the greatest image and to again save on word count. No weak images here, thank you!

You are also thinking about the impact of your story on a reader as giving this some thought early on will dictate the way the story goes and save you some time and work in editing later. Putting yourself into the mind of a potential reader will ensure you are writing with an audience in mind from the outset (which will help when it comes to finding a suitable publication to submit the story to as well).

Goodreads Author Programme Blog Being Read To

When was the last time you were read to as an adult?

For me, that was this afternoon – 1st December 2018 – but more on that in a moment.

I have, as I hope you have, many fond memories of being read to as a child. It instilled a life long love of books in me at a very early age. Thanks to Beatrix Potter, I learned the meaning of the word “soporific” early on too! Good books can do wonders for your vocabulary.

This afternoon I was at the Bridge House/Cafelit/Chapeltown Books celebration event. My favourite time was listening to published works being read out by fellow authors (and I read some too). Let’s just say there are some characters I heard about today I am so glad I can never meet in life. One in particular had a penchant for getting away with… well to say more would give the plot away! Oh and I wouldn’t want to meet all of MY characters either!

But it was such a joy just sitting back and listening. I love audio books but there is nothing to beat hearing an author read out their own work. Dickens was definitely on to something there! I don’t know quite what it is but, even in a tale that has you gripped to the edge of your seat, there is something soothing in being read to.

 

 

 

 

 

 

 

 

 

HOW STORIES SOUND, DESCRIPTIONS AND CLARITY

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I’ve read my stories aloud at times to literally hear how they sound (and have sometimes recorded them so I can play them back too. This is particularly useful if you need to time a story). If you trip over your dialogue, your readers will too so definitely time to get the editing pen out again.

It is an oddity that what looks okay written down suddenly isn’t okay when you read it out loud. You can hear where the text sounds awkward. My More than Writers post, due up on the Association of Christian Writers blog tomorrow, talks about clarity. (Link to come tomorrow). One thing I discovered a while ago is that simple, clear writing is a joy to read and it can take several rewrites for an author to get it to that stage. It is worth the effort though.

I’ve forgotten who said that the professional writer is the amateur who didn’t quit, but there is a lot of truth in that.

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I don’t necessarily choose the mood of the story (or the main character) before I start writing. Often the theme can mean the mood of the story can go in a couple of different directions and my job then is to pick the outline that seems to have the most promising characters that I can do something with!

I like it when one character clearly stands out. You find yourself rooting for that character to succeed (usually). It is their story so it’s my job to let “them” tell their story their way. That disguises a lot of editing and ensuring that all the information you’ve given the reader marries up, is only what they absolutely need to know etc.

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Am glad to share the link to my monthly spot on the Association of Christian Writers’ More Than Writers blog. I talk about clarity this time.

I discovered the Plain English campaign have a gobbledygook generator. Yes, really! Had lots of fun clicking the box and seeing what garbage emerged… all based on real examples too. It’s a great example of how NOT to write!

CLARITY POST - Clarity - image via Pixabay

Should clarity, rather than cleanliness, be next to godliness?  I think so!  Image via Pixabay.

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Clarity of thought should lead to clarity of expression.  Image via Pixabay

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A recent CFT post of mine but the questions can help you ensure your writing is beautifully clear.  Image via Pixabay.

The basic kit for a writer - image via Pixabay

The writer’s basic toolkit – image via Pixabay

Some of the tools of the scrivener's trade here - image via Pixabay

The tools of the scrivener’s trade. We’ve come on a bit since then! Image via Pixabay

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Ebooks and print – both have their own frustrations when it comes to publishing. Image via Pixabay

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Books are the keys to knowledge. Image via Pixabay

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News just in, as they say! Two of my stories will be on Cafelit – one on 5th May and the other on 5th June. Will share links on the days. Very pleased. Don’t think I’ll ever tire of hearing something I’ve written has been accepted!

Having acceptances is obviously one of the highlights of writing, but what about the downside? Yes, the rejections would come into that category but, for me, I’m more despondent when the writing simply isn’t going as well as I’d like. Rejections I see as par for the course and I try to learn from them and see where it is where I may have gone wrong. If it is just down to editorial taste, then I can submit the story elsewhere. So generally I can get something positive out of this.

