Back to Earth after Swanwick

Image Credits:-

All images from Pixabay/Pexels unless otherwise stated. Some images created in Book Brush using Pixabay photos.

Book cover images from Bridge House Publishing, CafeLit, and Chapeltown Books.

Had a fab time at the Swanwick Writers’ Summer School (and a huge thanks to Fiona Park for the image of me signing books there recently), but also glad to be back home and at the old writing desk once again. (Lady went bananas on my return and in such a sweet way!). Image below taken by Adrian Symes.

LADY DISCUSSES TTFF WITH ME

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Have started work on my next author newsletter (to go out on 1st September – to sign up for this just head over to my website – landing page – at https://allisonsymescollectedworks.com). I share news, tips, exclusive stories etc here. I hope later that some of those stories will make it into future flash collections but newsletter readers get “first dibs” on reading these.

Am pleased to say most of my slots for Chandler’s Ford Today are full until towards the end of next month and that’s always a good sign. Plenty of fantastic interviews to come and I will be sharing Part 2 of Writing Humour with Fran Hill and Ruth Leigh this coming week. Link up on Friday.

I will also be looking back at a wonderful week at Swanwick Writers’ Summer School for CFT soon too. (It’s a good way to celebrate the fact Swanwick happened at all and gives me a chance to share some of the benefits of going to it).

Writing Tip Time: One writing tip that has always stood me in good stead is to read work out loud, especially dialogue. What looks good on the page or screen does not always read well. If you stumble on something, your readers will too. I’ve made many an amendment to a story due to that alone. It is worth the time. That extra polishing up can make all the difference to whether a story is accepted or not.


Back to the usual writing week after a fab week at Swanwick. I’ll be drafting blogs later this evening but since coming home I have submitted a flash fiction piece for #FridayFlashFiction and I will be sharing a YouTube video of mine over on my From Light to Dark and Back Again Facebook page shortly.  See further down for the video. (I wrote the story for that video yesterday).

I like to have a good balance of non-fiction and fiction achieved over the course of a week and as long as I manage that, which I normally do, I’m happy. I am also carrying out editing work at the moment which is always interesting.

Funny day with the weather today. Think it’s still trying to make up its mind whether it’s summer or not…

I’ve mentioned before I sometimes use random word generators (nouns, adjectives, questions, numbers even) to trigger story ideas but another way to use them is simply to come up with say half a dozen words and ensure they are somewhere in your tale.

I tend to use the generators to trigger themes and/or title ideas, but the “have to use the words somewhere in the story” ploy is one I need to do more often. I’ve always had fun with this when doing these in the past. So I think it pays every now and then to look at prompt types you used to use and perhaps don’t write to so often now and have a creative trip down Memory Lane and revisit these.


Hope you have had a good Sunday. I know every day this week I’ll be thinking back to what I was doing at the Swanwick Writers’ Summer School this day last week! Swanwick gets to you like that but it is in a lovely way.

Just a quick heads up to say my debut flash fiction collection, From Light to Dark and Back Again – the paperback – is currently on offer at Amazon. (Sounds a bit like a film franchise, you know the kind of thing, when I put it like that. I promise not to name my eventual third collection XXX – This Time It’s Personal!).

Looking ahead this week, Part 2 of a fabulous interview with #FranHill and #RuthLeigh will be on Chandler’s Ford Today on Friday. Have blogs to put up and schedule too and there is always flash fiction to work on. I drafted some while at Swanwick and I need to give some thought as to where I’ll submit those. I have ideas for both. I have the nice task of deciding which I like best. And I am working on workshop material ready for events later in the year. I’m looking forward to sharing details nearer the time.

Learning to plan out what I write when has been a useful tip I have made good use of over the years and it is coming into its own for me now.

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Had a lovely afternoon and evening with family members I’ve not seen for months. Today was the first time in so long that we could have a proper chat and Lady was besides herself with excitement. She loves visitors. She thinks they all come to see her of course. (Oh and she did go bonkers on seeing Mum had returned from Swanwick yesterday. Naturally Lady had to make sure Mum really was back by giving big cuddles to said Mum. Mum did not mind in the slightest!).

Have plenty of blogs and stories to get on with but I will resume my usual writing routine from tomorrow. I always find I need a little bit of “come back to earth” time after Swanwick. Am also looking forward to reading the books I brought back with me though I have already made a start on those. One of my great “home treasures” are my book shelves, packed with signed books by writer pals.

