Work In Progress/Flash Fiction Ideas

Image Credit: Unless otherwise stated, all pictures are from Pixabay.

Facebook – General

A week today and I’ll be at the Swanwick Writers’ Summer School again. Can’t wait! Always good to catch up with old friends, make new ones, and learn so much from the different courses and workshops. The usual dilemma of which ones to go to applies… but I know I’m in good company with that!

Many thanks to all who’ve read Stolen on Cafelit.

Hope to get another story off for a competition this coming week. Am making a conscious effort to increase my throughput (so to speak) and am pleased I’ve done better this year on this than I did at the same time twelve months ago.

As for where I don’t hear what the results are or where I receive outright rejections, I will review those stories later in the year and see if I can submit them elsewhere. Usually, I can. Sometimes I can spot something, after a break away from it, that could do with strengthening so I work on the story and then re-submit it. Very little is wasted!

Update:  Am pleased to say I will have another story up on Cafelit on 12th August. More nearer the time.

And the first thing people will want to know is the title - Pixabay

I can’t remember what the first story I wrote was. It was not published but to begin with I didn’t write with publication in mind. My first thoughts were to see if (a) I could write a story at all and then (b) can I repeat the process?

I kept doing that for a while until I had a reasonable number and then started submitting work (on the grounds I had absolutely nothing to lose so may as well give it my best shot. If I was published I’d be thrilled to bits. I was – and I was! I still love that thrill of knowing something of mine has been accepted for publication. That’s the nice thing. That thrill does not diminish!).

I will always remember the first story that was published though! (A Helping Hand in Bridge House Publishing’s Alternative Renditions anthology. I suspect time will stand still long before I forget that!).

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Pleased Just a Minute is back on Radio 4. That and Clue are the main comedy shows I listen to now. JAM is a wonderful way of discovering just how hard it is NOT to repeat, deviate, or hesitate when talking on a topic. Know I couldn’t do it.

Repetition in writing is something I have mixed feelings on. I sometimes repeat a word or phrase deliberately for emphasis. Sometimes I get a character to use a particular word so whenever it comes up, you know it’s that character who is speaking. (I avoid tags as much as possible but generally stick to he said/she said/it said when I do need to use them).

When I edit, I’m looking out for the repetitions I didn’t mean to do and there are always some! (This is another reason for reading work out loud by the way. I’ve found I’ve missed things even looking at a printout. Reading the work out literally brings home your repetitions and other failings as you hear yourself speak and realise you’ve used a phrase several times when you didn’t need to or mean to).

Delighted to say I’ll have another story up on Cafelit next week too. More details a bit nearer the time. Looking forward to sharing the link while I’m at Swanwick too.

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I don’t schedule posts as often as could but I will be preparing a two-part CFT article on Making Space, which I’ll schedule for this Friday and the one after. (I will be very tired but happy after a wonderful week at Swanwick for the second part of my post, which will focus on making space as a writer. More details on the first part tomorrow).

I usually schedule posts for when I’m due to be away but, increasingly thanks to Evernote and a smartphone, I’m drafting posts and then putting up later the same day. I often use train journeys for this as well as my flash fiction. It means I get a nice mixture of writing done.

I need to try to write up posts in batches more often and schedule them, as I’m sure that will prove to be more efficient. The nice thing is as well is if something topical comes up, you just change your schedule for whatever you WERE going to post. You can always use that another time. The only thing to watch is to ensure any batch posts are all timeless and could go up at any time.

Pleased to say I submitted another story yesterday for a competition. Have submitted more work at this time this year than twelve months ago so pleased with that. Need to catch up on the writing prompts in my diary too as I know those will trigger more stories.

As you can no doubt tell, I don’t have time to get bored! But that is a very good thing indeed…

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Facebook – From Light to Dark and Back Again

Favourite things about flash fiction for me:-

1. Can read a story in one sitting. (Invaluable when I’m short of time).

2. Great for twist endings (which I adore).

3. One-liners and punchlines work well here too and again I adore those.

4. You can set your character in any genre you want. It is only the word count you’re watching. I’ve found as a result the story has to be character led as that is more direct. There is no room for descriptions or interaction with many other characters after all.

5. I love writing dialogue. Not a lot of room for that in flash but what I can do is show you some of my character’s thoughts and I love writing those too. The great thing with that is you will pick up on the character’s general attitude to life. In dialogue they may disguise that especially if they want to impress someone.

Sometimes a flash story tips over and becomes a longer 1500+ tale and that’s fine. It just gets submitted to a different market/competition.

I’ve learned over time to let my character(s) have their voice. The trick is ensuring that what emerges IS relevant to the story (or deepens it and makes it more meaningful).

Writers need to come with an in-built “you’re waffling and you know you are, cut NOW” detector!

The critical test for me is to ask myself does a reader really need to know this? Will their enjoyment of the story be greater if this is in the piece? If it’s Yes and Yes, the material stays in. If there’s any doubt on either, out it comes.

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Loving listening to the Pink Panther theme on Classic FM tonight. (You’ll be humming it all night now. I know I will but it is wonderful music! Loved the films AND the cartoons. I don’t know how many other films spawned cartoons either).

So you have distinctive and memorable pieces of music then across the genres. The challenge for writers is to make OUR writing distinctive and memorable.

For me, the only way to do that is to have stand-out characters. It’s never about the plot for me. It’s always about whether the character engages me regardless of whether the story is a 50 word dribble, a 100 word drabble, or a 250,000 word epic saga!

I find working out what my main character’s chief trait is going to be a useful way to unlocking what makes them tick, WHY that trait is their chief one and so on.

For my flash stories (and especially the first person ones), I have to know what my character’s voice is before I start writing them. Are they whiny? Boastful? Remorseful etc etc? Only when I think I’ve got a handle on who they really are do I start writing the story. Outlining like this has saved me a lot of time later.

