In Fiction – Frameworks and Animals – and A Good Cause


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Somes images created in Book Brush using Pixabay photos. Screenshots taken by me, Allison Symes. Book cover images from Chapeltown Books and Bridge House Publishing.
Hope you are all safe and well. UK currently experiencing Storm Eunice. Must admit I’m not impressed by her! Neither was the dog…

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Facebook – General – and Chandler’s Ford Today/Authors Electric

Authors Electric
Busy night on the old blogging front as I have two separate posts to share. First up is my Authors Electric post for this month where I talk about Animals in Fiction. This is something I talked about for Chandler’s Ford Today a few weeks ago but the topic bears repeating. I share my love of animal characters and talk about what I do when I write from the viewpoint of an animal character. I’ve written from the viewpoint of a mother dragon after all! Hope you enjoy the post.

Chandler’s Ford Today

And now time for my Chandler’s Ford Today post. This week I’m looking at Frameworks in Fiction. I look at why frameworks matter, share a few of the different ones I use (and why I like to mix them up), and what can be used as a framework, even when at first glance the device in question doesn’t appear to be a framework at all! I also ask if frameworks can be too constricting. Hope you enjoy the post and find it useful.

Frameworks in Fiction

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Lull between the storms in the UK right now. Take care, everyone, with Storm Eunice due tomorrow.
On a happier note, my Chandler’s Ford Today post this week will be about Frameworks in Fiction. I use a number of different ones for my flash tales and will be discussing these and why frameworks are so useful. Link up tomorrow. See above.

Don’t forget I send out an author newsletter on the first of each month with tips, news, prompts etc. If you’d like to sign up please head over to my landing page at https://allisonsymescollectedworks.com

Currently busy on story judging and editing as well as my own writing so am staying out of mischief well enough!

It was lovely catching up with everyone on the Association of Christian Writers Flash Fiction group on Zoom last night. We all ended up with a new story to work on thanks to a free writing exercise set by #AnnmarieMiles. I used a random name generator to come up with the name of a character to write about and there were excellent and different approaches taken. All good fun!

 

The wind is already getting stronger here in Hampshire – take care, everyone, over what promise to be a wild few days in the UK.

Now I don’t use the weather in fiction at all (too many cliches etc and It was a dark and stormy night has been done!). But you can use the elements to help set mood including landscape as well as weather. Think about the detail a reader needs to know. You won’t need to spell everything out. The joy of flash is so much is inferred and the reader fills in the gaps.

I’ve always loved doing that when reading longer works but for flash writing, it is crucial. I may need to know your character is on a moor. I don’t need to know how wet, boggy etc the moor is because I have my idea of what a moor is like and that will be what I visualise when I read the word “moor”. What is more important to know is the season. Is your character there in the summer or the winter? That will make a huge difference to the conditions they face.

So it is the question of the telling detail then – select what readers have to know, what they cannot guess at, and let your readers fill in the gaps. We will – and it saves so much on the old word count! Nor do you irritate readers telling them what they can work out for themselves.

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Facebook – From Light to Dark and Back Again

Now earlier this week, I shared my YouTube story called At Number 64  – see below – and I mentioned I had submitted a linked story to this for Friday Flash Fiction. Well, I am glad to say my second story on the same theme is now up on FFF and I am glad to share it here. Hope you enjoy A Good Cause (and many thanks for the fab comments in on it so far).

Screenshot 2022-02-18 at 19-20-44 A Good Cause, by Allison Symes


In a month’s time I’ll be on my way to the Scottish Association of Writers’ Conference where I’ll be running a flash fiction workshop. Looking forward to that immensely. Never thought I’d be doing this kind of thing when I started out.

But I have a very soft spot for workshops anyway. You get to meet other writers. You get to learn something useful. And a good workshop should trigger ideas for you own stories too.

Best invention since sliced bread? The notebook and pen of course.

Still great for workshop/conference environments. And flash gives you potential for writing up your exercises from workshops etc into polished stories you can submit later. Every so often I will go back through my old notebooks and see if there is something I can polish up. Sometimes I will find something useful like that. Other times I’ll read something which will trigger other story ideas and that’s great too.


Screenshot 2022-02-18 at 20-54-40 Writing Workshops Conference 2020 Scottish Association of WritersI was talking about giving readers the telling details they need to know to make sense of your story over on my Facebook author page just now and I referred to the elements. But you need to think about telling details for your characters too.

I’ve mentioned before I like to know the character’s major trait as all sorts of things can come from that which you can use to bring your character to life (e.g. the character is brave, they have a tendency to be reckless because of it and that’s where the story is – in what that recklessness leads to).

So work out what you need to know to make the character work for you. (If the character works for you, they’ll work for a reader). If a character is poor, do you need to know if they have become poor or have always been less well off? What is their attitude towards it? Can that attitude be where your story is – if your character is bitter, do they do something against anyone they hold to blame for their situation?

Ask yourself questions about what you need to know. I’ve found doing that sparks ideas and soon an outline for a possible story emerges. I like that – a lot!