But when you are keen to write and it seems like a struggle (and it happens to us all), that is more of a challenge to deal with. I tend to have a break away from whatever it was I was working on to write something else or brainstorm ideas for future projects. I’m not sure why it is but whenever I write something else, ideas come to me for the original thing I was struggling with. Distraction therapy perhaps? All I know is that it works.

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I’ve been enjoying the different flash fiction collections put out by Chapeltown Books and this has proved to be a great way of ensuring I read plenty of contemporary fiction. (Reading enough classic fiction is never an issue!).

A good reading “diet” should include contemporary and classic works and non-fiction. I see all of this as feeding the mind as you never know when reading something triggers ideas for your own stories. The more you read, the more you cast your “net”, and the more likely it is you will have those “sparks”.

So happy writing – and happy reading!

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My flash fiction collection from Chapeltown Books!

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Mandy’s flash fiction collection from Chapeltown Books. Image kindly supplied by her.

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Gail’s flash fiction collection from Chapeltown Books. Image supplied by Gail Aldwin. Also note the Chapeltown Books branding of a frame around an image. Simple but effective

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Gill James reading from her January Stones collection. Image by Allison Symes

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman

Paula Readman, Dawn Kentish Knox and I celebrate where our stories have appeared! Many thanks to Paula Readman for the picture.!

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Some of the books I’ve appeared in and FLTDBA of course. Image by Allison Symes

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Given flash fiction makes its readers fill in the gaps due to the word count restrictions, it is also a great way to conjure up other worlds which reflect on our own.

A reference here, a name of a character there etc will carry weight based on what we know of that reference and name. The world might be strange but the reference or name are not and it makes filling in the gaps easier. What is really nice is when you know that reference or name will make the reader smile because you know what they will associate it with.

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Descriptions can be tricky. Too much information and you switch the reader off. Too little and you can’t conjure up enough of an image for your reader to “hook into” so they can get right into your story’s world.

Flash fiction, of course, by its nature means you have to be sparing with the details so the trick is to find the most powerful image in the shortest number of words. (Well, it IS meant to be a challenge!).

I ask myself what are the images I want my reader to definitely pick up from my story. This is where outlining your thoughts before writing the story is so helpful. It makes it easier to select the telling details that absolutely have to be in the tale.

You can also mark those others that would be useful to have in if you have sufficient word count spare but would not spoil the story if they weren’t included. It has been my experience there usually isn’t the word count spare (unless I am writing right at the upper range for flash). Focusing on what HAS to be in is, I find, the best place to start. Anything after that is a bonus but should still only be included if it does something useful such as giving depth to your tale.

 

 

 

 

 

 

 

 

 

 

 

 

FAIRYTALES, TRUTH, AND NETWORKING

Now there’s a combination!

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My latest Chandler’s Ford Today post is called Networking Tips. Fellow Chapeltown Books author, Mandy Huggins, and I both share our thoughts on networking here and we hope you find the post useful. Many thanks to her for her pictures. Also a big thank you to Paula Readman for kind permission to use the picture of Dawn Knox, Paula and I which was taken at the Bridge House celebration event last December.

I remember being so scared of the thought of having to network when I was first starting out as a writer. It was really only when I realised networking meant talking about something I love – books, stories etc (generally, as well as my own) – that I relaxed. Can I talk about these things? Yes! The problem can be stopping me! (But that is how it should be. I don’t see how you can commit to writing as a long term love unless you are enthuasiastic about stories. Given the ups and downs of a writer’s life, writing has to be thought of as a series of hopefully achievable goals over a reasonable period of time. There are no shortcuts).

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Questions I like to ask of my characters from time to time include:-

What would you say was your best trait?
What would you say was your worst one?
What drives you and why?

I inevitably don’t use all of what I come up with here in the stories themselves but have found having a good working knowledge of what my characters are really like makes it so much easier to write convincingly about/for them.

It is worth taking the time out to flesh out your thoughts here before you write your story. (Scrivener is great here with its character and setting outlines in its short story “mode” but you can create your own template of things you should know about your “people” before you write their stories down).

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What are your writing “likes”? Some of mine include:-

Decent one-liners that make me laugh.

A story that shows me motivations or stresses characters are under that I might not have considered before. For example murders are committed for serious reasons and to what appears to others to be trivial ones. Yet a good story will take you into the mind of that murderer and show why the trivial reason isn’t trivial to them.