Many thanks for the comments in on my It’s an Ill Wind (up on #FridayFlashFiction yesterday). That was lovely to come home to!

Screenshot 2021-08-13 at 19-12-37 It's an Ill Wind, by Allison Symes

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Alliteration Always Advantageous – In titles for flash stories or collections? Not necessarily. (There’s some more alliteration for you!).

I am wary of anything that might come across as gimmicky so I use alliteration sparingly. It can work well but I think as something different to the overall “mix” in a collection. I also want to keep titles open to interpretation and/or mood so trying to dream up something with alliteration can mean I restrict myself unnecessarily here. You wouldn’t want a whole book of alliterative titles. I could see that becoming boring.

As with the stories themselves, your titles should have an interesting hook to them. I’ve used random generators (especially the question one) to come up with ideas for titles I can use directly or adapt. Often changing one word makes all the difference. And I want my titles to have impact. So anything gimmicky could reduce that impact.

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16th August
Pleased to share my latest YouTube video based on a story I wrote yesterday. Hope you enjoy Knowing the Basics though I am glad I do not have Sandra’s attitude to flying. I am even more glad pilots don’t have Sandra’s attitude. See the video for why!


I mix up the kind of prompts I use to produce flash fiction. I will often start with my favourite, an opening line, but have worked to a closing line. I like picture prompts too and random words (either to get into the story somewhere or to use as a title and/or theme) also work well for me.

Stories from viewpoints of alternative characters got me into print in the first place with my A Helping Hand in Alternative Renditions (Bridge House Publishing) but are great fun to do. You do have to put considerable thought into which character you will use for this and why you have picked them.

On switching to Scrivener, I was delighted to discover it comes with character and setting templates in the short story format. I just adjust these to my own use as I don’t need all of the pre-set information given. But it makes a great starting point and thinking about your story before you write it works well for me.

I like to know I have got tracks to follow before getting on with the story. I guess it’s a reassurance to me I have got something to work up into a story in the first place.

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I was glad to take part in the Swanwick Writers’ Summer School Open Prose Mic night again. I chose two stories from From Light to Dark and Back Again (Serving Up a Treat and Calling the Doctor). From Tripping the Flash Fantastic, I chose Judgement Day. See book trailer below for Calling the Doctor. I’ve always been proud of this one – I change the mood of the story with the very last word. Great fun to do.

You have a maximum of five minutes to read (and it is always better to come in a little under that time if possible) and the joy of flash here is you can easily do that with one longer piece or a couple of shorter ones.

It does pay to read your stories out loud and/or record yourself reading them and playing them back. I’ve found dialogue I think looks okay on the paper does not necessarily read well and if you trip over something, your reader will too. At least with flash this does not take long and it is a good thing to hear how your story comes across as that is how your reader will take it in.


Goodreads Author Blog – Book Events and Paperbacks

I’ve just come back from the Swanwick Writers’ Summer School which has been my first live book and writing related event for well over a year. (It was fantastic catching up with old friends again and the array of courses and workshops was as amazing as ever).

Swanwick has its own Book Room for the duration of the school and it was lovely being able to put my two flash fiction collections in there and pick up books written by friends. (Naturally I got them to sign them during Swanwick week and it is always a thrill to be asked by others to sign your own books).

Is the paperback alive and well? They certainly went down well at the Swanwick Book Room! I think the paperback is still relevant as a format. After all, you can’t exactly put a Kindle out on a table for a book event! Nor can the writer be asked to sign a Kindle (well, I’m not aware of any way of doing this anyway).

From the writer’s viewpoint, paperbacks are relatively easy to transport to an event (note I only say relatively as it does depend on the size. Thankfully I am not writing a three volume epic so that helps a lot!). But people do still like physical books and I think it is healthy to have a wide range of formats as not one size suits all.

When I’m away I do take my Kindle to save luggage space but I would never want to be without physical books. There is something about the texture and feel of them too (and I still love that new book “smell”). And long may that continue!

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Books, Books, Books!

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I suspect I’m preaching to the converted with the title for this post but never mind!

Books have been a vital part of my life since goodness knows when but I’ve only been writing since I turned 30…. X number of years ago!! Quite a considerable number of years in fact but not so many as when I first discovered the joys of reading and would spend many a happy hour in the local library.

