Back to Earth, Special Moments for Writers, and Publication News

Publication News

My story, The Delivery, is now up on Cafelit. It looks at what can happen when you fall foul of the old boss and not just any old boss, come to that. Hope you enjoy. It was good fun to write!

brown envelopes in mail box

The Delivery! Photo by rawpixel.com on Pexels.com

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My CFT post this week was a real labour of love. (They all are but this one is particularly so). I get to talk about Swanwick Writers’ Summer School! I also look at why seeking to develop and feeding your mind is so important to a writer.

The lovely thing is you feed your mind through fabulous things like reading and interacting with your fellow writers! The best forms of development should be fun (otherwise you won’t stick with them, will you?).

Image Credit:  All Swanwick images taken by Allison Symes, except those of me reading at the Prose Open Mic Night. A huge thank you to Penny Blackburn for those. Captions as ever on the CFT post. (Also it was great to include here a photo of Jennifer C Wilson of the Kindred Spirits series at her Social Media for Writers talk at Swanwick, which rightly was very well received).

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Tough questions to answer:-

1. Why does time drag when doing anything boring yet flies by when you’re enjoying your writing and/or reading? The latter is when I want time to slow down, thank you. I wish there was a way we could control these things.

2. Why do you run out of paper and/or printer ink half way through printing a MSS you want to work on? Why can it never be at a convenient moment? I’ve lost count of the times I’ve had to re-run a significant portion of a MSS because I went and did something else during the printing, only to come back and go “argh” (or swear, much depends on my mood!), as I discover the last 30% or so is not readable.

3. Why are there either loads of writing competitions you want to go in for because you know you can meet the brief or none at all when you could do with them? You either have the dilemma of working out what you can do in the time and miss out on entering some because you know you can’t do them all, or have nothing to submit to, and neither is good!

Special moments for writers:-

1. Finishing first story/article/book. Just getting to the end is a huge achievement. Well done! (Many say they will write, many will start, not all will see it through and complete the work).

2. First rejection. I know it sounds odd but it is proof you are getting work out there. Also, all writers get them. You’re not going to avoid this (so it’s best to face up to this and remember it is never, ever personal). This is where it can be helpful to have a couple of pieces of work out there at any one time. There is always something then that might do better.

3. First publication.

4. First writing conference (and knowing you fit right in!).

5. First acceptance of a previously rejected piece of work. You’ve looked at the piece again, edited it again, and send it to another competition or market. They take it. I believe no writing is ever wasted. So what might be rejected now might, with more work, be accepted somewhere else later.

6. Discovering new competitions/markets to submit to – this is fun!

7. First review of something you’ve written (on the assumption it is a good one).

8. First shortlisting in a competition.

9. First book signing.

10. First taking part in a book fair etc with other writers. (Okay, getting sales is another matter but it is good experience and usually fun too. They can be great opportunities to engage with readers. I’ve nearly always found, after an event, my Kindle sales have gone up even if I didn’t sell many paperbacks).

Can you think of others to add to this list? I’ve treasured all of the above (and still do).

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Facebook – From Light to Dark and Back Again

Delighted to have my story, The Delivery, up on Cafelit today. Hope you enjoy.

Will be out and about over the weekend so hope to get more work drafted while travelling. It’s a great use of time!

 

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See the link to post in The Delivery. Photo by Lisa Fotios on Pexels.com

 

Which writing exercise do you find the most difficult?

For me, I think it is where you have to put a certain line in the middle of a story. I have written these but not often as I much prefer an opening line or a closing one.

With closing lines, I will “outline backwards” before writing the story up to make sure I get to the required line in a way that makes sense. Once I’ve got my outline I will look to see if I can improve on my initial thoughts. I nearly always can and then when happy with the outline, I write the story up.

But with a middle line, I’ve found the temptation is to cut the story into two halves. The problem with that is it may well come across to the reader as a story of two halves, which is not what you really want. So the trick there is to ensure you can’t see the join, as the wonderful Eric Morecambe so often said to the equally wonderful Ernie Wise!

What is your favourite writing exercise?

I love them all but I think for me it has to be the opening line. Why? Because a promising opening line can take you in all kinds of directions and that’s very addictive!

Usually with this I jot down a few thoughts as to where the story could go and then pick the one I like most and away I write. I do look at the ones I discarded again later and occasionally pick up on another one or two on the list. Why only occasionally?

Because inevitably those at the top of my list are the “obvious” ideas and while there is nothing wrong with them, a competition judge will have seen them all before. You want your own take on the theme that has been set which still meets that theme. You have to dig deep to find the gold.

One wonderful idea that came from Swanwick was to write down your first ten ideas. Having to come up with ten forces you to think more deeply (and laterally) about the topic and that is never a bad thing. And this can be applied to whatever kind of writing exercise or prompt you use too.

Fairytales with Bite –

Top Tips for the Aspiring Character

You are a character who wants to come to life on your creator’s page but they’re umming and ahhing about whether you are really the character they want to lead what they laughingly call their story. It is your story, naturally. They just haven’t realised it yet. So what can be done to make your writer give you your proper place in the tale?  Top tips include:-

1.  Ensure your personality is strong enough. Don’t be a doormat. Doormats not only get trodden on but, far worse, they’re forgotten. That must not happen to you.

2.  You must have good turns of phrase so your conversation is unforgettable too. If you can be witty and come out with appropriate one-liners, so much the better. Readers remember those. Your writer should remember that.

3.  Are you prepared for adventure? Are you happy for your writer to drop you right in it, several times if need be and usually from a great height? Yes? Good! They can do what they like with you then and they will like that.

Good luck! (And tell your writer to get a move on and get you in the story).

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This World and Others – Back to Earth

I had a wonderful week at the Swanwick Writers’ Summer School and now it is back down to earth once more. I share a little of what it is like at Swanwick on my Chandler’s Ford Today post this week. I do think you need at least a week to get over a holiday, wonderful writing school or what have you.

How do your characters react when they have to come back to reality after their adventures? Most of the time we don’t find out of course because the story stops when the adventure does. One thing I love about The Lord of the Rings is it does show that things are never the same again, particularly for Frodo, when he finally returns to Middle Earth. I won’t say more than that but I thought this part of the story is realistically done. Frodo would be affected by all that he has gone through.

All stories should show that your characters (especially your main one) have changed in some way, otherwise there is no story. Changes can be positive or negative. Now I must admit I generally prefer positive changes but there is a place for the opposite. What would work best for your character and story?

 

 

Swanwick Report 2 (This Time It’s Personal!)

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I was on way home from Swanwick as I drafted this earlier this afternoon. Not sure I’m ready to face the real world yet but the weekend will help.

Mind, it was lovely getting home to the family again, and I was mugged by Lady in a totally good way as well! One happy dog…

My CFT post this week is Making Space Part 2 and here I share thoughts and tips on this for writers. Hope you find at least some of them helpful.

Planning is key to my getting writing done at all and it pays to make space for that planning. It really does help you be more productive. Try it and see!

Image Credit:  Pixabay.  Captions on CFT.

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Publication News:  Cafelit

Busy night for me! I forgot to share this earlier this week but better late than never…

Am pleased to say my story, Life is What You Make It, went up on Cafelit on 12th August. Hope you enjoy.

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Why does Swanwick week always speed by? Glad to see sun come out in time for the Dregs Party held on the main lawn though.

Really encouraged on the non-fiction front and have written flash fiction stories too. Plenty to be getting on with when I get back home (and not just my laundry!).

The joy of writing is in being creative and discovering and enjoying new forms in which to write.

The joy of Swanwick is you know there are close to 300 people there with you who totally understand that.

Image Credit:  Swanwick pictures taken by me but a huge thank  you to Penny Blackburn for the one of me reading at the Open Prose Mic Night.

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I picked Getting Lost, Mirrored, and Test Pilot to read at the Swanwick Prose Open Mic night. Many thanks to Penny Blackburn for the pic (above).

Another full day of inspiring courses and workshops. It takes a while after you get home to process all you know will be useful to you but that’s fine. Knowing what you want to do is key and coming to Swanwick can and has been helping me hone in on that.

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Have three flash stories drafted as a result of Swanwick. All need polishing though. I never get as much writing done as I think I will at Swanwick, because your head (and notebooks) are full of ideas to follow up when you get back.

I also want to cherish time spent with other writers, most of whom I won’t see for another year. This is where social media is such a blessing in that it makes you able to stay in touch that way.