Good, sharp pace with quiet bits in between giving me good background on the setting and characters, knowing said quiet bits are gearing the reader up for the next big scene.

A satisfactory ending, which is not the same as a happy one necessarily. The ending has to be right for the story and the main character. It won’t feel right if the match isn’t there.

Characters I can rally behind (or metaphorically boo for) but either reaction has to be genuine. I don’t want to see the author’s hand making their characters act in a certain way. The characters’ acting has to be realistic for those characters.

I love getting to the end of a story or novel and in a sense wishing neither had ended. Always a sign of a well told tale! Going back over a story/novel and picking up the bits I missed first go around. This is particularly true for a detective novel. I always miss some of the clues on the first read!

I like a happy ending where the hero/heroine has “earned” it. I also like to see villains get their comeuppance but again in a realistic manner. Villains generally are not going to fall apart. They can be caught out.

Every word to count… Funnily enough that doesn’t necessarily mean everything has to be short but that each word is appropriate for the story being told. In P.G. Wodehouse’s stories so often he uses very long sentences (he’d never get away with it now!) but not a word is out of place and indeed especially when Wooster’s narrating the long-windedness is part of (a) the character’s charm and (b) the character’s characteristics!

Positive developments in characters, especially a character that goes on to make something good out of themselves.

I like pinpointing moments of change in a story and watching the drama unfold.

Feeling a slight sense of envy I didn’t write the story/novel I’ve enjoyed is a good sign – and nothing but a compliment to the actual author!

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It is only in looking back at stories that make up a collection, you really get to see what influences came out. FLTDBA has a nice mixture of influences – fairytales, nods to films, Frankenstein, poetic justice, and Pride and Prejudice to name just some.

I guess this shows why you should read widely (in whatever format and including non-fiction) because you are feeding your imagination. What drives you to write the stories you do? Your own influences/thoughts. Why have you got those influences and thoughts? Almost certainly thanks to things you have read that rang true for something deep inside your creative self.

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The right ending for a story is the one that is most appropriate for it. It doesn’t need to be happy necessarily. Indeed, quite a few of mine in From Light to Dark and Back Again are definitely not of the traditional happy ever after variety!

I remember being stunned when I first read Hans Christen Andersen’s The Little Mermaid. You expect everything to work out okay (after all, isn’t that how fairytales are supposed to turn out?) and then it doesn’t! And I won’t say more than that. No spoilers here. It does pay to read the fairytales. They’re often darker than people think and have more layers. The Little Mermaid is a tale of sacrifice when all is said and done.

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What do I most like about writing? Well, here’s a few thoughts.

Coming up with characters who spring to life and develop in front of your “eyes”.

Coming up with world(s) that fascinate you.

Coming up with villain(s) that fascinate you!

Coming up with hero(ines) that also fascinate but show why they are the good guys. They’ve got to have a good cause, literally.

Being able to write short length stories from flash to standard length (up to 2000 words) to novels to plays… the only limit is your imagination.

You can explore ideas.

You can discover ideas from the characters you develop, not just in terms of new story ideas, but you get to learn how your “people” think and why. Could it change how you feel about issues? Can be fun finding out!

Receiving feedback which helps you improve your work (this is not necessarily complimentary, though nice responses are obviously nice, but so you can see how well you “got through” to your reader).

Winning or being shortlisted for competitions is a huge morale boost.

Getting to talk about your work at writing festivals and enjoying hearing about others’ work. I love both aspects here. I think it’s like a kind of celebration of the work of the imagination.

Fairytales with Bite – Fairytales and Truth

I’m sure you must have come across at some point someone saying something like “it’s just a fairytale”.  That phrase has always annoyed me.  There is nothing “just” about a fairytale.

When examined closely, the vast majority of fairytales contain at least one element of truth in them (and often much more).  Yes, fairytales do tend to follow character type but there is a lot of truth in those.  What does the wicked witch represent?  Those who are prepared to use the power they’ve got to control others or who are prepared to do anything to gain power.  Who does the good fairy represent?  Those who use their powers for the good of others.  And that’s just to name two examples. We can all think of real life people who can fit into those categories so fairytales do reflect humanity as we know it.

