Image Credit: As ever, unless stated, most of the images were from Pixabay or Pexels. A big thank you to The Chameleon Theatre Group for their images. Also thanks to Richard Hardie for supplying images related to his and Francesca Tyer’s events for World Book Day. (And yes it has been a busy few days!).
Facebook – General – and Chandler’s Ford Today x 2!
Yes, count them, not one but two CFT posts this week.
First up, the start of a new mini-series.
I’m delighted to share a new mini-series on Chandler’s Ford Today. The #ChameleonTheatreGroupChandlerFord share interviews showing what life is like behind the stage. They share some fabulous insights into directing amongst other things in Part 1 (see link).
This series will run at intervals over the next few weeks. Many thanks to The Chameleons for wonderful material and the photos, as ever.
I’m looking forward to their next production, Spring Quartet, in April.
I’m always interested in behind the scenes looks at life, whether it is to do with creative writing or amateur theatre. So it is a joy to share a new mini-series on Chandler’s Ford Today where The Chameleon Theatre share their insights into life behind the stage.
Why the interest on my part? Well, partly it IS because I’m nosey (!) but that’s a good thing. Why? Writers have to be interested in what makes people tick. Knowing that helps us to develop convincing motivations for our characters and make their portrayal that much more believeable.
I’m also interested in behind the scenes looks because it opens up worlds that are new to me. That’s a good thing for increasing knowledge and understanding, I think. Understanding is also crucial in creative writing. You also get to understand yourself better I think.
And now for my second CFT post this week!
Am pleased to share a bonus CFT post this week. Every so often CFT has Local Author News slots. The last one was for me when I appeared on #WendyHJones‘s excellent podcast, The Writing and Marketing Show talking about all things related to flash fiction.
Up tonight is a piece with news from local YA author, #RichardHardie, and debut Authors Reach novelist #FrancescaTyer. They share news of their World Book Day eventsrecently. Francesca’s debut novel The Firestone was recently published.
Hope you enjoy. (Oh and remember the best things you can do to support local authors you know are to go to their events where possible and review their books in the usual places).
(My normal CFT post link will be up tomorrow where I start the first of a mini series from #ChameleonTheatreCompany-Chandler’s Ford. They share insights from life behind the stage. More tomorrow).
My CFT post this week is Part 1 of a mini series which will be spread out over a few weeks. As you know, I often review plays put on by our excellent local amateur theatre company, Chameleon Theatre Company.
They have recently been putting together some mini interviews which give a fascinating insight into life behind the stage. With their blessing (obviously!), I have compiled some of these interviews and Part 1 will be up on Friday.
Many thanks to the Chameleons for their wonderful material and photos and I look forward to sharing this post and the others to come.
Facebook – From Light to Dark and Back Again
What fascinates you most about a character?
For me, it has to be their motivation. I’ve got to know why my character thinks it is okay to act the way they are, especially when they’re the villain! It doesn’t mean I have to agree with them though…
The LEAST important thing for me is knowing what they look like, funnily enough. I find once I can hear their voice and know their motivations, physical appearance comes to me then. Mind, I’m not motivated by physical appearance myself. After all the best con men often wear a suit!
I love stories and books that “just” entertain. Yes, sure, I like those that give good messages too but there is a lot to be said for sheer escapism value, especially when life is more challenging than usual.
Let’s just say I probably won’t be reading much in the way of dystopian stories for a while. (It is definitely not a good sign when you can get your requirements there by tuning into the news…).😕
So how to go about being “just” entertaining? As ever, for me, it is all in the characters. I do enjoy setting up a character knowing I’m going to be throwing all manner of things at them to knock them right back down again (and ideally to make me and potential readers laugh). Okay, okay, nobody said a writer had to be nice to their characters. Indeed, it is better when we’re not as any crime or horror writer would also tell you!
I love those characters who deserve being knocked back a bit too. You know the kind of pompous character who needs bringing down a peg or several. The ultimate fall guy in many ways! (Well, they are for me).
For humorous prose especially I do need to get a sense that the writer enjoyed creating their characters. I believe something of that fun does come through in the writing.
How difficult do you find coming up with a suitable title for your story?
I know I need a “peg” from which to hang my story so I always have a working title. Most of them don’t change and suit my purposes just fine. Sometimes though a better title idea will occur as I draft my tale and that’s fine too. I just swap to the better idea.
I’ve mentioned using phrases and proverbs before and I often use them as themes, but don’t overlook them for use as potential titles. I’ve used a few that way.
You can also see them as a way to get started on a story if, like me, you need some kind of peg to help you get on your way with a draft. I think I have a bit of a mental block over any story that doesn’t have a title to it! There’s some unconscious thought at play here which associates no title with no story. I can’t be having with that so I put in a title to get me started. Nothing is set in stone after all but that is a great thing about a draft. You know it’s not going to be the final version. I’ve found it helpful to take that attitude with titles too.
Fairytales With Bite – Wishes
One of my favourite things about fairytales is when wishes are granted. The greedy never get away with theirs precisely because they always ask for the wrong things for the wrong reasons.
I love that aspect of things. I was very conscious even as a kid there was so much unfairness and cruelty in the world. The idea of a fairy godmother turning up to put things right for their ill-treated goddaughter always appealed (though I still wonder why Cinderella’s one turned up so late in the day. Come on, she could’ve helped Cinders a lot sooner. There is only so much domestic drudgery that could be claimed to be good for the soul and Cinders had gone well past that point when her fairy godmother deigned to make an appearance).
So in the grand scheme of things, what would your characters wish for and why? You are their fairy godmother as you bring them to life on the page. So what attributes would you grace them with and why? What would your characters strive for and why?
Do you think your characters are worthy of achieving their objectives? They don’t have to be. Villains are never worthy but should have understandable reasons for being what they are. What do you want your characters to be and why?
If your characters are allowed wishes, how will these turn the story and in what direction? Wishes being granted but proving to not be all that the character wanted could make a good story too.
This World and Others – World Essentials
For me, what I want to see in a created fictional world would be:-
1. A system of government (even if it is not the point of the story. There should be some sort of reference. For one thing, a reader would want to know if the main character was one of the governing or one of the governed).
2. What characters eat and drink and how those things are produced. A line or two is usually enough to convey that. When a character is on a journey, what food do they take with them? Where did they get it?
3. A sense of where the world is going. In The Lord of the Rings there is no doubt the world there is in turmoil and every part of that world is affected by it.
4. What your characters make of the world they’re in. They don’t have to like it!
5. How is transport organised? Does everyone have access to the same kind of transport? Is there a “them and us” situation here?