History In Stories

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. Coming up next week will be a flash fiction workshop I’m running and I am now booked in for a book fair in July. Not a bad week here then! Have a fabulous weekend. Lady has got to play with several of her friends this week so she has had a good week too.

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Facebook – General and Chandler’s Ford Today

Am pleased to share History in Stories for Chandler’s Ford Today this week. I look at how history crops up in various genres of fiction and why this can encourage empathy. It also goes a long way to explaining why so often writers, including yours truly, can have interesting internet search histories!

I also look at alternative history and why you have to know the rules, in this case the history, before you can break them, or in this case invent an alternative version. I guess that is the ultimate in the “what if” game for fiction writers!

History in Stories

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Looking forward to sharing History in Stories for Chandler’s Ford Today – link up tomorrow. See above. History turns up in various genres, funnily enough, and I look at that in this post. I love reading historical works – fictional and otherwise.

History can also inspire your own stories. You look at what historical characters did way back when and figure out their motivations. You can then take that idea and use it to create a new story where you character acts from the same motivations in the present day or in the future or in another time period from the past. What would the consequence be? There would be some!

Then you could look at a character of yours acting from motivations which are the direct opposite. What would happen there?

Chandler's Ford Today post reminder picture(1)

Glad to say I’m taking part in a local book fair in July. Am looking forward to sharing more details nearer the time. Am also running a flash fiction workshop on Zoom on Monday, 15th May. Looking forward to that.

Now looking for ideas is something we all need to do and I like to use a variety of methods here. As well as the random generators (which I sometimes use to trigger ideas for my non-fiction, I like to think about what it is I love about writing and why. That usually triggers an angle I can write about. I also think about my own writing journey and some of the pitfalls I’ve avoided and others I know about as topics for blogs can often come from sharing something about these. (I also hope they warn newer writers to be aware there are scams out there).

I think about books and stories which inspire me and why. I sometimes refer to books of ideas for writers as well. I look into what I like outside of writing because something there can inspire an idea for a character and from there a story to write up.

This is where entering competitions can help too. For short stories and flash fiction, the theme is often set and from there I can figure out how I approach this. I like to jot down different ideas which occur, rest these, then come back and write up the one that makes the most impact on me because I figure it may have the same effect on another reader/judge.

May be a graphic of studying, diary and text that says "WHAT'S NEXT Good question! One thing I've learned 1S the writing journey is a continual one."

Facebook – From Light to Dark and Back Again

Pleased to share my latest tale on Friday Flash Fiction. Hope you enjoy The Down Side. Maybe the genie had a surprise here? See what you think. (And a huge thanks for the wonderful comments in on this one already).

Screenshot 2023-05-12 at 09-59-03 The Down Side by Allison Symes

I’m looking at History in Stories for my post for Chandler’s Ford Today this week. See above. I love history so this was a particular joy to write. I’ve written some historical flash fiction.

One example of this is Not Knowing from Tripping the Flash Fantastic. I take the viewpoint of Elizabeth of York, Henry VII’s queen. What matters is sticking to the known facts. Where the fiction comes in here is I imagined what I thought she would feel like knowing her uncle Richard III has just been killed, feeling understandably apprehensive for the future, but hoping all would somehow work out. That to me is reasonable supposition.

May be a graphic of text that says "The trouble with history is, unless you are writing an alternative one, you can't change the ending. MP"

Hello to all who have signed up for my newsletter since last time and a hello to all who have been with me for longer! My next author newsletter will go out on 1st June and I share news, tips, story links etc. If this sounds of interest, please head over to my landing page at https://allisonsymescollectedworks.com to sign up.

Interesting thought: what would your characters put in a news letter if they could write one? What would they share? What would they keep quiet? I suspect there could be some great stories there. Will probably have a go at this myself at some point!

Fairytales with Bite – Ceremonies

I thought this was an apt topic given the UK has just seen the Coronation of King Charles III, the first such event in 70 years.