Hans Christen Andersen showed that fairytales do not always have happy ever after endings.  (While it surprised me the first time I read his The Little Mermaid here, I have a greater appreciation now of the truthfulness of his characterisation and the way the story does end).  Fairytales can sometimes get across a certain amount of social commentary (again see Hans Christen Andersen’s The Little Match Girl here).

So I do wish some people would stop being dismissive of fairytales.  There is a lot more to them than may at first be apparent.

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This World and Others – Networking In Your Stories

My Chandler’s Ford Today post this week is all about networking.  Fellow Chapeltown Books author, Mandy Huggins, and I share our thoughts on this and I hope you find it useful. But it led me to wonder what kind of networking goes on inside the world of our stories.

How do our characters meet each other?  Have they known each other for years?  What are the social networks in the worlds you’ve created?  What happens to those who defy convention here?

Our stories won’t necessarily spell out all of that but readers should know why the characters are interacting the way they do.  If they hate each other, that is bound to be a major factor in how your story develops and the reason for the hate should be shown.  (I don’t think you can ignore the fact they hate each other, it must be what is driving your story.  I can’t see how it would be otherwise).

Is there such a thing as an old boys’ network in your world?  Who benefits or suffers because of it?  Is there a class system and can people/beings cross the divides?  If your world just has one major species, there should be some sort of hierarchy within it.  How does this work?

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My latest CFT post. Mandy Huggins and I discuss networking. Image via Pixabay

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My flash fiction collection from Chapeltown Books!

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Mandy’s flash fiction collection from Chapeltown Books. Image kindly supplied by her.

Amanda Huggins reading from the Ink Tears showcase anthology Death of a Superhero at the launch party in London December 2017

Mandy Huggins – reading is a great way to network with your readers. Image kindly supplied by Mandy Huggins.

It is always good to meet readers and even better when they read you - image via JW

Networking with readers at the Chandler’s Ford Book Fair in 2017. Image from Janet Williams, CFT’s amazing editor.

Setting the mood classically perhaps - image via Pixabay

Setting the mood with music. Image via Pixabay

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Humans are immensely creative - image via Pixabay

Let those ideas flow! Image via Pixabay,

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The familiar sight of the writing desk, regardless of genre! Image via Pixabay.

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Sound advice. Image via Pixabay

From diving board to keyboard via Pixabay

The keyboard beckons…

 

 

 

 

INTERVIEWS AND UNUSUAL BUS JOURNEYS

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My latest Chandler’s Ford Today post is part 1 of my interview with fellow Chapeltown Books author, Gail Aldwin. She shares how her around the world bus journey inspired her flash fiction, especially her story, Paisley Shirt, which is the title for her new collection. Part 2 next week will see Gail sharing writing tips and her thoughts on “real” books and ebooks amongst other things. Plenty of insights for writers and readers to come.

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My Chandler’s Ford Today post this week will be Part 1 of an interview with fellow Chapeltown Books author, Gail Aldwin, whose flash fiction collection, Paisley Shirt, is now out. She shares travel tales from around the globe and looks at where paisley comes from. It is not often the East India Company gets a mention in my posts but it does here!

Part 2 will feature writing tips, a discussion on characters etc. Link to Part 1 will go up tomorrow.

There are so many things I love about interviewing other writers. Some of these things include finding out what inspires them, how links form between something they may have read years ago and a story they’ve written now (it can be amazing what conscious and sub-conscious influences come out when you’re writing), and the tips they’ve found most useful.

I also really love the way Chapeltown Books have such a distinctive image for their flash fiction collections. Okay, so my From Light to Dark and Back Again is one of them. Okay, so I AM biased (!) but if you wanted to see an example of effective branding, I would say this is a good one.

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What do you like most about interviews (regardless of format)?

I like those questions that draw the interviewee out and interviews that really do seem like it is a conversation written down or broadcast or what have you.

One great thing about writer interviews is that, regardless of the genre being covered, we all face the same challenges of getting the story down, editing it well, hopefully getting it published and then marketing it. That does give a lot of ground in which to find lots of lovely questions to ask!

Sometimes you can strike gold when your interviewee reveals something that you instantly recognize you’ve got to ask them more about. It is often about the most unexpected things too. My CFT post later this week contains such a gold nugget! Link to go up on Friday. All I’ll say now is it involves transport!