Why did it take me so long to make the connection between “you really love books and stories” and “you really like writing your own stories” so you should become a writer? Goodness knows. Looking back on it, it is daft I didn’t start writing sooner but the main thing is I am writing now!

My advice to anyone pondering if they should write or not is to give it a go and have fun creating characters and stories. Whether you then try to get published is up to you. There’s nothing wrong with just writing for your own satisfaction. What matters is you’re writing and loving it.

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I loved watching the TV series of Black Beauty when I was a kid. That encouraged me to read the book by Anna Sewell. Southern TV, as it was back then, adapted some of the Enid Blyton Famous Five books and I loved those too. Pity they lost the franchise because that ended the series pronto!

So a good TV adaptation can encourage people to get back to the books, which is very much A Good Thing! This also happened with me with Oliver Twist. Alec Guinness and Oliver Reed were superb as Fagin and Bill Sykes. Had to read the book after watching the film.

With The Lord of the Rings, I had read the trilogy first. The magic of those films was bringing to life the images I had conjured up in my head of what Middle Earth looked like. (I still like the look of the hobbit holes. I’m about the right height to live in one too!).

I love it when creative media feeds off AND benefits other creativity like this.

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So terribly sad to see the news about Notre Dame. I hope the damage is as limited as possible. Also that restoration can take place as soon as possible too.

On to other things…

The only time I specifically write to a theme is when entering competitions. I’ve usually got a character in mind when I’m thinking about a new flash fiction story and work out, from their main characteristics, what theme would best suit them. I can’t say whether this is the right or wrong way to do things but I do know it works for me.

My other use of themes is to trigger ideas for a new story and then I spend some time working out which kind of character would best suit it. If I can’t work out a suitable character I don’t write the story.

For me it is all about the characters, always.

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I suppose my first introduction to short stories must have been the Reader’s Digest Collections of Fairytales, which I still have.

I was never conscious of this when reading these books (over and over and over and over again etc!) though I do recall being stunned at how long The Little Mermaid was and that it really didn’t have a happy ending. That was an eye opener for me. I didn’t know stories could be like that!

I also loved The Snow Queen with Gerda being the “action lead”. That was an eye opener too. Here was a girl off having all kinds of adventures to rescue her neighbour from said Snow Queen (and the splinter of the evil mirror in his heart). Loved that on first reading.

Here is where you meet ideas for future characters of your own – by reading widely and discovering them in other stories, then wondering what YOU could do with a character like that. You then wonder what setting YOU would put them in and what adventures/problems YOU set them. YOU wonder how your characters would sound and act and react and all of this comes together, creating a story that is uniquely yours. Writing and reading are truly wonderful things.

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The Book Depository UK has FLTDBA listed as available within 2-3 business days. Amazon currently has it available as one month plus! I don’t know why this happens but it does pay to check out online retailers for availability, whether it is in books or anything else!

And I will put in another word about reviews. They really do help authors. Amazon sit up and take notice if you have 50 reviews. If you’re not sure what to write, one line saying what you liked (or loathed) about the book is sufficient. It is a great irony that even a review where someone didn’t like s book still helps the author of that book when it comes to the “numbers game”.

My own policy for reviews, whether it is for groceries or books, is to have a good look through what people have said. Usually there is a consensus and I can then go with that or not as I see fit but I find reviews a useful guide when I’m on the other side of the fence. So please do review! Thanks!

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I sometimes use alliteration in my flash fiction titles (Pen Portrait, Telling The Time etc) but I haven’t deliberately done this. In each case the title has been the right one for the story and the alliteration is a nice side effect!

I also think it is better to have things that way round rather than try to think of a clever title and try to make the story fit it. I can never see how that would work. Something would feel artificial about it.

I have to have a title to work to when writing a story (of any length) but I will change it if something better pops into my head as I’m working on the first draft. I use my titles to help me set the mood for a story. I sometimes use titles which can have a secondary meaning that the story makes clear.

The important thing is that the title suits the story.

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Once I’ve got a flash fiction collection written and edited, I spend some time working out what would be the best “running order” for the stories. This can take some time but it’s worth it.

From Light to Dark and Back Again lives up to its name (!) but the big plus with that was it helped me group stories beautifully!

The reason for all of this? I don’t just want my individual stories to make an impact on a reader. I want the book as a whole to do so too so taking a step back and planning what stories goes where helps enormously with that.

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What is the worst aspect of writing flash fiction?

