Why I Love History

Image Credit:  

Unless otherwise stated, images are from the marvellous Pixabay.

Facebook – General – and Chandler’s Ford Today

Just sometimes I write a CFT post where I have to stick to a very strict word count limit. I could go on at length about Why I Love History but that is precisely why I shouldn’t!

I’ve forgotten who it was who apologised to a friend for sending a long letter as they hadn’t the time to write a short one, but I know what they mean. (Whoever it was behind this comment would surely have made a great flash fiction writer – or at least had an appreciation for it!).

Captions over on the CFT site.

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This is one of those posts where I HAD to set a strict word count limit. Too easy to go on at length on Why I Love History. I take a look at how history gets everywhere, I discuss the importance of remembering, and how fiction writers use history. (Just to name one example, there will be the histories of our characters that we need to know to be able to write about them, though most of this will not end up in the stories themselves). I also look at the joy of local history. Hope you enjoy.

You found more in this amazing stained glass window the more you looked at it

The more you looked at this amazing stained glass window, the more you saw in it. Image by Allison Symes and taken at Tewkesbury.  History also gives you plenty of places to visit!

Why do you write? I write because I have to and that’s it. I aim to be published as often as possible yet know there will be plenty of rejections to cope with too. The former is a joy when it happens, the latter is a pain, but that is the writing lot, which is fine by me. Ups and downs are part of normal life, so they’re going to happen in the writing life too. It’s working out how you handle them that’s important.

I just cannot imagine (literally!) not writing. It is my way of playing with words. I was (and still am) useless at art but words are my way of being creative. I think everyone has some creative instinct in them somewhere. It’s a question of finding what is right for you.

I love the challenge of creating new posts for Chandler’s Ford Today, short stories, and flash fiction. Particularly for the latter, the challenge is to keep on coming up with interesting characters that will grip a reader (and said characters have got to start by gripping me first!).

Writing is a great way to keep the brain very active!

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Glad to report Nativity is now showing on my Goodreads page. Many thanks to the folks there for sorting that out for me.

I have had the joy of being published in other Cafelit titles though some of those stories made it into From Light to Dark and Back Again and naturally I’m going to focus on publicising that which is why is has a prominent place here!

Glad that I’m finally getting a grip on things like my Goodreads and Amazon pages though. It is easy to overlook things like that. (Also nice to find I’ve now had work in 12 books, including FLTDBA though there is one book missing from my Amazon page. I had a piece in The Shamblelurkers Return, a charity book edited by #MaritMeredith, many moons ago, which does show up on Amazon but is unavailable. It was good fun to take part in though! Many thanks, Marit!).

Nativity by Bridge House Publishing is a great example of several authors working to the same theme but taking many different takes on it. If you needed confirmation all authors have their own unique voice, anthologies like this prove it. I concede though it can take a while to work out what your voice is! I know it took me some time to do so. I think you know you’ve found what your voice is when you write in a certain way and know that IS the way for you to do it. When you can only write the way you do…

That doesn’t let you off the hard graft of editing and polishing your stories and articles to give them the best chance “out there” though. Knowing what your voice is and using it is just the start! But a reader should be able to read several pieces of yours and hear your voice through the way you present your characters etc.

 

 

 

Facebook – From Light to Dark and Back Again

I don’t often use adverbs in flash fiction. They don’t give me enough of an impact to justify their inclusion. For example, what makes the most impact out of these two sentences?

1. She ran quickly.

2. She ran as if the hounds of hell were after her.

Sure, the first one is economical in terms of word count but to me it is meaningless. When you run, you usually do it as quickly as you can for a start!

The second one, while longer, is much more promising. It conjures up much stronger images and I would definitely use this one. If I needed to reduce a word count down to say 100 words and this phrase took me over it, I would be looking to make cuts elsewhere in the text OR submit the piece to a competition with a higher word count limit.

Impact on the reader is by far the most important consideration when working out what to leave IN a story.

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Top tips I’ve found useful for writing flash fiction include the following:-

1. Keep the pace taut. (Short sentences and paragraphs work wonders here).

2. Stick to one major character if your flash fiction story is sub-500 words. The idea of flash is to focus and limiting how many characters you have in your story helps enormously with that focus. The character themselves can refer to other characters – I use this technique a lot to show what my lead thinks of the others who are “off stage”. That in turn shows up what this character’s attitude is and as the story goes on, the reader should find out whether the character is justified or not in their stance.

3. Vary how you create your flash stories. I sometimes start with the closing line and work backwards to get to the start. Mixing up your methods here keeps things fresh and interesting for you and I believe some of that filters through to a reader.

Have fun!