 

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The joy of flash fiction is its brevity. No words wasted. A powerful impact on the reader made very quickly. But, as with the standard short story, all moods and emotional reactions can be covered in the form (which is why I called my book what I have!). Indeed, I think it a good thing that there is variety here. I like to see my flash collection as a “selection box” of moods and stories.

I suppose it’s indicative of human nature that no one person likes the same thing all the time. I love humorous fiction but also appreciate crime stories, historical tales and so on and I like to mix up what I read too. I wouldn’t want to just read (or indeed write) one thing all the time. Another joy of flash is that you can sample different styles of writing and moods very quickly. You could even use a flash collection to try out stories in genres you’ve not read before.

Happy reading and writing!

 

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Write what you know, so they say.
But influences come out in your every word.
Sometimes they’re buried away
For years but they will find a way of being heard.
Time means nothing there, you’ll find.
So read widely, both non-fiction or a tall tale.
You’ll feed your creative mind.
Ensure the whole story does not stumble or pale.
Strong “people” reflect our best
While the weak characters will reflect our worst side
Write, rewrite, then let it rest
Every writer has to have a skin made of hide.
Some will not get what you do.
But it’s true you won’t like everything they invent
Rejections can make you blue.
It’s all part of the process you can’t circumvent.
Ask where your story would fit.
Target well, it improves your chances of a hit!

Allison Symes – 15th March 2018

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I have a framed poster above my desk which says “Don’t ever give up on your dreams”. (Good advice. Okay, sometimes the dreams have to change for myriads of reasons. Just because you can’t be a novelist that doesn’t stop you from becoming a short story writer etc). But it also struck me this line could be a great motivator for a character.

What are the character’s dreams? Just what are they prepared to do to achieve them? What obstacles are in the way? Is he/she/it encouraged or are others holding them back? (You could also look into what their agenda was).

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What writing triggers will help you create your new worlds? Image via Pixabay

Time to find a new place to call home perhaps - what stories could that lead to - image via Pixabay

Time to have another home perhaps? Good stories to be had here! Image via Pixabay

Note taking is an invaluable aid to retaining what you learn at conferences, image via Pixabay

Write, edit, write, edit… image via Pixabay

Nobody gets their ideas spot on immediately, image via Pixabay

Nobody gets their ideas right first go. Image via Pixabay.

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Escape with a good book, it’s good for you! Image via Pixabay

Fairytales with Bite – What is Behind Your Stories?

In my interview with fellow Chapeltown Books author, Gail Aldwin, for Chandler’s Ford Today this week, she shares with me how her round the world bus trip influenced her flash fiction.  She also shares some of the research she carried out into where paisley comes from given the title of her flash fiction collection is Paisley Shirt.  One of the things I love about these kind of interviews is discovering what has influenced a writer to come up with what they have!  There are so many influences…

This is also why every writer, regardless of genre, should read widely and well in non-fiction and fiction, classic and contemporary works.  You are literally feeding your mind.  You can’t know in advance what book it is you read that will spark off ideas of your own.  You will just know it when you come to it.  So have plenty of fun reading lots of lovely books!  It is good for your own writing.

I used to worry about picking up other writers’ styles doing this but have found it not to be the case.  I read something that sparks off an idea in me and I then write that idea down in my style only because, well, it is the only style I have.  After all, doesn’t every author want their work to be uniquely something from them?  That’s where the joy of writing is – in creating something that is unique to you.

A lot of the fairytales are retelling of stories passed down orally over many generations.  Sometimes there can be agendas behind stories.  Hans Christen Andersen must have had concern for the poor as his agenda behind The Little Match Girl (and probably the hypocrisy of people being horrified at what happened to his character yet doing nothing to allievate suffering themselves).

So what is behind your stories?  Why have you created your characters as you have?  I was surprised when I was looking back at my draft of From Light to Dark and Back Again how often the theme of poetic justice came up.  That wasn’t planned (well not consciously anyway).  I also hadn’t planned the variation in moods of the stories that formed the book (though it did help inspire the book’s title!).  Look back at what you have written and see if you can spot what is really behind it.  It may well inspire other stories!

This World and Others – Character Journeys

My latest Chandler’s Ford Today post features fellow Chapeltown Books author, Gail Aldwin, and how her round the world bus journey influenced her flash fiction.