For me, it’s coming up with a character with a strong enough voice. Once I’ve got that (after some outlining), I can set that character wherever I want and away they go!

It’s not enough for a character to be pushy or what have you. There has got be strong enough reason for them to be like that. Give them this and you will take the reader with you even though the reading journey for flash fiction is necessarily a short one!

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Goodreads Author Blog – Playing with Genre

With my flash fiction, I like to play with genre a lot. As flash fiction has to be character led due to the strict word count, I can have great fun putting that character wherever and whenever I want. I’ve written fantasy flash fiction, historical flash fiction, crime flash fiction etc as a result.

I’ve read excellent collections by other authors too. Some focus on one genre. The Great War by Dawn Kentish Knox is a great example of a themed historical flash fiction collection. Do check it out. The characterisation is very moving.

But it is not just in the flash and short story form that genre can be played with, far from it.

I love the crossover novel. It blends the best of the two (usually) genres it is mixing and gives something unique to the reader as a result. A good example to check out here is Jennifer C Wilson’s Kindred Spirits series which crosses ghost stories with historical fiction. Great mix!

I think readers are much more flexible over this than writers/publishers realise at times. I know what I like when I read it even if I can’t categorise it! And while categories ARE important, I don’t think they’re meant to be straitjackets either.

Have fun with your reading/writing and mix those genres!

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Objectives

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Looking forward to seeing the Chameleons’ production of Blackadder later this week. Should be a very good night out. The last episode of Blackadder Goes Forth is one of those sublime moments of writing where comedy meets tragedy and both are done superbly. Definitely not an easy thing to do.

Blackadder clearly had one objective in mind in Goes Forth – to get out of the war and go back home. Totally understandable.

What is your character’s overriding objective in your story? What will they do to achieve it? What gets in their way? In those three lines, you have a plot outline!

Pleased to have sent off some flash fiction stories last night. Plan to get more out later this week, there is one particular website I’m keen to try out, and finally want to get around to doing so!

One of the trickiest things to handle is time. (And yes I think Doctor Who showed that brilliantly in the Rosa Parks episode). How much time do you spend working on new stories and ideas? How much time do you spend marketing?

As with so much in life, there has to be a balance. I’ve found it helpful to look at the week as a whole. By the end of it, I want to have written some new material, be editing older work ready for submission, have my next CFT post up and ready to go, and have carried out at least some marketing. Okay life does not always go according to plan but whatever I’ve not quite done enough of writing wise in one week is what gets the focus of my attention during the following one. It does all balance out eventually.

Acronyms featured in this morning’s church service sermon and of course they’re a common feature in writing. KISS – Keep It Simple, Stupid is probably the best known one. Very much the antidote to “purple prose” – the days of the long descriptive passages are behind us!

I suspect that is due to everyone being used to films etc where you get into the action quickly but it is not a bad thing. I like descriptions in stories to be to the point and to feel as if they are a seamless part of the narrative and not a “bolt on”.

All parts of the story must feel to the reader as if they have to be there and the tale would fall down without them. If you’re not sure if something should be cut, ask yourself how your story works without that something in it and that should indicate quickly enough whether it is needed or not.

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Had a fabulous time at the Writers’ Day run by the Association of Christian Writers today. The topic was on writing for children and YA but there was discussion on crossover fiction and contracts, all very useful stuff. From my viewpoint, it is lovely to meet some of the membership face to face given I usually only meet them via emails!

The importance of networking came out as well during the day and I lost my own fear of this when I realised it meant chatting naturally about books, what I’m writing and so on. I have no problem going on at length about that topic!

(Oh and a quick reminder: if you’re offered a publishing contract, always get it checked out. The Society of Authors and Alliance of Independent Authors are the places to go for that. Both I believe issue guides which are free to members. There’s a small fee charged to non-members. Never be afraid to ask).

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Facebook – From Light to Dark and Back Again

A = Alliteration. Can be useful for titles in flash fiction (though I don’t use it much) but as with any story, it can grab the attention and help set the mood. Best not overused I think. You want each title to set the tone for what it is to come and a variety of methods for doing that is best. Keeps it fresh for you as the writer too.

B = Backstory. Not a lot of room for that in flash fiction! Best to hint at it through one or two vital details the reader has to know and leave it at that.