What was great was coming across a number of other flash fiction writers. The form is growing and that will lead to more fantastic stories. Win-win there!

The nice thing with writing for competitions is if a place doesn’t get placed, you have a story you can look at again and rework and submit elsewhere.

Most of the time you won’t be placed. Does that sound depressing? Perhaps but on the assumption there’s nothing wrong with your story, other factors happen such as:-

  1. The judge has already read a story very similar to yours and, for whatever reason, the other has the edge. There’s not much you can do here other than make your work as polished as possible and try not to go for the too obvious interpretation of a theme.

  2. For open competitions especially, judges may genuinely have a preference for a particular story type or genre and yours doesn’t float their boat. Just get the work out somewhere else appropriate.

Good luck!

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I love it when flashes of inspiration strike though nobody says they have to come at convenient times, unfortunately.

My awkward-to-get-to-a-pen moments include:-

Being in the shower when a real cracker of an idea turns up.

Being on the loo when etc etc.

Being stuck in traffic and I’m driving.

Longing to write when on a train but you’re packed in so tight even an exceptionally skinny ant would have trouble finding space. {Anyone come across an obese ant? Just thought I’d ask!).

Oh well…

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Fairytales with Bite – Making Space

My CFT post this week discusses why Making Space is a great idea for writers. See http://chandlersfordtoday.co.uk/making-space-part-2-the-writing-view/

I believe fairytales and fantasy fills the spaces between reality and chaos. Why? Because so many tales in these genres reflect what we can be like, while others give strong moral messages. Why do we need such things?

  1. To guide us as to what our behaviour should/should not be;
  2. To show us what life could be like without kindness, gratitude etc. Would you really not want things to come right for Cinderella, for example?

As writers, we also need to give our characters space to develop in themselves and as part of the plot development. A character who doesn’t change will be of little interest to readers.

This World and Others – Entering Another World

You do feel as if you enter another world when you go to Swanwick Writers’ Summer School. For a week, I do! Coming out of that world again can be a wrench too.

Image Credit:  Photos of Swanwick taken by me with the exception of my reading at the Open Prose Mic Night. Many thanks to Penny Blackburn for that. ALREADY SHARED ABOVE.

But going home with ideas to work on will take me back into the fantastic world of the imagination in no time. So that’s all right then!😀 The really nice thing about this?

It applies whether you write flash or other fiction and non-fiction.

When you want to escape this world for a bit, write!

Your title needs to make an impact quickly and especially if writing flash fiction as it can set mood and save you word count - PixabayThe first title idea you have may need to change later but that's okay - PixabayAnd the first thing people will want to know is the title - Pixabay918521_S.jpg

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Still room for pen and paper drafts. Pixabay

 

 

Making Space and Variety

Publication News

Another story, Life Is What You Make It, will be up on Cafelit on 12th August. Am sharing link to my author page here but do check out the other writers on here too. There is a wonderful range of writing here.

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My CFT post this week on Making Space is a two-parter and was inspired by a recent visit to the Sky Gardens in London. I had great fun spotting so many landmarks from a literally great height!

Making space to write is fundamental and, for me, this involves planning out my writing slots and how I’ll use them. I know that without the planning, I would get far less done, far less stories sent out (and less chance of acceptances too) etc.

I’ll share some tips I’ve found useful here in Part 2 of this post which will be be up on 16th August. And, yes, I’ve scheduled it! I should schedule posts more often but my problem is finding time/making the space to draft several blog posts in one go. I also do like writing posts like this “live” as it keeps me on my toes, which is never a bad thing.

The happy answer of course is to do a mixture of both but I find that I do most of my scheduling ahead of things like Swanwick or my holidays. I suspect that may be true for many of us!

Image Credit:  The images of London from the Sky Gardens were taken by Allison Symes on 27th July 2019. The other images, as ever, are from the marvellous Pixabay. Captions are on the CFT post.

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Have set up a list of tasks on Evernote for me to start drafting while on the train to Derbyshire on Saturday for the Swanwick Writers’ Summer School. (Hit the ground running so to speak!).

Discovered recently the Slimming World HQ is near where I’ll be going too. Have no plans to call in (especially towards the end of next week. They do look after you very well at Swanwick!).

Will be taking a couple of projects to work on as well. How much time I get to spend on them remains to be seen but I always like to have something to work on. (I usually do get more done than I might have done at home).

Have I made up my mind about what courses/workshops I’ll go to? Of course not! Yes, I’ve a rough idea, but I know I’ll change my mind yet again before getting there! But that’s the fun of it….

Anticipate meeting up with old friends, making new ones, learning loads, and ending up with a head and notebook crammed full of ideas to work on. Now what’s NOT to like about that?

Image Credit:  Images from Swanwick taken by me. It is such a lovely place to be. A big thank you to Geoff Parkes for taking the image of me reading at the Swanwick Prose Open Mic night last year.  All other images are from Pixabay.

 

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My CFT post this week is a two-parter on Making Space. Part 1 focuses on making space in cities, making space in packing (apt given I’m about to go to Swanwick Writers’ Summer School!), and I also discuss decluttering and books.

Mind, you can probably guess what stance I take on decluttering when it comes to books.

I also share my thoughts on white space and share my favourite quote about packing/going away which always makes me laugh out loud when I re-read it. Hope it does the same for you!

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Transformation stories can work well in flash fiction. My Getting It Right is an example of this. It is written from the viewpoint of Snow White’s evil stepmother as she transforms into the old crone. I ONLY show that moment and her thoughts on what has led to it and that’s all. It’s all that’s needed.

Flash is brilliant at making you focus on the core of the story, which is another reason I love it. I like to think of it as precision writing given every word must punch its weight to justify staying in the story.

 

Key ingredients for a good flash fiction story:-

1. Strong leading character.
2. A focused incident/point of change. Less IS more here.
3. Dialogue (if used) or internal thoughts to be to the point.
4. Promising opening line (which can keep a reader guessing).
5. No sagging middles!
6. A powerful ending that fulfil the promise of the opening line.

Last but not least:-

7. An intriguing title which can be open to interpretation.

Why put that one last especially as I have to a title to get me started on any piece of work?

Because an intriguing title is fab but without the other six ingredients being in place, said title will fall flat.

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What makes a good flash fiction story become a great one? My thoughts on that are:-

1. The story has to make me react – a story that is meant to be funny DOES amuse me, a scary one DOES make my blood run cold etc.

2. A powerful beginning which is backed up all the way to an equally powerful ending. No “sagging bits”.

3. Unforgettable characters (whether I love to love them or loathe them).

4. I am a sucker for a good punchline, I admit, or a twist ending that I didn’t see coming. What I love with those is then going back through the story again and spotting the clues the author did put in. On first reading, I am always keen just to see how the story pans out so it easy to miss something enroute. A really great story will withstand repeated readings and will give you something new with each read too. (Sometimes that can just be an increased sense of admiration for wonderful characterisation. I love that – and of course it inspires me to “up my own game”, which is never a bad thing).

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Fairytales with Bite – Variety is the Spice of Life

Variety is the spice of the writing life. Last week’s CFT post was a review of a wonderful spoof staged by The Chameleon Theatre Group and this week I discuss Making Space.

I love variety in reading and writing. The former inspire ideas for posts and stories (and the wider you cast your net here the more opportunities you have for being inspired. Literally keep an open mind and feed your mind well with wonderful material from other writers!).  The latter keeps me on my toes. I love meeting the challenges of flash fiction and short story writing. I love meeting the challenges of non-fiction writing too.

But there’s nothing wrong with sticking to one genre if that is what you prefer to do. So how can you bring variety in here? The crucial point is to enjoy what you write, whatever it is you go in for. If you’re bored, that will show through in your writing (and I think will eventually lead you to stop writing altogether). For story writers, it is all down to characters as you can come up with so many combinations of characters and situations to write about. For me, a story is all about the character. It’s then fun to find out what happens to them.

For non-fiction, I look at themes that interest me and write articles and posts around those. One obvious theme is writing. I love reading and writing about writing (and I enjoy sharing tips I’ve found useful. I am grateful to authors who have likewise inspired and helped me here. One of the loveliest things about the writing world is, with few exceptions, it is a supportive one. You learn something, share it, someone else learns, their writing benefits and overall literature benefits too. We will always need a supply of writers across the genres and age ranges).