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Fairytales With Bite – Happily Ever After?

And they all lived happily ever after has to be one of the most famous endings to any story. Though it should be added the original versions of fairytales often did not have a happy ending or gruesome things occurred before the happy ever after bit.

I understand it being in the classic tales for children but it is not one I am comfortable with myself. I like most of my stories to have a positive, upbeat ending where you can see things would continue to be okay for my deserving characters long after the story has finished. But sometimes I write stories with poignant endings because that is appropriate for the characters I’ve come up with.

And that is what I am really after in the stories I read and write – appropriate endings for the characters.

One thing I do get from my love of fairytales is the wish for the villains to get their well deserved comeuppance. I’m actually more interested in seeing how that pans out rather than the happy bit (because with the comeuppance bit achieved, the rest will follow).

I also like to see happy ever afters “earned” by the characters concerned – it seems more realistic to me the characters (a) deserve to get their happy ever after ending and (b) contribute to achieving that significantly themselves.

So give some thought to how you want your stories to end. When it is a happy ending, have your characters be worthy of it. You want your readers cheering them on to the happy conclusion after all.

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This World and Others – Living In Peace

Does your fictional world live in peace with other creations around it? Do the inhabitants of your created world get along with each other? How many species live in your world and is there any “history” between them? Do they live in peace now after centuries of not doing so? Is your world one of those where peace is a rarity or where war is unknown and disputes have to be resolved in other ways?

What would your fictional world make of our real one? Answering something like that can give you insight into how and why your people behave and act the way they do. Could they live in peace with us? What do they make of our warlike ways? Some would despise that (and possibly because we’re not warlike enough in their view). Some would hate it because they cannot understand violence. Some would love it, possibly seeing possibilities of exploiting that quality against us.

Living in peace takes effort. How much effort are your characters prepared to make? What is the incentive for them to be at peace especially if their culture is one of war?

Good story possibilities there I think especially since there is always someone who is prepared for various reasons to go against the status quo.

 

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Heading North Again Soon and Frameworks in Fiction


Image Credits:-
All images from Pixabay/Pexels unless otherwise stated. Most images created in Book Brush using Pixabay photos. Screenshots taken by me, Allison Symes, as were the photos of the wonderful view as you come into Dundee Railway station and of my table at the Brechin/Angus Book Festival. Book cover images from Chapeltown Books and Bridge House Publishing.
Hope you have had a good weekend. Went to see a live comedy gig over the weekend, booked my tickets for a very special event in March, and got soaked with the dog – so a mixed bag here!

Facebook – General

Lady and I had a soaking while out this morning at the Recreation Ground but other than that it has been a good day.

Am looking forward to the Association of Christian Writers Flash Fiction Group Zoom meeting tomorrow night. I’ve mentioned before that one reason I think for the growth in the popularity of flash fiction is that people read more on screens now and flash works brilliantly for that. It is also easy to screen share on Zoom!

Now when it comes to thinking of topics for blog posts, I start by looking at what I think might interest other writers. (For the moment for Chandler’s Ford Today I am writing an In Fiction series). I then think about what might encourage people to join in with their comments and I also aim for my blogs to be both useful and entertaining. I do know from years of going to writing conferences etc that a topic which grabs one writer is likely to hook in others!

And for my fiction and non-fiction work, I ask myself one vital question. What will the reader get from this? It is crucial there is something in your writing that is of benefit to them, whether it is to amuse/entertain or to give them information which will be useful for their own writing. Do that and it is far more likely people will come back to you and read more of what you do.

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Hope you have had a good Monday and happy St. Valentine’s Day to all who celebrate.

Had a hilarious time at the Mayflower Theatre last night and it was good to see the entertainment industry coming back to life too.

Am pleased to say the February 2022 edition of Mom’s Favorite Reads is now free to download on Amazon.

Screenshot 2022-02-15 at 20-58-34 Amazon com Mom’s Favorite Reads eMagazine February 2022 eBook Publishing , Goylake , Howe[...]

Am looking forward to the Association of Christian Writers Flash Fiction Group meeting on Zoom on Wednesday night. Meanwhile I’ll be enjoying meeting up with the History Writers on Zoom tonight. I’ve been very grateful for how Zoom has made things possible – with both of these groups I would not be able to get to these events in person (well, maybe once a year but that would be about it).

I’ve used a number generator as the focus for my stories for Friday Flash Fiction this week and for my new YouTube video which I’ll be sharing over on my book page shortly. See further down for the link. The number generated was 64. What could I do with that? Well, pop over to my book page in a moment and pick up the link for the video and I hope to share the second part of the answer to this on Friday!

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Am posting early today as am off with better half and other family members to see Jack Dee at The Mayflower Theatre later. Has been such a long time since we were last there.

A huge thanks for the fantastic response to my post yesterday about my forthcoming trip to the Scottish Association of Writers Conference. See below.

I’ll be looking at Frameworks in Fiction for Chandler’s Ford Today later this week – link up on Friday.