C = Character. The kingpin of fiction I think. Get the character right and the plot will come from them. Know your character inside and out – I find it useful to know their chief trait (and I piece together a mental picture of what they are like from there). Find the appropriate starting point for you but it is worth taking the time to know your character well before you start. Your writing will flow better because you write with that knowledge. It does come through in what you write.

There was talk at the ACW Writers’ Day today of how boundaries, far from restricting creativity, help it to flourish. This is SO true for flash fiction as well. The limited word count means you have to dig deeper to come up with those original ideas that make flash fiction stand out and have the most impact on a reader. It is worth the effort!

I usually know what impact I want a story of mine to have on a reader before I write it. This is to help me choose my words with precision. However, sometimes a story (more accurately the lead character) surprises me and the tale ends up being funnier, darker, sadder than I’d originally thought. This is no bad thing. It means the character has life and if they surprise me, they’ll surprise the reader too.

It may also indicate I hadn’t outlined enough but the great thing is ideas that come to you as you write a piece are not wasted. Jot them down, step back and take a look at where they can fit in. Are they better than your original thoughts? Do they add depth to your original thoughts?

 

Back to working my way through the alphabet again then…

D = Drama. Even the shortest flash fiction has to have some drama in it! But it is also true that serious drama doesn’t necessarily have to have lots of words to make it so! There is drama and anguish in Hemingway’s famous example of For Sale: One pair Baby Shoes. The drama should suit the story though (and be to the right length for that tale).

E = Editing. Every story needs this and I don’t think it should be something a writer dreads. I always feel a sensible amount of relief when I’ve drafted a story as it means I’ve then got something to work with. Editing improves a story and, as a result, increases its chances of success. Take your time over the process though.

F = Fun! Writing should be fun. You are creating something new for others to enjoy. The first person to enjoy said tale should be you!

So marching on then:-

G = Genre. One of my favourite things about flash fiction is because it has to be character led, due to the word count restrictions, you can set those characters anywhere. So, if you’ll pardon the pun here, you do have an open book when it comes to genre in the stories you write. Have fun with that, I do!

H = Humour. Can work well in flash fiction as you can end the story with what is effectively a punchline. Also when you have a very short funny piece, look at turning it into flash fiction. It can be an ideal vehicle for those pieces which would be spoiled if you added anything more (and this often goes for humorous pieces).

I = Imagination. True for any form of fiction, but I find with flash fiction I’m using my imaginative muscles far more. Why? Because I try not to come up with the obvious idea from a theme or title. I dig deep and see what else I can come up with, something that will make a greater impact on the reader.

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After the End, What Next?

If you’ve enjoyed a really good book, what do you do when you finish it? Go on to read more books by the same author, or read more in the same genre, or do you go for something that is completely different in mood and style?

I have done all three of these (though obviously not at the same time!) and it very much depends on my mood at the end of the story. If I’ve loved a gory crime thriller, I may well want something humorous to show the lighter side of life, albeit a fictional one!

With short stories especially, I tend to read a few by the same author before moving on. With novels, if the book has really gripped me, I’ve got to check out what else the author has done, even if I decide I’ll come back to those later.

The important thing though is that whatever you read, you enjoy it so much, you keep on reading, no matter what author, genre, style etc you choose next. Happy reading!

Stand Alones, Flash Fiction and Fairytales

Facebook – General – and Chandler’s Ford Today

Many thanks again to Jennifer C Wilson, Val Penny, #AnneWan, Wendy Jones, and Richard Hardie for their further insights into the joys and challenges of writing series fiction. Amongst tonight’s topics is how to ensure each book in a series works as a stand-alone, given our series writers can never know which book a reader will actually start with. It isn’t necessarily book 1!

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What five things do I like to see in a character? Ideally they have all of the traits I list below but as long as a character has the majority of them, I’m likely to enjoy spending time in the company of that character as I read their story.

1. Courage.
2. Sense of Humour.
3. Loyalty.
4. They, at the very least, respect books; at best they have their own library!
5. Kindness.

Does that rule out the villains? No! Even villains can be kind to their pet cat, have a decent library etc.

Looking at that list, it’s what I like to see in myself and, before you ask, I’m working on the personal library bit! (It’s nowhere near as grand as the one in the pictures below though!).

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One of the things I love about going to writing conferences is that I always learn something pertinent to what I write. And it is not always an obvious link.

I’m off to the Association of Christian Writers’ Day on Saturday, the topic is Writing for Children and Young Adults, which is not directly what I do, but I just know I will pick up useful tips that I can apply directly.