The obvious character journey (well for me it is!) is that of Frodo Baggins in The Lord of the Rings.  Everything about this story is epic!  However, character journeys can be much smaller than that.  Scrooge went on a journey of sorts as he transformed from a miserable miser to a generous (and much happier) man in A Christmas Carol.

So what journeys are your characters going on? If it is a physical journey, why are they making it?  Do they like travelling or is is something where they have no choice?  What obstacles must they overcome?  What is the landscape like?  Are they from a background where travelling is normal?  (It generally wasn’t for hobbits so Frodo’s journey was unusual from that angle).

If the journey is more of a character development one, is the journey a good one or a bad?  (People can go from being good to bad, so why not characters?).  Is it a successful journey?  What is the impact of the character change on them and those around them?  Change can threaten others so how is this dealt with?

 

 

 

LIKES, DISLIKES AND SIGNS OF SUCCESS

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My latest Chandler’s Ford Today post is the first part in a new mini-series by me called 101 Things to Put into Room 101. I cover 15 items in this post. See what you think – do you agree? What would you put into the dreaded vault of doom? Funny answers particularly appreciated!

The post was great fun to write and I’m looking forward to writing the rest of the series.

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We all have our likes and dislikes but what are your characters’ choices here? What is behind their likes and dislikes? Were they forced to accept (for example) a food choice and then the moment they were “free” rejected it? Have they taken a like or dislike to something because their people expect them to or, again, are they rebelling against that expectation?

All characters need to have strong motivations for their actions but this can also apply to their likes and dislikes too. After all, it will be those traits that will directly influence their action. Most people loathe injustice, for example, but that loathing will be intensified if they have ever been the victims of it, or know others who have been. Their dislike has been “focused” by what they have experienced.

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Many thanks to Gill James for sharing this post on Facebook!

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Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman

Paula Readman, Dawn Kentish Knox and I celebrate where our stories have appeared! Many thanks to Paula Readman for the picture.!

Lovely having an appreciative audience, pic taken by Dawn Kentish Knox

I read three stories from From Light to Dark and Back Again. Many thanks to Dawn Kentish Knox for the picture!

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Gill reads from January Stones. Image by Allison Symes

Gill talks with Dawn and I at the BH event, image taken by Paula Readman

Gill talks with Dawn Kentish Knox and me. Image thanks to Paula Readman.

Fairytales With Bite – Character Likes and Dislikes

What are your characters’ likes and dislikes?  This topic has come up as I’ve started a new series for Chandler’s Ford Today called 101 Things to Put into Room 101 (the latter is, of course, based on George Orwell’s 1984).  Now I know the reasons behind my 101 things (which I’ll share over about 6 to 7 weeks) but what are the reasons behind your characters’ choices here?

Also listing said likes and dislikes can help enormously when outlining.  You should get a much clearer picture of who your characters are and what really drives them in just listing these things.  In the magical world, there is generally a massive dislike of human interference (which is understandable.  What we would do with such powers, given what we have done to our own planet and indeed to each other especially in times of war, is something that could be the stuff of nightmares).  In your created worlds, what are the common things most people/alien beings/even dodgy wizards like/dislike?  How was this consensus reached or was it forced on people?

Even relatively trivial likes and dislikes can tell you something about a character.  A character who loathes broccoli, cauliflower and cabbage but can eat sweetcorn all day long if allowed to do so shows someone who can be picky (and who clearly has a problem with members of the brassica family!).  This could be exploited for comic effect or be used against them.  (An enemy poisons the sweetcorn supply possibly!).

This World and Others – Signs of Success?

One obvious sign of success for a writer is when their words pass into the language and become well known sayings.  Shakespeare is the obvious candidate for highest success rate here, though George Orwell must be unusual in that his Big Brother and Room 101 have been used to form the basis of TV shows here in the UK! How many writers can claim that achievement?  (Mind, what he would make of it is quite another matter, especially for Big Brother.  Room 101 has the saving grace of being funny).

I’ve started a new mini-series for Chandler’s Ford Today called 101 Things to Put Into Room 101 and I’m looking forward to writing the other posts to complete this over the next few weeks or so.  But it led me to think about what success would mean for a writer.