This World and Others – Making Space

I start a two-part series on Chandler’s Ford Today this week on Making Space and next week’s part will share some thoughts on this from a writing perspective. Meanwhile, where does making space come into your creation of characters?

I think the best way to answer that is to list what I think a truly great character needs to have. Also, it really does pay to take time out (make space) to think about your characters in advance and plan them out. It doesn’t mean you have to plan everything but you do need to know about your people in enough detail to be able to write about and for them with utter conviction. You need to decide what you need to know first!

I am convinced that when a writer writes with conviction something of that does show through in your writing and readers subconciously pick up on that. I also think they pick up when a character really doesn’t work and I know, for me, when that has happened, it is nearly always due to my not taking the time to flesh my character out properly in the first place.

So a truly great character should:-

  1. Be Memorable (and that usually means having distinctive traits a reader will love to love or love to hate. Both work but not usually in the same character!).
  2. Be someone a reader would want to identify with or be happy they’re nothing like them!
  3. Be put in situations a reader has to find out whether the character resolves or not (and how.  Failure to resolve something can ironically be a resolution of sorts. For example, a character wants to achieve a goal, they find they can’t do it, but they do achieve something positive they had not done before despite the overall “failure”. Readers will pick up on something being achieved, a positive point of change for the character, and everyone accepts not all endings are happy ones necessarily. Endings do have to be appropriate).

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Work In Progress/Flash Fiction Ideas

Image Credit: Unless otherwise stated, all pictures are from Pixabay.

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A week today and I’ll be at the Swanwick Writers’ Summer School again. Can’t wait! Always good to catch up with old friends, make new ones, and learn so much from the different courses and workshops. The usual dilemma of which ones to go to applies… but I know I’m in good company with that!

Many thanks to all who’ve read Stolen on Cafelit.

Hope to get another story off for a competition this coming week. Am making a conscious effort to increase my throughput (so to speak) and am pleased I’ve done better this year on this than I did at the same time twelve months ago.

As for where I don’t hear what the results are or where I receive outright rejections, I will review those stories later in the year and see if I can submit them elsewhere. Usually, I can. Sometimes I can spot something, after a break away from it, that could do with strengthening so I work on the story and then re-submit it. Very little is wasted!

Update:  Am pleased to say I will have another story up on Cafelit on 12th August. More nearer the time.

And the first thing people will want to know is the title - Pixabay

I can’t remember what the first story I wrote was. It was not published but to begin with I didn’t write with publication in mind. My first thoughts were to see if (a) I could write a story at all and then (b) can I repeat the process?

I kept doing that for a while until I had a reasonable number and then started submitting work (on the grounds I had absolutely nothing to lose so may as well give it my best shot. If I was published I’d be thrilled to bits. I was – and I was! I still love that thrill of knowing something of mine has been accepted for publication. That’s the nice thing. That thrill does not diminish!).

I will always remember the first story that was published though! (A Helping Hand in Bridge House Publishing’s Alternative Renditions anthology. I suspect time will stand still long before I forget that!).

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Pleased Just a Minute is back on Radio 4. That and Clue are the main comedy shows I listen to now. JAM is a wonderful way of discovering just how hard it is NOT to repeat, deviate, or hesitate when talking on a topic. Know I couldn’t do it.

Repetition in writing is something I have mixed feelings on. I sometimes repeat a word or phrase deliberately for emphasis. Sometimes I get a character to use a particular word so whenever it comes up, you know it’s that character who is speaking. (I avoid tags as much as possible but generally stick to he said/she said/it said when I do need to use them).

When I edit, I’m looking out for the repetitions I didn’t mean to do and there are always some! (This is another reason for reading work out loud by the way. I’ve found I’ve missed things even looking at a printout. Reading the work out literally brings home your repetitions and other failings as you hear yourself speak and realise you’ve used a phrase several times when you didn’t need to or mean to).

Delighted to say I’ll have another story up on Cafelit next week too. More details a bit nearer the time. Looking forward to sharing the link while I’m at Swanwick too.

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I don’t schedule posts as often as could but I will be preparing a two-part CFT article on Making Space, which I’ll schedule for this Friday and the one after. (I will be very tired but happy after a wonderful week at Swanwick for the second part of my post, which will focus on making space as a writer. More details on the first part tomorrow).

I usually schedule posts for when I’m due to be away but, increasingly thanks to Evernote and a smartphone, I’m drafting posts and then putting up later the same day. I often use train journeys for this as well as my flash fiction. It means I get a nice mixture of writing done.

I need to try to write up posts in batches more often and schedule them, as I’m sure that will prove to be more efficient. The nice thing is as well is if something topical comes up, you just change your schedule for whatever you WERE going to post. You can always use that another time. The only thing to watch is to ensure any batch posts are all timeless and could go up at any time.

Pleased to say I submitted another story yesterday for a competition. Have submitted more work at this time this year than twelve months ago so pleased with that. Need to catch up on the writing prompts in my diary too as I know those will trigger more stories.

As you can no doubt tell, I don’t have time to get bored! But that is a very good thing indeed…

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Favourite things about flash fiction for me:-

1. Can read a story in one sitting. (Invaluable when I’m short of time).

2. Great for twist endings (which I adore).

3. One-liners and punchlines work well here too and again I adore those.

4. You can set your character in any genre you want. It is only the word count you’re watching. I’ve found as a result the story has to be character led as that is more direct. There is no room for descriptions or interaction with many other characters after all.

5. I love writing dialogue. Not a lot of room for that in flash but what I can do is show you some of my character’s thoughts and I love writing those too. The great thing with that is you will pick up on the character’s general attitude to life. In dialogue they may disguise that especially if they want to impress someone.

Sometimes a flash story tips over and becomes a longer 1500+ tale and that’s fine. It just gets submitted to a different market/competition.

I’ve learned over time to let my character(s) have their voice. The trick is ensuring that what emerges IS relevant to the story (or deepens it and makes it more meaningful).

Writers need to come with an in-built “you’re waffling and you know you are, cut NOW” detector!

The critical test for me is to ask myself does a reader really need to know this? Will their enjoyment of the story be greater if this is in the piece? If it’s Yes and Yes, the material stays in. If there’s any doubt on either, out it comes.

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Loving listening to the Pink Panther theme on Classic FM tonight. (You’ll be humming it all night now. I know I will but it is wonderful music! Loved the films AND the cartoons. I don’t know how many other films spawned cartoons either).

So you have distinctive and memorable pieces of music then across the genres. The challenge for writers is to make OUR writing distinctive and memorable.

For me, the only way to do that is to have stand-out characters. It’s never about the plot for me. It’s always about whether the character engages me regardless of whether the story is a 50 word dribble, a 100 word drabble, or a 250,000 word epic saga!

I find working out what my main character’s chief trait is going to be a useful way to unlocking what makes them tick, WHY that trait is their chief one and so on.

For my flash stories (and especially the first person ones), I have to know what my character’s voice is before I start writing them. Are they whiny? Boastful? Remorseful etc etc? Only when I think I’ve got a handle on who they really are do I start writing the story. Outlining like this has saved me a lot of time later.

Where I’ve found ideas for flash fiction stories includes:-

1. Proverbs (to use both as titles and themes).

2. Advertising phrases

3. Taking a period of history I like and writing from the viewpoint of one of my favourite characters from that period.

4. Other well known phrases (e.g. my Circle of Life, Pressing the Flesh, and Coming Up Roses).

5. Turning stereotypes on their head (e.g. my George Changes His Mind. Let’s just say I have an alternative view as to what happened when George met that dragon).

6. Using an alliterative title and seeing where it takes me (e.g. my Pen Portrait). The more open to interpretation the title, the better.

7. Taking a book I like (e.g. Pride and Prejudice) and writing a snapshot story from the viewpoint of one of the characters (e.g. my Changing My Mind is from the viewpoint of Mr Darcy).

8. Picking a fiction genre and seeing if I can write a flash fiction story in it. (I’ve written what I call light horror such as my Calling the Doctor in this vein).

9. Posing a question as the title and again seeing where it might take me.

10. Using a letter format from one character to another to generate a story.

What I like most is mixing up the methods used. It keeps me on my toes and I think makes the writing more interesting. It is really important to have fun with what you write, I think.

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Goodreads Author Blog – Books You Can’t Finish

I’m glad to say there aren’t many books I haven’t been able to finish but I guess this is one of those things that happens to most of us.