And you never know – looking at what other writers do can help you re-examine whether you are working in the best way you can. It may also inspire a new direction of writing too! What I do know is it will be fun finding out if it does or not and what useful tips I’ll bring home with me.

The great thing with writing is you never stop learning how to improve what you do and that is so good for your brain!

(And networking is always fun!).

Facebook – From Light to Dark and Back Again

A = Alliteration. Can be useful for titles in flash fiction (though I don’t use it much) but as with any story, it can grab the attention and help set the mood. Best not overused I think. You want each title to set the tone for what it is to come and a variety of methods for doing that is best. Keeps it fresh for you as the writer too.

B = Backstory. Not a lot of room for that in flash fiction! Best to hint at it through one or two vital details the reader has to know and leave it at that.

C = Character. The kingpin of fiction I think. Get the character right and the plot will come from them. Know your character inside and out – I find it useful to know their chief trait (and I piece together a mental picture of what they are like from there). Find the appropriate starting point for you but it is worth taking the time to know your character well before you start. Your writing will flow better because you write with that knowledge. It does come through in what you write.

As ever, am planning to write flash fiction on the train journey to and from London on Saturday as I head off to a writing day run by the Association of Christian Writers. It’s amazing what you can get done on a smartphone with no interruptions! (Daren’t do this on the Tube though. Always worried I’ll miss my stop! I do think the Tube is a wonderful invention and you never get cold down there either…).

I also sometimes draft non-fiction articles and future blog posts when out and about. I just need a long enough train journey to draft a novel now. 😉😁Hmm….

 

When planning your story (you do, yes?), I find it useful to work out what the obvious ideas might be from a title I’ve thought of, and then work out what could come from those. I don’t plump for the first ideas that come to me. I try to make myself dig that bit deeper to come up with something that fits the theme, makes sense, but is also different precisely because I haven’t gone for the obvious ideas!

Spider diagrams or flowcharts can be useful here. I find I must have a title to kick start the process with, even if I do end up changing it for something better later. It is always a tad annoying that a better title idea crops up when you are writing the story and NOT before you get started, but that is one of those quirks of writing!

Picture of me reading was taken by the lovely #DawnKentishKnox at last year’s Bridge House event. Am very much looking forward to this year’s one too!

 

Gill talks with Dawn and I at the BH event, image taken by Paula Readman

Gill James talks with Dawn Knox and I at a networking event held by Bridge House Publishing last December. Am glad to report Dawn will also be in the Waterloo Festival Anthology. Image from Paula Readman and thanks to her for permission to use it.

Paula Readman, Dawn Kentish Knox and Allison Symes and books - with kind permission from Paula Readman - Copy

Paula Readman, Dawn Knox and I at the recent Bridge House celebration event. Many thanks to Paula for the image. Also Paula is another winning entry for the Waterloo Festival.

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Dawn Kentish Knox, fellow flash fiction writer, reads some work from her excellent book, The Great War. Image by Allison Symes

Lovely having an appreciative audience, pic taken by Dawn Kentish Knox

I read three stories from From Light to Dark and Back Again. Many thanks to Dawn Kentish Knox for the picture!

Book Buying News!

From Light to Dark and Back Again is available from The Book DepositoryDelivery time on the paperback is 1 to 3 business days.  As ever, reviews are always welcome in the usual places.  The great thing is reviews do not need to be long but they all help the writer, even the indifferent ones!

Fairytales with Bite – Flash Fiction and Fairytales

Flash fiction is an ideal vehicle for fairytales.  Why?  Because the best fairytales set up their world quickly, have a definite conclusion, and often pack a powerful punch.  Flash fiction does this too so to my mind flash and fairytales are a match made in writing heaven.

Flash fiction has to be character led due to its limited word count but you can set that character wherever and whenever you wish.  A few telling details can set up a magical world quickly.  For example from my George Changes His Mind (in From Light to Dark and Back Again), I set up a magical world with the opening line “He refused to kill the dragon.”  The telling detail there is in one word – dragon! The story goes on to show what happens and that is the important bit of the story after all.  I don’t need to use thousands of words setting up the magical world in which this is set.  This is not crucial to this story.  What matters is it IS in a magical world and what George goes on to do or not do.