I think for Orwell it would be a question of getting his message about the evils of totalitarianism across well (as he does in Animal Farm as well as 1984).  I also think for most writers it would be a question of writing to the best of your ability and being published.  (Anything after that is a bonus!).

But what would your characters say were the important signs of success as far as they were concerned?  What is getting in their way of achieving that success?  Will they strive for that success at no matter what cost to themselves or to others?  What is the price they pay should they manage to achieve their goals?

Plenty of food for thought for story ideas there, I think.  Happy writing!

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Plans and Mini-Series

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Happily enjoying some of the latest Chapeltown publications on Kindle. That is the great thing with flash fiction – it is so easy to read on a screen (no matter the size of the screen!).

Am also drafting some challenging opening lines that I hope to create stories from soon. Sometimes this challenge leads to a longer story than expected (but that can always go to a short story – 1500 words+ – collection in due course).

I’d like to enter more competitions this year too as doing that is always good practice for writing to a deadline and if you are lucky enough to be shortlisted or win, then that does look so good on the old writing CV. You feel pretty good about it too!

One of the nicest things about writing is when you are well “into” it and enjoying what you are coming up with. You are your own first audience. If you don’t enjoy what you write, why should anyone else? Later, trusted readers who can tell you what does and doesn’t work are invaluable.

Happy writing!

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One great thing about writing is it does give you a much deeper appreciation for the works of other writers, especially the classics. For a work to stand the test of time, it really does have to have something special about it, but it is highly unlikely the author concerned set out to achieve that. They would’ve wanted to write a good, entertaining story, for it to be published (and ideally sell in vast quantities too!).

I think you gain a deeper appreciation of the work that went into creating the story in question. I know I’ve learned that if someone makes something look easy (and that includes writing which is easy to read), I can bet that same someone has worked very hard for years to get to that point.

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I’m starting a new mini-series on Chandler’s Ford Today this week. Friday’s post will be part 1 of my 101 Things to Put in Room 101 so this new series will keep me out of mischief for a bit then…

Link to go up tomorrow. Had great fun writing Part 1 so am really looking forward to getting on with Part 2!

I don’t know how many writers manage to achieve the accolade of having parts of their best-known work turned into TV programmes but Orwell is one of the few. What he would have made of Room 101 I don’t know (it can be very funny, sometimes thought provoking) but I suspect there might have been some scathing comments about Big Brother! (And I could always add some of my own there!).

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How easy is it to find the right title for your book? Answer: not very!

I used the mood of the stories to get to the title for mine but the title for the one I’ve not long submitted was more difficult to reach. In the end, I picked the title from one of the stories that I liked best and went with that. Am I expecting changes to my MSS? You bet!

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I know “luvvies” get their fair share of being mocked but the famous question attributed to them, “what is my motivation in this, darling?” is a great one for writers to ask of their characters.

Any character without a suitably strong motivation should be cut out. The good thing on that is their role might be a minor one but if it is pivotal to the outcome of a sub-plot, which in turn affects the way the main plot turns out, then that is good enough to justify that character and minor role remaining.

Motivations should be something the reader can understand, if not necessarily agree with. The main characters should, of course, have the most powerful motivations of all given they have the most to lose or gain.

 

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I often use proverbs or well-known sayings and then see what I can do with them to create my stories. Flash fiction in itself is the very definition of “less is more” after all!

Sayings are a useful source of themes and can sometimes give you ideas for character motivation. (For example, revenge is sweet could lead you to work out why your characters would want to make that saying come true for them. You’d need to work out backstory here – who they want revenge against and why? How do they make revenge sweet? Does it work or backfire spectacularly?).

What sayings would you choose to use for a theme? (The great thing is you could base an entire collection around a well-chosen theme. We’re never going to run out of love stories in the grand scheme of things but there is always room for the well-written one that takes a different slant on it. Okay the problem after that is finding the right home for it but at least you know every writer faces that dilemma and it definitely isn’t anything personal).

Creative writing takes many forms, including blogging. Image via Pixabay.

Creative writing takes many forms, including blogging. Image via Pixabay.

What a library! Image via Pixabay.

What a library! Image via Pixabay.

I could spend many a happy hour here - the library at Prague. Image via Pixabay.

I could spend many a happy hour here – the library at Prague. Image via Pixabay.

The magical world of the imagination. Image via Pixabay

The magical world of the imagination. Image via Pixabay

A way into the magical realm, perhaps? Image via Pixabay.