I always think it’s a bit of a shame when this does occur and I ask myself just why I couldn’t finish the book. The answer is nearly always that the characters didn’t grip me enough to make me want to find out what happened to them.

These days, given life is short and I have to TBR pile to be seen to be believed (and on my Kindle too!), anything that doesn’t hook me quickly is discarded.

It’s a good challenge to me as a writer to ensure I do put plenty of hooks into my flash fiction and short stories.

It also makes you appreciate those wonderful writers who can keep doing this book after book after book over many, many years. When I think P.G. Wodehouse wrote over 90 books and was consistently funny, well for me that’s genius and should be recognised as such.

Now back to my reading…

 

 

 

 

 

 

 

 

 

 

They Came from Mars and Other Top Tips

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When a spoof works… CFT Review – They Came From Mars and Landed Outside the Farndale Avenue Church Hall in time for the Townswomen’s Coffee Morning?

Delighted to share my review of this fabulous production, the latest to be staged by The Chameleon Theatre Company – Chandlers Ford. It was huge fun spotting the references and recalling the musical links.
I also go on to discuss the “rules” for a good spoof and why I think humour is the hardest genre to write well.

Spotting all the references and gags here would take at least two visits to the show!

Images supplied by Lionel Elliott, Mike Morris and The Chameleons. A huge thank you as ever. Captions on the CFT post.

 

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Further to my earlier post about The Chameleon’s latest production, just why is humour so difficult to write well?

(Said production incidentally easily has the longest title of a play I’ve reviewed and I can’t see it being beaten any time soon! Well, what do YOU make of They Came From Mars and Landed Outside the Farndale Avenue Church Hall in time for the Townswomen’s Coffee Morning? Try saying that quickly! Go on give it a go!).

So humorous writing – the pitfalls (and this is not a comprehensive list by any means):-

1. Humour is subjective. Not everyone gets your style of joke.

2. Sometimes you will come across people who really don’t like funny writing of any kind. My late mum loved books across a wide range of genres (including sci-fi) but just didn’t get funny writing. It was her blind spot. This happens. Nothing you can do about it. (And yes I went the other way and LOVE funny writing!).

3. Humour doesn’t always translate well between countries, cultures etc. So to get something that does cross boundaries is pretty special.

What is your favourite form of humorous writing? Where the humour is “in your face” or do you prefer the subtle one-liner etc?

I love all humorous writing but if I had to pick a favourite, I adore those one-liners which can turn a story on its head and make you laugh at the same time.

You can bet the writer would have written and re-written that line several times to get it spot on and it wouldn’t have just been the words themselves. The rhythm of a sentence can make a difference to how funny it is perceived to be. Punchlines are generally short for maximum impact for that reason.

As part of my CFT review of The Chameleons’ latest hilarious production, I’ll also be looking at what makes a spoof work and what I think some of the “rules” are. Link up tomorrow.

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My CFT post this week will be a review of the Chameleon Theatre Group’s latest production. They Came From Mars and Landed Outside the Farndale Avenue Church Hall in time for the Townswomen’s Coffee Morning doesn’t trip off the tongue but is a classic example of a title showing clearly what the story is – a spoof!

I will be discussing spoofs and comedy as well as part of the review. Link up on Friday.

What amazes me with the Chameleons though is I have seen them stage everything from Arthur Miller’s All My Sons to Blackadder to hilarious pantos and all of them have been wonderfully entertaining.

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Five top tips:-

1. Never be afraid to change a title if the one you first thought of just isn’t making enough impact on you. (It won’t on anyone else either. Trust your gut here and don’t be afraid to play around with titles until you find one that does hit home).

2. Think about the emotional impact you want your story to have on a reader before you write it. Take a little time to figure out how best to achieve it. This is where outlining is useful, even if you do a broad outline.

3. Once the story is written, put it away for a while. When you re-read it, read it out loud. Hear how your dialogue sounds. Is there anything in it to trip you up or does it sound clunky? What looks good on paper or screen doesn’t always translate well into being read out loud.

4. Assume you will have to edit more than once. We all do! (But see it as getting your story into shape and helping increase its chances of being published).

5. Be open to trying new forms of writing as you may discover avenues you hadn’t considered but which you discover a skill for. I hadn’t started as a flash fiction writer! ‘Nuff said.

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Favourite endings for flash fiction tales for me include:-

1. A punchline that turns the story on its head.

2. A laugh-out loud moment. (You then read the story again and pick up on the clues that show this moment is coming but which you missed first go, being too eager to find out how the tale did end. Guilty as charged on too many occasions to count on that one).

3. A poetic justice ending. I love those and several of my stories include this. (Subconscious wish to put the world to rights I suspect is coming out here!).

4. A revelation. This can be a character finally showing what has motivated them, some aspect of their personality that hasn’t come out until the end and which makes a huge difference to the outcome, or an action to finish the story on.

Fun with Flash:-

1. Flash stories can be ideal for those characters who would drive people nuts if their tales went on for too long so have some fun with this. Keep your tale short and you can use characters you might otherwise have to discard.

2. Punchlines work well in flash. I sometimes use them as twist endings to a story. But again punchlines work best if they’re kept short so flash fiction can be a good vehicle for them.

3. If you have a short scene in a longer work that you’d like to keep in but can’t justify as it is an amusing character sketch (for example) but nothing more, how about turning it into a piece of flash fiction? Let it stand on its own. Flash is brilliant for focusing on one character and one moment in time. Waste not, want not. (You may find in turning it into a story, the scene suddenly develops “legs” after all).

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Fairytales with Bite – They Came From Mars

My CFT post this week is a review of a wonderful spoof staged by The Chameleon Theatre Group. The title is likely to remain the longest of any play I’ve ever reviewed. Try saying They Came From Mars and Landed Outside the Farndale Avenue Church Hall in time for the Townswomen’s Coffee Morning in a hurry!

No matter where your story is set, or how outlandish your fictional world is, it still has to be populated by characters whom we can understand and either root for, or love to hate. They must generate an emotional reaction in us. Their motives must be ones we can understand.

The setting should also be one we can get behind. After all, we know how our planet works/is run. How is this done in your fictional setting? Are there corrupt politicians for example? (I refuse to believe that could just be on Earth!).

Especially in a fantasy world, some ideas of what it looks like, how the species live, what kind of wildlife is there etc deepen your characterisation of the setting itself. (Setting can often be a character in its own right and I don’t think it’s a bad idea to treat it as one. It means you think it out for a start!).

Images for the review are on the CFT post and many thanks to the Chameleons for them.  Images below are from the ever marvellous Pixabay.

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This World and Others –

Top Tips for When Writing Isn’t Working as You’d Hoped

It happens. You go through phases where writing is either difficult or simply isn’t working out as you’d hoped. Lots of submissions. Lots of rejections. Few acceptances. Do you wonder if you should keep going? Some tips I’ve found useful to keep me going during difficult times include:-

1.  Read More. Feed your own imagination. Remind yourself of why you love stories and why you wanted to write any.

2. Remove the Pressure.  Deliberately write just for your own pleasure. Make up complete nonsense. Have fun. (Later, if you can do anything with the writing, even if it is just the odd line or two makes it into a story, say, then fab. Even if not, you’re taking time out to play with words and again remind yourself why you wanted to write).

3.  Look at Where You’ve Come From Writing Wise.  How much have you written over the years? Can you list publication credits (online and in print)? If not at that stage, have you had shortlistings? Are you simply submitting more stories for competitions than ever before? Remember  you define what success in writing is. Yes, publication is the obvious goal but it isn’t the only one. Saying you’ll write 3 or 4 stories and then try and get them published later is a fine goal too.  Look at what you’ve learned as you have written more. Have you learned how to improve your editing skills? Have you picked up tips on the way that are helping you write better now (I would be surprised if you hadn’t)? All of these are good and worthy things.

4.  Find supportive writing buddies via online groups or in creative writing classes. We all need to be reminded we’re not alone. Others do understand our compulsion to write. Others understand the frustrations of trying to get published. You need that support. It can make all the difference during low times, creatively speaking.

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Titles and Quirky Characters

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Ahead of a review on They Came From Mars and Landed Outside the Farndale Avenue Church Hall in Time for the Townswomen’s Coffee Morning, which has to be a strong contender for the all time longest play title (!), I look at titles in general.

I look at the role they play, why I change my use of them for flash fiction, and discuss how they can set a mood you want your reader to pick up on or can be used to keep said reader guessing.