A lot of my stories are either reflections of a fairytale world or set in it and they are great fun to write but I always focus on what the lead character is like.  That is the crucial point of any story I think but in flash where every word must work hard to earn its place to stay there, it is even more so.

This World and Others – Stand Alone

Part 2 of my CFT mini series on The Joys and Challenges of Writing Series Novels looks at, amongst other topics, how to ensure a book stands alone given no series novelist can know at which point a reader will discover their writing.  It is highly unlikely to be book 1.  Indeed I’ve discovered series at the mid point! Many thanks again to my marvellous panellists – Jennifer C Wilson, Val Penny, Anne Wan, Wendy H Jones, and Richard Hardie – for some great insights.  Very happy to recommend their books to you too.  Great reads one and all albeit for different audiences!

It is true that every writer stands alone, even those that collaborate as they have to go off to write “their bits” before coming back and swapping notes with the other one(s) in the project.  We have to judge whether our work is strong enough to submit and, if there is a choice of places to submit to, which is the best one.  We have to judge whether we have edited a piece enough or if it still needs work.  The call is with us and we are going to get it wrong.  The joy, of course, is when we get it right and a piece is published.

This is where meeting other writers, whether at conferences, online, at courses etc., is invaluable.  There is nobody like another writer to know exactly how it feels when you’re struggling to get the words out or who knows the joy of the words pouring out and work going well.  You do have to share this sometimes for the sake of your own sanity!

I learned a long time ago no writer is a competitor to me.  I write as I write.  I cannot write as you would.  We all bring our unique perspectives to what we write – and that is the great thing about it!

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Time Pockets and Titles

Facebook – General

Managed to draft a little non-fiction whilst out and about today. I love Evernote and my smartphone! Looking forward to the Association of Christian Writers’ Day on 20th October. As well as hearing inspiring speakers and learning so much there, the train journey to and from is also very useful for getting some more work done!

I learned a long time ago it pays to use whatever pockets of time you have to write. Those pockets mount up literally over time and I’ve learned to adapt. If I’ve got 10 minutes, say, I’ll use that period to brainstorm ideas for stories and CFT posts. If I’ve 30 minutes, I’ll draft a couple of flash fiction stories (though I will edit separately later).

Favourite things about titles? I love titles that can carry more than one meaning or take the reader in more than one direction. (It also has the advantage of being a wonderful shortcut when writing flash fiction – think of all those words saved!).

I love titles that can conjure up the mood of the story to come (and usually it ends up conjuring up the genre too). I like those titles where an author has taken a well known saying or proverb and twisted it to suit their purposes. (I do this too). That triggers instant curiosity in me to find out whether the story delivers on the promise of that title. I’m glad to say the vast majority do.

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I sometimes use spider diagrams to help me work out the best ideas for a story. This technique is most useful when I’ve got a promising title to work with but want to work out all possible options coming from it. (I want to make sure I don’t miss any and also not to go with the most obvious option).

There is something about seeing a diagram that encourages lateral thinking. Also flowcharts could work well too.

Sometimes photos can inspire story ideas. If you have a family portrait, who are they, is there anyone missing from the picture (and if so who and why), and what led up to the portrait being taken. Was everyone happy to take part or is the portrait a picture of a group hiding secrets and resentments? Plenty of food for thought there I think!

Many thanks to Peter Hitchen and the Hampshire Writers’ Society for an excellent summary of last Tuesday’s event.

What was fascinating from my viewpoint was that with flash fiction, you have to leave gaps for the reader to fill in with rheir imaginations. You give them the telling details, the what they need to know, and they do the rest. You could call it interactive fiction.

This tied in beautifully with Ian’s fascinating talk given ruthless editing and leaving the gaps is crucial to games writing too.

Again, many thanks. It was a great evening.

POSTER SHOWING ALLISON AS GUEST SPEAKER AT HWS OCTOBER 2018

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Many thanks to the Hampshire Writers’ Society for the image and to Peter Hitchen for the great write-up.

Hampshire Writers’ Society have kindly put up a great summary of last Tuesday’s meeting where Ian Thomas, games writer, and I were speaking. Many thanks to them!

My CFT post this week will be part 2 of The Joys and Challenges of Writing Series Novels. Once again, thanks to my guests, #JenniferCWilson, #ValPenny, #AnneWan, #WendyHJones and #RichardHardie. More great insights here which we all hope will be encouraging to other writers. Link up on Friday.

