Writing Believable Characters and Writers’ Narrative Magazine

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes. Images from Writers’ Narrative magazine kindly supplied by Editor in Chief, Wendy H Jones.
Hope you have had a good weekend. Back to the kind of sunny weather you expect from August. Thrilled to say the September issue of Writers’ Narrative is now out – full details below. Don’t miss it. It truly is a great read and the theme is marketing. Is there any writer for whom that topic is not appropriate? I think not.

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Hope you’ve had a good day. Lovely to be back swimming today. The downside to writing is it can encourage the development of Writer’s Spreading Bottom, which is never a pretty sight. Walking the dog and going swimming helps!

Writing Tip: having regular time set aside for writing will help you produce more. I can never do 9 to 5 but there are hours I can do so I do them! I also see it as confirming to myself writing is important so book time for it. I think the regularity trains my brain into realising this is writing time (as opposed to editing time, say) so it encourages me to get on with it.

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Delighted to say the September issue of Writers’ Narrative magazine is now out. The theme this time is marketing and the magazine is packed full of useful information. Pleased to say I have two articles in here – Marketing Your Books and Writing for Online Magazines.

Link to the actual magazine is below.

 

To ensure you don’t miss a copy you need to subscribe (for free) here – http://subscribepage.io/WritersNarrative

Oh and it is a fabulous read but don’t just take my word for it – do check it out.

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Sorry the Lionesses lost but well done to them for doing so much for women’s football and congratulations to Spain too. Am not a huge football fan I admit but I do love a good story. No surprises there. And it is a cracking story that two teams got to the Women’s World Cup final for the first time.

Favourite sporting moment for me was when Andy Murray won Wimbledon for the first time. As well as enjoying tennis, this was special because I rang Dad the moment Murray won. Dad was an avid tennis fan and he was so overjoyed the 70 year duck had been broken here. (I suspect the Duke of Kent who was then President of the Lawn Tennis Association felt similarly!).

It was a lovely moment because we’d not long had to put Mum into care as her dementia had taken a real hold by now and there was no way that could be managed at home. This moment – a shared joy over the phone with Dad was special to us both especially after such a difficult time. Yes, we were delighted when Murray did it again!

Talking of stories and how to create them, I will be looking at Writing Exercises for Chandler’s Ford Today later on next week. Labour of love writing this one! Link up on Friday.

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Many thanks to Val Penny for inviting me on to her blog today. I’m talking about Writing Believable Characters. I create characters a lot for my flash fiction and short stories. I’ve alway believed the story is driven by characters readers can get behind. So it was lovely to talk about this topic with Val. Hope you find the post useful.

Screenshot 2023-08-22 at 20-12-42 Creating Believable Characters by Allison SymesVal Penny at Swanwick - photo by Allison Symes

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Sometimes a phrase will pop into my head and I get with that an inkling of the kind of character who would say it. Instant outline right there. Often I will use that phrase as my opening line as it is always something to intrigue. Would like this to happen more often, it’s useful.

Dialogue is a great way to open a story. You get a couple of characters immediately (unless you have someone talking to themselves. That can intrigue. I would want to know why they’re doing it.). You also get a sense of character attitude and likely premise coming up. They are likely to discuss what has just happened as the story opens or what they think might be about to happen.

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Bonus post tonight. Not going to forget it’s Monday. It’s time for a new story. Hope you enjoy my latest on YouTube – Getting the Message.

 

As part of the flash fiction group I lead, we share competition/market news we come across. The good news is there are loads of flash fiction competitions, certainly many more than when I discovered flash as a format. Indeed I don’t think it is possible for one writer to know them all but this is where writers help one another. Others have told me about sites like Friday Flash Fiction and CafeLit for example. Have been very glad of that information!

I must admit this is where I find a writing magazine helpful as it flags up competitions and markets to me. I also follow some writing groups on social media and these can be great sources of information. I see it as part of my marketing keeping up together (as much as I can) with this information.

Talking of marketing, the latest issue (September) of Writers’ Narrative is now out and the theme this month is on that topic so do check it out. Link to the actual magazine here (but do subscribe – it’s free and in the magazine itself is information showing you how to do this. Check the box on Page 33 entitled Subscriber News).

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Sometimes it can be fun to put something unexpected in a story title. One of my favourites from Tripping the Flash Fantastic is called The Terrified Dragon. Well, you have got to read on and find out what on earth (or other realm) could make a dragon terrified? That’s the idea of course. The hook is right there in the title.