A big thanks also to the response to Misunderstanding, my latest tale on Friday Flash Fiction. Feedback always appreciated.

Hope this week proves to be a good one (though Lady and I were none too impressed with the weather today – let’s just say the bedraggled look is in!)

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Thrilled to say I have booked my train tickets for the Scottish Association of Writers Conference which takes place in March (18th to 20th). See link.

Now you may well be thinking that’s all very nice, Allison, but you’re a Hampshire lass so how come you’re heading north?

(Not for the first time either, missus. Quite right as I was at the Brechin/Angus Festival in November which was great fun and I must admit my breath was taken away by the stunning view as you come into Dundee Railway Station – see pic below!).

Stunning views as I came into Dundee station

Another view as I came into Dundee.

I thought Dundee Station looked rather splendid

I thought Dundee Station was rather grand.


Well, I joined the History Writers group who are part of the SAW and indeed I will be giving a talk to them very soon via the wonders of Zoom about historical flash fiction. Very much looking forward to that. Now you may be suspecting there is probably a common link somewhere amongst all of this and there is – the lovely #WendyHJones links SAW, History Writers, and the Brechin/Angus Festival.

At the Conference in March, I will be running a flash fiction workshop. I’m also one of the judges for one of the SAW’s competitions.

So lots going on behind the scenes for me right now, all very exciting, and I am looking forward to meeting everyone at the Conference in March.

 

Facebook – From Light to Dark and Back Again

I need to know my character before I start writing up their story but I also need to know the framework of the story in which I am going to put them.

Will it be a linear narrative, a circular story, a twist in the tale, a diary format, or should I write the story in the form of a letter? (I’ve used all of those frameworks in my time and will do so again!). I’ll be looking at Frameworks in Fiction for Chandler’s Ford Today this week where I’ll discuss this further but I do find frameworks so useful. I like to have a rough road map of where I am going. And sometimes I know what the story is going to be and then have to decide which is the best way to tell it for the character I’m writing about.

I do usually write A to B but for twist endings/punchline endings, I write B to A because it is simpler to get that kind of ending down first and then work out what could have led to it. It is also a relief to know I have got my ending in place and just have to work out the starting point.

There are often several options there and this is why I use spider diagrams to help me work out which would be best. And when I say best, I am thinking best for the character and best for the future reader. It isn’t the same as what would be easiest for me, the writer, to actually do (and I always dismiss this anyway because the idea is to stretch myself and not make life easy for me or my unfortunate character I’ve chosen to drop right in it!).

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Hope you enjoy my new YouTube story, At Number 64. I’ve submitted a linked story to this for Friday Flash Fiction this week and I hope to share the link on that on Friday if I can. I am enjoying using the same theme generated for two stories per week but it is also great to have a story with connections to another one, yet both stand alone.

 

The joy of flash is having a completed bit of work to hand relatively quickly but there is a difference between “completed” and “first draft”. I can draft a story in about ten/fifteen minutes (for say a 100 to 150 word count) but I will spend considerably more time after that honing and improving that draft. And that is how it should be.

The first draft is to get the idea down. Then and only then do you look at ways of making that better. Guess what? There are always ways of making things better! But you yourself get better in spotting what can be improved and sharpened over time. You get better at knowing what your writing flaws are and then making a beeline on the first edit to get rid of those.


Hope you have had a good Saturday. I mentioned this on my main author page the other day but I will repeat it here – Amazon have a good offer on the paperback of Tripping the Flash Fantastic at the moment. See the link for more information.

Looking forward to talking about historical flash fiction at the History Writers group I’m part of on Zoom soon. Given flash is focused on characters there is no reason why some of those characters can’t live in the past! And you can use characters to explore that past too. It is something I am hoping to do more of in due course.

History is made up of so many stories, of course, and as long as you are accurate, I see no reason why you can’t explore history via fiction. After all one of my favourite books The Daughter of Time by Josephine Tey led me to change my mind about Richard III and take more of an interest in his life and times. Flash illuminates briefly. Why not illuminate a small section of history?

 

Goodreads Author Blog – Visualising Characters

I started reading Dickens as a result of watching Oliver Twist on TV. The film version being shown starred Sir Alec Guinness and Oliver Reed (Fagan and Sykes). Both were brilliant and I absolutely had to read the book after seeing this.

And, again with Dickens, I loved The Muppet Christmas Carol (and still do, it’s a must see at Christmas) with Sir Michael Caine as Scrooge. What I loved best, with my reader’s and writer’s hats on, is where Gonzo acting as Dickens the narrator tells us all to go and read the original book. Quite right too!

I don’t need a film or TV adaptation to visualise a well portrayed character but where adaptations are thoughtfully done, those TV and film portrayals add something special to the book when I then go on to re-read it again. I do visualise the well cast actors. I can’t read a Poirot novel now without visualising Sir David Suchet in the role or a Miss Marple without seeing in my mind’s eye the wonderfully cast Joan HIckson.

So are there any adaptations that bring a book more to life for you? Or will you always prefer the book over any adaptation?

 

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