Thinking about your setting, what ceremonies would they have? Would everyone join in with them or are these things just for the privileged few? Do the ceremonies have a magical significance, a historical one, or both? Is magic used at the events themselves?
Equally do your characters have to get to a certain magical standard before they can take part in such things?

Thinking about the social status of your characters, are there different ceremonies depending on class? For example a wedding (or equivalent ceremony) would happen throughout the society you’ve created but those lower down the scale will almost certainly have to have a ceremony which is less rich in detail and therefore costs than those better off/higher up in society than they are.

What would your characters wear, eat, drink etc for such ceremonies? This would have to be significantly different from what they usually wear. Everyone would have to have some kind of “glad rags” for these.

Also, would most in society support these ceremonies or are there those who refuse to take part/support them? What would be their reasons? Is there any comeback on that? Ceremonies are often held to bring society together so what would society think about those who don’t want that?

Story ideas there I think!

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This World and Others – What do ALL your Characters Know and Why?

It has been a historic week in the UK with the Coronation of the new King so I wondered, in your setting, what would all of your characters know about their setting’s history and why? What would they be expected to know? How is their history taught? For example is magic used to bring history to life for students in a way that we would use documentaries, visits to historical sites etc to increase knowledge?

Equally are there aspects of history all of our characters know but never speak about on the grounds it is something they have to know to avoid landing themselves in it with the authorities? Authority is often keen for their peoples to know something horrid happened to Character XXX in the Year Dot because they did this or that. They’re trying to ensure it can’t happen again by frightening everybody with the knowledge here.

What codes of behaviour are expected from everybody and what happens to those who against these? Again this would be something your characters would be expected to know. They would also know the consequences of going against these. Authorities are usually pretty keen people know about that too. On a more mundane level, what do all of your characters know about traffic legislation? What do they have to contend with here that we would not?

Where characters do not know what they should do, why is this? Has anyone kept them in the dark deliberately and what are they hoping to achieve with that?

Hope you can get some good stories with these thoughts to think about.

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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Reviews and Remembering

Facebook – General – and Chandler’s Ford Today

It was a delightful and very moving experience to watch the Chameleons’ production of Blackadder Goes Forth last week. My review for CFT this week shares some wonderful pictures from the set (and many thanks to Stuart Wineberg and the Chameleons for kind permission to use these). The production was a sell out run and I am not at all surprised.

The way the very famous final scene was carried out on stage worked so well too. For more, see the post.

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Looking forward to sharing my review of the Chameleons’s most recent production, Blackadder Goes Forth, later in the week. Found a particularly nice Youtube clip to go with it which fits in beautifully. It is always nice to uncover gems to go with posts like that.

Remembering is a fundamental part of being human (which is why Alzheimer’s is the tragedy it is). It should feature in your fiction too. What makes your character the way they are? What do they remember that they fight against or go with? Do they join in with their society’s collective memories or would they be what we would know as a revisionist?

What ceremonies are special on the world you’ve set up and what memories have led to these ceremonies taking place at all? Is everyone expected to join in or is it only for the privileged few?

Funny day today. Saw my sister go off to NZ (holiday and catching up with family). Not been to Heathrow for years. Last time was when our parents went over there. Mum and Dad went over at exactly the right time. It wasn’t long after their return that Alzheimer’s became “openly apparent” in Mum. Had they delayed at all, they would not have been able to go. The decisions we make…

What decisions do your characters make that turn out to be pivotal? They don’t necessarily need to be “obvious”. Something as simple as deciding to take a journey at a particular time as opposed to a later or earlier time could make all the difference to your story outcome but you will need to show why and how. Plenty of possibilities for drama and conflict there (especially if your lead is arguing with others as to the best way and time to go about their “mission”).

Facebook – From Light to Dark and Back Again

I’ve been thinking a lot about journeys today (my sister is off to NZ as I type this), but of course every story is a journey in and of itself, regardless of its length. You have a character, something happens (the moment of crucial change) and then there’s the outcome (not necessarily a happy or good one).