I have judged competitions where writers have not used a title even though the title was not part of the word count. Please don’t do this. A title is your first hook for a reader and you can use it to set mood and genre. It’s a golden opportunity for writers without using up your previous word count in a restricted form like flash fiction. Don’t waste that opportunity.

I find I have to have a working title as I write my first draft. Sometimes a better title idea comes along, I make a note of it and decide which is better later on. I also find having a title is a great way to get me started. I guess it is because deep down I know a story has to have a title so let’s start with that then!

Tripping The Flash Fantastic - by night

Looking forward to the Association of Christian Writers Flash Fiction Group meeting on Zoom next week. Always good to talk about and write flash fiction And I am sure we will get some useful writing done in this session. We usually do and I am so pleased some have gone on to have their work published online and broadcast too. Keep it up, folks! I get to do more writing too. Will be looking at seasonal writing this time.

When is the best time to write anything? Depends on the writer. For me, it is in the afternoon and evenings. Mornings are pretty much out for me. What matters though is getting into a regular habit of writing.

I find that regularity spurs me on. You decide on the regularity of course. Once a week stuck to is far better than every day for a week and then you don’t write again, say. I’ve learned not to overlook those odd pockets of time we all get. They’re perfect for drafting down ideas I can return to when I’ve got more time at my desk. It also means I hit the ground running when I am back at my desk. I like that aspect.

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Goodreads Author Blog – Favourite Short Stories

Confession time, I don’t have an overall favourite short story. I love too many of them to pick an outright favourite. But the classic fairy tales are amongst them. I also love the short stories of Agatha Christie and P.G. Wodehouse, as well as being a fan of their longer works. Sometimes a story is better told in the short form – I admire those writers who can do both.

I make a point of mixing up what I read in terms of genre but I also do so for word count. I deliberately read short story collections and flash fiction anthologies in amongst my novels and long form non-fiction books. I think a mix is good for you!

I will often use a short story or flash collection to decide what genre of novel I will be reading next. I don’t strictly read to order on my To Be Read pile. Does anyone? I go with what I fancy reading and work my way through! But the short story and flash collections can help me work out what I do fancy reading next!

Screenshot 2023-08-19 at 19-57-43 Favourite Short Stories

WRITERS NARRATIVE SUBSCRIBER LINK

AMAZON AUTHOR CENTRAL – ALLISON SYMES

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IDEAS, ROOM 101, AND SPECIAL CHARACTERS

Another mixed bag plus a link to my page on US based site, Scriggler, where a new story of mine is now up.

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My CFT post this week is the final installment of my 101 Things to Put into Room 101 series. Good fun to write and therapeutic too! Amongst tonight’s items are debt, fake sincerity and all calories in a 99 icecream. (You can guess where I put that in my list numerically speaking!).

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When is the best time to write? When you can! I write mainly in the evenings but if I can sneak in some writing during the day, I do so. What matters more, I think, here is being consistent with your writing. You know you will always sit down at roughly the same time and you will always write X number of words or accomplish this task or that one.

I keep a list of writing tasks I want to achieve and find it helpful as, whenever I tick off one, there is a sense of achievement. Given rejections happen to everyone, that sense of achievement is very welcome.

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Little things reveal a great deal about people. Anyone who always says “please” and “thank you” was brought up to be polite (and not take anything for granted usually too!). Likewise, those who hold doors open for others (regardless of gender), you can reasonably assume at least try to be considerate in other ways.

So little things should give away clues as to what your characters are really like deep down. I think of this as the kind of trait that a character can’t completely hide/suppress.

For example, a character is shown to be a “loudmouth”. Fine but every so often during the story, we also spot the said character lighting a candle as a prayer for someone else. That tells me well hang on, this character has another side to them. A deep, spiritual side they are either not comfortable showing more openly (they’re wary of showing off their piety perhaps) or they somehow feel the need to cover that aspect of themselves up by being “loud”.

So think about what little things will give away what your character is really like. These little things can also back up the main portrayal (and help make it more convincing).

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One thing that can be overlooked in flash fiction is, as with any story, the character still has to be at a point of change in their lives and the tale shows the results of that. The difference, of course, is that in flash, you have much less room to complete that “task”.

But a good flash fiction story will show you a character changing (for good or ill), or resolving a problem. It really is a question of cutting to the chase with flash fiction. There has to be a resolution to the conflict your character is facing, whether that is an internal or external one. Everything that is most important to the character and the resolution has to be in the story and not a word more.