 

 

Quick bargain alert: From Light to Dark and Back Again is on offer at Amazon. Paperback and Kindle versions are at the same price. If you know someone who likes quirky fiction… 😊

One of the things I would love to become true, if it isn’t already, is that flash fiction helps reluctant readers overcome that reluctance to read. After all, none of us started off by reading War and Peace, did we? Oh… that was just me not doing so then…😀😉

Children are encouraged to read and with the wonderful world of children’s literature out there, they have such fantastic choices. “Grown ups” (the jury’s out on me!) also have fantastic selections but I’ve heard people say at book fairs etc that they “don’t read”. That strikes me as being incredibly sad. They are missing out on so much.

But what can we as authors do to encourage people NOT to stop reading much later on in life? To see reading as every bit a valid form of entertainment as TV, cinema etc? Thoughts welcome…

FromLightToDark_medium-2

Image from Chapeltown Books

Allison Symes and published works

Image taken by Adrian Symes

SG PART 2 - Warning - poems, blogs, stories, novels, all writing alike benefits from good editing - image via Pixabay

Warning: Writer at Work. Pixabay

Ideas, the spark for writing competitions, image via Pixabay

Read widely to inspire these. Pixabay

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Fairytales with Bite – A to Z of Fairytale “Rules” Part 1

This is what I think fairytale rules might consist of – see what you think.

A = Always Believe. The lead character usually has to!

B = Be Humble.  Characters who are not tend to get their comeuppance.

C = Charity Welcomed. Think of the characters who have been kind to little old men/women who then turn out to be powerful wizard or fairy godmother in disguise.

D = Deserving. Characters who are considered to be deserving of assistance get it – Cinderella is the classic example of this for me.

E = Energy.  The best fairytales are full of energy and zip along. There is not one dull moment, something all writers need to aspire to with their own work.

F = Fairy Godmothers. These turn up when needed. They always turn up to characters who aren’t expecting them. There has to be a rulebook about this somewhere…

More next time…

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This World and Others – Setting Your Sights

When coming up with your characters, how much of the world you’ve put them in are you going to show to your readers? How much do readers need to know? How much do you need to know that never makes it on to the page but which is crucial for you to create your characters and their setting with conviction?

You need to decide whether it is best to set your sights on a tight focus – i.e.  you show your characters living in one specific town, say. Or would your story be better served showing the complete world in which your characters live and the contrasts between areas in that world?

Only you can answer that one but it pays to set your sights as early on as possible and then focus on whichever route you’ve decided to go. If your story world has a major affect on how your characters act and react, then you probably do need to show the reader as much of that as possible so they understand why.

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When Authors Talk and Publication News

Image Credits:

The photos of the author event at the Hiltonbury Farmhouse were taken by me, Allison Symes. Many thanks to Antony M Brown (Cold Case Juries series) and Richard Hardie (Temporal Detective Agency) for supplying other photos, especially their book covers. The other images are from those fantastic people at Pixabay.

Facebook – General – and Chandler’s Ford Today

This week’s CFT post When Authors Talk is a look back at an author event held by YA author Richard Hardie (Temporal Detective Agency) and Antony Brown (Cold Case Juries series) recently.

Both authors talked about how they got into writing (and in Richard’s case publishing too) and the ups and downs of the writing life.

I also look at the benefits of author events like this from the viewpoint of a reader. Hope you enjoy. (And do support author events!).

The joy of author events, from a writer’s viewpoint, is they give us a chance to engage with readers (actual and potential). From a reader’s viewpoint, you can quiz the author about what inspired them and find out their latest news. So do support author events you know of (the support is always appreciated).

My favourite remains, I think, the signing at my local railway station. It was a great venue, I hope to do it again at some point, and flash fiction is great to demonstrate to curious passengers! It also doesn’t take up too much time (which is one of its selling points to the reluctant reader).

My next event should be the Bridge House celebration event in December, all being well. It’s a great opportunity to catch up with writer friends I don’t see the rest of the year too.

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When you go to author events, what do you like best about them?

For me, it’s always hearing how the writer concerned got the “itch” to write in the first place and how they kept going despite all the rejections etc that happen. I’ll be reporting on the joint author event held by Richard Hardie and Antony Browne tomorrow for Chandler’s Ford Today. I’ll also be looking at what readers can get out of events like this. It is very much a two-way thing.

I loved the old James Garner films Support Your Local Gunfighter and Support Your Local Sheriff. There ought to be something for Support Your Local Writer!😀

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Had a lovely evening at a local author event held by YA writer, Richard Hardie, and Cold Case Jury writer, Antony M Browne at the Hiltonbury Farmhouse yesterday. Write up to follow for CFT later in the week including why author events are important for the READER as well as the writer.