Where I’ve found ideas for flash fiction stories includes:-

1. Proverbs (to use both as titles and themes).

2. Advertising phrases

3. Taking a period of history I like and writing from the viewpoint of one of my favourite characters from that period.

4. Other well known phrases (e.g. my Circle of Life, Pressing the Flesh, and Coming Up Roses).

5. Turning stereotypes on their head (e.g. my George Changes His Mind. Let’s just say I have an alternative view as to what happened when George met that dragon).

6. Using an alliterative title and seeing where it takes me (e.g. my Pen Portrait). The more open to interpretation the title, the better.

7. Taking a book I like (e.g. Pride and Prejudice) and writing a snapshot story from the viewpoint of one of the characters (e.g. my Changing My Mind is from the viewpoint of Mr Darcy).

8. Picking a fiction genre and seeing if I can write a flash fiction story in it. (I’ve written what I call light horror such as my Calling the Doctor in this vein).

9. Posing a question as the title and again seeing where it might take me.

10. Using a letter format from one character to another to generate a story.

What I like most is mixing up the methods used. It keeps me on my toes and I think makes the writing more interesting. It is really important to have fun with what you write, I think.

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Goodreads Author Blog – Books You Can’t Finish

I’m glad to say there aren’t many books I haven’t been able to finish but I guess this is one of those things that happens to most of us.

I always think it’s a bit of a shame when this does occur and I ask myself just why I couldn’t finish the book. The answer is nearly always that the characters didn’t grip me enough to make me want to find out what happened to them.

These days, given life is short and I have to TBR pile to be seen to be believed (and on my Kindle too!), anything that doesn’t hook me quickly is discarded.

It’s a good challenge to me as a writer to ensure I do put plenty of hooks into my flash fiction and short stories.

It also makes you appreciate those wonderful writers who can keep doing this book after book after book over many, many years. When I think P.G. Wodehouse wrote over 90 books and was consistently funny, well for me that’s genius and should be recognised as such.

Now back to my reading…

 

 

 

 

 

 

 

 

 

 

Reviews and Favourite Stories

Facebook – General – Reviewing

One of the problems with any kind of review is that you can’t take the personal taste of the reviewer out of it! Now that, of course, can make for some great reviews when the reviewer (a) acknowledges that and (b) gives a fair assessment whether or not they love whatever it is they are reviewing.

My policy here is to never review anything unless there is a good chance I am going to like at least something about the production or the book in question. I’ve never seen the point of “hatchet jobs” in reviews when it is clearly the reviewer’s personal taste clashing with whatever it is they’ve gone to see or have read.

As a writer myself, I have every sympathy for the hours and hours of work put in by the writers, actors etc only for them to receive said hatchet job. Why bother doing that? Simply say why the production or book didn’t work for you and leave it at that. That way at least the reviewer is merely being honest and readers can decide whether or not they are likely to agree and so either go and see the play/read the book or not, as the case may be.

Image Credit:  General images are from Pixabay, images of books I’ve appeared in or have written are obviously by  me.

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Facebook – General – Favourite Stories

Do you have a favourite story?

I think the nearest I come to this is the Cinderella one as, not only is it a great fairytale, my take on it was my first story in print (A Helping Hand in Bridge House Publishing’s Alternative Renditions). I tell the story from the youngest ugly sister’s viewpoint. The anthology comprises fairytales told from the viewpoint of minor characters in those tales and is good fun.

So the story has special meaning for me on those grounds and because I love the idea of injustice being put right (even if it does take a fairy godmother, some rats, and a pumpkin!).

What I read is dependent on my mood. I tend to read a lot in a genre for a while, then go on to another one, read a lot in that and so on. Of course, what matters most of all is to read widely and frequently. I see it as “topping up” my love of stories and books and that is necessary to help me write my own.

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Facebook – From Light to Dark and Back Again

I’m preparing a talk on flash fiction, which I hope to use at an event later this month (and adapt for future events too!). More details on the event concerned when I have them but my talk looks at what flash fiction is and the benefits to readers and writers alike.

When preparing something like this, I focus on what would most likely be of interest to the potential audience. In most book and literary events, there is likely to be a mixture of readers and fellow writers. The nice thing is all writers should be able to wear the “reader’s hat” as well as obviously wearing the writer’s one and so pitching the talk, and working out what both are likely to be interested in, is easier to do.

Both reader and writer are interested in the process of producing a story, albeit from different angles. Both are interested in the inspiration behind the stories, though the writer wants to know how to take that inspiration and use it to produce something unique to themselves. Both reader and writer are looking for connections.

In the case of a reader, you are pointing them in the direction of reading your story if they haven’t done so already. If they have, you, as the writer, are generally looking for feedback. What worked well? What was less good/effective? In the case of another writer, they are looking for tips to help them improve their own writing and learn from you what lessons YOU learned the hard way so they don’t have to! Be fair though. You will do this yourself every time you go to another author’s talk!

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Facebook – From Light to Dark and Back Again Part 2

The art to a great flash story
Be it sad, funny or gory
Is having no word out of place.
It also grips you and its pace
Is apt for the allegory.
(Allison Symes 2017)

Okay, the Poet Laureate’s job is definitely not threatened by me, but the above does sum up flash fiction reasonably well.

I’ve used nursery rhymes (Hickory Dickory Dock) as a basis for my tales (Telling the Time), as well as fairytales told from the viewpoint of other characters.

I’m looking for what impact my flash fiction will have on a reader and I like my characters to justify their stance. It doesn’t mean that they’re right but you should be able to see into their mind and understand why they act the way they do and/or live the way that they are. It is a question of looking out from where they are, as opposed to where I am. I write more effectively for the characters if I can do that.

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