How easy (or otherwise) is finding the right title for you? I share a few thoughts on that too.

Image Credit:  As ever, the marvellous Pixabay.  Captions on the CFT post.

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Looking forward to the Chameleons’ production of “They Came From Mars and Landed Outside the Farndale Avenue Church Hall in Time for the Townswomen’s Guild’s Coffee Morning”. Just try saying that quickly! Should be good for several laughs and I look forward to reviewing this next week.

Lady and I have not enjoyed the heat. Shout out to all our human and doggy friends. You know who you are. Keep cool! Glad it’s going to cool down tomorrow. The thought of the Tube in this heat on Saturday when I’m in town… uggh. Sympathies to all who’ve endured it today (or will do shortly). Still I guess it’s a great test of whether your deodorant works or not…!

How do I go about writing reviews for local theatre productions and the like? I always try to find something positive (I’ve never been a fan of hatchet jobs. I think it says more about the reviewer than whatever it was they reviewed). I look at the story. I look at the performance of that story. I also look at the background to the story (and I am looking forward to researching tonight’s one. Is going to be fun!).

Facebook – From Light to Dark and Back Again

I thought From Light to Dark and Back Again was a long enough title for my flash collection, but it is well beaten by They Came from Mars and Landed Outside the Farndale Avenue Church Hall in Time for the Townswomen’s Coffee Morning, the play recently staged by The Chameleon Theatre Group.

I look forward to sharing a review on that on Chandler’s Ford Today next week though I do discuss the importance of titles on CFT this week.

I’ve discussed titles before here but I can’t stress enough how vital it is to get them right. I must have a title to work to when writing almost anything but if a better idea occurs to me as I’m writing (and it does), then I’ll switch. Only the Ten Commandments were set in stone!

For flash fiction competitions where sometimes the title is part of the word count, I take extra care. I work out whether I want my title to give a good opening to the story, or whether I want it to set a mood, or to be open to more than one take on it, so I can keep a reader guessing. What I decide here will determine how long that title is and that will then set how much room I’ve got left for the story itself.

Where I don’t have to worry about the title being part of the word count, then I tend to focus on the impact I want it to have and I can give myself a bit more leeway as to how long I want the title to be.

Generally, though unless you are writing a spoof as the play clearly is, you are better off keeping a title relatively short.

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Having spent most of the day feeling like I was being roasted (goodness knows what my cooking time to the pound would be and yes that does show my age!), along with the rest of the country, it’s a relief to get to my desk where it is relatively cool. Note the relatively.

I find with flash fiction I can get the story ideas down fairly quickly (which is fab. Nobody wants to work too hard in this weather). Where the time and effort comes in is in the crafting of those ideas. Have I really used the right words to conjure up exactly the images I have in mind? Can I think of anything better? The answer to that is almost always yes!

The one thing that cheered me up a long time ago was knowing that nobody but nobody has ever written the perfect first draft! So I never worry about perfection in my writing. It’s not going to happen. Even when you send a piece out, it’s as good as you can make it at that time and that’s absolutely fine.

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Fairytales with Bite – Quirky Characters

There are those who might feel that the reason I love quirky characters is because I am one!  Hmm…

So what is it about quirky characters that appeals to me so much, both in terms of reading about them and writing them myself?

  1. Humour – there’s usually a lot of humour, often irony, involved here. That appeals directly ever since I first came across irony in Pride and Prejudice which I read at secondary school many, many moons ago. That book was an eye opener for me in terms of how irony can be used (and the best kind is subtle with it too). It paved the way for me to appreciate more direct irony in the works of Terry Pratchett and P.G. Wodehouse, to name but two, later on
  2. The Unexpected – The irony (!) here is you expect the unexpected from quirky characters. You’d be a bit disappointed to say the least if they didn’t come out with something. Often this is the pivoting point of the whole story too. What is fun is trying to guess what they come up with.
  3. Memorable – You remember quirky characters. It’s why I’ve always loved Jo March in Little Women and George in The Famous Five. Again I wanted to find out what they could do and whether they could surpass what had gone before. It kept me reading! The trick for a writer is to achieve the same thing. It is also the challenge! What is it that makes your characters memorable?

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This World and Others – Titles

I look at Titles in my Chandler’s Ford Today post this week and hope you find it helpful as I share some thoughts on where to find good title ideas. I also discuss the uses of titles. But now to look at the topic from a different angle…

Firstly, the world in which your story is set – do they use titles to denote rank? Do these differ between species? Are some species excluded from any titles at all? How are titles given? Can they be earned and, if so, how?

Secondly, property (you knew it had to come in somewhere!) – how does your world distribute title to property? Can anyone own property? Do your characters have to earn their right to obtain title like this? Or is all land owned by one feudal or royal overlord and all title is held by them?

Can title (of any sort) be challenged or revoked? Who would do so and why?

Now there are some thoughts for story ideas for you!

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Publication News

I look forward to next week when I can share publication news of a story that has a special place in my heart. More details next time.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Murphy’s Law

Facebook – General – and Chandler’s Ford Today

I always enjoy writing my CFT posts but ones like tonight’s Murphy’s Law are really fun to do. I list some Murphy’s Laws for writers (naturally there isn’t just one. That would make the writer’s life far too easy!). Can you add any to the list?

The best thing to do with Murphy’s Law is laugh at it.

I will add some of the laws I’ve listed have directly affected me, others have not, though I suspect that is merely a matter of time, Murphy’s Law being what it is!

Hope you enjoy.

Image Credit:  As ever the marvellous Pixabay. Captions on the CFT post.

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Have had a lovely time this evening looking back at some of my earlier short stories. Let’s just say I hope to do something positive with them! Waste not, want not, though there will be editing… there always will be editing!

But then, over time, you do get better at working out what will suit which market best and you hone your stories accordingly. That in turn gives you your best shot at increasing your acceptance rate.

Top three tips:-

1. A story rejected in one place may find acceptance elsewhere. I’ve had this happen a few times and I know it happens to others. So don’t give up on a piece. Put it away for a while. Look at it as if you were reading it for the first time. Can you find anything to improve? Fine, do so. If not, test another market with it. What have you got to lose?

2. Write, write, write – and accept the fact that to get better at anything takes time. You have got to put the work in but enjoy the process (and when positive results come in, enjoy those even more – you really will have earned it!).

3. Know who you are submitting your work to and why you are sending it there. Sounds obvious but from various publisher talks I’ve been to over the years, I know publishers who only publish romance novels, for example, get sent things that are NOT romance. I’ve never understood why people do that. You do have to target your work well.

I love writing all of my CFT posts but this week’s one was really fun to do. I discuss Murphy’s Law!

And the lovely thing about it? It will always be timeless! No matter what your profession or hobby, Murphy’s Law will come into it at some point. At several points if you’re really unlucky.

I will be sharing some of Murphy’s Law for writers and I’m sure you’ll be able to share some of your own. Link up on Friday.

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Facebook – From Light to Dark and Back Again

I’ve talked about Murphy’s Law for Writers in my CFT post tonight but to be more specific for flash fiction scribes:-

1. You’ve got a gem of an idea for a 100-word story and a place to send it which only wants 100 words. Try as you will, your word count remains stubbornly at 101 words. Take anything out and your story loses its sparkle (and therefore any chance of it doing well). Technically this is known as YASSTE – You Are Stuffed Send Tale Elsewhere.

2. You’ve got a great story at the right word count with a spectacular twist ending that suits the theme. You send your story off to the competition concerned and later, knowing your story wasn’t shortlisted, look at the judge’s comments on the website or in the magazine. The first thing you read is something like “there were lots of stories in with XXXX as the theme”. Your heart sinks. And you had thought you were the only one to come up with the idea. Err… apparently not.

Chin up and keep writing anyway! Best thing to do with old Murphy’s Law is laugh at it.

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Flash Fiction “rules”:-

F – Find the word count limit that suits you.

L – Lines to be crisp and still convey information.

A – Animated characters you love to root for or hope desperately for their downfall. Either is good. You’ve got the reaction to your creations there for good or bad!

S – Story to flow at a good pace. (Reflective stories are obviously slower but there must be something about the characters that grips us enough to keep reading).

H – History of characters to be implied but only where crucial to our understanding of them and/or the plot hinges on it.

F – Fantastic and Fun – regardless of your settings, you should be enjoying what you write. Readers do subsconsciously pick up on that. And, yes, you can have a fab time writing a gruesome crime or horror flash fiction piece. I have!