Publication News

It’s a nice feeling to get to Wednesday and to already have had publication news with the “advent” of Nativity by Bridge House Publishing yesterday. I make no apology for the pun. (Am shameless like that but that’s what being a fan of I’m Sorry I Haven’t a Clue can do for you).

Nativity Full

Am catching up with some fantastic reading on my Kindle. Hope to post some reviews soon.

It’s also nice to get to the stage where Writing Magazine hits the doormat and the first thing I check is if there is anyone I know in there! Usually there is…

Facebook – From Light to Dark and Back Again

Some ways to trigger ideas:-

1. Random generators – I’ve used random word, phrase, and even number ones to trigger ideas. It also pays to mix up the parameters you set for these things too.

2. Play the What If game. Ask that question of potential characters. Think about the setting and play What If on that. Can the setting have an effect on what your character can and cannot do? Are there stories there about how your character overcomes this?

3. Think attitude. What kind of attitude does your lead character have and how does that land them in it? What do they do to overcome the issues that throws up?

4. Is your character a rebel or a conformist? If the former what are they rebelling against? (That can be anything from a corrupt power to expectations they or their famiies have). If a conformist, what has led them to take that view? Is it a case of fear for their own safety to be otherwise? Look at the story behind that fear.

Have fun!

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I received a lovely message from FB that the FLTDBA page is now up to 50 followers. A big thank you to everybody (and to all who follow this blog!). Just for that, I think the appropriate response is a flash fiction story for you! Hope you enjoy.

JUST A MINUTE

The big mistakes don’t take long to make.
Stranbarb chose the wrong shortcut in no time and faced a witch.
Her glower told him his life could be measured in seconds. Her wand was raised and she looked as if she wanted blood. It didn’t matter whose.
‘Dwarf, why are you here?’ She paused. ‘Did you see two children go by?’
‘I got lost. No.’ The dwarf looked at the confectionery cottage behind the witch. Understanding dawned. He’d just stopped her having dinner.
He looked at her again. She was smiling. She’d already selected an alternative main course.

Ends.
Allison Symes – 14th November 2019

SEASONS IN WRITING - But setting your own deadline can be helpful for writing competitions

One thing flash fiction is brilliant for is that it is so easy to demonstrate what it is at signings etc. Nor does it take long! (Mind you, I make a point of sticking to ONLY reading out a couple of my 100 word stories. The longer ones in the flash word count range can be saved for when people read the book!).

I was asked at a local author event I went to yesterday if I used adverbs. Generally I don’t. It’s an easy save on the word count. The exception is if I think the use of an adverb adds something to the characterisation or the plot of the story. That doesn’t happen often.

For example:-

The witch wickedly put the kids in the oven.

You really don’t need the wickedly for that, do you? I think wickedness is definitely implied by the action!

BUT:-

The kids put the witch in the oven forcefully.

It makes more sense to use forcefully here (though I would say forcefully can still be implied. Well, you’re not going to put a witch in an oven gently now, are you?). I would prefer to write a sentence like this as:-

The kids shoved the witch in the oven.

You’ve got all the force you need in the word “shoved” and you save a word on the old word count. Those saved words mount up over the course of a story which in turn can make all the difference to which competitions/markets you can use. (Paragraph Planet, for example, is 75 words INCLUDING title so for something like that you are really looking to pare things back).

Oh and no kids or witches were harmed in the making of this post.😀

 

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Fairytales With Bite – Adverts

Okay so adverts get everywhere so why not in the magical realm? How about some slogans then?

The porridge so good thieving girls will love it – won’t commend itself to the Three Bears but Goldilocks might go for it.

For comfortable shoes, don’t go to the fairy godmother, come to us – Cinderella would concur with this one.

Need a long sleep? Be sure to get a comfortable mattress! – One for Sleeping Beauty. Possibly Snow White too.

Looking for the perfect apple? Don’t go to the old crone, come to us. Definitely one for Snow White.

Worried about your looks? Come to us at Swan Beauty. One for The Ugly Duckling.

Hope you enjoy!

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This World and Others – Working Out Your Characters

I’ve mentioned before that I start by working out what my characters’ major traits are and, from there, what kind of scrapes said traits are likely to get them into! If a character is stubborn, you can have a lot of fun with that. But with most traits there is a flip side to that. Stubborness can also mean grit and determination and courage to keep going when nobody else will. How can you use that aspect in your stories? That’s only naming one trait too.

Another way in to knowing your character(s) is to interview them. Work out what their tastes would be and why.  You can also ask yourself why you want to write about these characters. Why are they special enough to be written up into a story? If they’re not special enough, then why even consider putting them into a tale? The first person that has to be convinced by your characteristion is you!

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