The main difference with flash fiction of course it that this tends to be a short, sharp journey and there’s no hanging around for the outcome!

I sometimes write pieces where a character reflects on their life. My They Don’t Understand is a good example of this. Not an action story as such but one where, hopefully, the characterisation grips you and you have to find out how the character did in the end.

Naturally there has to be something special about the character to get you to keep on reading. Often it is their voice that is compelling. Know how your character would think, act, and therefore speak. It will make a huge difference to how you write them.

I sometimes write pieces where a character reflects on their life. My They Don’t Understand is a good example of this. Not an action story as such but one where, hopefully, the characterisation grips you and you have to find out how the character did in the end.

Naturally there has to be something special about the character to get you to keep on reading. Often it is their voice that is compelling. Know how your character would think, act, and therefore speak. It will make a huge difference to how you write them.

 

Thoughts for starting to write flash fiction:-

1. Pick out or invent a title and see what story ideas can come from that. Ideally try not to go with your first idea, as usually that is a way in to finding deeper, better ones to work with!

2. Know who your lead character is going to be and what their chief characteristic is. Very useful way to get started!

3. Don’t worry about the word count limitations at this stage. Write the story. Edit it. Read it out loud. Edit it again. Then see what its word count length should be. Some stories really do work better at 100 words, others at 500. The great thing is there are markets for both!

4. Keep the idea simple. Don’t try to be too clever. You want the reader to identify with your characters and for the idea to be a plausible one (no matter how fantastic the setting of the story). Being too clever will just tie the story (and you!) up in knots and won’t do anything for a potential reader.

Fairytales with Bite – Character Dialogue

Character dialogue has to sound natural when a reader comes to it, whether they read it aloud or not and whether they read a print or ebook or listen to the story on audio first. Often character dialogue is a “tidied up” version of what we say in life with few hesitations (best used sparingly in writing. It looks gimmicky and is “tiring” to read.).

I’ve found reading work out loud (sometimes recording it and playing it back) is a great way of checking to see if my dialogue is up to scratch. If I stumble over my words, a reader will too as out with the old editing pen again! It is wise to use accented speech sparingly. You want to give a sense of what a character’s accent is. You don’t need to use an accent for each and every word they say. Again, that is tiring to read, especially in a longer work.

You need your characters to speak in different styles so readers can easily tell them apart during “conversational pieces”. Sometimes this can be done by the choice of words a character uses. Sometimes it can be that Character A always speaks in short, sharp sentences, while Character B takes their time in getting to the point!

I love getting my characters to “chat” even if sometimes it is to themselves via their own internal thoughts. This is where you and, later, a reader can find out so much about them.

This World and Others – Packing a Punch With Your Writing

This topic has come about as a direct result of my Chandler’s Ford Today post this week, which was a review of the Chameleon Theatre Company’s recent production of Blackadder Goes Forth.  This last series in the Blackadder canon is by far the best of them and with humour and irony conveyed the horror of life in the trenches in World War One.  Blackadder would have been mad NOT to have tried any means possible to get out of there.  The writing is excellent and the tragedy of what happens is beautifully portrayed.  How?

A lot of the writing is understated.  Blackadder’s final “good luck, everyone” is said calmly and without emotion as the men are about to go over the top.  There is a wealth of emotion behind those three words.  Anyone watching knows those men are about to go to their deaths and that they know it too.  So you don’t need lots of words to make a powerful impact on your reader.  There is a lot to be said about quiet courage (as shown by Blackadder funnily enough).  Think about then what impact you want your readers to experience, then look at the best way of achieving that.

Humour can achieve a great deal here as can quiet acceptance of what is about to happen.  Raging against the unfairness of it all can engender some sympathy but I’ve found a better approach is for characters to fight the odds as much as they can and if they lose, it is clear from the story it is NOT because of anything they’ve said or done.  It is for your reader to conclude that it is unfair on the character, rather than have the character do it (as you run the risk that the character may come across as being whinging).