Making good progress on my third collection of flash fiction, though I think it is the way of things that progress is never as quick as writers would like! Have edited a novel I wrote ages ago and need to put those amendments in, so hope to get on with that soon too. Any chance to get bored? Not a bit of it and that’s just how it should be!

 

Facebook – From Light to Dark and Back Again

Flash fiction may be short but it should still reveal character and, with that, something about the human condition.

What makes you hiss the villains in stories or cheer on the heroes/heroines? Their characters, as well as their actions, have you reading on and on to find out what happens. One of the things I love about fairytales is generally justice will be done in some way by the end of the story. We all know that so often doesn’t happen in life.

Ultimately, a story should leave you wondering whether YOU would do as the lead(s) did in the tale if you were facing those circumstances or if your actions would be somewhat different. (And what WOULD you do instead? A story to be written there perhaps).

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I’ve occasionally used alliteration in my story titles (Telling the Time in FLTDBA) but don’t use this method much. Not sure why other than that I absolutely love using well known sayings, proverbs etc as my source of inspiration for titles. (Often make great themes for the stories too of course).

I suspect though that alliteration is probably best treated a bit like chilli powder. Use alliteration to attract attention to your story, it can and SHOULD liven things up, (and ensure your tale delivers on the promise given by the title).

However, too much of it and you will regret it (and this comes from someone who DID put too much chilli in a con carne once. Once done never forgotten, trust me on that!). From a writing viewpoint, I suspect too much alliteration will simply become tiresome and would look gimmicky, definitely things to avoid.

Have fun with flash fiction and experiment with the form. It can be written poetically. It can be all dialogue. It can be all narrrative (though I think all dialogue is easier to do and easier to get a good pace continuing throughout).

Then there are the one line stories, the one paragraph tales and so on. Have fun experimenting with the mood of the story too. As with any story, your characters are going on a journey. It’s just that in flash it’s an abrupt one!

Set your stories in the present day, in the past, in the future. Set them in this world or in something made up. Have characters you love and those you loathe.

Above all, enjoy your writing. There really should not be a dull minute!

 

 

When a writer creates a world, you usually think of epic stories (such as sagas, fantasy etc) where that creation runs to several tens of thousands of words! Not the case in flash fiction where you might have tens of words at best and that’s it! Quite a difference…

So what are the telling details then that can conjure up a world in such few worlds? I’ve found that showing something of the lead character’s attitude to their world can be revealing. (Said character usually goes on to reveal why they love or loathe it – there’s rarely any middle ground here).

Getting the character to have a “quick look around” and summarise what they see is another good method to conjure up pictures quickly.

Getting a character to query something odd (to them) is also handy. Why is it odd? Do we know what the item is?

In all of these methods, you are following the old maxim of showing and not telling too.

Goodreads Author Programme Blog –

Images and Stories

Can you think of one image that conjures up a story so much so that when you see these images you can’t stop yourself recalling the tale? Some of mine are:-

1. A wardrobe. (Narnia). (Can make life awkward when walking past a furniture shop. I walk past, see the wardrobes and smile, though really I am a bit disappointed if I see someone open said wardrobe, and there are no pine trees, a lamp post, or lots of snow to be seen anywhere! I accept this may just be me).
2. A phone box (Dr. Who – and do check out the novels. They’re great).
3. A block of marble. (King Arthur). (Sometimes get to see these when visiting historical buildings, cathedrals etc).
4. A bow and arrow (Robin Hood – and I still love the Disney version of that).
5. A bonnet. (I instantly think of Pride and Prejudice, though I usually only see said bonnet if going to some sort of exhibition).
6. A cigar. (Hamlet – yes I know! I AM old enough to remember the advert for Hamlet cigars but these days I see the product and think of the wonderful production of Hamlet I saw with Benedict Cumberbatch in the title role. I have at least gone upmarket a bit!).
7. A typewriter. I think of P.G. Wodehouse and his wonderful Jeeves and Wooster and Blandings stories in particular here.
8. White and red roses. I think of The Daughter of Time by Josephine Tey which is a wonderful read and made me change my view on Richard III.
9. Daffodils. Yes, Wordsworth’s poem comes immediately to mind. A story captures a moment in time for a character but poems can as well even if the “character” is the poet and you are sharing with them one of their life experiences.
10. A picnic. Conjures up images of the Famous Five by Enid Blyton – and yes I’m partial to ginger beer too.