This is why I think it is a good idea for most writers to have a go at writing flash fiction, even if you don’t use it as your main fiction form. Why? The skills you learn in writing to a tight word count will spill over into other things you write. As I’ve mentioned before, you soon find out what your wasted words are, you discover you don’t need many adjectives and adverbs, you do learn to say in one word what you might have taken three words to do etc.

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Flash fiction is great for giving insights into a character which wouldn’t be enough in themselves for a standard length short story (usually 1500 to 2000 words).

With a novel you get to see the whole “tapestry” of the story with all the different threads coming together. With a novella you would see about half of that. With a short story you would see say part of the left or right hand side. With a flash fiction piece, you are picking one spot on the whole “tapestry” to study – and, despite the limited word count, can still produce an “intense” story. Flash fiction can have layers – it just can’t have too many of them!

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Ideas, I think, are all over the place waiting to be picked up and used by writers who can recognize them for what they are and, more importantly, which ones are the “goers” and worth running with.

I don’t write character biographies (though I understand the point of them) but I do jot down ideas based on themes and then work out “What if?” scenarios. I think it important to recognize that ideas need development time.

Yes, a brilliant idea can occur and you write away but in my experience at least it has been ideas coming together to form a powerful whole that has inspired my stories. The advantage of this is that the ideas are layered and means I am building in depth to my stories. (Yes, you could and should have depth to flash fiction. There should be nuances the reader ponders on later).

But it is theme, motivation, and character types that interest me the most. Again looking at the news you can pick up thoughts as to what motivated someone to do this or that and then apply that motivation to your characters. For example, we all understand jealousy and how that can arise. So why would your characters be jealous and what would they do as a result?

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Scriggler – My page

I have put a new story on this called Night Fright but am including the link to the whole of my page here.  Am hoping to add more to this later in the year.

Fairytales with Bite – Five Signs of a Great Character

I do like a list (!) and it has been a little while since my last one on here so time for another!  I would list the following as my five signs of a great character (fairytale or otherwise).

1Being Memorable.  Sounds easy but can be easier said than done.  The advantage is a character can be memorable for good or villainous reasons but there has to be something about them that sticks in your readers’ minds long after they’ve finished reading about them.  Can you say something about your character that would instantly bring them to mind without you having to refer to the story?  (This can be a useful test!)

2.  Having a Life.  Your characters have a life of their own, which may not necessarily be directly relevant to the story you’re telling about them but which feed into it.  For example, a character may be known for usually being a stay at home and then they suddenly go on a quest and they wonder how those who know them will react to this.  The quest is the story but the fact the character has friends and neighbours who will gossip about what they’re up to brings that character to life.  The obvious examples here are Frodo and Bilbo Baggins from Tolkein.

3.  They would be capable of further adventures.  The great characters have traits and skills that would be easily transferrable to other stories about them.  Your readers should be able to picture your characters going off on other adventures.

4.  The characters are willing to be challenged or overcome initial reluctance to face challenges.  I love stories with characters like these, partly because I think about what I (or my characters) would do if facing the same fictional challenges.  This feeds into 3 above, of course.  It is my experience characters like this always do more than their author originally thought them capable of and that is a very good sign.

5.  Their enemies fear them with good cause.  The irony here is that this can apply to the enemies fearing the hero, but also the hero fearing the enemy.  A worthy hero deserves a decent villain to test them.  You can also see why the fear is justified.

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Creating great characters. Image via Pexels.

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Outlining your characters, perhaps. Image via Pexel

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All good aids to writing, though the chocolate is not a great diet aid. Image via Pexels

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Always good advice this. Image via Pexels

This World and Others – What is Special about your Characters?

I think this question is the first thing you must ask yourself before writing your story. What is so special about your characters readers have to keep on reading to find out what happens to them?

The basic answer, of course, is that it has to be a mixture of character traits and personality to make a fully rounded “person” to be the star of your story.  So think about where your characters get their traits from and why they have the personality that they do.  What would happen to this personality if they were put under stress (especially the ongoing for some time kind of stress)?  Would your character still be special or crack under the strain and, if the latter, how can they come back from that?  There are stories to be had there!

Also, what is special to your character?  What do they consider to be the most important things about themselves and why?  Who are their heroes and villains, and why?  What possessions do they have that they value the most (and these don’t have to be priceless antiques.  it could be, say, a battered old teddy bear they’ve had since very young etc)?

Happy writing!

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