I – Imagination. It’s odd I know but I’ve found the restricted word count in flash makes me flex my imagination more, not less. I have to be more creative in NOT wasting words to get the real story across to a reader.

C – Chat. Not a lot of room for this in flash so ensure conversation is vital to the story and moves it on. Best kept to two characters only. You haven’t the room for conversational ping pong (though I’ve always thought, in other circumstances, that might be fun!).

T – Tension. I know I’ve mentioned this in my recent A to Z but I think it bears repeating. One huge advantage of flash is the shorter word count increases the tension in your story. It is like shining a spotlight on one particular area. Use that to your story’s advantage.

I – Illumination. All stories do shed some light on humanity. Why do you like the characters that you do? Do they reflect your values? What about the ones you love to hate? As well as asking what this might say about you (!), also ask how can the theme of your story shed light on values we hold in common? What do you WANT to shine through in your fiction?

O – One lead character only. Flash fiction makes you focus. Never a bad thing that.

N – Numbers Game. Don’t be fixated by the word count. If your story works better at 250 words, then leave it at that and find an appropriate market/competition for it.

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The only problem with A to Z series (much as I love writing them) is you know certain letters will need some creative thinking to find something for – Q, X and Z for a start! Numbers are so much easier…!

But one of the great things about flash fiction is you are challenged to think creatively all the time. Just how can you tell a story in X (that letter again!) number of words? Just what are the details you must give and the ones you can leave the reader to work out for themselves?

Challenging yourself is a great way to fire up your imagination. And great stories can come out of that. Mixing up the word counts you write to is good for your imagination too.

Fairytales with Bite – Murphy’s Law

My CFT post this week is on the topic of Murphy’s Law and how it can affect writers.
Image Credit:  As ever, the wonderful Pixabay. Captions on the CFT post.

Now we all know Murphy’s Law is no respecter of barriers. Whatever profession you’re in, whichever hobby you enjoy, it will strike at some point. So as to the actual creating of a story, what are the things to look for so you can avoid them?

  1. Naming Characters – For longer works of fiction, it is too easy to give characters names that are too similar to others (for example Stephanie and Stephan. Two different characters but the problem with names that are similar is they can make the characters forgettable or interchangeable, neither of which you want). I get around this by ensuring each of my characters has a name that starts with a different letter of the alphabet. It’s simple but it works. Murphy’s Law can kick in here by making you not spot this until after you’ve got your first draft down. (Yes, it can be fixed at that point but it can be frustrating when you’ve got two similar sounding characters. The last thing you want is anything that might cause confusion in a reader or a sense of “what is that character doing here? I don’t see the point of them” reaction).
  2. Outlining – The query here is how much to do? Will Murphy’s Law strike in that you either outline too much or not enough? How can you judge what is correct for the writing you’re working on? A rule of thumb I use is have I got enough to get started on the story? Have I got enough to get me to the middle of the story? Have I got enough to be able to conclude the story? You don’t necessarily need to outline everything. You just need enough to get you to the next stage in the story. Think of this as outlining the major markers. Get those right and it will help you get everything else in place. You just want to stop yourself going off at unproductive tangents and that is where Murphy’s Law will trip you up. Stop the unhelpful tangents and you save yourself valuable time too. Work out what you think you need to know.
  3. Settings – The trap here again is detail. How much do you need to know before you write the story? What impact will the setting have on your characters? Preparation is the key to beating Murphy’s Law hitting you here. Again work out what you think you need to know. And bear in mind the setting must have some kind of impact on your characters – they’re either going to love where they are (but it is under threat – which is where your story comes in) or loathe it and want to escape (which is where another type of story can come in).

 

 

This World and Others –

Putting a Fictional World Together

The basic building blocks for putting a fictional world together are, for me, as follows:-

  1. Species – Who will live in this fictional world? One species, a couple, many? If more than one, how do they interact with each other and if they don’t interact at all, what is the reason for that? If you have only one species, how are they sub-divided? Do you have the majority of the species living in an area and a minority live elsewhere? What are the reasons behind this?
  2. Government and Society – This ties in with 1. How are your species governed and by whom? Are they governed well or badly? Can governments be changed? How is society organised? What is expected of everyone and does that vary from species to species? If so, what are the differences and why do they exist? What happens to rebels? (You can pretty much guarantee there will be those who do not like the status quo and won’t accept it so what happens to those who do this?).
  3. Survival – How do the species survive? What do they eat/drink? Is their world an agricultural one and what shape does this take? Do they farm crops as we would know them or farm something very different? Climate and weather and their impact can come into this category too. How much do your readers need to know?

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Summer Reports/Flash Fiction Tips

Facebook – General – and Chandler’s Ford Today

Writing my CFT post this week about Summer Reports brought back many memories. I can report that when I left school, they then went and closed it! Hmm…

Also, do you remember having to put your chair on your desk as the picture shows? (As ever most of the images in this post are from Pixabay, captions on the CFT post). (And yes I do remember the days of school milk. It was either horribly luke warm or ice cold and not in a good way).

Summer is a good time to take stock as there is still enough time left in the year to set a few goals and have a good attempt at achieving them. And that doesn’t just apply to writers either.

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Am finding the muggy weather a bit of a trial as is Lady. Doesn’t slow the writing down, though it DOES slow me down! This is where I’m glad writing is not a sport in any way, shape or form! Currently at desk with French window open, listening to classical music. Bliss!

I used to write in total silence, then I moved to music (pop and rock) but found the mood of the songs could affect what I wrote (which was fine when I wanted that and a pain when not).

I don’t know quite what it is about classical but it doesn’t have that effect. It just soothes me and once in a relaxed state of mind, off I go and write and drop my characters into some enjoyable mayhem. (Well, enjoyable to me that is. Definitely not for them but they’re not meant to enjoy it! Nobody said the life of a character in a story had to be easy, far from it. Where is the drama in that?!).

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My CFT post this week will be Summer Reports. I look back at my school reports (they closed my school after I left – am not kidding!), suggest what a good report should do, and give a writing report on myself too. (That alone should tell you I think it’s been a good year!). Link up on Friday.

I will add now though that a good report, as well as writing successes, should always spur you on to greater efforts!

So happy writing and good luck for future endeavours!

 

Facebook – From Light to Dark and Back Again

How about an A to Z of flash fiction writing tips? I’ll be holding my breath seeing what I come up with for Q as well but here goes…

A – Alliteration in your titles can make them memorable. (Examples from me are Telling the Time and The Truth, though I haven’t consciously singled out the letter T for alliteration usage, honest!).

B – Backstory. Not a lot of room for this in flash fiction but what you can do is hint at it and leave readers to fill in the rest.

C – Characters. Couldn’t really be anything else. Characters drive the story, regardless of its length. It will be the characters readers remember and either love or love to loathe.

D – Dialogue. Again not a lot of room in flash fiction so keep it to the point. For any story dialogue has to earn its place by moving the story on or revealing information the reader needs to know (and it can be both). This is even more important in flash fiction.

E – Episodes. Yes, you can write linked flash fiction where either one character features in more than one story or they are referred to in another tale. I didn’t do this in From Light to Dark and Back Again but have played with this in my third flash fiction collection (currently in draft form) and it is good fun.

More next time…

Advantages to writing one line stories:-

1. They can be expanded later for a longer flash fiction story/standard short story (1500 words+).

2. Easy to share on a FB post or on Twitter!

3. Great practice in honing your editing skills.

4. They’re the ultimate proof, I think, people DO have time to read. Come on, how many people really can’t spare the time to read one line?

5. They can make a great introduction to the wider ranges of flash fiction formats.

6. They can “break up” longer flash stories in a collection. I like a mixture of word count flash stories in a book (no surprises there, I know!).

7. Playing with words is fun and coming up with different styles of stories keeps you on your toes as a writer. That includes varying your word count ranges. Varying your word count ranges will increase the number of competitions/markets you can try.

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Top tips for flash fiction writers:-

1. Read plenty of flash fiction yourself. You’ll get a feel for what you like and dislike and you see what is already out there. Where can your work fit in?

2. Engage with other flash fiction writers at writing conferences etc. No one person knows all the markets and competitions out there (and new ones spring up which may well be worth investigating).