The way to the magical realm perhaps? Image via Pixabay.

The perfect way to unwind. Image via Pixabay.

The perfect way to unwind. Image via Pixabay.

 

 

 

 

 

 

 

 

 

 

 

 

 

SHORT STORIES

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When editing a story, I tend to check if my main characters are coming “through” well enough. I love using thoughts as a way of showing what my “people” are really made of (and it’s even more fun when they’re deliberately hiding this from the other characters in the story. You’re left wondering whether the others will find out the truth or not and this can be a great source of conflict if they do!).

If, by the end of the tale, I’ve got a clear picture of who my characters are, what drives them, and they engage me, then hopefully other readers will feel the same way and like them too. (Or in the case of villains love to hate them, which is also good).

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A great short story has to have:-

Strong, memorable characters

An intriguing start

A middle that wants to make you keep reading to see what
happens next (definitely no saggy middles)

A powerful and appropriate ending (and I do love twist endings as they end the story with a “punch”. Sometimes I’m pleased when I see the ending coming and basically, my guess turned out to be right, but I’m even more pleased when the writer wrongfoots me).

The right word count for the type of story it is. I like short stories to be 1500 words or so. Flash fiction is 1000 or under but I must admit I feel a bit short-changed if a short story comes in at 1200 words or so. It feels to me like the story hasn’t quite got the “legs” to go the proper distance.

(Many thanks to Dawn Kentish Knox for the picture of me reading from From Light to Dark and Back Again at the Bridge House event in December. Huge fun!).

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Some more Murphy’s Laws for writers:-

1. Your old PC will always play up when you’re trying to save the latest version of your MSS, especially something of novel length – and you have to save several times to make sure you HAVE saved it. (No longer the case for me I’m glad to say!).

2. You’re waiting eagerly for news of how you did in a writing competition. You check your inbox as often as possible at the relevant time. Nothing. You leave the PC for two minutes to go to to the loo, hear the unmistakable sound of more email coming in, get back to your desk as quickly as possible, only to find the new mail is selling you something you didn’t want, or offering you a date with a “hot” babe, which you also don’t want. The latter offers incidentally don’t seem to mind which gender they target.

3. You’re waiting for the author copy of your book to arrive. The days you stay in – guess what? Nothing turns up even though you know it is due. You pop round to see a neighbour or go to the local shops and come back to find… the “Sorry we missed you card” on your mat. Your vocabulary tends to veer into the brusque at this point!

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About a week ago, I set up a quick poll as to what was the most important part of a story, regardless of word count. Many thanks to all who voted.

I asked whether an intriguing start or a twist ending was the most important component. And the results are:- (Ta da… imaginary drum roll here!)

83% An intriguing start
17% A twist ending

I’m not surprised by that. After all, if the start of a story doesn’t grip you, the chances of you getting to the twist ending are slim indeed!

Having said that, an intriguing start still has to be well supported by what follows. There has to be “follow through”. If the ending disappoints, would someone read another story from that author even though the start seems very promising? I think there could be a case of “once bitten, twice shy” here.

So my view? I am a little torn on this one as I sometimes write the ending to a piece of flash fiction first and then work backwards. One great thing about doing things that way is you definitely have the twist ending and you can then work out the intriguing start that led to it.

Overall though, I would go for the intriguing start (as I also love coming up with a strong opening line and seeing where it takes me).

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Am glad that flash fiction has really taken off as a format and that Chapeltown Books now has a good range of publications to its name.

I love the “frame” around the powerful central images (see link) and think this is a great form of branding. The stories are pretty good too… Now I know I’m bound to say that but I wasn’t just referring to From Light and Dark and Back Again, honestly. Go on, check them out. Available in paperback and Kindle.

The small independent presses are a lifeline for authors and Chapeltown has particularly encouraged quirky fiction. Fine by me! I am a quirky writer…

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When is a tale a piece of flash fiction as opposed to a shortened story? When it has a “proper” beginning, middle and end and doesn’t feel as if more could be added to it.

I try to leave my stories on either a twist or punch ending (they’re not quite the same thing) so there really is nothing left to be said. I like people to be able to feel that the ending was an appropriate one (which, of course, is not the same thing as a happy one necessarily!).