3. It is lovely when YOU can pass the word on about a useful market/competition. What goes around does come around. I can’t stress enough that supporting other writers is not only a kind thing to do, it is a hugely sensible one. Partly because as mentioned in 2 above, others can tell you things you didn’t know (including on the scams that happen – it pays to be aware), which may help your own career but mainly because writing is a lonely profession. When all that seems to come in are rejections, you will be glad of the support of other writers who know exactly that this is like.

4. Experiment across the word count ranges and see what suits you best. You may find your niche at 250, 50, 1000, or pretty much in between.

5. Do send work into competitions regularly. It helps you hone your skills. As an aside to this, read winning entries, especially when accompanied by judge’s comments as you can learn so much from those.

6. Write, write, write. Edit, edit, edit!

Fairytales with Bite –

Ten Things I look for in a Good Story

I suspect there won’t be any great surprises here but each one should be a challenge to all of us to ensure we keep doing these!

  1. Characters I love or love to loathe. They’ve got to be memorable.

  2. Situations which are critical for the characters. They’ve got to strive for something important.

  3. A setting I would love to visit! (Anyone fancy a trip to The Shire in The Lord of  the Rings? Mordor, I’d be happy to miss!).

  4. Great pace.  Absolutely no boring bits!

  5. It’s a story I’d be happy to re-read at any time and enjoy it all over again.

  6. Humour, where apt for the story and the characters. I have a very soft spot for irony.

  7. Tragedy, when necessary as it often is, not to be overdone. (I think tragedy has much more of an impact when it does not become melodrama).

  8. Snappy dialogue.

  9. Catchphrases I can remember – and enjoy doing so.

  10. The story shows me something of the human condition which I’d either not considered before or reaffirms something. Funny stories can do this surprisingly well.

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This World and Others – Summer Reports

I look at Summer Reports in my CFT post this week and discuss, amongst other things, what a good report should do, irrespective of whether someone is academic or not. I also give a summer writing update for me!

But from a writing viewpoint, what reports could you write, for whom, and how could they help you?

1.  Character Reports
I use Scrivener and in their story template they have outlines for characters (and settings) which you can fill in with as much or little detail as you want.  You can of course create your own, but I have found these enormously useful in working out what my characters are really made of and, therefore, I write them with more conviction. I hope they come across that way too! So writing a report on  your characters can help you discover things about them, help you give depth to how you portray them and so on.

2. Report on your Story
I find it useful as part of the editing process to look at the story as if I hadn’t written it and was discovering it for the first time as a reader would. I look at what my overall impressions are, what I think worked well and, as importantly, what didn’t! The crucial thing is to be totally honest here, otherwise this idea won’t do anything for you.

Sometimes my “report” here is just a series of notes such as Character A comes across well, they’ve got great humour, but where do their flaws come in? Is Character A too perfect? Once you’ve made notes like this, put the story and the notes aside for a while. Re-read the story after a week. Look at your notes and see if you still think the same.

If you have trusted beta readers available, this is where they could be invaluable but total honesty about what works and what doesn’t is key here. Keep in mind you want to produce a story that is as good as you can make it. If several people tell you something doesn’t work, take this seriously. If one says that, then it could just be opinion and you will then need to decide if it has weight or not.

So reports then are useful to a writer but honesty is key. I can’t stress that enough.

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Controlling the Weather and Writing Prompts

Facebook – General – and Chandler’s Ford Today

In my CFT post Controlling the Weather I share a flash fiction story of mine which is shorter than Edward Bulwer-Lytton’s “it was a dark and stormy night”. Do see the post for the full sentence (and take a deep breath before you start too!).

I now know why Snoopy only ever quotes “it was a dark and stormy night” but no more as there wouldn’t be enough room in the caption bubble!

I rarely use the weather in flash fiction as the word count means I have to show you the pertinent detail(s) about the characters. The weather rarely comes into that!

So what would count as pertinent details then? For me these are:-

1. Something of their attitude/outlook on life (I show this via internal thought as well as dialogue).

2. Something of their setting. Setting can change the outcome of the story or have a huge influence on it, for good or bad.

3. Sometimes a brief physical description where it matters to the story. In my Pen Portrait I show Mary as a character who brushes her hair once a day whether she needed it or not. I mention her clothes and shoes would see her through a battlefield but DON’T specify what they are. I don’t think I need to do so either. Those two lines should conjure up an image of Mary well enough! It also shows something of her attitude (double whammy here!).

I’d say 1 is the most important and “where it matters to the story” is THE golden rule of fiction writing, regardless of whether you write flash stories or longer works.

Image Credit:  The magnificient Pixabay. Captions via the CFT post! Also this post was shared on From Light to Dark and Back Again as well as I thought the pertinent details relevant to that page too!

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Managed to catch up with a couple of writing prompt exercises, both of which will become flash fiction stories later. Complete contrast in moods for the exercises too but I like that. It keeps me on my toes, which of course is the idea behind said prompts.

I tend to write up these prompts in batches but that’s fine. It’s a little like not being able to stop at one crisp or what have you once you get started on them!

The nice thing about free writing like this is I know the stories aren’t perfect but that doesn’t matter at this stage. I’ve now got two more stories to work on for submission somewhere in due course and that’s great.

My CFT post this week will be looking at Controlling the Weather. You can tell my other writing hat is fantasy, yes?!

I look at why controlling the weather isn’t a good idea, even if we could do it.

Also I discuss why “it was a dark and stormy night” has gone down as one of the most renowned writing cliches. (Possibly to only be beaten by “and it was all a dream”? Thoughts on that would be welcome when the link goes up on Friday).

I have to say I’ve written flash fiction stories shorter than that infamous opening line from Bulwer-Lytton and I go on to prove it in this post too! And if could control the weather for a day, what would you ask for and why? Thinking heads on in time for Friday’s post then (and those of you of a certain age will remember where that phrase comes from! Clue to those who are not: a former Doctor Who plays a scarecrow, yes really!).

PS Looks like no photos will upload tonight so apologies. Believe this is a FB issue. Hopefully normal service (and photos) will resume soon…  (NB  From Wednesday, 3rd July when FB and What’s App seemed to have an issue with photos. Glad it appears to have been resolved).

 

Facebook – From Light to Dark and Back Again

Occasionally a story idea proves to be a better match for a standard length short story (1500 words or so) than flash fiction, which is fine. I find a suitable competition/market for that longer story and don’t try to keep it sub1000. (How do I know incidentally? It is always the character’s voice and sometimes they have more to say than I originally thought they would!).

I sometimes deliberately make myself write longer stories as the discipline of working to very small word counts AND what would be considered an industry standard is very good for you as a writer. Shaping what I’ve written to fit the most appropriate market/competition is something that will always be needed and is a useful skill to develop.

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Looks like the photos will be unavailable for a bit though I understand this is a FB/What’s App issue. Hope it’s resolved soon. Don’t envy those trying to sort it out.

Meanwhile back to good old text only.

In researching my CFT post this week about Controlling the Weather (yes, really – more on Friday when the link goes up), I looked at a very famous opening line that has gone down in the annals of Cliche and Purple Prose, so much so even Snoopy quotes it regularly.

To my surprise, I found I’ve written flash fiction stories which come in at under the word count of that opening line!

So every word counts then in a flash story? Of course but the words have all got to pull their weight. You know when the story’s right (or as much as it can ever be) when you can’t change anything or remove a word without it spoiling the story somehow. One lovely thing about flash is you know you haven’t got the room for purple prose which is a huge encouragement not to write it at all!

Fairytales with Bite – Controlling the Weather and What Writers Should Control

My CFT post looks at why Controlling the Weather isn’t a good idea even if we could do it. I also look at why “it was a dark and stormy night” has gone down as one of the all time “great” writing cliches. But can the weather play a purpose in writing? Can writers control their use of it so it is effective, rather than something that can be mocked (as that infamous opening line so often is)? What should writers control in their writing?

The weather can play a role in writing as long as it matters to the story (in terms of outcome/character development etc).  Generally speaking, it matters to the story is the most important rule in all fiction writing! Weather can also be used to reflect or contrast mood. If someone is singing in the rain, we would generally want to know why!  Interest piqued… now follow through with interesting reasons why!

What writers should seek to control in their writing should be:-

1.  Everything that is in the story has to be in there. Something would be lost in terms of character and/or plot if anything was removed. If anything could be skipped, cut it out. It is what readers/editors will skip.

2.  Their characters. Characters should be well developed and should engage with the reader (even if it is to make the reader hate them!).

3.  Dialogue.  This should reveal information/move the story onwards. Any dialogue without a purpose shouldn’t be in there.

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This World and Others –

When You Know Your World Works

There are certain pointers which will indicate your created world is working and hopefully will encourage you to develop it further.

1.  You know how the world is run. (There has to be some sort of government).

2.  You know who are the powerful and who are the downtrodden (some things are just universal!).

3.  You know the immediate setting for your story intimately. You need to be able to portray this, almost as if it were a character in its own right.

4.  You know where your characters fit into your world (and whether they fit in well or not. Do they defy convention or follow it religiously?).

5.  You have some idea of how your people survive in terms of food/water/sanitation/employment provision. I can’t think of any created world where characters don’t have to eat, be able to resource themselves etc.

Not all of these details need to make it into your story. We don’t need to know everything about politics in your world but we do need to know what matters to the story (which I think is going to be a new mantra for me but it is a useful one!).

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Other News including Publication News

Am delighted to say my story What Goes Around will be in Bridge House Publishing’s Nativity anthology later this year. What with The Art Critic and Dignity and Injustice due to be published in The Best of Cafelit 8 in December, I will have three stories in two books then! I am also still thrilled of course that The Professional was in the ebook Transforming Being, the Bridge House published ebook of the winning entries for the Waterloo Arts Festival Writing Competition.

I have also set up an Amazon Authors Central page and these are set for the US, UK, France, Germany, and Japan. Here you can find out more about the anthologies my stories have appeared in as well as about From Light to Dark and Back Again of course.

It has been a good month!

 

 

 

 

 

 

Moments That Matter/Narrative Voice

Facebook – General – and Chandler’s Ford Today

My CFT post this week looks at Moments that Matter. I share some of these from a writer’s perspective but also delve into the topic from a historical viewpoint too.

Moments that matter there, for example, include George Buck finding a copy of Titulus Regius, which Henry VII had ordered destroyed. Buck’s discovery of that document led to him reassessing Richard III. No surprise really that didn’t happen until after the Tudors had gone but it was a moment that mattered!

I also discuss why we should treasure moments that matter to us but also use them to spur us on. Hope you enjoy.

Image Credit:  Pixabay.  Suitable captions over on CFT!

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What was the first story you read that made you think “I want to be a writer”? To be honest, I can’t remember what mine was (though I always loved the Famous Five so it probably was one of those), but books like The Lord of the Rings held me in awe of what could be done (and I’m still in awe over that one, and rightly so. Tolkein’s vision is amazing).

Much as I loved (and still love) fairytales, they didn’t then inspire me to write. I don’t think it was until I was reading children’s books etc for myself that the idea of writing stories myself occurred to me.

My trigger for writing was always having it in the back of my mind to give it a go some day. The trouble with that approach is working out when some day becomes “now”. It took a significant birthday and becoming a mum to make me realise if I wanted to write, I’d better get on and do it then. My only regret now is not starting a lot sooner than I did.

You don’t realise how much there is to learn, how it takes you time to get used to rejections, getting into the habit of submitting work regularly and so on when you first start. But when all is said and done, the important thing IS to start. Then enjoy the writing journey.

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My CFT post this week will be on Moments that Matter. I look at this from a personal, writer’s, and historical viewpoint amongst others. Treasuring such moments is vital but so is moving on to the next one!

I also look at how the materials we have influence how we see historical turning points in particular (and what the absence in some cases can also do. Richard III fans will know what I mean there!). Link up on Friday.

Facebook – From Light to Dark and Back Again

It’s always important that your story has a strong narrative voice, but vital in flash fiction where that is used to imply so much and to drive the tale.

You need to get into your reader’s head what your character is like very quickly. Attitudes need to be shown quickly etc. There should be a sense of having to find out what this character will do next.

I think this is one reason why I use first person a lot in flash as I can take a reader straight into the head of that character and hit the ground running.

From my Serving Up a Treat:-

“I learned ages ago not arguing saved many beatings”.

Now hopefully that will provoke curiosity as to:-

a. Who the character is.

b. Why they’ve clearly put up with something intolerable for so long.

c. There is the implication that things are about to change and you will hopefully want to find out how. (Why, I think, is pretty much spelt out).

So a lot to do with an opening line then but I love the fun of coming up with lines like this which tell me so much about the character immediately. I want to find out what happens as I tell the story and that is a good sign. You are your own first audience. If you’re not gripped by what you write, nobody else will be!

Have fun writing lines like these. See where you can take your characters. I believe that the fun a writer has in coming up with a tale does get picked up on by readers, albeit at a subsconcious level. Get them hooked!

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I remain convinced that technology has helped flash fiction take off as a genre given it is so easy to read on screens. If something like that encourages people to read who hadn’t read much before, I’m all for it. Tempt in with a quick easy read and before you know it, you have them hooked on War and Peace!

Okay, maybe not, but flash fiction can make a very useful start to a love of reading… and it helps you so much as a writer. You learn to focus and your editing skills are sharpened considerably. Also, you learn to come up with ideas, more ideas, still further ideas and so on. The more you use your writing muscles, the more you develop them.

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Another good way of finding out if your flash fiction piece has the “oomph” you hoped it would is to record yourself reading it out, putting that away for a while, and then listen back. If you are gripped, well done, others will be too.

I’ve long advocated reading work out loud, even if you don’t record it, as if you stumble over dialogue, others will do. It is an oddity that something which looks good written down does not necessarily “read well”. Always read it out and see for yourself.

Simple easy to read writing takes lots of editing to get to that point. I don’t believe that IS just me!

 

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Fairytales with Bite – Should Fairytales Ever Be Funny?

Well, should fairytales ever be funny? I suppose your answer to that might be based on what you believe fairytales are for. Many, of course, give moral messages (e.g.  never be unkind to an old person. In the fairytale they often turn out to be someone important and/or magical in disguise. Crossing them or being unkind is never a good move!).  Other fairytales can act as warnings. Some, naturally, can do both.

My own view is where a story (of any kind) can be funny and it gets something across better that way, then do so. Truth is often more palatable when sweetened a bit and making someone laugh or smile as they take in the more serious point behind the gag does make accepting that truth easier. I’ve never seen anything wrong in “just” writing for laughs.  It’s harder to do than it sounds but I’ve found the most memorable speeches/sermons/stories have all contained at least some element of humour. Humour makes it easier to remember and can be a useful tool for a writer.

Humour should never be forced. It should arise naturally out of your characters and the situations you put them in. I don’t think you can fake something to be funny. It either is or isn’t. There are topics which are not suitable for humour at all (abuse is the obvious one for me) but a fairytale which is trying to “promote” being kind, for example, could use humour to make more of an impact on a reader.

I love reading humorous prose. I find it a tonic for the soul. Given stories reflect life, and life should have humour in it, so should our tales! But it works best when it suits the material. You can’t force humour into a story where tragedy is more appropriate. Nobody went to see Romeo and Juliet for laughs for example.

Fairytales have great scope for flexibility. You have magical creatures and where there is magic, there is always the potential for it to go wrong. The consequences can be funny. Think of The Sorcerer’s Apprentice for example.

Happy – and fun – writing!

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This World and Others – Moments That Matter

I discuss Moments that Matter in my CFT post this week and look at it from writing and historical perspectives amongst others. From a world building viewpoint, what are the moments that matter to you as the writer putting a fictional universe together? My thoughts are:-

  1. That moment it all comes “together”. The politics, the way your world is governed, how your characters react to all that finally makes sense and you write with utter conviction, knowing the parameters of your creation and testing your characters against those. (There are always rebels, though of course it does depend on your viewpoint if the rebels have a point or not!).
  2. When you know your lead characters inside out. You know what makes them tick, what pressures they would be vulnerable to, what would be pivotal moments for them. That’s where the stories and drama are!
  3. When you can visualise your world and feel it is almost as real as this one! You know the street names, where people would go for entertainment, whether there is religious/political freedom at all. You know your world to such a degree you could be quizzed intensely over it and come up with good answers!


It pays to write a list of questions you need to know the answers to and then work those answers out. Preparation work like that will save you work later. For a long piece of work like a novel, I could not write without having some sort of “map” to assist me here.  Happy writing!

 

AMAZON AUTHOR CENTRAL PAGE

Am pleased to finally share the link to my UK page. (There is one for the US, France, Germany, and Japan too! I will share links in due course).

https://www.amazon.co.uk/-/e/B07T3HT18L?ref_=pe_584750_33951330